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Warda al-Yaziji (1838–1924) was a
Lebanese Christian Christianity in Lebanon has a long and continuous history. Biblical Scriptures purport that Peter and Paul evangelized the Phoenicians, whom they affiliated to the ancient patriarchate of Antioch. The spread of Christianity in Lebanon was ...
poet who rose to prominence in the early twentieth century, and is considered a pioneer for opening up the field of writing to women.


Personal life

Born in Lebanon in 1924, Warda was raised in an upper-class home and attended a private Christian school in the area. She was the daughter of poet and scholar
Nasif al-Yaziji Nāṣīf bin ʻAbd Allāh bin Nāṣīf bin Janbulāṭ bin Saʻd al-Yāzijī (; March 25, 1800 – February 8, 1871) was a Lebanese author at the times of the Ottoman Empire and father of Ibrahim al-Yaziji. He was one of the leading figures in ...
, and her brother was the notable scholar
Ibrahim al-Yaziji Ibrahim al-Yaziji (Arabic ابراهيم اليازجي, ''Ibrahim al-Yāzijī''; 1847–1906) was an Arab Christian philosopher, philologist, poet and journalist. He belonged to the Greek Catholic population of the Mutasarrifate of Mount Lebano ...
, because of this she received a high level of education and was taught both French and Arabic. It is said that at the age of 13 she began to write poetry. As she got older, Warda began teaching at a school while continuing to write and married her husband Francis Shamun in 1866. They had five children together. After the death of her husband in 1899 she moved to Alexandria, Egypt.


Work

Warda's poetry is said to represent the beginning of a renaissance because it "revived the traditions and aesthetics of poetry in the Golden Ages". She follows the more classical form of
qasida The qaṣīda (also spelled ''qaṣīdah''; is originally an Arabic word , plural ''qaṣā’id'', ; that was passed to some other languages such as fa, قصیده or , ''chakameh'', and tr, kaside) is an ancient Arabic word and form of writin ...
which adds femininity to her writing. Unfortunately the qasida form of poetry has always been looked down on because of its embrace of femininity, so scholars have tended to denounced her work. Despite the denunciation, her poetry went on to inspire many women, most notably May Ziade who not only became a prominent writer but also went on to teach many courses over Warda's works. Ziade, in one of her lectures on Warda's poetry had this to say on her poems: "If she informs us that the lines are composed about a female friend, we realize that they contain things addressed to a male friend, but she has hidden them behind the veil of the feminine pronoun to conform to social rules that require a woman to conceal her emotions, even in poetry." She first published her book of poems called ''The Rose Garden'' in 1867, which would be republished a total of three times.


Impact

Warda's pioneering status can be attributed not only to the male profession that she broke into, but also her support for broader women's rights. This can be seen during Warda's time in Egypt by her writings on women's issues in the Egyptian magazine, "Al Diya". Her support women's rights led her to unveil herself in public, inspiring the designation of a commemorative portrait of her at the National Library in
Beirut Beirut, french: Beyrouth is the capital and largest city of Lebanon. , Greater Beirut has a population of 2.5 million, which makes it the third-largest city in the Levant region. The city is situated on a peninsula at the midpoint o ...
. Ziade published a eulogy for Warda in "Al-Muqtataf" which held Warda as a model and pioneer for future Arab women.


References

{{authority control Lebanese Christians 1838 births 1924 deaths Poets from the Ottoman Empire Emigrants from the Ottoman Empire to Egypt 19th-century Lebanese poets Lebanese women poets 20th-century Lebanese poets 19th-century women writers 20th-century women writers Lebanese people of Syrian descent