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Wallace A. Carlson (March 28, 1894 – May 9, 1967) was a pioneering American animator and comic strip artist based in Chicago. Known to his friends as Wally Carlson, he usually signed his work as Wallace Carlson.


Biography

Born in
St. Louis, Missouri St. Louis () is the second-largest city in Missouri, United States. It sits near the confluence of the Mississippi River, Mississippi and the Missouri Rivers. In 2020, the city proper had a population of 301,578, while the Greater St. Louis, ...
, Carlson moved with his family in 1905 to Chicago, where he took a job at the ''
Chicago Inter Ocean The ''Chicago Inter Ocean'', also known as the ''Chicago Inter-Ocean'', is the name used for most of its history for a newspaper published in Chicago, Illinois, from 1865 until 1914. Its editors included Charles A. Dana and Byron Andrews. Histo ...
'' newspaper as a copy boy. Soon he was contributing cartoons to the paper. Some time after the newspaper folded, Carlson created his first animated cartoon, ''Joe Boko Breaking Into the Big League'' (1914) completely on his own, the same year as
Winsor McCay Zenas Winsor McCay ( – July 26, 1934) was an American cartoonist and animator. He is best known for the comic strip ''Little Nemo'' (1905–14; 1924–26) and the animated film ''Gertie the Dinosaur'' (1914). For contractual reasons, he worke ...
's ''
Gertie the Dinosaur ''Gertie the Dinosaur'' is a 1914 animated short film by American cartoonist and animator Winsor McCay. It is the earliest animated film to feature a dinosaur. McCay first used the film before live audiences as an interactive part of his vaude ...
''. The success of this short gained the attention of the Essanay Film Manufacturing Company, who engaged Carlson to create a series, ''Canimated Nooz Pictorials'', that was combined into their newsreels. At first the character Joe Boko continued from the older subject, but shortly Carlson introduced Dreamy Dud, a winsome lad whose daydreams gets him into various troublesome situations. Carlson's Dreamy Dud pictures remain his best known work in posterity. In 1917, Carlson began to work for John Randolph Bray and developed other characters, including Otto Luck and Goodrich Dirt, the latter being a short, squat bearded hobo in ragged clothes who seemed to have perpetual bad luck. When Carlson introduced the ''Us Fellers'' series at Bray in 1919, it provided him the opportunity to bring back Dreamy Dud, who was the main focus of these subjects.


''The Nebbs''

Carlson took over animating the popular strip ''The Gumps'' for Bray in 1919, and while the series was not successful, Carlson struck up a friendship with writer
Sol Hess Sol Hess (born 1886, Philadelphia, PA – d. 1953) was an American typeface designer. After a three-year scholarship course at Pennsylvania Museum School of Industrial Design, he began at Lanston Monotype in 1902, rising to typographic manag ...
, a close friend to ''The Gumps cartoonist Sidney Smith. Carlson's career as animator ended with his last ''Gumps'' short, ''Fatherly Love'' (1921). In the spring of 1923, he and Hess rolled out ''The Nebbs'', a strip modeled very closely on ''The Gumps'', although Junior Nebb bore an uncanny resemblance to Dreamy Dud. Although not as well remembered today as ''The Gumps'', ''The Nebbs'' was an extremely successful strip and ran in more than 500 newspapers, spawning a short-lived radio series in the 1940s.Toonopedia
/ref> With Hess' death in 1941, the scripts for ''The Nebbs'' were taken over by his daughter, Betsy Hess and her husband, Stanley Baer. They ran another strip called ''The Toodle Family'', and by 1947, ''The Nebbs'' had been folded into the newer comic as subsidiary characters. Shortly before that, Carlson had gone into retirement. He died in Chicago in 1967.


Legacy

Although Wallace Carlson's early and late careers as a newspaper cartoonist added up to some 30 years of activity, it is for his animation that he is remembered; in just seven years Carlson made over 100 cartoons, albeit short ones of the split-reel variety. Most of these are either lost or otherwise unaccounted for, though several of his titles were circulated in the home 16mm market of the 1920s and 30s and newly discovered ones continue to be located periodically. The earlier, freely drawn Essanay titles tend to be more interesting than later Bray subjects as the recycled cel backdrops and the demand of producing cartoons at the rate which Bray preferred tended to compromise their quality. Nevertheless, Carlson belongs to the first generation of American animators and his work retains considerable interest in its close visual relationship to comic strip art and imaginative flights of fancy, particularly in the ''Dreamy Dud'' series.


Confirmed extant films

*''Dreamy Dud. He Resolves Not to Smoke'' (1915) *''Dreamy Dud Sees Charlie Chaplin'' (1915) *''Otto Luck to the Rescue'' (1917) *''Goodrich Dirt, Cow Puncher'' (1918) *''Goodrich Dirt, the Cop'' (1918) *''Goodrich Dirt, Coin Collector'' (1918) *''Goodrich Dirt, Hypnotist'' (1919) *''Goodrich Dirt Sleeps and Spot Goes Romeo-ing'' (1919) *''Dud, the Circus Performer'' (1919) *''Ol' Swimming Hole'' (1919) *''Dud's Home Run'' (1919) *''Dud Leaves Home'' (1919) *''A Chip Off the Old Block'' (1919) *''Dud, the Lion Tamer'' (1920) *''Wim and Wiggor'' (1920) *''Mixing Business with Pleasure'' (1920) *''Andy's Cow'' (1921) *At least one unidentified ''Gumps'' short (1920–1921)


References


Sources


Donald Crafton, ''Before Mickey''. University of Chicago Press, 1993.Jeff Lenburg, ''Who's Who in Animated Cartoons''. Applause, 2006.


Further reading

Kevin Scott Collier. ''Dreamy Dud: Wallace A. Carlson's Animation Classic''. CreateSpace Independent Publishing Platform, 2017.


External links


''Dreamy Dud: He Resolves Not to Smoke'' (1915)''Dud Leaves Home'' (1919)
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{{DEFAULTSORT:Carlson, Wallace 1894 births 1967 deaths American comics artists Animators from Illinois American animated film directors American comic strip cartoonists Artists from Chicago Articles containing video clips Bray Productions people