(Watch! Pray! Pray! Watch!) is the title of two church cantatas by

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...

. He composed a first version, 70a, in

Weimar Weimar is a city in the state of Thuringia, Germany. It is located in Central Germany between Erfurt in the west and Jena in the east, approximately southwest of Leipzig, north of Nuremberg and west of Dresden. Together with the neighbouri ...

for the second Sunday in

Advent Advent is a Christian season of preparation for the Nativity of Christ at Christmas. It is the beginning of the liturgical year in Western Christianity. The name was adopted from Latin "coming; arrival", translating Greek ''parousia''. In ...

of 1716 and expanded it in 1723 in

Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as wel ...

to , a cantata in two parts for the 26th Sunday after

Trinity The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the F ...

History and words

On 2 March 1714 Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes

Wilhelm Ernst Wilhelm Ernst (25 August 1905, in Gelsenkirchen – 23 July 1952, in Gelsenkirchen) was a German chess master. Biography He was a winner at Weidenau 1937. He played several times in German Chess Championship; took second, behind Kurt Richter, at ...

and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the ''Schlosskirche'' (palace church), on a monthly schedule. Bach originally wrote this cantata in his last year there, for the Second Sunday of Advent. The prescribed readings for the Sunday were from the

Epistle to the Romans The Epistle to the Romans is the sixth book in the New Testament, and the longest of the thirteen Pauline epistles. Biblical scholars agree that it was composed by Paul the Apostle to explain that salvation is offered through the gospel of J ...

, call of the Gentiles (), and from the

Gospel of Luke The Gospel of Luke), or simply Luke (which is also its most common form of abbreviation). tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus Christ. Together with the Acts of the Apostles, it makes up a two-volu ...

, the

Second Coming of Christ The Second Coming (sometimes called the Second Advent or the Parousia) is a Christian (as well as Islamic and Baha'i) belief that Jesus will return again after his ascension to heaven about two thousand years ago. The idea is based on messi ...

, also called Second Advent (). The cantata text was provided by the court poet

Salomon Franck Salomon (also Salomo) Franck, 6 March 1659 – 11 July 1725), was a German lawyer, scientist, and poet. Franck was working at Weimar at the same time as the composer Johann Sebastian Bach and he was the librettist of some of the best-kn ...

, published in ''Evangelische Sonn- und Fest-Tages-Andachten'' in 1717. Bach wrote five movements, a chorus and four

aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...

s, and concluded with the fifth verse of the chorale "" by

Christian Keymann Christian Keymann (also ''Christian Keimann''; 27 February 1607 – 13 January 1662) was a German hymnwriter. He is known for writing the chorale "Meinen Jesum laß ich nicht" in 1658, which served as the base for Bach's chorale cantata '' Meinen J ...

. Bach first performed the cantata on 6 December 1716. In Leipzig, Advent was a quiet time (''

tempus clausum The closed time (Latin: Tempus clausum), in the ancient Roman Catholic law : forbidden time (lat. Tempus feriatum) as well, denominates the penitential periods in the liturgical year, Lent and Advent. During this ''closed time'' the believers shal ...

''), thus no cantata music was performed in services from Advent II to Advent IV. In order to use the music again, Bach had to dedicate it to a different liturgical event and chose the 26th Sunday after Trinity with a similar theme. The prescribed readings for this Sunday were from

The Second Epistle of Peter The Second Epistle of Peter is a book of the New Testament of the Bible. The text identifies the author as "Simon Peter, a bondservant and apostle of Jesus Christ" and the epistle is traditionally attributed to Peter the Apostle, but most criti ...

, "look for new heavens and a new earth" (), and from the

Gospel of Matthew The Gospel of Matthew), or simply Matthew. It is most commonly abbreviated as "Matt." is the first book of the New Testament of the Bible and one of the three synoptic Gospels. It tells how Israel's Messiah, Jesus, comes to his people and for ...

, the

, also called Second Advent (). An unknown poet kept the existing movements and added recitatives and a chorale to end part 1 of the new cantata, the final verse of "" by

Christoph Demantius Johann Christoph Demantius (15 December 1567 – 20 April 1643) was a German composer, music theorist, writer and poet. He was an exact contemporary of Monteverdi, and represented a transitional phase in German Lutheran music from the polypho ...

. Bach performed the extended cantata first on 21 November 1723, and a second time on 18 November 1731.

Scoring and structure

The instrumentation of the Weimar cantata is lost. The cantata in two parts of 7 and 4 movements was scored in Leipzig for

soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880&n ...

alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...

tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...

, and

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...

soloists, a four-part choir,

trumpet The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard ...

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A ...

bassoon The bassoon is a woodwind instrument in the double reed family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuo ...

, two

violin The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...

viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...

, and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...

. The movement numbers of cantata 70a are given in brackets. ::Part I # Chorus: '' (1.) # Recitative (bass): # Aria (alto): (2.) # Recitative (tenor): # Aria (soprano): (3.) # Recitative (tenor): # Chorale: ::Part II #

Aria (tenor): (4.)

# Recitative (bass): # Aria (bass): (5.) # Chorale: (6.)

Music

Bach shaped the opening chorus in a da capo form and used a technique to embed the vocal parts in the concerto of the orchestra. A characteristic trumpet calls to wake up, initiating figurative movement in the other instruments and the voices. The choir contrasts short calls "" and long chords "". All instruments accompany the recitative, illustrating the fright of the sinners, the calmness of the chosen ones, the destruction of the world, and the fear of the ones called to be judged. Part I is closed by the final verse of "" in a four-part setting. The recitative in movement 9 opens with a ''Furioso'' depicting the "" (the unheard-of last stroke), while the trumpet quotes the hymn "" (Indeed, the time is here). This chorale had been used as kind of a Dies irae during the

Thirty Years' War The Thirty Years' War was one of the longest and most destructive conflicts in European history The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (80 ...

. The recitative ends on a long melisma on the words "" (Therefore, I will end my course with joy). The following bass aria begins immediately, without the usual

ritornello A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...

, ''molt' adagio''. After this intimate reflection of the thought "" (Jesus leads me to quiet, to the place where pleasure is complete) the closing chorale is set richly for seven parts, independent parts for the upper three strings forming a "halo" for the voices.

Recordings

* ''J. S. Bach: Cantatas BWV 68 & BWV 70'', Kurt Thomas, Kantorei der

Dreikönigskirche, Frankfurt The Dreikönigskirche (English: Church of the Three Kings) is a Lutheran Protestant church and parish in Frankfurt, the city's largest Protestant parish. It is located on the south bank of the Main in Sachsenhausen, opposite the Frankfurt Cathedra ...

, Collegium Musicum, Ingeborg Reichelt, Sibylla Plate, Helmut Kretschmar, Erich Wenk, L'Oiseau-Lyre 1952? * ''Cantata BWV 70'', Karl Richter, Münchener Bach-Chor, Chamber orchestra of the

Bayerisches Staatsorchester The Bavarian State Orchestra (german: Bayerisches Staatsorchester, italic=no) is the orchestra of the Bavarian State Opera in Munich, Germany. It has given its own series of concerts, the , since 1811. Profile On 9 December 2011, this ensemble c ...

Lotte Schädle Lotte Schädle (born 23 October 1926) is a German soprano in opera, operetta, lied and concert. She was a member of the Bavarian State Opera and the Staatstheater Nürnberg, and has performed at international opera houses and festivals, in roles s ...

Hertha Töpper Hertha Töpper (; 19 April 1924 – 28 March 2020) was an Austrian contralto in opera and concert, and an academic voice teacher. A member of the Bavarian State Opera, she appeared in leading roles at major international opera houses and festivals ...

, Helmut Kretschmar, Kieth Engen, Andromeda 1957 * ''Les Grandes Cantates de J. S. Bach Vol. 23'',

Fritz Werner Fritz Werner (15 December 1898 – 22 December 1977) was a German choral conductor, church music director, conductor, organist and composer. He founded the Heinrich-Schütz-Chor Heilbronn in 1947 and conducted it until 1973. Career Born in Berli ...

Heinrich-Schütz-Chor Heilbronn Fritz Werner (15 December 1898 – 22 December 1977) was a German choral conductor, church music director, conductor, organist and composer. He founded the Heinrich-Schütz-Chor Heilbronn in 1947 and conducted it until 1973. Career Born in Berli ...

, Württembergisches Kammerorchester Heilbronn, Hedy Graf,

Barbara Scherler Barbara may refer to: People * Barbara (given name) * Barbara (painter) (1915–2002), pseudonym of Olga Biglieri, Italian futurist painter * Barbara (singer) (1930–1997), French singer * Barbara Popović (born 2000), also known mononymously as ...

Kurt Huber Kurt Huber (24 October 1893 – 13 July 1943) was a university professor and resistance fighter with the anti-Nazi group White Rose. For his involvement he was imprisoned and guillotined. Early life Huber was born in Chur, Switzerland, to Germ ...

Jakob Stämpfli Jakob Stämpfli (23 February 1820 – 15 May 1879) was a Swiss politician and member of the Swiss Federal Council (1854–1863). He was elected to the Federal Council of Switzerland on 6 December 1854, and handed over office on 31 December 1863. ...

Erato In Greek mythology, Erato (; grc, Ἐρατώ) is one of the Greek Muses, which were inspirational goddesses of literature, science, and the arts. The name would mean "desired" or "lovely", if derived from the same root as Eros, as Apollonius o ...

1970 * ''Die Bach Kantate Vol. 15'', Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart,

Arleen Augér Joyce Arleen Auger (sometimes spelled Augér ; September 13, 1939 – June 10, 1993) was an American soprano, known for her coloratura voice and interpretations of works by Bach, Handel, Haydn, Monteverdi, Mozart, and Schubert. She won a posthum ...

Verena Gohl Verena of Zurzach, mostly just called ''Saint Verena'' (c. 260 – c. 320) is an early Christian consecrated virgin and hermit. She is especially venerated in Switzerland, where her cult is attested in Bad Zurzach, the reported place of he ...

Lutz-Michael Harder Lutz-Michael Harder (4 September 1942 – 24 August 2019) was a German lyric tenor known mostly for his interpretation of Mozart opera roles and as a baroque concert soloist. He was also an academic voice teacher at the Musikhochschule Hannover. ...

Siegmund Nimsgern Siegmund Nimsgern (born 14 January 1940) is a German bass-baritone, born in Sankt Wendel, Saarland, Germany. After leaving school in 1960 he studied singing and musical education at the Hochschule für Musik Saar with Sibylle Fuchs, Jakob St� ...

, Hänssler 1970/1982 * ''J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 4'',

Nikolaus Harnoncourt Johann Nikolaus Harnoncourt or historically Johann Nikolaus Graf de la Fontaine und d'Harnoncourt-Unverzagt; () (6 December 1929 – 5 March 2016) was an Austrian conductor, particularly known for his historically informed performances of music ...

Tölzer Knabenchor The Tölzer Knabenchor (Tölz Boys' Choir) is a German boys' choir named after the Upper Bavarian city of Bad Tölz and since 1971 based in Munich. The choir is ranked among the most versatile and sought-after boys' choirs in the world. Histor ...

Concentus Musicus Wien Concentus Musicus Wien (CMW) is an Austrian baroque music ensemble based in Vienna. The CMW is recognized as a pioneer of the period-instrument performance movement. History Nikolaus Harnoncourt and Alice Harnoncourt co-founded the CMW in 1953 ...

, soloist of the Tölzer Knabenchor,

Paul Esswood Paul Lawrence Vincent Esswood (born 6 June 1942) is an English countertenor and conductor. He is best known for his performance of Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman ...

, Kurt Equiluz,

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, Teldec 1977 * ''J. S. Bach: Complete Cantatas Vol. 9'',

Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...

, Amsterdam Baroque Orchestra & Choir, Sibylla Rubens,

Bernhard Landauer Bernhard Landauer (born 20 July 1970) is an Austrian countertenor in opera and concert, who is active internationally in both historically informed performance and contemporary music. Life and career Bernhard Landauer was born in Innsbruck. H ...

Christoph Prégardien Christoph Prégardien (born 18 January 1956) is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances an ...

Klaus Mertens Klaus Mertens (born 25 March 1949, in Kleve) is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice. Career Klaus Mertens took singing lessons ...

, Antoine Marchand 1998 * ''J. S. Bach: Cantatas Vol. 15 – Cantatas from Leipzig 1723'', Masaaki Suzuki, Bach Collegium Japan,

Yukari Nonoshita Yukari Nonoshita ( jp:野々下由香里, Nonoshita Yukari) is a japanese soprano. She studied at the Tokyo National University of Fine Arts and Music. She continued her studies in France at the and the École Normale de Musique de Paris, with ...

Robin Blaze Robin Blaze (born 1971 in Manchester) is an English countertenor. Early life The son of Peter Blaze, a professional golfer, and Christine, Blaze and his brother Mark grew up in Shadwell, near Leeds, and was educated at Leeds Grammar School, ...

Gerd Türk Gerd Türk is a German classical tenor. Biography Gerd Türk received his first musical training as a choir boy at the cathedral of Limburg. He studied in Frankfurt and then at the Schola Cantorum Basiliensis with Richard Levitt and René Jaco ...

Peter Kooy Peter Kooij (or, internationally Kooy, born 1954, in Soest) is a Dutch bass singer who specializes in baroque music. Biography Kooij started his musical career at 6 years as a choir boy. However he started his musical studies as a violin stud ...

, BIS 2000 * ''Bach Cantatas Vol. 13: Köln/Lüneburg'', John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Brigitte Geller, Michael Chance,

Jan Kobow Jan Kobow (born 1966) is a German classical tenor in concert, Lied, and Baroque opera. Professional career Jan Kobow was born and raised in Berlin. He was a singer and soloist of the ''Staats- und Domchor, Berlin'' with Christian Grube. He stud ...

Dietrich Henschel Dietrich Henschel (born 1967) is a German baritone. Life and career Born in Berlin, Henschel grew up in Nürnberg where he attended high school and studied piano and conducting. He studied voice at the and made his stage debut at the 1990 Munich ...

, Soli Deo Gloria 2000

References

Sources

*
Wachet! Betet! Betet! Wachet! BWV 70a; BC (A 4) / Sacred cantata (2nd Sunday of Advent)
Bach Digital
Wachet! Betet! Betet! Wachet! BWV 70; BC A 165 / Sacred cantata (26th Sunday after Trinity)
Bach Digital
Cantata BWV 70a Wachet! betet! betet! wachet!
history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website

history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas Website

English translation,

University of Vermont The University of Vermont (UVM), officially the University of Vermont and State Agricultural College, is a Public university, public Land-grant university, land-grant research university in Burlington, Vermont. It was founded in 1791 and is amon ...

BWV 70a Wachet! betet! betet! wachet!
text, scoring,

University of Alberta The University of Alberta, also known as U of A or UAlberta, is a public research university located in Edmonton, Alberta, Canada. It was founded in 1908 by Alexander Cameron Rutherford,"A Gentleman of Strathcona – Alexander Cameron Rutherfor ...

BWV 70 Wachet! betet! betet! wachet!
text, scoring,

* Luke Dahn
BWV 70.7
bach-chorales.com {{DISPLAYTITLE:''Wachet! betet! betet! wachet!'' BWV 70 Church cantatas by Johann Sebastian Bach 1716 compositions 1723 compositions Advent music