W. Mertens
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W. Mertens, known also as Wouter Mertens (
fl. ''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicatin ...
1650–1675) was a Flemish still life painter active in Antwerp who is known for his fruit still lifes and
pronkstilleven ''Pronkstilleven'' ( Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, which was developed in the 1640s in Antwerp from where it spread quickly to the Dutch Republic. Development Flemish art ...
s.W. Mertens
at the Netherlands Institute for Art History
His work shows the influence of
Jan Davidszoon de Heem Jan Davidsz. de Heem or in-full ''Jan Davidszoon de Heem'', also called ''Johannes de Heem'' or ''Johannes van Antwerpen'' or ''Jan Davidsz de Hem'' (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter ...
, a Dutch still life painter who was active in Antwerp from the mid-1630s.W. Mertens, ''Exuberant large fruit piece with crab, prawns, lobster on a fabric box with roemer, ornate silver tazza, repousse ewer''
at Brunk Auctions


Life

Nothing is known about the life of Mertens other than that he was likely active in Antwerp in the third quarter of the 17th century. While a Wouter Mertens was registered as a 'wijnmeester' (son of a master) in the Guild of Saint Luke of Antwerp in the guild year 1641–1642, this person was a 'borduerwerker', i.e. an embroidery worker.De liggeren en andere historische archieven der Antwerpsche sint Lucasgilde
Volume 2, by Ph. Rombouts and Th. van Lerius, Antwerp, 1864, p. 128, on Google books
This person is therefore unlikely the same person as W. Mertens. While some works are signed as 'W. Mertens' or show remains of a signature which indicate that his first name started with a W, there is no full signature that shows his first name as 'Wouter'. This first name seems to have been attributed to the artist based on confusion with the Wouter Mertens registered as an embroidery worker.Wouter Mertens (active 1641-1642,) ''Bunches of Grapes in a Basket on a partly draped Table''
at Christie's
As it would be unlikely for a painter to be active in Antwerp without registering at the local Guild, some art historians have hypothesized that the artist should be identified with the Antwerp painter and art dealer Cornelis Mertens. Cornelis Mertens was registered with the Guild of Antwerp as a painting apprentice in the Guild year 1644-45 studying under Abraham Matthyssen. He was recorded as a master in the Guild year 1656-57. Cornelis was last recorded in the Guild records in 1692-93 when the death debt of his wife was paid.De liggeren en andere historische archieven der Antwerpsche sint Lucasgilde
Volume 2, by Ph. Rombouts and Th. van Lerius, Antwerp, 1864, p-. 157, 163, 276, 282, 563, on Google books
The dates of the works ascribed to W. Mertens coincide with the active period of Cornelis Mertens. However, there is no plausible explanation for why Cornelis would sign his works with the initial W instead of C. It is still possible that the artist was related to Cornelis Mertens or that artist's son Thomas Mertens.


Work

Only a handful works have been attributed to W. Mertens some of which are signed as W. Mertens. None of the works are dated. Mertens was a specialist still life painter who is known for his fruit still lifes and
pronkstilleven ''Pronkstilleven'' ( Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, which was developed in the 1640s in Antwerp from where it spread quickly to the Dutch Republic. Development Flemish art ...
s (i.e. sumptuous still lifes of luxurious objects). In terms of composition and choice of motifs his work shows a knowledge of the early 1650s works of
Jan Davidszoon de Heem Jan Davidsz. de Heem or in-full ''Jan Davidszoon de Heem'', also called ''Johannes de Heem'' or ''Johannes van Antwerpen'' or ''Jan Davidsz de Hem'' (c. 17 April 1606 in Utrecht – before 26 April 1684 in Antwerp), was a still life painter ...
, a Dutch still life painter who was active in Antwerp from the mid-1630s. His works are sometimes attributed to other Antwerp painters who were influenced by de Heem such as
Joris van Son Joris van Son or Georg van Son (baptized 24 September 1623 – buried 25 June 1667 in Antwerp) was a Flemish still life painter who worked in a number of sub-genres but is principally known for his still lifes of fruit. He also painted flowers, ...
,
Jan Pauwel Gillemans the Elder Jan Pauwel Gillemans the Elder (Antwerp, 1618 - Antwerp, 1675) was a Flemish goldsmith and still life painter who is known for his fruit still lifes, flower pieces, vanitas still lifes and pronkstillevens.Netherlands Institute for Art History


References


External links

* {{DEFAULTSORT:Mertens, W Flemish Baroque painters Flemish still life painters Painters from Antwerp Year of birth uncertain