Bibliography
Books
*''Mental Traveler: A FATHER, A SON, AND A JOURNEY THROUGH SCHIZOPHRENIA''. Chicago, IL: U of Chicago P, 2020. *''Image Science: Iconology, Visual Culture and Media Aesthetics''. Chicago, IL: U of Chicago P, 2015. *''Cloning Terror: The War of Images, 9/11 to the Present''. Chicago, IL: U of Chicago P, 2011. *With Mark B. N. Hansen. ''Critical Terms for Media Studies''. Chicago, IL: U of Chicago P, 2010. *''What Do Pictures Want?: The Lives and Loves of Images''. Chicago, IL: U of Chicago P, 2005. *''The Last Dinosaur Book: The Life and Times of a Cultural Icon''. Chicago, IL: U of Chicago P, 1998. *''Picture Theory: Essays on Verbal and Visual Representation''. Chicago: U of Chicago P, 1994. *''Iconology: Image, Text, Ideology''. Chicago: U of Chicago P, 1986. pbk. *''Against Theory: Literary Studies and the New Pragmatism''. Chicago: U of Chicago P, 1985. pbk. *''The Politics of Interpretation''. Chicago: U of Chicago P, 1983. *''On Narrative''. Chicago: U of Chicago P, 1981. review: fromEssays and other short works
* Bhabha, Homi, and W. J. T. Mitchell. "Edward Said: Continuing the Conversation." Critical Inquiry 31, no. 2 (Winter, 2005): 365–529. *Mitchell, W. J. T. "Edward Said: Continuing the Conversation." Critical Inquiry 31, no. 2 (Winter, 2005): 365–370. *"Secular Divination: Edward Said's Humanism." Critical Inquiry 31, no. 2 (Winter, 2005): 462–471. *"The Future of Criticism-A Critical Inquiry Symposium." Critical Inquiry 30, no. 2 (Winter, 2004): 324–483. *"Romanticism and the Life of Things: Fossils, Totems, and Images." in Things., Edited by Bill Brown. Chicago, IL: U of Chicago P, 2004. *"The Commitment to Form; Or, Still Crazy After all these Years." PMLA: Publications of the Modern Language Association of America 118, no. 2 (Mar, 2003): 321–325. *"Remembering Edward Said." Chronicle of Higher Education 50, no. 7 (Oct 10, 2003): B10-B11. *"The Serpent in the Wilderness: Space, Place, and Landscape in the Eighteenth Century." in Acts of Narrative., Edited by Carol Jacobs, Henry Sussman. Stanford, CA: Stanford UP, 2003. *"The Work of Art in the Age of Biocybernetic Reproduction." Modernism/Modernity 10, no. 3 (Sept, 2003): 481–500. *"Showing Seeing: A Critique of Visual Culture". In: Michael Ann Holly and Keith Moxey (eds.),'' Art History, Aesthetics, Visual Studies''. Clark Art Institute and Yale University Press, 2002: 231–250. *"911: Criticism and Crisis." Critical Inquiry 28, no. 2 (Winter, 2002): 567–572. *"The Surplus Value of Images." Mosaic: A Journal for the Interdisciplinary Study of Literature 35, no. 3 (Sept, 2002): 1-23. *"Romanticism and the Life of Things: Fossils, Totems, and Images." Critical Inquiry 28, no. 1 (Autumn, 2001): 167–184. *"Seeing Disability." Public Culture 13, no. 3 5(Fall, 2001): 391–397. *"Holy Landscape: Israel, Palestine, and the American Wilderness." Critical Inquiry 26, no. 2 (Winter, 2000): 193–223. *"La Plus-Value Des Images." Etudes Littéraires 32–33, no. 3-1 (Autumn-2001 Winter, 2000): 201–225. *"The Panic of the Visual: A Conversation with Edward W. Said." in Edward Said and the Work of the Critic: Speaking Truth to Power., Edited by Paul A. Bové. Durham, NC: Duke UP, 2000. *"The Panic of the Visual: A Conversation with Edward W. Said." Boundary 2: An International Journal of Literature and Culture 25, no. 2 (Summer, 1998): 11–33. *"The Romantic Education of W. J. T. Mitchell." in U of Maryland, College Park, MD Pagination: 34 Paragraphs., Edited by Wang, Orrin N. C. (ed.), The Last Formalist,or W.J.T.Mitchell as Romantic Dinosaur1997. *"The Violence of Public Art: Do the Right Thing." in Spike Lee's do the Right Thing., Edited by Mark A. Reid. Cambridge, England: Cambridge UP, 1997. *"Chaosthetics: Blake's Sense of Form." Huntington Library Quarterly: Studies in English and American History and Literature 58, no. 3-4 (1996): 441–458. *"Visible Language: Blake's Wond'Rous Art of Writing." in William Blake., Edited by David Punter. New York: St. Martin's, 1996. *"What do Pictures really Want?" October 77, (Summer, 1996): 71–82. *"Why Comparisons are Odious." World Literature Today: A Literary Quarterly of the University of Oklahoma 70, no. 2 (Spring, 1996): 321–324. *Amrine, Frederick, Martha Banta, Antoine Compagnon, Heather Dubrow, James D. Fernández, Sue Houchins, and W. J. T. Mitchell, et al. "The Status of Evidence: A Roundtable." PMLA: Publications of the Modern Language Association of America 111, no. 1 (Jan, 1996): 21–31. *"Postcolonial Culture, Postimperial Criticism." in The Post-Colonial Studies Reader., Edited by Bill Ashcroft, Gareth Griffiths and Helen Tiffin. London: Routledge, 1995. *"Narrative, Memory, and Slavery." in Cultural Artifacts and the Production of Meaning: The Page, the Image, and the Body., Edited by Margaret J. M. Ezell, Katherine O'Brien O'Keeffe. Ann Arbor, MI: U of Michigan P, 1994. *"Ekphrasis and the Other." South Atlantic Quarterly 91, no. 3 (Summer, 1992): 695–719. *"Postcolonial Culture, Postimperial Criticism." Transition 56, (1992): 11–19. *"Iconology and Ideology: Panofsky, Althusser, and the Scene of Recognition." in Image and Ideology in Modern/Postmodern Discourse., Edited by David B. Downing, Susan Bazargan. Albany: State U of New York P, 1991. *"Against Comparison: Teaching Literature and the Visual Arts." in Teaching Literature and Other Arts., Edited by Jean-Pierre Barricelli, Joseph Gibaldi and Estella Lauter. New York: Mod. Lang. Assn. of Amer., 1990. *"Influence, Autobiography, and Literary History: Rousseau's Confessions and Wordsworth's the Prelude." ELH 57, no. 3 (Fall, 1990): 643–664. *"Essays Toward a New Art History." Critical Inquiry 15, no. 2 (Winter, 1989): 226–406. *"Image and Text in Songs." in Approaches to Teaching Blake's Songs of Innocence and of Experience., Edited by Robert F. Gleckner, Mark L. Greenberg. New York: Mod. Lang. Assn. of Amer., 1989. *"Space, Ideology, and Literary Representation." '' Poetics Today'' 10, no. 1 (Spring, 1989): 91-102. *"Tableau and Taboo: The Resistance to Vision in Literary Discourse." CEA Critic: An Official Journal of the College English Association 51, no. 1 (Fall, 1988): 4-10. *"Wittgenstein's Imagery and what it Tells Us." New Literary History: A Journal of Theory and Interpretation 19, no. 2 (Winter, 1988): 361–370. *"How Good is Nelson Goodman?" Poetics Today 7, no. 1 (1986): 111–115. *"Visible Language: Blake's Wond'Rous Art of Writing." in Romanticism and Contemporary Criticism., Edited by Morris Eaves, Michael Fischer. Ithaca: Cornell UP, 1986. *"The Politics of Genre: Space and Time in Lessing's Laocoon." Representations 6, (Spring, 1984): 98-115. *"What is an Image?" New Literary History: A Journal of Theory and Interpretation 15, no. 3 (Spring, 1984): 503–537. *"Metamorphoses of the Vortex: Hogarth, Turner, and Blake." in Articulate Images: The Sister Arts from Hogarth to Tennyson., Edited by Richard Wendorf. Minneapolis: U of Minnesota P, 1983. *"Critical Inquiry and the Ideology of Pluralism." Critical Inquiry 8, no. 4 (Summer, 1982): 609–618. *"Dangerous Blake." Studies in Romanticism 21, no. 3 (Fall, 1982): 410–416. *"How Original was Blake?" Blake: An Illustrated Quarterly 14, (-1981, 1980): 116–120. *"The Language of Images." Critical Inquiry 6, no. 3 (Spring, 1980): 359–567. *"On Narrative." Critical Inquiry 7, no. 1 (Fall, 1980): 1–236. *"Spatial Form in Literature: Toward a General Theory." Critical Inquiry: A Voice for Reasoned Inquiry into Significant Creations of the Human Spirit 6, (1980): 539–567. *"Spatial Form in Literature: Toward a General Theory." Critical Inquiry 6, no. 3 (Spring, 1980): 539–567. *"Critical Inquiry After Sheldon Sacks." Bulletin of the Midwest Modern Language Association 12, no. 1 (Spring, 1979): 32–36. *"On Sheldon Sacks." Critical Inquiry 6, no. 2 (Winter, 1979): 181–229. *"Style as Epistemology: Blake and the Movement Toward Abstraction in Romantic Art." Studies in Romanticism 16, (1977): 145–164. *Mitchell, W. J. T., and Gerald Graff. "Intellectual Politics and the Malaise of the Seventies." Salmagundi 47–48, (1980): 67–77. *Mitchell, W. J. T., and Paul Hernadi. "On Narrative." *Mitchell, W. J. T., and Winfried Menninghaus. "Angelus Novus: Perspectives on Walter Benjamin." Critical Inquiry 25, no. 2 (Winter, 1999). *Mitchell, W. J. T., Louis A. Renza, and (reply). "Going Too Far with the Sister Arts." in Space, Time, Image, Sign: Essays on Literature and the Visual Arts., Edited by James A. W. Heffernan. New York: Peter Lang, 1987. *Mitchell, W. J. T., and Gabriele Schabacher. "Der Mehrwert Von Bildern." in Die Addresse Des Mediums., Edited by Stefan Andriopoulos, Gabriele Schabacher, Eckhard Schumacher, Bernhard Dotzler, Erhard Schüttpelz and Georg Stanitzek. Cologne, Germany: DuMont, 2001. *Mitchell, W. J. T., and Nadine Strossen. "A Resounding Rock in Flight." Chronicle of Higher Education 47, no. 12 (Nov 17, 2000): B4. *Mitchell, W. J. T., and Ilse Utz. "Postkoloniale Kultur, Postimperiale Kritik."See also
*References
External links