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Vaudeville (; ) is a theatrical
genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other f ...
of
variety entertainment Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a compère ...
born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition or light poetry, interspersed with songs or ballets. It became popular in the United States and Canada from the early 1880s until the early 1930s, but the idea of vaudeville's theatre changed radically from its French antecedent. In some ways analogous to
music hall Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Br ...
from Victorian Britain, a typical North American vaudeville performance was made up of a series of separate, unrelated acts grouped together on a common bill. Types of acts have included popular and classical
musician A musician is a person who composes, conducts, or performs music. According to the United States Employment Service, "musician" is a general term used to designate one who follows music as a profession. Musicians include songwriters who wr ...
s, singers,
dancer Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire ...
s,
comedian A comedian or comic is a person who seeks to entertain an audience by making them laugh. This might be through jokes or amusing situations, or acting foolish (as in slapstick), or employing prop comedy. A comedian who addresses an audienc ...
s, trained animals, magicians, ventriloquists, strongmen, female and male impersonators, acrobats,
clown A clown is a person who performs comedy and arts in a state of open-mindedness using physical comedy, typically while wearing distinct makeup or costuming and reversing folkway-norms. History The most ancient clowns have been found in ...
s, illustrated songs, jugglers, one-act plays or scenes from plays,
athletes An athlete (also sportsman or sportswoman) is a person who competes in one or more sports that involve physical strength, speed, or endurance. Athletes may be professionals or amateurs. Most professional athletes have particularly well-develo ...
, lecturing celebrities, minstrels, and
movies A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmospher ...
. A vaudeville performer is often referred to as a "vaudevillian". Vaudeville developed from many sources, also including the concert saloon, minstrelsy,
freak show A freak show, also known as a creep show, is an exhibition of biological rarities, referred to in popular culture as "freaks of nature". Typical features would be physically unusual humans, such as those uncommonly large or small, those with ...
s,
dime museum Dime museums were institutions that were popular at the end of the 19th century in the United States. Designed as centers for entertainment and moral education for the working class ( lowbrow), the museums were distinctly different from upper mi ...
s, and literary American burlesque. Called "the heart of American show business", vaudeville was one of the most popular types of entertainment in
North America North America is a continent in the Northern Hemisphere and almost entirely within the Western Hemisphere. It is bordered to the north by the Arctic Ocean, to the east by the Atlantic Ocean, to the southeast by South America and th ...
for several decades.


Etymology

The origin of the term is obscure but often explained as being derived from the French expression ''voix de ville'' ("voice of the city"). A second speculation is that it comes from the 15th-century songs on satire by poet Olivier Basselin, "Vau de Vire". In his '' Connections'' television series, science historian James Burke argues that the term is a corruption of the French "Vau de Vire" ("Vire River Valley", in English), an area known for its bawdy drinking songs and where Basselin lived. The ''
Oxford English Dictionary The ''Oxford English Dictionary'' (''OED'') is the first and foundational historical dictionary of the English language, published by Oxford University Press (OUP). It traces the historical development of the English language, providing a c ...
'' also endorses the origin, a truncated form of ("song of the Valley of the Vire"). Around 1610, Jean le Houx collected these works as ', which is probably the direct origin of the word. Some, however, preferred the earlier term "variety" to what manager Tony Pastor called its "sissy and Frenchified" successor. Thus, vaudeville marketed itself as "variety" well into the 20th century.


Beginnings

With its first subtle appearances within the early 1860s, vaudeville was not initially a common form of entertainment. The form gradually evolved from the concert saloon and variety hall into its mature form throughout the 1870s and 1880s. This more gentle form was known as "Polite Vaudeville". In the years before the
American Civil War The American Civil War (April 12, 1861 – May 26, 1865; also known by Names of the American Civil War, other names) was a civil war in the United States. It was fought between the Union (American Civil War), Union ("the North") and t ...
, entertainment existed on a different scale. Certainly, variety theatre existed before 1860 in Europe and elsewhere. In the US, as early as the first decades of the 19th century, theatergoers could enjoy a performance consisting of
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
plays, acrobatics, singing, dancing, and comedy. As the years progressed, people seeking diversified amusement found an increasing number of ways to be entertained. Vaudeville was characterized by traveling companies touring through cities and towns. A handful of
circus A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclis ...
es regularly toured the country; dime museums appealed to the curious; amusement parks, riverboats, and town halls often featured "cleaner" presentations of variety entertainment; compared to saloons, music halls, and
burlesque A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects.
houses, which catered to those with a taste for the ''risqué''. In the 1840s, the
minstrel show The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people spec ...
, another type of variety performance, and "the first emanation of a pervasive and purely American mass culture", grew to enormous popularity and formed what Nick Tosches called "the heart of 19th-century show business". A significant influence also came from "Dutch" (i.e., German or faux-German) minstrels and comedians. Medicine shows traveled the countryside offering programs of comedy, music, jugglers, and other novelties along with displays of tonics, salves, and miracle elixirs, while "
Wild West The American frontier, also known as the Old West or the Wild West, encompasses the geography, history, folklore, and culture associated with the forward wave of American expansion in mainland North America that began with European colonial ...
" shows provided romantic vistas of the disappearing frontier, complete with trick riding, music and drama. Vaudeville incorporated these various itinerant amusements into a stable, institutionalized form centered in America's growing urban hubs. From the mid-1860s, impresario Tony Pastor, a former singing circus clown who had become a prominent variety theater performer and manager, capitalized on
middle class The middle class refers to a class of people in the middle of a social hierarchy, often defined by occupation, income, education, or social status. The term has historically been associated with modernity, capitalism and political debate. C ...
sensibilities and spending power when he began to feature "polite" variety programs in his
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theatres. Pastor opened his first "Opera House" on the
Bowery The Bowery () is a street and neighborhood in Lower Manhattan in New York City. The street runs from Chatham Square at Park Row, Worth Street, and Mott Street in the south to Cooper Square at 4th Street in the north.Jackson, Kenneth L. ...
in 1865, later moving his variety theater operation to Broadway and, finally, to Fourteenth Street near Union Square. He only began to use the term "vaudeville" in place of "variety" in early 1876. Hoping to draw a potential audience from female and family-based shopping traffic
uptown Uptown may refer to: Neighborhoods or regions in several cities United States * Uptown, entertainment district east of Downtown and Midtown Albuquerque, New Mexico * Uptown Charlotte, North Carolina * Uptown, area surrounding the University of Ci ...
, Pastor barred the sale of liquor in his theatres, eliminated bawdy material from his shows, and offered gifts of coal and hams to attendees. Pastor's experiment proved successful, and other managers soon followed suit.


Popularity

B. F. Keith took the next step, starting in
Boston Boston (), officially the City of Boston, is the state capital and most populous city of the Commonwealth of Massachusetts, as well as the cultural and financial center of the New England region of the United States. It is the 24th- mo ...
, where he built an empire of theatres and brought vaudeville to the US and Canada. Later,
E. F. Albee Edward Franklin Albee II (October 8, 1857 – March 11, 1930) was an American vaudeville impresario. Early life Albee was born on October 8, 1857 in Machias, Maine to Nathaniel Smith Albee and Amanda Higgins Crocker. Career He toured with P. T. ...
, adoptive grandfather of the
Pulitzer Prize The Pulitzer Prize () is an award for achievements in newspaper, magazine, online journalism, literature, and musical composition within the United States. It was established in 1917 by provisions in the will of Joseph Pulitzer, who had made ...
-winning playwright
Edward Albee Edward Franklin Albee III ( ; March 12, 1928 – September 16, 2016) was an American playwright known for works such as '' The Zoo Story'' (1958), '' The Sandbox'' (1959), '' Who's Afraid of Virginia Woolf?'' (1962), '' A Delicate Balance'' (196 ...
, managed the chain to its greatest success. Circuits such as those managed by Keith-Albee provided vaudeville's greatest economic innovation and the principal source of its industrial strength. They enabled a chain of allied vaudeville houses that remedied the chaos of the single-theatre booking system by contracting acts for regional and national tours. These could easily be lengthened from a few weeks to two years. Albee also gave national prominence to vaudeville's trumpeting "polite" entertainment, a commitment to entertainment equally inoffensive to men, women and children. Acts that violated this ethos (e.g., those that used words such as "hell") were admonished and threatened with expulsion from the week's remaining performances or were canceled altogether. In spite of such threats, performers routinely flouted this
censorship Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governments ...
, often to the delight of the very audience members whose sensibilities were supposedly endangered. He eventually instituted a set of guidelines to be an audience member at his show, and these were reinforced by the ushers working in the theatre. This "polite entertainment" also extended to Keith's company members. He went to extreme measures to maintain this level of modesty. Keith even went as far as posting warnings backstage such as this: "Don't say 'slob' or 'son of a gun' or 'hully gee' on the stage unless you want to be canceled peremptorily... if you are guilty of uttering anything sacrilegious or even suggestive you will be immediately closed and will never again be allowed in a theatre where Mr. Keith is in authority." Along these same lines of discipline, Keith's theatre managers would occasionally send out blue envelopes with orders to omit certain suggestive lines of songs and possible substitutions for those words. If actors chose to ignore these orders or quit, they would get "a black mark" on their name and would never again be allowed to work on the Keith Circuit. Thus, actors learned to follow the instructions given to them by B. F. Keith for fear of losing their careers forever. By the late 1890s, vaudeville had large circuits, houses (small and large) in almost every sizable location, standardized booking, broad pools of skilled acts, and a loyal national following. One of the biggest circuits was Martin Beck's Orpheum Circuit. It incorporated in 1919 and brought together 45 vaudeville theatres in 36 cities throughout the US and Canada and a large interest in two vaudeville circuits. Another major circuit was that of
Alexander Pantages Alexander Pantages (Περικλῆς Ἀλέξανδρος Πανταζής , ''Periklis Alexandros Padazis''; 1867 – February 17, 1936) was a Greek American vaudeville impresario and early motion picture producer. He created a large and p ...
. In his heyday, Pantages owned more than 30 vaudeville theatres and controlled, through management contracts, perhaps 60 more in both the US and Canada. At its height, vaudeville played across multiple strata of economic class and auditorium size. On the vaudeville circuit, it was said that if an act would succeed in
Peoria, Illinois Peoria ( ) is the county seat of Peoria County, Illinois, United States, and the largest city on the Illinois River. As of the 2020 census, the city had a population of 113,150. It is the principal city of the Peoria Metropolitan Area in Ce ...
, it would work anywhere. The question "Will it play in Peoria?" has now become a metaphor for whether something appeals to the American mainstream public. The three most common levels were the "small time" (lower-paying contracts for more frequent performances in rougher, often converted theatres), the "medium time" (moderate wages for two performances each day in purpose-built theatres), and the "big time" (possible remuneration of several thousand dollars per week in large, urban theatres largely patronized by the middle and upper-middle classes). As performers rose in renown and established regional and national followings, they worked their way into the less arduous working conditions and better pay of the big time. The capital of the big time was New York City's
Palace Theatre Palace Theatre, or Palace Theater, is the name of many theatres in different countries, including: Australia * Palace Theatre, Melbourne, Victoria *Palace Theatre, Sydney, New South Wales Canada *Palace Theatre, housed in the Robillard Block, M ...
(or just "The Palace" in the slang of vaudevillians), built by
Martin Beck Martin Beck is a fictional Swedish police detective and the main character in the ten novels by Maj Sjöwall and Per Wahlöö, collectively titled ''The Story of a Crime''. Frequently referred to as the Martin Beck stories, all have been ada ...
in 1913 and operated by Keith. Featuring a bill stocked with inventive novelty acts, national celebrities, and acknowledged masters of vaudeville performance (such as comedian and trick roper
Will Rogers William Penn Adair Rogers (November 4, 1879 – August 15, 1935) was an American vaudeville performer, actor, and humorous social commentator. He was born as a citizen of the Cherokee Nation, in the Indian Territory (now part of Oklahom ...
), the Palace provided what many vaudevillians considered the apotheosis of remarkable careers. A standard show bill would begin with a sketch, follow with a single (an individual male or female performer); next would be an alley-oop (an acrobatic act); then another single, followed by yet another sketch such as a blackface comedy. The acts that followed these for the rest of the show would vary from musicals to jugglers to song-and-dance singles and end with a final extravaganza – either musical or drama – with the full company. These shows would feature such stars as ragtime and jazz pianist Eubie Blake, the famous and magical
Harry Houdini Harry Houdini (, born Erik Weisz; March 24, 1874 – October 31, 1926) was a Hungarian-American Escapology, escape artist, Magic (illusion), magic man, and stunt performer, noted for his Escapology, escape acts. His pseudonym is a reference to ...
, and child star Baby Rose Marie. In the '' New-York Tribune''s article about Vaudeville, it is said that at any given time, Vaudeville was employing over twelve thousand different people throughout its entire industry. Each entertainer would be on the road 42 weeks at a time while working a particular "Circuit" – or an individual theatre chain of a major company. While the neighborhood character of vaudeville attendance had always promoted a tendency to tailor fare to specific audiences, mature vaudeville grew to feature houses and circuits specifically aimed at certain demographic groups. Black patrons, often segregated into the rear of the second gallery in white-oriented theatres, had their own smaller circuits, as did speakers of Italian and
Yiddish Yiddish (, or , ''yidish'' or ''idish'', , ; , ''Yidish-Taytsh'', ) is a West Germanic language historically spoken by Ashkenazi Jews. It originated during the 9th century in Central Europe, providing the nascent Ashkenazi community with a ve ...
. (For a brief discussion of Black vaudeville, see
Theatre Owners Booking Association Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though there were exceptions, including the recently restored Morton Theater in Athens, ...
.) This foreign addition combined with comedy produced such acts as "minstrel shows of antebellum America" and Yiddish theatre. Many ethnic families joined in on this entertainment business, and for them, this traveling lifestyle was simply a continuation of the circumstances that brought them to America. Through these acts, they were able to assimilate themselves into their new home while also bringing bits of their own culture into this new world. White-oriented regional circuits, such as
New England New England is a region comprising six states in the Northeastern United States: Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island, and Vermont. It is bordered by the state of New York to the west and by the Canadian provinces ...
's "Peanut Circuit", also provided essential training grounds for new artists while allowing established acts to experiment with and polish new material. At its height, vaudeville was rivaled only by churches and public schools among the nation's premiere public gathering places. Another slightly different aspect of Vaudeville was an increasing interest in the female figure. The previously mentioned ominous idea of "the blue envelopes" led to the phrase "blue" material, which described the provocative subject matter present in many Vaudeville acts of the time. Many managers even saw this scandalous material as a marketing strategy to attract many different audiences. As stated in Andrew Erdman's book ''Blue Vaudeville'', the Vaudeville stage was "a highly sexualized space ... where unclad bodies, provocative dancers, and singers of 'blue' lyrics all vied for attention." Such performances highlighted and objectified the female body as a "sexual delight", but more than that, historians think that Vaudeville marked a time in which the female body became its own "sexual spectacle". This sexual image began sprouting everywhere an American went: the shops, a restaurant, the grocery store, etc. The more this image brought in the highest revenue, the more Vaudeville focused on acts involving women. Even acts that were as innocent as a sister act were higher sellers than a good brother act. Consequently, Erdman adds that female Vaudeville performers such as Julie Mackey and Gibson's Bathing Girls began to focus less on talent and more on physical appeal through their figure, tight gowns, and other revealing attire. It eventually came as a surprise to audience members when such beautiful women actually possessed talent in addition to their appealing looks. This element of surprise colored much of the reaction to the female entertainment of this time.


Women

In the 1920s, announcements seeking all-girl bands for vaudeville performances appeared in industry publications like ''Billboard'', ''Variety'' and in newspapers. Bands like
The Ingenues . The Ingenues was a vaudeville all-female band, all-female jazz band based in the Midwestern United States, American Midwest, which toured the United States and other countries from 1925 to 1937. Managed by Edward Gorman Sherman (1880-1940), ...
and The Dixie Sweethearts were well-publicized, while other groups were simply described as "all-girl Revue". According to Feminist Theory, similar trends in theater and film objectified women, an example of male gaze, as women's role in public life was expanding. These expectations for women in the 19th century played a big role in the compelling aspects of vaudeville. Through vaudeville, many women were allowed to join their male counterparts on the stage and found success in their acts. Leila Marie Koerber, later Marie Dressler, was a Canadian actress who specialized in vaudeville comedy, and eventually won an Academy Award for Best Actress later in her career. Being the daughter of a musician, she moved to the United States of America in her childhood. At just fourteen years old, she left home to begin her career, lying about her age and sending her mother half of her paycheck. Dressler found great success and was known for her comedic timing and physical comedy, like carrying her male co-stars. She eventually worked on Broadway, where she had a great desire to become a serious actress but was advised to remain in comedy. She went on to star in a few films but again returned to vaudeville, her original career. Another famous vaudevillian actress was Trixi Friganza, originally born Delia O’Callaghan. She had a famous catchphrase; "You know Trixi with her bag of tricks." She began her career in opera, performing to help provide for her family. The oldest of three daughters, she wanted to help her family financially but had to do it secretly, as female performers were frowned on at the time. She worked largely in comedy and gained acclaim and success due to her willingness to step into other's roles who had fallen ill, and were otherwise unable to perform. In her acts, she often emphasized her plus-size figure, calling herself the "perfect forty-six". Friganza was also a poet and writer. She used many of her performances as ways to raise money to support the poor or disenfranchised and went on record publicly numerous times to support these social causes. Friganza also spent much of her life fighting for women’s equality and pushing for self-acceptance for women, both publicly and within themselves, as well as their rights in comparison to men. Another famous comedienne, one who brought in thousands of audience members with her signature improvisational skills, was May Irwin. She worked from about 1875 to 1914. Originally born Ada Campbell, she began her life on the stage at thirteen years old following the death of her father. She and her older sister created a singing act called the "Irwin Sisters". Many years later, their act had taken off and with performances in both vaudeville and burlesque at famous music halls, until Irwin decided to continue her career on her own. She then changed her approach to vaudeville, performing African-American-influenced songs, even later writing her songs. She introduced her signature in vaudeville, "The Bully Song", which was performed in a Broadway show. This is when she began experimenting with improvisational comedy and quickly found her unique success, even taking her performances global with acts in the U.K.


Selected vaudeville artists


Immigrant America

In addition to vaudeville's prominence as a form of American entertainment, it reflected the newly evolving urban inner-city culture and interaction of its operators and audience. Making up a large portion of
immigration to the United States Immigration has been a major source of population growth and cultural change throughout much of the history of the United States. In absolute numbers, the United States has a larger immigrant population than any other country in the worl ...
in the mid-19th century, Irish Americans interacted with established Americans, with the Irish becoming subject to discrimination due to their ethnic physical and cultural characteristics. The ethnic stereotypes of Irish through their greenhorn depiction alluded to their newly arrived status as immigrant Americans, with the stereotype portrayed in avenues of entertainment. Following the Irish immigration wave, several waves followed in which new immigrants from different backgrounds came in contact with the Irish in America's urban centers. Already settled and being native English speakers, Irish Americans took hold of these advantages and began to assert their positions in the immigrant racial hierarchy based on skin tone and assimilation status, cementing job positions that were previously unavailable to them as recently arrived immigrants. As a result, Irish Americans became prominent in vaudeville entertainment as curators and actors, creating a unique ethnic interplay between Irish American use of self-deprecation as humor and their diverse inner city surroundings. The interactions between newly arrived immigrants and settled immigrants within the backdrop of the unknown American urban landscape allowed vaudeville to be utilized as an avenue for expression and understanding. The often hostile immigrant experience in their new country was now used for comic relief on the vaudeville stage, where stereotypes of different ethnic groups were perpetuated. The crude stereotypes that emerged were easily identifiable not only by their distinct ethnic cultural attributes, but how those attributes differed from the mainstream established American culture and identity. Coupled with their historical presence on the English stage for comic relief, and as operators and actors of the vaudeville stage, Irish Americans became interpreters of immigrant cultural images in American popular culture. New arrivals found their ethnic group status defined within the immigrant population and in their new country as a whole by the Irish on stage. Unfortunately, the same interactions between ethnic groups within the close living conditions of cities also created racial tensions which were reflected in vaudeville. Conflict between Irish and African Americans saw the promotion of black-face minstrelsy on the stage, purposefully used to place African Americans beneath the Irish in the racial and social urban hierarchy. Although the Irish had a strong Celtic presence in vaudeville and in the promotion of ethnic stereotypes, the ethnic groups that they were characterizing also utilized the same humor. As the Irish donned their ethnic costumes, groups such as the Chinese, Italians, Germans and Jews utilized ethnic caricatures to understand themselves as well as the Irish. The urban diversity within the vaudeville stage and audience also reflected their societal status, with the working class constituting two-thirds of the typical vaudeville audience. The ethnic caricatures that now comprised
American humor American humor refers collectively to the conventions and common threads that tie together humor in the United States. It is often defined in comparison to the humor of another country – for example, how it is different from British humor and ...
reflected the positive and negative interactions between ethnic groups in America's cities. The caricatures served as a method of understanding different groups and their societal positions within their cities. The use of the greenhorn immigrant for comedic effect showcased how immigrants were viewed as new arrivals, but also what they could aspire to be. In addition to interpreting visual ethnic caricatures, the Irish American ideal of transitioning from the shanty to the lace curtain became a model of economic upward mobility for immigrant groups.


Decline

The continued growth of the lower-priced cinema in the early 1910s dealt the heaviest blow to vaudeville. This was similar to the advent of free broadcast
television Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, ...
's diminishing the cultural and economic strength of the cinema. Cinema was first regularly commercially presented in the US in vaudeville halls. The first public showing of movies projected on a screen took place at
Koster and Bial's Music Hall Koster and Bial's Music Hall was an important vaudeville theatre in New York City, located at Broadway and Thirty-Fourth Street, where Macy's flagship store now stands. It had a seating capacity of 3,748, twice the size of many theaters. Ticket pr ...
in 1896. Lured by greater salaries and less arduous working conditions, many performers and personalities, such as Al Jolson,
W. C. Fields William Claude Dukenfield (January 29, 1880 – December 25, 1946), better known as W. C. Fields, was an American comedian, actor, juggler, and writer. Fields's comic persona was a misanthropic and hard-drinking egotist who remained a sympathet ...
, Mae West,
Buster Keaton Joseph Frank "Buster" Keaton (October 4, 1895 – February 1, 1966) was an American actor, comedian, and filmmaker. He is best known for his silent film work, in which his trademark was physical comedy accompanied by a stoic, deadpan expression ...
, the
Marx Brothers The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in motion pictures from 1905 to 1949. Five of the Marx Brothers' thirteen feature films were selected by the American Film Institute (AFI) ...
,
Jimmy Durante James Francis Durante ( , ; February 10, 1893 – January 29, 1980) was an American comedian, actor, singer, vaudevillian, and pianist. His distinctive gravelly speech, Lower East Side accent, comic language-butchery, jazz-influenced son ...
,
Bill "Bojangles" Robinson Bill Robinson, nicknamed Bojangles (born Luther Robinson; May 25, 1878 – November 25, 1949), was an American tap dancer, actor, and singer, the best known and the most highly paid African-American entertainer in the United States during the f ...
,
Edgar Bergen Edgar John Bergen (born Edgar John Berggren; February 16, 1903 – September 30, 1978) was an American ventriloquist, actor, comedian, vaudevillian and radio performer, best known for his proficiency in ventriloquism and his characters ...
,
Fanny Brice Fania Borach (October 29, 1891 – May 29, 1951), known professionally as Fanny Brice or Fannie Brice, was an American comedienne, illustrated song model, singer, and theater and film actress who made many stage, radio, and film appearances. ...
, Burns and Allen, and
Eddie Cantor Eddie Cantor (born Isidore Itzkowitz; January 31, 1892 – October 10, 1964) was an American comedian, actor, dancer, singer, songwriter, film producer, screenwriter and author. Familiar to Broadway, radio, movie, and early television audiences ...
, used the prominence gained in live variety performance to vault into the new medium of cinema. In doing so, such performers often exhausted in a few moments of screen time the novelty of an act that might have kept them on tour for several years. Other performers who entered in vaudeville's later years, including
Jack Benny Jack Benny (born Benjamin Kubelsky, February 14, 1894 – December 26, 1974) was an American entertainer who evolved from a modest success playing violin on the vaudeville circuit to one of the leading entertainers of the twentieth century wit ...
,
Abbott and Costello Abbott may refer to: People * Abbott (surname) *Abbott Handerson Thayer (1849–1921), American painter and naturalist * Abbott and Costello, famous American vaudeville act Places Argentina * Abbott, Buenos Aires United States * Abbott, Arkansas ...
,
Kate Smith Kathryn Elizabeth Smith (May 1, 1907 – June 17, 1986) was an American contralto. Referred to as The First Lady of Radio, Smith is well known for her renditions of Irving Berlin's "God Bless America" & "When The Moon Comes Over The Mountain". ...
,
Cary Grant Cary Grant (born Archibald Alec Leach; January 18, 1904November 29, 1986) was an English-American actor. He was known for his Mid-Atlantic accent, debonair demeanor, light-hearted approach to acting, and sense of comic timing. He was one of ...
,
Bob Hope Leslie Townes "Bob" Hope (May 29, 1903 – July 27, 2003) was a British-American comedian, vaudevillian, actor, singer and dancer. With a career that spanned nearly 80 years, Hope appeared in more than 70 short and feature films, with ...
,
Milton Berle Milton Berle (born Mendel Berlinger; ; July 12, 1908 – March 27, 2002) was an American actor and comedian. His career as an entertainer spanned over 80 years, first in silent films and on stage as a child actor, then in radio, movies and tel ...
,
Judy Garland Judy Garland (born Frances Ethel Gumm; June 10, 1922June 22, 1969) was an American actress and singer. While critically acclaimed for many different roles throughout her career, she is widely known for playing the part of Dorothy Gale in '' The ...
,
Rose Marie Rose Marie (born Rose Marie Mazzetta; August 15, 1923 – December 28, 2017) was an American actress, singer, comedian, and vaudeville performer with a career ultimately spanning nine decades, which included film, radio, records, theater, night ...
, Sammy Davis Jr.,
Red Skelton Richard Red Skelton (July 18, 1913September 17, 1997) was an American entertainer best known for his national radio and television shows between 1937 and 1971, especially as host of the television program ''The Red Skelton Show''. He has stars ...
, Larry Storch and The Three Stooges, used vaudeville only as a launching pad for later careers. They left live performance before achieving the national celebrity of earlier vaudeville stars, and found fame in new venues. The line between live and filmed performances was blurred by the number of vaudeville entrepreneurs who made more or less successful forays into the movie business. For example,
Alexander Pantages Alexander Pantages (Περικλῆς Ἀλέξανδρος Πανταζής , ''Periklis Alexandros Padazis''; 1867 – February 17, 1936) was a Greek American vaudeville impresario and early motion picture producer. He created a large and p ...
quickly realized the importance of motion pictures as a form of entertainment. He incorporated them in his shows as early as 1902. Later, he entered into a partnership with the
Famous Players-Lasky Famous Players-Lasky Corporation was an American motion picture and distribution company formed on June 28, 1916, from the merger of Adolph Zukor's Famous Players Film Company—originally formed by Zukor as Famous Players in Famous Plays—and ...
, a major Hollywood production company and an affiliate of
Paramount Pictures Paramount Pictures Corporation is an American film and television production company, production and Distribution (marketing), distribution company and the main namesake division of Paramount Global (formerly ViacomCBS). It is the fifth-oldes ...
. By the late 1920s, most vaudeville shows included a healthy selection of cinema. Earlier in the century, many vaudevillians, cognizant of the threat represented by cinema, held out hope that the silent nature of the "flickering shadow sweethearts" would preclude their usurpation of the paramount place in the public's affection. With the introduction of talking pictures in 1926, the burgeoning film studios removed what had remained the chief difference in favor of live theatrical performance: spoken dialogue. Historian John Kenrick wrote:
Top vaudeville stars filmed their acts for one-time pay-offs, inadvertently helping to speed the death of vaudeville. After all, when "small time" theatres could offer "big time" performers on screen at a nickel a seat, who could ask audiences to pay higher amounts for less impressive live talent? The
RKO studios RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, was an American film production and distribution company, one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orpheu ...
took over the famed Orpheum vaudeville circuit and swiftly turned it into a chain of full-time movie theatres. The half-century tradition of vaudeville was effectively wiped out within less than four years.Kenrick, John
"History of Musical Film, 1927–30: Part II"
Musicals101.com, 2004, accessed May 17, 2010
Inevitably, managers further trimmed costs by eliminating the last of the live performances. Vaudeville also suffered due to the rise of broadcast radio following the greater availability of inexpensive receiver sets later in the decade. Even the hardiest in the vaudeville industry realized the form was in decline; the perceptive understood the condition to be terminal. The standardized film distribution and talking pictures of the 1930s confirmed the end of vaudeville. By 1930, the vast majority of formerly live theatres had been wired for sound, and none of the major studios were producing silent pictures. For a time, the most luxurious theatres continued to offer live entertainment, but most theatres were forced by the
Great Depression The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagio ...
to economize. Some in the industry blamed cinema's drain of talent from the vaudeville circuits for the medium's demise. Others argued that vaudeville had allowed its performances to become too familiar to its famously loyal, now seemingly fickle audiences. There was no abrupt end to vaudeville, though the form was clearly sagging by the late 1920s.
Joseph Kennedy Sr. Joseph Patrick Kennedy (September 6, 1888 – November 18, 1969) was an American businessman, investor, and politician. He is known for his own political prominence as well as that of his children and was the patriarch of the Irish-American Ken ...
in a hostile buyout, acquired the Keith-Albee-Orpheum Theatres Corporation (KAO), which had more than 700 vaudeville theatres across the United States which had begun showing movies. The shift of New York City's Palace Theatre, vaudeville's center, to an exclusively cinema presentation on 16 November 1932, is often considered to have been the death knell of vaudeville. Though talk of its resurrection was heard during the 1930s and later, the demise of the supporting apparatus of the circuits and the higher cost of live performance made any large-scale renewal of vaudeville unrealistic.


Architecture

The most striking examples of
Gilded Age In United States history, the Gilded Age was an era extending roughly from 1877 to 1900, which was sandwiched between the Reconstruction era and the Progressive Era. It was a time of rapid economic growth, especially in the Northern and Wes ...
theatre architecture were commissioned by the big time vaudeville magnates and stood as monuments of their wealth and ambition. Examples of such architecture are the theatres built by impresario
Alexander Pantages Alexander Pantages (Περικλῆς Ἀλέξανδρος Πανταζής , ''Periklis Alexandros Padazis''; 1867 – February 17, 1936) was a Greek American vaudeville impresario and early motion picture producer. He created a large and p ...
. Pantages often used architect
B. Marcus Priteca Benjamin Marcus Priteca (23 December 1889 – 1 October 1971) was a Scottish architect. He is best known for designing theatres for Alexander Pantages. Early life Benjamin Marcus Priteca was born into a Jewish family in Glasgow on 23 December 18 ...
(1881–1971), who in turn regularly worked with muralist
Anthony Heinsbergen Anthony Heinsbergen (December 13, 1894 – June 14, 1981) was an American muralist considered the foremost designer of North American movie theatre interiors. Born Antoon Heinsbergen in Haarlem (the Netherlands), he emigrated with his family t ...
. Priteca devised an exotic, neo-classical style that his employer called "Pantages Greek". Though classic vaudeville reached a zenith of capitalization and sophistication in urban areas dominated by national chains and commodious theatres, small-time vaudeville included countless more intimate and locally controlled houses. Small-time houses were often converted saloons, rough-hewn theatres, or multi-purpose halls, together catering to a wide range of clientele. Many small towns had purpose-built theatres. A small yet interesting example might include what is called Grange Halls in northern New England, still being used. These are old-fashioned, wooden buildings with creaky, dimly-lit, wooden stages all of which is which is meant to offset the isolation of a farming lifestyle. These stages can offer anything from child performers to something called contra-dances to visits by Santa to local, musical talent, to homemade foods such as whoopee pies.


Vaudeville's cultural influence and legacy

Some of the most prominent vaudevillians successfully made the transition to cinema, though others were not as successful. Some performers such as Bert Lahr fashioned careers out of combining live performance with radio and film roles. Many others later appeared in the Catskill resorts that constituted the " Borscht Belt". Vaudeville was instrumental in the success of the newer media of film, radio, and television. Comedies of the new era adopted many of the dramatic and musical tropes of classic vaudeville acts. Film comedies of the 1920s through the 1940s used talent from the vaudeville stage and followed a vaudeville aesthetic of variety entertainment, both in Hollywood and in Asia, including China. The rich repertoire of the vaudeville tradition was mined for prominent prime-time radio
variety show Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a co ...
s such as ''The Rudy Vallée Show''. The structure of a single host introducing a series of acts became a popular television style and can be seen consistently in the development of television, from '' The Milton Berle Show'' in 1948 to ''
Late Night with David Letterman ''Late Night with David Letterman'' is an American late-night talk show hosted by David Letterman on NBC, the first iteration of the ''Late Night'' franchise. It premiered on February 1, 1982, and was produced by Letterman's production compa ...
'' in the 1980s. The multi-act format had renewed success in shows such as '' Your Show of Shows'' with
Sid Caesar Isaac Sidney Caesar (September 8, 1922 – February 12, 2014) was an American comic actor, comedian and writer. With a career spanning 60 years, he was best known for two pioneering 1950s live television series: ''Your Show of Shows'' (1950� ...
and ''
The Ed Sullivan Show ''The Ed Sullivan Show'' is an American television program, television variety show that ran on CBS from June 20, 1948, to March 28, 1971, and was hosted by New York City, New York entertainment columnist Ed Sullivan. It was replaced in Septembe ...
''. Today, performers such as
Bill Irwin William Mills Irwin (born April 11, 1950) is an American actor, clown, and comedian. He began as a vaudeville-style stage performer and has been noted for his contribution to the renaissance of American circus during the 1970s. He has made a num ...
, a MacArthur Fellow and
Tony Award The Antoinette Perry Award for Excellence in Broadway Theatre, more commonly known as the Tony Award, recognizes excellence in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual c ...
-winning actor, are frequently lauded as "New Vaudevillians". References to vaudeville and the use of its distinctive argot continue throughout Western popular culture. Words such as "flop" and "gag" were terms created from the vaudeville era and have entered the American idiom. Though not credited often, vaudevillian techniques can commonly be witnessed on television and in movies, remarkably in the recent, worldwide phenomenon of tv shows such as America’s Got Talent. In
professional wrestling Professional wrestling is a form of theater that revolves around staged wrestling matches. The mock combat is performed in a ring similar to the kind used in boxing, and the dramatic aspects of pro wrestling may be performed both in the ring or ...
, there was a noted tag team, based in WWE, called The Vaudevillains. In 2018, noted film director Christopher Annino, maker of a new silent feature film, ''Silent Times'', founded Vaudeville Con, a gathering to celebrate the history of vaudeville. The first meeting was held in Pawcatuck, Connecticut.


Archives

The records of the Tivoli Theatre are housed at the
State Library of Victoria State Library Victoria (SLV) is the state library of Victoria, Australia. Located in Melbourne, it was established in 1854 as the Melbourne Public Library, making it Australia's oldest public library and one of the first free libraries in th ...
,
Melbourne Melbourne ( ; Boonwurrung/ Woiwurrung: ''Narrm'' or ''Naarm'') is the capital and most populous city of the Australian state of Victoria, and the second-most populous city in both Australia and Oceania. Its name generally refers to a metro ...
,
Australia Australia, officially the Commonwealth of Australia, is a sovereign country comprising the mainland of the Australian continent, the island of Tasmania, and numerous smaller islands. With an area of , Australia is the largest country by ...
, with additional personal papers of vaudevillian performers from the Tivoli Theatre, including extensive costume and set design holdings, held by the Performing Arts Collection,
Arts Centre Melbourne Arts Centre Melbourne, originally known as the Victorian Arts Centre and briefly called the Arts Centre, is a performing arts centre consisting of a complex of theatres and concert halls in the Melbourne Arts Precinct, located in the central ...
. The American Vaudeville Museum, one of the largest collections of vaudeville memorabilia, is located at the University of Arizona. The
Elgin and Winter Garden Theatres The Elgin and Winter Garden Theatres are a pair of stacked theatres in Toronto, Ontario, Canada. The Winter Garden Theatre is seven storeys above the Elgin Theatre. They are the last surviving Edwardian stacked theatres in the world. History T ...
in Toronto houses the world's largest collection of vaudeville props and scenery. The
Benjamin Franklin Keith Benjamin Franklin Keith (January 26, 1846 – March 26, 1914) was an American vaudeville theater owner, highly influential in the evolution of variety theater into vaudeville. Biography Early years Keith was born in Hillsboro Bridge, New ...
and Edward F. Albee Collection housed at the
University of Iowa The University of Iowa (UI, U of I, UIowa, or simply Iowa) is a public research university in Iowa City, Iowa, United States. Founded in 1847, it is the oldest and largest university in the state. The University of Iowa is organized into 12 co ...
includes a large collection of managers' report books recording and commenting on the lineup and quality of the acts each night.


See also

* American burlesque *
Blackface Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereo ...
* Borscht Belt *
Cabaret Cabaret is a form of theatrical entertainment featuring music, song, dance, recitation, or drama. The performance venue might be a pub, a casino, a hotel, a restaurant, or a nightclub with a stage for performances. The audience, often dinin ...
*
Chapeaugraphy Chapeaugraphy, occasionally anglicised to chapography, is a novelty act and a busking trick in which a ring-shaped piece of felt is manipulated to look like various types of hats. The act originated in 1618 with Parisian street performer Tabarin, ...
* Chautauqua * Concert party (entertainment) * Concert saloon * ''For Me and My Gal'' (film) *
Music hall Music hall is a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Br ...
* Medicine show *
Minstrel show The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people spec ...
*
Nightclub A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs gen ...
* Revue *
Tab show A tab show was a short, or tabloid version, of various popular musical comedies performed in the United States in the early 20th century. History The shows were about an hour in length but could be as short as 25 minutes, either way being well suit ...
*
Tivoli circuit The Tivoli Circuit was a successful and popular Australian vaudeville entertainment circuit featuring revue, opera, ballet, dance, singing, musical comedy, old time black and white minstrel and even Shakespeare which flourished from 1893 to th ...
* Tom show *
Variety show Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a co ...
*
Vaudeville Bellydance Tribal Fusion Belly Dance is a modern Western form of belly dance that was created by fusing American Tribal Style belly dance and American Cabaret belly dance. Artists frequently incorporate elements from Popping, Hip Hop, 'Egyptian' or 'Cabare ...


References


External links


Vaudeville and Variety Collections
, held in th
Performing Arts Collection
, Arts Centre Melbourne.
Modern day vaudeville theatre in Austin TX



Virtual Vaudeville


* ttp://content.lib.washington.edu/norrisweb/index.html University of Washington Libraries Digital Collections – Prior and Norris Troupe Photographs
University of Washington Libraries Digital Collections – 19th Century Actors Photographs

University of Arizona Libraries The American Vaudeville Museum Archive Digital Exhibit


* ttp://beinecke.library.yale.edu/digitallibrary/ruckus.html Ruckus! American Entertainments at the Turn of the Twentieth CenturyFrom the collection of th
Beinecke Rare Book and Manuscript Library at Yale University

Hear Gary Stephens on Vaudeville, ICA 1988

Illinois Digital Newspaper Collections: Vaudeville News (1920–1929)

Vaudeville Cinema in Hollywood and China


digitized items from th
Rare Book and Special Collections Division
of the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The libra ...

University of Arizona Libraries Special Collections – American Vaudeville Museum Collection

Vaudeville to Cinema
A short documentary on the history of Vaudeville and how it was eventually replaced by the Cinema {{Authority control Comedy genres