Vincent Sellaer
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Vincent Sellaer (1490–1564), was a
Flemish Flemish (''Vlaams'') is a Low Franconian dialect cluster of the Dutch language. It is sometimes referred to as Flemish Dutch (), Belgian Dutch ( ), or Southern Dutch (). Flemish is native to Flanders, a historical region in northern Belgium; ...
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas ...
painter known for his mythological and religious subjects. His works stand out through their monumentality of form and their mixing of Italian and northern styles.Karl T. Johns. "Sellaer, Vincent." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 29 October 2016


Life

Very few biographical details of this artist are known with any level of certainty. Nothing much is known about the artist other than that he flourished in
Mechelen Mechelen (; french: Malines ; traditional English name: MechlinMechelen has been known in English as ''Mechlin'', from where the adjective ''Mechlinian'' is derived. This name may still be used, especially in a traditional or historical contex ...
around 1538. While there is still no consensus among scholars, a majority believe that Vincent Sellaer should be identified with the artist to whom the early 17th century biographer Karel van Mander referred as ''Vincent Geldersman''. Van Mander described Sellaer as a good painter of allegories, such as Leda with two eggs, Susanna and the elders, and Cleopatra with the asp. Van Mander mentioned him in his ''Life of Frans Minnebroer'' as one of the notable painters of
Mechelen Mechelen (; french: Malines ; traditional English name: MechlinMechelen has been known in English as ''Mechlin'', from where the adjective ''Mechlinian'' is derived. This name may still be used, especially in a traditional or historical contex ...
.Vincent Geldersman
in Karel van Mander, '' Schilder-boeck'', 1604
While many known versions of a ''Leda and the Swan'' have been attributed to Sellaer, none has survived that depicts a Leda with eggs.Stephan Vaerewyck, ''Vincent Sellaer, Onderzoek naar zijn mythologische, bijbelse en christelijk-geïnspireerde thematiek''
master thesis, Ghent University, 2009-2010
Some art historians such as G.J. Hoogewerff have speculated that Sellaer worked for some time in
Brescia Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. ...
and may have visited other Italian cultural centres. This Italian stay would be situated in the years 1521 to 1524.Vincent Sellaer
at the Netherlands Institute for Art History
Scholars believe that Sellaer was the foremost painter in Mechelen, and his patrons were likely members of the court and the city’s Great Council.Vincent Sellaer, ''The Holy Kinship''
at Sphinx Art


Work

To date only a single signed and dated painting by Vincent Sellaer is known. It is the work entitled ''Christ blessing the Children'' now in the Alte Pinakothek in
Munich Munich ( ; german: München ; bar, Minga ) is the capital and most populous city of the States of Germany, German state of Bavaria. With a population of 1,558,395 inhabitants as of 31 July 2020, it is the List of cities in Germany by popu ...
. Based on the characteristics of this panel a whole series of works has now been attributed to Sellaer. Many of these works depict half-length central figures, with a mythological or Christian-inspired theme. Based on his presumed Italian residence, roughly two large spheres of influence are distinguished. First, the influence of the leonardesque- Lombardian school and in particular that of da Vinci and Brescia masters such as Moretto da Brescia and Girolamo Romani. Secondly, a Florentine-Roman influence, particularly by
Andrea del Sarto Andrea del Sarto (, , ; 16 July 1486 – 29 September 1530) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, ...
and the school of
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. List of works by Raphael, His work is admired for its clarity of form, ease of ...
. Especially the later works, including the numerous versions of the ''Holy Family'' attributed to Sellaer, combine both influences. A third influence is that of the Venetian school as shown in the use of a typical Venetian colour scheme peculiar to Titian, Romani and Veronese. Sellaer's numerous depictions of
putti A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of ...
call to mind the work of Moretto da Brescia. Typically Italian style characteristics such as
sfumato Sfumato (, ) is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the canonical painting modes of the Renaissance. Leonardo da V ...
and
clair-obscur Chiaroscuro ( , ; ), in art, is the use of strong contrast (vision), contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts ...
are used in Sellaer's work. The monumentality of form of Sellaer's paintings was almost unseen in the
Low Countries The term Low Countries, also known as the Low Lands ( nl, de Lage Landen, french: les Pays-Bas, lb, déi Niddereg Lännereien) and historically called the Netherlands ( nl, de Nederlanden), Flanders, or Belgica, is a coastal lowland region in N ...
at the time. His works usually include a half-length central figure facing forward while subsidiary figures at the back help clarify the story. A theme to which Sellaer returned regularly was that of the ''Madonna and Child with Saints'', also referred to as the ''Holy Kinship''. An example is ''The Madonna and Child with Saints Elizabeth and other Members of the Holy Family'' (At Sotheby's on 28 January 2010 in New York, lot 253). As in many compositions of Sellaer, children play an important role in this painting by animating it with their movement and round smiling faces. The motif of a child climbing onto the back of the central female figure was one of Sellaer’s favoured devices in these compositions. This is also reflected in another favourite theme of Sellaer, the depiction of the virtue of Charity, which in the sixteenth century was typically represented by a woman surrounded by infants.


References


External links

* {{DEFAULTSORT:Sellaer, Vincent 1490 births 1564 deaths Flemish Renaissance painters Artists from Mechelen