Vicente Cosentino was an

Argentine Argentines (mistakenly translated Argentineans in the past; in Spanish (masculine) or (feminine)) are people identified with the country of Argentina. This connection may be residential, legal, historical or cultural. For most Argentines, s ...

cinematographer The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the photographing or recording of a film, television production, music video or other live action piece. The cinematographer is the ch ...

photographer A photographer (the Greek language, Greek φῶς (''phos''), meaning "light", and γραφή (''graphê''), meaning "drawing, writing", together meaning "drawing with light") is a person who makes photographs. Duties and types of photographe ...

and cameraman who worked on over 40 films produced in the

Argentina Argentina (), officially the Argentine Republic ( es, link=no, República Argentina), is a country in the southern half of South America. Argentina covers an area of , making it the second-largest country in South America after Brazil, th ...

in the 1950s and 1960s. Cosentino began working in film in 1949 and ''

Al compás de tu mentira ''Al compás de tu mentira'' ( en, To the Compass of Your Lie) is a 1950 black-and-white Argentine musical film directed by Héctor Canziani. The film was adapted from Oscar Wilde's 1895 play ''The Importance of Being Earnest'' by Abel Santacruz ...

'' was one of his earliest films, working in over 40 films over a twenty-year period, retiring from film in 1969.

Filmography

* ''

The New Bell ''The New Bell'' (Spanish: ''La campana nueva'') is a 1950 Argentine comedy drama film directed by Luis Moglia Barth and starring Pedro Quartucci, Rosa Rosen and Florindo Ferrario.Plazaola p.140 The film's sets were designed by the art directo ...

'' (1950) * ''

The Honourable Tenant ''The Honourable Tenant'' (Spanish:''El Honorable inquilino'') is a 1951 Argentine comedy film directed by Carlos Schlieper and starring Alberto Closas, Olga Zubarry and Amalia Sánchez Ariño. The film's sets were designed by Carlos T. Dowling. ...

'' (1951)

External links

* Year of birth missing Argentine cinematographers Possibly living people Place of birth missing {{Argentina-bio-stub