Veronica Helfensteller
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Veronica Helfensteller (1910–1964) was an American painter and printmaker, who was a member of the
Fort Worth Circle The Fort Worth Circle was a progressive art colony in Fort Worth, Texas. The colony was active during the 1940s and much of the 1950s and formed around younger artists, most of them native Texans under-30, who embraced themes not traditionally seen ...
, a group of artists in
Fort Worth, Texas Fort Worth is the fifth-largest city in the U.S. state of Texas and the 13th-largest city in the United States. It is the county seat of Tarrant County, covering nearly into four other counties: Denton, Johnson, Parker, and Wise. According ...
, active in the 1940 and 1950s.


Life

Veronica Helfensteller was born in 1910 to Armin and Louise Helfensteller. She lived in Fort Worth during her early years. In 1926-27, she studied at the
St. Louis School of Fine Arts The St. Louis School of Fine Arts was founded as the Saint Louis School and Museum of Fine Arts in 1879 as part of Washington University in St. Louis, and has continuously offered visual arts and sculpture education since then. Its purpose-buil ...
at Washington University before continuing her studies at the Colorado Springs Fine Arts Center (
Colorado Springs, Colorado Colorado Springs is a home rule municipality in, and the county seat of, El Paso County, Colorado, United States. It is the largest city in El Paso County, with a population of 478,961 at the 2020 United States Census, a 15.02% increase since ...
). She later studied at the International School of Art in Budapest, Hungary. Helfensteller exhibited her works in a solo show at the Fort Worth School of Fine Arts in 1938. Animals were at the center of many of Helfensteller's works. They were often depicted in fantastical, allegorical settings. Helfensteller was one of six artists from the Fort Worth group whose work was shown in the
Weyhe Gallery Weyhe Gallery, established in 1919 in New York City, is an art gallery specializing in prints. It is now in Mount Desert, Maine. History Erhard Weyhe (1883–1972) established the Weyhe Gallery in 1919. He also operated a bookstore, the Weyhe bo ...
in New York in 1944. In 1944, she began etching sessions that were attended by other Fort Worth Circle artists. That same year, she began etching sessions that were attended by other Fort Worth Circle artists.
Kelly Fearing William Kelly Fearing was a visual artist who was termed, in his time, a “magical realist” and “Romantic surrealist”. He was a member of the Fort Worth Circle, a cohort of artists often credited with bringing modern art to Texas and the f ...
, Dickson Reeder, Bror Utter, Lia Cuilty, Bill Bomar, Cynthia Brants and others would meet at Helfensteller's to work on their art. These weekly meetings were an opportunity for the artists to discuss art, listen to music, and borrow Helfensteller's printmaking press. After the group separated, Helfensteller moved to
Santa Fe, New Mexico Santa Fe ( ; , Spanish for 'Holy Faith'; tew, Oghá P'o'oge, Tewa for 'white shell water place'; tiw, Hulp'ó'ona, label=Tiwa language, Northern Tiwa; nv, Yootó, Navajo for 'bead + water place') is the capital of the U.S. state of New Mexico. ...
in 1947, where she opened a candy shop, taught and painted. Her work was shown in the retrospective exhibition "Beyond Regionalism: The Fort Worth School (1945–1955)" (Albany, Texas, 1986); in the exhibition "The Texas Printmakers, 1940–1965" (Meadows Museum, Dallas, 1990), and the exhibition "Prints of the Fort Worth Circle, 1940–1960", ( Archer Milton Huntington Art Gallery, 1992). Her work is held in the collections of the
Modern Art Museum of Fort Worth The Modern Art Museum of Fort Worth (widely referred to as The Modern) is an art museum of post-World War II art in Fort Worth, Texas with a collection of international modern and contemporary art. Founded in 1892, The Modern is located in the c ...
, the Dallas Museum of Art, and the
Museum of Fine Arts, Houston The Museum of Fine Arts, Houston (MFAH), is an art museum located in the Houston Museum District of Houston, Texas. With the recent completion of an eight-year campus redevelopment project, including the opening of the Nancy and Rich Kinder Build ...
. Later she moved to Tucson, Arizona, where she taught art history and art appreciation at the Valley School for Girls. She died in Tucson, Arizona in 1964.


Art

Veronica Helfensteller's artwork was influenced by the artists around her. As a member of the Fort Worth School, she was one of the Texas Modernists, whose works were influenced by
American Regionalism American Regionalism is an American realist modern art movement that included paintings, murals, lithographs, and illustrations depicting realistic scenes of rural and small-town America primarily in the Midwest. It arose in the 1930s as a respo ...
, European Cubism and
Surrealism Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to l ...
. Helfensteller was an avid traveler and these travels influenced her work. Hoops and Kites (1948) incorporates a number of hieroglyphic figures, which reference Mayan hieroglyphics she would have seen in Guatemala. This work balances her Latin American travels with those of the Southwest. Her works had been largely forgotten until gallery owner Dutch Philips discovered some of her letters at an estate sale. Upon discovering her art, Dutch Phillips organized the first exhibition of sale of her work in over 40 years.


References


Bibliography

* * * {{DEFAULTSORT:Helfensteller, Veronica 1910 births 1964 deaths Sam Fox School of Design & Visual Arts alumni 20th-century American painters American women printmakers Painters from Texas 20th-century American women painters 20th-century American printmakers American etchers Artists from Fort Worth, Texas Women etchers