Veronica Franco (1546–1591) was an Italian
poet
A poet is a person who studies and creates poetry. Poets may describe themselves as such or be described as such by others. A poet may simply be the creator ( thinker, songwriter, writer, or author) who creates (composes) poems ( oral or wri ...
and
courtesan
Courtesan, in modern usage, is a euphemism for a "kept" mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the court of a monarch or other ...
in 16th-century
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The isla ...
. She is known for her notable clientele, feminist advocacy, literary contributions, and philanthropy. Her
humanist education and cultural contributions influenced the roles of Courtesans in the late Venetian
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history
The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
.
In her notable works, ''Capitoli in Terze rime and Lettere familiari a diversi
Familiar Lettersto Various People"),'' Franco uses perceived virtue, reason, and fairness to advise male
patricians
The patricians (from la, patricius, Greek: πατρίκιος) were originally a group of ruling class families in ancient Rome. The distinction was highly significant in the Roman Kingdom, and the early Republic, but its relevance waned after ...
and other associates. She exercised greater autonomy in her authorship than any other traditional
Venetian woman due to her established reputation and influence.
Life
Veronica Franco was born to a family in the ''Cittadino'' class. She developed her position in Renaissance Venetian society as a ''cortigiana onesta (Honest
Courtesan
Courtesan, in modern usage, is a euphemism for a "kept" mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the court of a monarch or other ...
),'' who were intellectual sex workers who derived their position in society from refinement and cultural prowess. They served in contrast to other sex workers such as ''cortigiana di lume or meretrice'' ('harlots')'','' who were lower-class
prostitutes
Prostitution is the business or practice of engaging in sexual activity in exchange for payment. The definition of "sexual activity" varies, and is often defined as an activity requiring physical contact (e.g., sexual intercourse, non-penet ...
.
Franco received a respectable humanistic education at a young age from her brother's tutor, an unusual opportunity for Venetian women. She continued her education by mixing with learned men, writers, and painters.
This granted her access to a Domenico Venier, a patron and advisor to women writers. She was able to use her education to contribute considerably to literary and artistic outlets.
Franco learned additional skills from her mother, Paola Fracassa, who had an interest in finding suitable clients for her, as well as marrying her off.
While still in her teens, Franco was briefly married to a mature, wealthy physician named Paolo Panizza. She supported her children along with a household of tutors and servants for most of her life.
Franco wrote two volumes of poetry: ''Terze rime'' in 1575 and ''Lettere familiari a diversi'' in 1580.
In 1565, when she was about 20 years old, Veronica Franco was listed in the ''Catalogo de tutte le principal et più honorate cortigiane di Venetia'' (''Catalog of all the Principal and most Honored Courtesans of Venice''), which gave the names, addresses, and fees of Venice's most prominent prostitutes; her mother was listed as the person to whom the fee should be paid (her "go-between"). From extant records, we know that, by the time she was 18, Franco had been briefly married and had given birth to her first child; she would eventually have six children, three of whom died in infancy.
She became involved in the 1570s wit
Domenico Veniers renowned literary salon in Venice, who served as a literary adviser not only to male writers but also to many women poets of the Veneto region.
As one of the ''più honorate cortigiane'' in a wealthy and cosmopolitan city, Franco lived well for much of her working life, but without the automatic protection accorded to "respectable" women, she had to make her own way. She studied and sought patrons among the learned.
In 1575, during the epidemic of
plague
Plague or The Plague may refer to:
Agriculture, fauna, and medicine
*Plague (disease), a disease caused by ''Yersinia pestis''
* An epidemic of infectious disease (medical or agricultural)
* A pandemic caused by such a disease
* A swarm of pe ...
that ravaged the city, Franco was forced to leave Venice and lost much of her wealth when her house and possessions were looted.
Upon her return in 1577, she defended herself against charges of
witchcraft
Witchcraft traditionally means the use of magic or supernatural powers to harm others. A practitioner is a witch. In medieval and early modern Europe, where the term originated, accused witches were usually women who were believed to have ...
before the
Inquisition
The Inquisition was a group of institutions within the Catholic Church whose aim was to combat heresy, conducting trials of suspected heretics. Studies of the records have found that the overwhelming majority of sentences consisted of penances, ...
, a crime commonly lodged against courtesans in those days. The charges were dropped.
There is evidence that her connections among the Venetian nobility helped in her acquittal.
Her later life is largely obscure, though surviving records suggest that although she won her freedom, she lost all of her material goods and wealth. Eventually, her last major
benefactor died and left her with no financial support. There is little information for her life after 1580. Records suggest that she was less prosperous in her later years and is believed to have died in relative poverty.
Writings
In 1575, Franco's first volume of poetry was published, her ''Terze rime'', containing 18 ''capitoli'' (verse epistles) by her and 7 by men writing in her praise. That same year saw an outbreak of plague in Venice, one that lasted two years and caused Franco to leave the city and to lose many of her possessions. In 1577, she unsuccessfully proposed to the city council that it should establish a home for poor women, of which she would become the administrator.
In 1580, Franco published her ''Lettere familiari a diversi'' ("Familiar Letters to Various People") which included 50 letters, as well as two
sonnets addressed to King
Henry III of France.
Franco's success was not limited to being a coveted courtesan. It was her wittiness and often criticized voice that was immortalized by way of being published that brought forth much recognition. Records indicate that the number of actual publications was limited as they were thought to have been at her own expense or private publications. Her work is known to have been included in an anthology of women poets in the 18th century (1726) that was edited by
Luisa Bergalli.
The embodiment of her role in the public realm was made evermore tangible, amongst the literary circles and the Venetian public during her polemic literary battle with Maffio Venier. The poem referenced above ''Capitolo 16'', ''A Challenge To A Poet Who Has Defamed Her –'' is believed to have been one of the many directed to Maffio Venier. These poems are Capitolo XIII, XVI, and XXIII of her literary publication, ''Terze Rime.''
Posthumous reception
Franco's life was recorded in the 1992 book ''
The Honest Courtesan'', by US author Margaret F. Rosenthal.
Catherine McCormack
Catherine Jane McCormack (born 3 April 1972) is an English actress of stage and screen. Her film appearances include ''Braveheart'' (1995), ''The Land Girls'' (1998), ''Dangerous Beauty'' (1998), ''Dancing at Lughnasa'' (1998), ''Spy Game'' (20 ...
portrayed Veronica Franco in the 1998 movie ''
Dangerous Beauty,'' released as ''A Destiny of Her Own'' in some countries, based on Rosenthal's book.
In the 2000s Franco prompted scholarly inquiries on "what it meant to be a public woman in Cinquecento Venice".
This directly pertained to her duality of both a courtesan and a published poet. Franco is referenced to have been a "living performance of public art—a renowned courtesan whose body was available to a certain exclusive clientele, a published author, and a public presence."
Franco's literary work demonstrates her ability to defend women, as a whole, in a format that can be studied and understood as ahead of her time. Franco's work fearlessly embarked on juxtaposed realms such as sexuality and women's agency as a whole. In doing so, she challenged and disrupted the patriarchal norms that surrounded her.
Franco is also portrayed in the 2012 Serbian novel named after her ( sr, Штампар и Вероника) authored by Serbian writer Katarina Brajović.
In 2013, her work was interpreted as adopting "a position of public authority that calls attention to her education, her rhetorical skill, and the solidarity she feels with women."
She embodied in writing a duality, toggling between and addressing both private and public life matters. Her publications have allowed her work and proto-feminist efforts to transcend time.
Further reading
sample of poems and letters by Veronica Franco 2013 Veronica Franco Project, USC Dornsife.
portraits, attributed to Tintoretto2013 Veronica Franco Project, USC Dornsife..
*Michael Asimow
UCLA Law School, (May 1998).
* Rosenthal, Margaret F., "Veronica Franco's ''Terze Rime'' (1575): The Venetian Courtesan's Defense
''Renaissance Quarterly'' 42:2 (Summer 1989) 227-257
*Adler, Sara Maria. "Veronica Franco's Petrarchan Terze rime: Subverting the Master's Plan," Italica 65: 3 (1988): 213–33.
*Diberti-Leigh, Marcella. Veronica Franco: Donna, poetessa e cortigiana del Rinascimento. Ivrea, Italy, 1988.
*Jones, Ann R. The Currency of Eros: Women's Love Lyric in Europe, 1540–1620. Bloomington and Indianapolis, Ind., 1990.
*Phillipy, Patricia. "'Altera Dido': The Model of Ovid's Heroides in the Poems of Gaspara Stampa and Veronica Franco," Italica 69 (1992): 1-18.
*Stefano Bianchi, ''La scrittura poetica femminile nel Cinquecento veneto: Gaspara Stampa e Veronica Franco'', Manziana: Vecchiarelli, 2013.
References
External links
BiographyProject Continua: Biography of Veronica Franco*
{{DEFAULTSORT:Franco, Veronica
1546 births
1591 deaths
16th-century Venetian people
16th-century Italian poets
16th-century Italian women writers
16th-century Venetian writers
Italian artists' models
Italian courtesans
Italian women poets
Mistresses of French royalty
People acquitted of witchcraft
Renaissance women
Witch trials in Italy