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, other_name = Orchestral Variations , composer =
Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
, form =
Variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individuals ...
, key =
Atonal Atonality in its broadest sense is music that lacks a tonal center, or key. ''Atonality'', in this sense, usually describes compositions written from about the early 20th-century to the present day, where a hierarchy of harmonies focusing on a s ...
, period =
20th-century music The following Wikipedia articles deal with 20th-century music. Western art music Main articles *20th-century classical music *Contemporary classical music, covering the period Sub-topics *Aleatoric music *Electronic music *Experimental music *Ex ...
, genre =
Musical modernism In music, modernism is an aesthetic stance underlying the period of change and development in musical language that occurred around the turn of the 20th century, a period of diverse reactions in challenging and reinterpreting older categories o ...
, style =
Twelve-tone technique The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law o ...
, composed = , movements = 12 sections , premiere_date = December 1928 , premiere_location = Berlin , premiere_conductor =
Wilhelm Furtwängler Gustav Heinrich Ernst Martin Wilhelm Furtwängler ( , , ; 25 January 188630 November 1954) was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major ...
, premiere_performers =
Berlin Philharmonic The Berlin Philharmonic (german: Berliner Philharmoniker, links=no, italic=no) is a German orchestra based in Berlin. It is one of the most popular, acclaimed and well-respected orchestras in the world. History The Berlin Philharmonic was fo ...
Variations for Orchestra, Op. 31 (1926–28) is an
orchestral An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * bowed string instruments, such as the violin, viola, ce ...
set of
variations Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individuals ...
on a
theme Theme or themes may refer to: * Theme (arts), the unifying subject or idea of the type of visual work * Theme (Byzantine district), an administrative district in the Byzantine Empire governed by a Strategos * Theme (computing), a custom graphical ...
, composed by
Arnold Schoenberg Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was as ...
and is his first twelve-tone composition for a large ensemble. Premiered in December 1928 by the
Berlin Philharmonic The Berlin Philharmonic (german: Berliner Philharmoniker, links=no, italic=no) is a German orchestra based in Berlin. It is one of the most popular, acclaimed and well-respected orchestras in the world. History The Berlin Philharmonic was fo ...
conducted by
Wilhelm Furtwängler Gustav Heinrich Ernst Martin Wilhelm Furtwängler ( , , ; 25 January 188630 November 1954) was a German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. He was a major ...
, it was greeted by a tumultuous scandal. The theme of the piece is stated in measures 34–57. The
orchestration Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orc ...
includes a
flexatone The flexatone or fleximetal is a modern percussion instrument (an indirectly struck idiophone) consisting of a small flexible metal sheet suspended in a wire frame ending in a handle. Used in classic cartoons for its glissando effect, its soun ...
. The piece features the
BACH motif In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, ''B flat, A, C, B natural''. In German musical nomenclature, in which the note ''B natural'' is named ''H'' and the ''B flat'' named ...
(B–A–C–B). The
tone row In music, a tone row or note row (german: Reihe or '), also series or set, is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both larger and smaller sets ar ...
in its four
permutations In mathematics, a permutation of a set is, loosely speaking, an arrangement of its members into a sequence or linear order, or if the set is already ordered, a rearrangement of its elements. The word "permutation" also refers to the act or proc ...
(labeled Prime, Retrograde, Inversion, and Retrograde Inversion) are shown below. : Schoenberg opened a lecture on the composition with the following
tyranny of the majority The tyranny of the majority (or tyranny of the masses) is an inherent weakness to majority rule in which the majority of an electorate pursues exclusively its own objectives at the expense of those of the minority factions. This results in oppres ...
defense of less common
aesthetics Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed thr ...
: "Far be it from me to question the rights of the majority. But one thing is certain: somewhere there is a limit to the ''power'' of the majority; it occurs, in fact, wherever the essential step is one that cannot be taken by all and sundry." The piece has been
arranged In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestra ...
for two pianos by
Charles Wuorinen Charles Peter Wuorinen (; June 9, 1938 – March 11, 2020) was an American composer of contemporary classical music based in New York City. He performed his works and other 20th-century music as pianist and conductor. He composed more than ...
and this arrangement was set to a
ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
, ''Schoenberg Variations'' (1996), by
Richard Tanner New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's fi ...
of the
New York City Ballet New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company' ...
.Feisst, Sabine (2011). ''Schoenberg's New World: The American Years'', p. 240. .


Sections

#Introduction #Theme #Variation I: Moderato #Variation II: Adagio #Variation III: Mässig #Variation IV: Walzer-tempo #Variation V: Bewegt #Variation VI: Andante #Variation VII: Langsam #Variation VIII: Sehr rasch #Variation IX: L'istesso Tempo #Finale


Sources

{{Authority control Twelve-tone compositions by Arnold Schoenberg Compositions for symphony orchestra Variations 1928 compositions