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Vakulabharanam (pronounced ) is a
rāga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...
m in
Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...
(musical scale of South Indian classical music). It is the 14th ''
melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...
'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. It is called Dhātivasantabhairavi''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras or Vātivasantabhairavi in
Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...
school of Carnatic music. In Western Music, it is
E major E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, ...
.


Structure and Lakshana

It is the 2nd rāgam in the 3rd ''chakra Agni''. The mnemonic name is ''Agni-Sri''. The mnemonic phrase is ''sa ra gu ma pa dha ni''. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : ''Shuddha rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatham'' and '' kaisiki nishadham'' are the ''swaras'' used in this scale. As this scale is a ''melakarta'' rāgam, by definition it is a ''sampoorna'' rāgam (has all seven notes in ascending and descending scale). It is the ''shuddha madhyamam'' equivalent of '' '', which is the 50th ''melakarta'' scale.


Asampurna Melakarta

Vātivasantabhairavi is the 14th ''Melakarta'' in the original list compiled by
Venkatamakhin Venkatamakhin (; ) or Venkatamakhi, was an Indian poet, musician, and musicologist of Carnatic music. He is renowned for his '' Chaturdandiprakashika'' in which he explicates the melakarta system of classifying ragas. Venkatamakhin composed ...
. The notes used in the scale are the same, but the descending scale has notes used in zig-zag manner (''vakra prayoga'').Shree Muthuswami Dikshitar Keerthanaigal, by A Sundaram Iyer, Music Book Publishers, Mylapore, Chennai * : * :


''Janya'' rāgams

''Vakulabharanam'' has a few minor ''
janya ''Janya'' is a term meaning "derive". In Carnatic (South Indian) music a ''janya raga'' is one derived from one of the 72 ''melakarta'' ragas (fundamental melodic structures). ''Janya'' ragas are classified into various types based on a varie ...
'' rāgams (derived scales) associated with it, of which ''Vasantabhairavi'' is heard occasionally in concerts. See List of ''janya'' rāgams for full list of rāgams associated with ''Vakulabharanam''.


Compositions

Here are a few common compositions sung in concerts, set to ''Vakulabharanam''. *''Gowrinatham'' by
Oottukkadu Venkata Kavi Oothukkaadu Venkata Kavi (-1765) or Oottukkaadu Venkata Subbaiar was one of the pioneering composers in Indian classical Carnatic music. He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkaadu Venkatas ...
*''Ye ramuni nammitino'' by
Thyagaraja Thyagaraja (Telugu: త్యాగరాజ) (4 May 1767 – 6 January 1847), also known as Thyāgayya and in full as Kakarla Thyagabrahmam, was a composer and vocalist of Carnatic music, a form of Indian classical music. Tyagaraja and his ...
*''Nambinen ayya'' by Koteeswara Iyer *''Rama namamai'' by
Mysore Vasudevachar Mysore Vasudevacharya (28 May 1865 – 17 May 1961) was an Indian musician and composer of Carnatic music compositions who belonged to the direct line of Thyagaraja's disciples. Vasudevachar's compositions (numbering over 200) were mostly in Telu ...
*''KumĀruni valenu kĀvavĒ'' by Dr. M. Balamuralikrishna *''Saadhu tada'', a composition by Maharaja Swati Tirunal of Travancore, tuned by Prince Rama Varma. *''Paripaahimaam siddhivinayaka'' by Mysuru Maharaja Jayachamarajendra Wodeyar


Film Songs


Language:

Tamil Tamil may refer to: * Tamils, an ethnic group native to India and some other parts of Asia **Sri Lankan Tamils, Tamil people native to Sri Lanka also called ilankai tamils **Tamil Malaysians, Tamil people native to Malaysia * Tamil language, nativ ...


Language:

Hindi Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has been de ...


Related rāgams

This section covers the theoretical and scientific aspect of this rāgam. ''Vakulabharanam's'' notes when shifted using '' Graha bhedam'', yields 2 major ''melakarta'' rāgams, namely ''
Keeravani Keeravani (pronounced ) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 21st ''Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music. The 21st ''melakarta'' rāgam as per Muthuswami D ...
'' and '' Hemavati'' along with 1 minor ''melakarta'' rāgam ''
Kosalam Kosalam (pronounced kōsalam) is a ragam in Carnatic music (musical scale of South Indian classical music). It is the 71st '' Melakarta'' rāgam in the 72 ''melakarta'' rāgam system of Carnatic music and is the ''prati madhyamam'' equivalent ...
''. For further details and an illustration refer '' Graha bhedam on Keeravani''. Vakulabharanam corresponds to
Phrygian dominant scale In music, the Phrygian dominant scale is the fifth musical mode, mode of the minor scale#Harmonic and melodic minor, harmonic minor scale, the fifth being the dominant (music), dominant.Dave Hunter (2005). ''Play Acoustic'', San Francisco: Backbe ...
in Western music.


Notes


References

{{Janya, state=collapsed Melakarta ragas