Udayaravichandrika Scale
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Udayaravichandrika is a
rāga A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as ...
m in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale ). It is a '' janya'' rāgam (derived scale), as it does not have all the seven '' swaras'' (musical notes). Closer to ''Udayaravichandrika'' in Hindustani music is '' Dhani'' aka Gaundgiri.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras But Dhani has N2 while Udayaravichandrika N3 in theory.


Structure and Lakshana

''Udayaravichandrika'' is a symmetric rāgam that does not contain ''rishabham'' or ''dhaivatam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification – ''audava'' meaning 'of five') and is equivalent to the minor pentatonic scale in Western music. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): The notes used in this scale ''sadharana gandharam, shuddha madhyamam, panchamam'' and ''kaisiki nishadham''. ''Udayaravichandrika'' is considered a ''janya'' rāgam of ''
Kharaharapriya Kharaharapriya is a rāga in Carnatic music. It is the 22nd ''melakarta'' rāga (parent scale) in the 72 ''melakarta'' rāga system. It is possible that the name of the ragam was originally ''Harapriya'' but it was changed to conform to the K ...
'', the 22nd ''
melakarta Mēḷakartā is a collection of fundamental musical scales ( ragas) in Carnatic music (South Indian classical music). ''Mēḷakartā'' ragas are parent ragas (hence known as ''janaka'' ragas) from which other ragas may be generated. A ''melak ...
'' rāgam, though it can be derived from other ''melakarta'' rāgams, '' Hanumatodi'', ''
Natabhairavi Naṭabhairavi is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 20th ''melakarta'' rāgam in the 72 ''melakarta'' rāgam system. It corresponds to the Natural minor scale of western music system. Natabhaira ...
'' or '' Natakapriya'', by dropping both ''rishabham'' and ''dhaivatam''. Udayaravichandrika and the raga Suddha Dhanyasi are closely related, so much that many performers treat the two as interchangeable. Some contemporary practitioners consider Suddha Dhanyasi as more inflected (i.e., using more ''gamaka''s), and Udayaravichandrika to be more in the Hindustani tradition with almost bare (i.e., uninflected) notes. Puritans, however, refer to the fact that Udayaravichandrika is an ancient raga in the Venkatamakhin tradition and was reputed to be created by Muthuswamy Dikshitar himself. However, at that time, it had ''kakali nishadam'' rather than the ''kaisiki nishadam'' of Suddha Dhanyasi. However, the Kaisaki nishadam is used in this topic making more towards Sudha Dhanyasi. The Udaya Ravichandrika, in its pure form should have the following arohana and avarohana: arohanam = avarohanam = In recent years this distinction seems to have blurred, and both ragas are considered roughly equivalent.


Popular compositions

Here are some popular '' kritis'' composed in Suddha Dhanyasi raga. *''Enta nerchina'' by Thyagaraja *''subrahmaṇyena rakṣito'haṃ'' and ''śrī pārthasārathinā'' by Muthuswami Dikshitar *''Himagiri tanaye'' by
Muthiah Bhagavatar Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 '' ragas''. Early life Muthiah was bo ...
*''Bhavamu lona'', ''Vinaro Bhagyamu'' by Annamacharya *''
Narayana Ninna Namada Narayana Ninna Namada ( kn, ನಾರಾಯಣಾ ನಿನ್ನ್ ನಾಮದ) is a Kannada composition in Carnatic music by Purandara Dasa in the 16th century. It is set in the Shuddha Dhanyasi raga and the Khanda Chapu tala. It emphasizes ...
'', ''Chandava Nodire Gokula'' by Purandara Dasa *''Ishtu dina'' By Kanaka Dasa *''śrī hari-vallabhē'' by Mysore Vasudevachar *''śarvaṃ samāśraye'haṃ'' by Tulasivanam (pen-name of Ramachandran Nair from Kerala, India) *''khēlati piṇḍāṇḍē bhagavān'' by Sadasiva Brahmendra *''kālātītāya khaṭvāṅginē namastē'' by
Muthiah Bhagavatar Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 '' ragas''. Early life Muthiah was bo ...
*''bhēruṇḍāmbē bēḍuvē'' by
Muthiah Bhagavatar Harikesanallur Muthiah Bhagavatar (15 November 1877 – 30 June 1945), commonly known as Muthiah Bhagavatar, is one of Carnatic classical music's famous twentieth-century composers. He also created about 20 '' ragas''. Early life Muthiah was bo ...
*''āyar pāḍi kaṇṇā'' by Padma Viraraghavan *''pālaya māṃ siddhi vināyaka'' by Mysore Sadashiva Rao


Film songs


Language: Tamil


Language: Malayalam


Language: Kannada

Language:
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Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.


''Graha bhedam''

''Udayaravichandrika's'' notes when shifted using ''
Graha bhedam ''Graha Bhedam'' in Carnatic music is the process (or result of the process) of shifting the Tonic note (''śruti'') to another note in the rāgam and arriving at a different rāgam. Its equivalent in Hindustani classical music is called a ''mur ...
'', yields four other major pentatonic rāgams, namely, '' Mohanam'', '' Hindolam'', ''
Madhyamavathi Madhyamavati (madhyamāvati) is a rāga in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāga (or ''owdava'' rāga, meaning pentatonic scale), as it does not have all the seven musical notes (''swaras''). ...
'' and '' Shuddha Saveri''. ''Graha bhedam'' is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. See '' Graha bhedam on Mohanam'' for more details and illustration of this concept.


Scale similarities

*'' Dhanyāsi'' is a rāgam which has the ascending scale of ''Udayaravichandrika'' (''Shuddha Dhanyasi'') and descending scale of ''Hanumatodi''. Its structure is : *'' Abheri'' is a rāgam which has the ascending scale of ''Udayaravichandrika'' and descending scale of ''Kharaharapriya''. Its structure is :


Notes


References

{{Janya Janya ragas Janya ragas (kharaharapriya)