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''Trouble in Paradise'' is a 1932 American
pre-Code Pre-Code Hollywood was the brief era in the American film industry between the widespread adoption of sound in film in 1929LaSalle (2002), p. 1. and the enforcement of the Motion Picture Production Code censorship guidelines, popularly known ...
romantic comedy Romantic comedy (also known as romcom or rom-com) is a subgenre of comedy and slice of life fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount most obstacles. In a typic ...
film directed by
Ernst Lubitsch Ernst Lubitsch (; January 29, 1892November 30, 1947) was a German-born American film director, producer, writer, and actor. His urbane comedies of manners gave him the reputation of being Hollywood's most elegant and sophisticated director; as ...
and starring Miriam Hopkins, Kay Francis, and
Herbert Marshall Herbert Brough Falcon Marshall (23 May 1890 – 22 January 1966) was an English stage, screen and radio actor who starred in many popular and well-regarded Hollywood films in the 1930s and 1940s. After a successful theatrical career in the Uni ...
. Based on the 1931 play ''The Honest Finder'' (''A Becsületes Megtaláló'') by Hungarian playwright László Aladár,"Screenplay info"
on TCM.com. Accessed=August 24, 2012
the lead characters are a gentleman thief and a lady pickpocket who join forces to con a beautiful woman who is the owner of a perfume company. In 1991, ''Trouble in Paradise'' was selected for preservation by the United States
National Film Registry The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB’s inception ...
by the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The libra ...
as being "culturally, historically, or aesthetically significant".


Plot

In Venice, Gaston Monescu (
Herbert Marshall Herbert Brough Falcon Marshall (23 May 1890 – 22 January 1966) was an English stage, screen and radio actor who starred in many popular and well-regarded Hollywood films in the 1930s and 1940s. After a successful theatrical career in the Uni ...
), a master thief masquerading as a baron, meets Lily ( Miriam Hopkins), a beautiful pickpocket posing as a countess. The two fall in love and decide to team up. They leave Venice for Paris. There, Gaston steals a diamond-encrusted purse worth 125,000 francs from Madame Mariette Colet ( Kay Francis), owner of the famous perfume manufacturer Colet and Co. When Mariette offers a large reward for its return, Gaston claims it, giving the name of Lavalle. While claiming the reward, Gaston charms Mariette, and admits to being broke. Mariette hires him as her private secretary. He arranges for Lily to be employed in Mariette's office, and stands up to Mariette's board of directors, led by Monsieur Adolph J. Giron ( C. Aubrey Smith), the manager, who is openly suspicious of him. Having observed Mariette open her private safe (and memorized the combination), Gaston persuades her that she should keep a large sum there, including half of her next dividend installment. Mariette begins to flirt with Gaston, and he begins to have feelings for her. Unfortunately for the thieves, Mariette has two suitors: the Major ( Charles Ruggles), and François Filiba ( Edward Everett Horton), who was robbed in Venice by Gaston (posing as a doctor). François sees Gaston at a garden party, and is sure they have met, but can't immediately recall where. Fearing imminent discovery, Gaston and Lily decide to flee that night with what is in the safe, and not wait for the dividend installment. Mariette is invited to a dinner party given by the Major. She cannot decide whether to go or to spend the night in bed with Gaston. Eventually she goes, but not before Lily catches on that Gaston has fallen for her rival, and wants to back out of the plan. At the party, the Major tells François that he once mistook Gaston for a doctor, and François then recalls the Venice incident. François tells Mariette about Gaston, but she refuses to believe it's true. Lily robs the safe after confronting her partner. Mariette returns home and suggestively probes Gaston, who admits that the safe has been cleaned out, but claims that he took the cash. He also tells her that Monsieur Giron has stolen millions from the firm over the years. Lily then confronts Mariette and Gaston, admitting that it was she who stole the money from the safe. She says at first that she doesn't want the money—then says she might as well get it in exchange for Gaston, and leaves. Gaston goes after Lily, then returns to say goodbye to Mariette. He tells her that as marvelous as their affair would be, it would end with a policeman coming to arrest them both. As he leaves, Gaston reveals that he took her pearl necklace—which he describes as her gift to Lily—which makes her smile. In the taxi, facing a chilly Lily, Gaston reaches for his present, only to realize she's lifted it from his pocket. Lily is at first triumphant, then realizes Gaston has lifted the money from her. This echoes their original meeting, when they first became partners in crime, and she embraces him in delight as the cab rolls away.


Cast

* Miriam Hopkins as Lily * Kay Francis as Madame Colet *
Herbert Marshall Herbert Brough Falcon Marshall (23 May 1890 – 22 January 1966) was an English stage, screen and radio actor who starred in many popular and well-regarded Hollywood films in the 1930s and 1940s. After a successful theatrical career in the Uni ...
as Gaston Monescu * Charles Ruggles as The Major (as Charlie Ruggles) * Edward Everett Horton as François Filiba * C. Aubrey Smith as Adolph J. Giron *
Robert Greig Robert Greig (December 27, 1879 – June 27, 1958) was an Australian-American actor who appeared in more than 100 films between 1930 and 1949, usually as the dutiful butler. Born Arthur Alfred Bede Greig, he was the nephew of Australian pol ...
as Jacques (the Butler)


Production

Working titles for ''Trouble in Paradise'' included "The Honest Finder," "Thieves and Lovers," and "The Golden Widow"; the latter was publicly announced to be the intended release title. As with all the Lubitsch-Raphaelson collaborations, Lubitsch contributed to the writing and Raphaelson contributed ideas to the directing. Lubitsch did not receive screen credit for his writing, and Grover Jones, who was credited with the adaptation, did not contribute significantly: although he was in the room, his credit was based on a contractual obligation, and he did little more than tell stories. Further, although supposedly based on László Aladár's 1931 play ''The Honest Finder'', Lubitsch suggested that Raphaelson not read the play, and instead the main character, Herbert Marshall's master thief, was based on the exploits of a real person, George Manolescu, a Romanian con man whose memoir was published in 1905, and became the basis for two
silent film A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, w ...
s. Made before effective enforcement of the
Production Code The Motion Picture Production Code was a set of industry guidelines for the self-censorship of content that was applied to most motion pictures released by major studios in the United States from 1934 to 1968. It is also popularly known as the ...
, the film is an example of
pre-Code Pre-Code Hollywood was the brief era in the American film industry between the widespread adoption of sound in film in 1929LaSalle (2002), p. 1. and the enforcement of the Motion Picture Production Code censorship guidelines, popularly known ...
cinema containing adult themes and sexual innuendo that was not permitted under the Code. In 1935, when the Production Code was being enforced, the film was not approved for reissue, and it was not seen again until 1968. Paramount was again rejected in 1943, when the studio wanted to make a musical version of the film. The
Art Deco Art Deco, short for the French ''Arts Décoratifs'', and sometimes just called Deco, is a style of visual arts, architecture, and product design, that first appeared in France in the 1910s (just before World War I), and flourished in the Unit ...
sets for ''Trouble in Paradise'' were designed by the head of Paramount's art department, Hans Dreier, and the gowns were designed by Travis Banton.


Reception

''Trouble in Paradise'' was the film that first had people talking about "the Lubitsch touch," and it was, in fact, one of the director's favorites. Critic Dwight Macdonald said of the film that it was "as close to perfection as anything I have ever seen in the movies." ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' named the film as one of the ten best films of 1932. In 1998, Roger Ebert added it to his Great Movies collection.
Wes Anderson Wesley Wales Anderson (born May 1, 1969) is an American filmmaker. His films are known for their eccentricity and unique visual and narrative styles. They often contain themes of grief, loss of innocence, and dysfunctional families. Cited by ...
and
Ralph Fiennes Ralph Nathaniel Twisleton-Wykeham-Fiennes ( ; born 22 December 1962) is an English actor, film producer, and director. A Shakespeare interpreter, he excelled onstage at the Royal National Theatre before having further success at the Royal Shak ...
both said the movie was an inspiration for '' The Grand Budapest Hotel'' (2014). Review aggregation site
Rotten Tomatoes Rotten Tomatoes is an American review-aggregation website for film and television. The company was launched in August 1998 by three undergraduate students at the University of California, Berkeley: Senh Duong, Patrick Y. Lee, and Stephen Wan ...
reports an 89% approval based on 27 critics.


Awards and honors

''Trouble in Paradise'' was named by the
National Board of Review The National Board of Review of Motion Pictures is a non-profit organization of New York City area film enthusiasts. Its awards, which are announced in early December, are considered an early harbinger of the film awards season that culminat ...
as one of the top 10 films of 1932.


Preservation

''Trouble in Paradise'' was preserved and restored by the UCLA Film & Television Archive and
The Film Foundation The Film Foundation is a US-based non-profit organization dedicated to film preservation and the exhibition of restored and classic cinema. It was founded by director Martin Scorsese and several other leading filmmakers in 1990. The foundation ra ...
from the 35mm nitrate studio print and a 35mm acetate dupe negative. Restoration funding provided by the George Lucas Family Foundation.


References


External links

* * * *
''Trouble in Paradise: Lovers, On the Money''
an essay by
Armond White Armond White (born ) is an American film and music critic who writes for ''National Review'' and '' Out''. He was previously the editor of '' CityArts'' (2011–2014), the lead film critic for the alternative weekly ''New York Press'' (1997–20 ...
at the
Criterion Collection The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cine ...
{{Authority control 1932 films 1932 romantic comedy films American romantic comedy films American black-and-white films American crime comedy films American films based on plays Films directed by Ernst Lubitsch Films set in Paris Films set in Venice Paramount Pictures films United States National Film Registry films Films about con artists 1930s English-language films 1930s American films