The Slave Market (Gérôme painting)
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''The Slave Market'' () is an 1866 painting by the French artist
Jean-Léon Gérôme Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The ra ...
. It depicts an unspecific Middle Eastern or North African setting where a man inspects the teeth of a nude, female slave. The painting was bought by
Adolphe Goupil ''Adolphe'' is a classic French novel by Benjamin Constant, first published in 1816. It tells the story of an alienated young man, Adolphe, who falls in love with an older woman, Ellénore, the Polish mistress of the Comte de P***. Their illicit ...
on 23 August 1866 and exhibited at the Salon in 1867. It was bought and sold several times until
Robert Sterling Clark Robert Sterling Clark (June 25, 1877 – December 29, 1956), an heir to the Singer Sewing Machine fortune, was an American art collector, horse breeder, and philanthropist. Biography Known by his middle name, Sterling Clark served in the United S ...
bought it in 1930. Since 1955 it is part of the
Clark Art Institute The Sterling and Francine Clark Art Institute, commonly referred to as the Clark, is an art museum and research institution located in Williamstown, Massachusetts, United States. Its collection consists of European and American paintings, sculp ...
's collection. Along with Gérôme's ''
The Snake Charmer ''The Snake Charmer'' is an oil-on-canvas Orientalist painting by French artist Jean-Léon Gérôme produced around 1879. After it was used on the cover of Edward Said's book ''Orientalism'' in 1978, the work "attained a level of notoriety matche ...
'' (also owned by the Clark), ''The Slave Market'' has become an iconic example of 19th-century orientalist art.


Reception

Maxime Du Camp Maxime Du Camp (8 February 1822 – 9 February 1894) was a French writer and photographer. Biography Born in Paris, Du Camp was the son of a successful surgeon. After finishing college, he indulged in his strong desire for travel, thanks to ...
, who had travelled extensively in the Near East, reviewed the painting from the 1867 Salon. He located the motif to Cairo's slave market and described the painting as "a scene done on the spot". Du Camp wrote:
It is one of these ore expensivewomen, an Abyssinian, that M. Gérôme has taken as the principal figure of his composition. She is nude and being displayed by the djellab, who has the fine head of a brigand accustomed to every sort of abduction and violence; the idea of the eternal soul must not very often have tormented such a bandit. The poor girl is standing, submissive, humble, resigned, with a fatalistic passivity that the painter has very skillfully rendered.


Race, gender, and sexuality

In an art historical context,
Harem Harem ( Persian: حرمسرا ''haramsarā'', ar, حَرِيمٌ ''ḥarīm'', "a sacred inviolable place; harem; female members of the family") refers to domestic spaces that are reserved for the women of the house in a Muslim family. A har ...
scenes depicted domestic spaces for the women in the Muslim societies; the males were only included in barbaric and sexual relations. This painting presents an unspecific Middle Eastern or North African setting in which a man inspects the teeth of a nude Caucasian female slave. Women were depicted with a passive sexuality, while the men were depicted as domineering and disrespectful towards women. Gérome's depictions of slave trading predated ''The Slave Market'' and some were set in the Classical world. He painted a very similar scene in 1857, ''Buying a Slave,'' set in the ancient Greek or Roman world, in which racial differences between buyer, seller, and slave are not as apparent. The slaves depicted sometimes vary in skin color (as in ''The Slave Market'' of 1871); in all cases a woman or women are for sale, with men as buyers or sellers, but in the background of ''The Slave Market'' buyers can be seen inspecting a nude, dark-skinned male, and in the background of ''Slave Market in Ancient Rome'' (c. 1884) two enslaved males, one black and one white, can be seen. A depiction by Gérôme of a slave in another context is ''Cave Canem'' (1881). In ancient Rome, a chained and collared man sits under the notice "Cave Canem," Latin for "Beware the Dog."


Use in media


2019 European elections

The right-wing political party Alternative for Germany used the painting in a political advert for the
2019 European Parliament election The 2019 European Parliament election was held between 23 and 26 May 2019, the ninth parliamentary election since the first direct elections in 1979. A total of 751 Members of the European Parliament (MEPs) represent more than 512 million peop ...
. The reprint was accompanied with the slogan "Europeans vote AfD!" and "So Europe doesn't become
Eurabia Eurabia is a political neologism, a portmanteau of Europe and Arabia, used to describe a far-right, anti-Muslim conspiracy theory, involving globalist entities allegedly led by French and Arab powers, to Islamise and Arabise Europe, thereby wea ...
!" '' Deutsche Welle'' reported how the painting was used with racist intent, in that it suggestively depicted dark-skinned men with beards and turbans "inspecting the teeth of a nude white woman". The
Clark Art Institute The Sterling and Francine Clark Art Institute, commonly referred to as the Clark, is an art museum and research institution located in Williamstown, Massachusetts, United States. Its collection consists of European and American paintings, sculp ...
denounced AfD's use of the painting strongly.


Gallery: Gérôme's depictions of slaves and slave markets

File:Gerome - Slave Market (Detail naked male).jpg, Detail from ''The Slave Market'' (1866) showing an enslaved dark-skinned male File:Jean-Léon Gérôme - Greek Slave - 87.410 - Museum of Fine Arts.jpg, ''Greek Slave'' (1870)
an unfinished (because stolen) painting
Museum of Fine Arts, Boston File:Jean-Léon Gérôme - The Slave Market - Google Art Project.jpg, ''The Slave Market'' (1871),
Cincinnati Art Museum The Cincinnati Art Museum is an art museum in the Eden Park neighborhood of Cincinnati, Ohio. Founded in 1881, it was the first purpose-built art museum west of the Alleghenies, and is one of the oldest in the United States. Its collection of ov ...
File:Gérôme - Cave Canem.jpg, ''Cave Canem'', 1881, Musée Georges-Garret File:Gérôme--studies for Slave Market paintings--c1884--Walters Art Musuem.jpg, Studies for ''Slave Market in Ancient Rome'' (above) and ''A Roman Slave Market'' (below),
Walters Art Museum The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The museum's collection was amassed ...
File:Gérôme--study for slave market--Walters.jpg, Study for ''Slave Market in Ancient Rome'', graphite and black crayon (c. 1884),
Walters Art Museum The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The museum's collection was amassed ...
File:Jean-Léon Gérôme jeune fille nue 1886 Musée Georges-Garret 15072018.jpg, Study for ''Slave Market in Ancient Rome'', oil on canvas, Musée Georges-Garret File:Jean-Léon Gérôme - Slave Market in Rome - WGA8652.jpg, '' Slave Market in Ancient Rome'' (c. 1884),
Hermitage Museum The State Hermitage Museum ( rus, Государственный Эрмитаж, r=Gosudarstvennyj Ermitaž, p=ɡəsʊˈdarstvʲɪn(ː)ɨj ɪrmʲɪˈtaʂ, links=no) is a museum of art and culture in Saint Petersburg, Russia. It is the largest ...
File:Jean Leon Gerome Selling Slaves in Rome.jpg, '' A Roman Slave Market'' (c. 1884),
Walters Art Museum The Walters Art Museum, located in Mount Vernon-Belvedere, Baltimore, Maryland, United States, is a public art museum founded and opened in 1934. It holds collections established during the mid-19th century. The museum's collection was amassed ...


Gallery: Other Academic and Orientalist depictions of slave markets

File:Françoise Foliot - Victor Giraud - Un marchand d'esclaves.jpg, , ''Un marchand d'esclaves'', 1867, Musée d'Orsay File:Boulanger_Gustave_Clarence_Rudolphe_The_Slave_Market.jpg,
Gustave Boulanger Gustave Clarence Rodolphe Boulanger (25 April 1824 – 22 September 1888) was a French figurative painter and academic artist and teacher known for his Classical and Orientalist subjects. Education and career The Néo-Grecs and the Prix de Rom ...
, '' The Slave Market'', 1886, private collection File:Oscar Pereira da Silva - Roman Slave - Google Art Project.jpg,
Oscar Pereira da Silva Oscar Pereira da Silva (August 29, 1867 – January 17, 1939) was a Brazilian painter, draftsman, designer, and instructor. He was active from the end of the 19th to the mid-20th century. He is noted for his depictions of historical events in Brazi ...
, ''Escrava Romana'', c. 1894 File:The_Slave_Market_by_Otto_Pliny.jpg, Otto Pilny, ''The Slave Market'', 1910


References


External links


''The Slave Market''
at the
Clark Art Institute The Sterling and Francine Clark Art Institute, commonly referred to as the Clark, is an art museum and research institution located in Williamstown, Massachusetts, United States. Its collection consists of European and American paintings, sculp ...
's website
Jean-Léon Gérôme: Slave Market
by Sarah Lees from ''Nineteenth-century European Paintings at the Sterling and Francine Clark Art Institute'', pp. 359–363. * {{DEFAULTSORT:Slave Market 1866 paintings Eurabia Paintings by Jean-Léon Gérôme Paintings in Massachusetts Slavery in art Nude art