''The Conquest of Granada'' is a

Restoration Restoration is the act of restoring something to its original state and may refer to: * Conservation and restoration of cultural heritage ** Audio restoration ** Film restoration ** Image restoration ** Textile restoration *Restoration ecology * ...

era stage play, a two-part

tragedy Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy ...

written by

John Dryden '' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the p ...

that was first acted in 1670 and

1671 Events January–March * January 1 – The Criminal Ordinance of 1670, the first attempt at a uniform code of criminal procedure in France, goes into effect after having been passed on August 26, 1670. * January 5 – The ...

and published in

1672 Events January–March * January 2 – After the government of England is unable to pay the nation's debts, King Charles II decrees the Stop of the Exchequer, the suspension of payments for one year "upon any warrant, secur ...

. It is notable both as a defining example of the "

heroic drama Heroic drama is a type of play popular during the Restoration era in England, distinguished by both its verse structure and its subject matter. The subgenre of heroic drama evolved through several works of the middle to later 1660s; John Dryden' ...

" pioneered by Dryden, and as the subject of later

satire Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or e ...

. The plot deals with the Spanish conquest of

Granada Granada (,, DIN: ; grc, Ἐλιβύργη, Elibýrgē; la, Illiberis or . ) is the capital city of the province of Granada, in the autonomous community of Andalusia, Spain. Granada is located at the foot of the Sierra Nevada mountains, at the ...

in 1492 and the fall of

Muhammad XII of Granada Abu Abdallah Muhammad XII ( ar, أبو عبد الله محمد الثاني عشر, Abū ʿAbdi-llāh Muḥammad ath-thānī ʿashar) (c. 1460–1533), known in Europe as Boabdil (a Spanish rendering of the name ''Abu Abdallah''), was the ...

, the last Islamic ruler on the Iberian Peninsula.

Performance

The original 1670 production by the

King's Company The King's Company was one of two enterprises granted the rights to mount theatrical productions in London, after the London theatre closure had been lifted at the start of the English Restoration. It existed from 1660 to 1682, when it merged wit ...

featured

Edward Kynaston Edward Kynaston may refer to: *Edward Kynaston (actor) Edward Kynaston (c. 1640 – January 1706) was an English actor, one of the last Restoration "boy players", young male actors who played women's roles. Career Kynaston was good looking ...

as "Mahomet Boabdelin, last King of Granada," Charles Hart as Almanzor, Nell Gwyn as Alimahide,

Rebecca Marshall Rebecca Marshall ( fl. 1663 – 1677) was a noted English actress of the Restoration era, one of the first generation of women performers on the public stage in Britain. She was the younger sister of Anne Marshall, another prominent actress o ...

as Lyndaraxa, Elizabeth Boutell as Bezayda,

Edward Lydall Edward Lydall was an English stage actor of the seventeenth century. He was a member of the King's Company at the Theatre Royal, Drury Lane.Wilson p.34 His first known performance was in 1668. He generally played supporting roles. His surname is ...

as Prince Abdalla,

William Beeston William Beeston (1606? – 1682) was an English actor and theatre manager, the son and successor to the more famous Christopher Beeston. Early phase William was brought up in the theatrical world of his father; he became an actor, and also his ...

as Ozmyn, Richard Bell as Duke of Arcos, Michael Mohun as Abdemelech,

Martin Powell Martin Powell is an English musician. In 1991, Powell auditioned for the position of bass player in the band My Dying Bride, but was turned down as the band had just filled the position. Upon informing the band he was also a violin and keyboar ...

as Gomel, Marmaduke Watson as Hamet, William Cartwright as Abenamar,

Elizabeth James Elizabeth James was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. Several of her known performances were in the premieres of work by John Dryden. She also featu ...

as Isabella and

William Wintershall William Wintershall (died July 1679), also Wintersall or Wintersell, was a noted seventeenth-century English actor. His career spanned the difficult years of mid-century, when English theatres were closed from 1642 to 1660, during the English Civi ...

as Selin. The Prologue to Part 1 was spoken in the theatre by Nell Gwyn. The play was revived in the early 1690s.

Genre

Dryden wrote the play in closed couplets of

iambic pentameter Iambic pentameter () is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter, established by the words in that line; rhythm is measured in small groups of syllables called "feet". "Iambi ...

. He proposed, in the ''Preface'' to the printed play, a new type of drama that celebrated heroic figures and actions in a metre and rhyme that emphasised the dignity of the action. Dryden's innovation is a notable turn in

poetic diction Poetic diction is the term used to refer to the linguistic style, the vocabulary, and the metaphors used in the writing of poetry. In the Western tradition, all these elements were thought of as properly different in poetry and prose up to the tim ...

in England, as he was attempting to find an English metre and vocabulary that could correspond to the ancient

Latin Latin (, or , ) is a classical language belonging to the Italic languages, Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through ...

heroic verse structure. The closed iambic couplet is, indeed, referred to as the "heroic couplet" (although couplets had certainly been used before, and with a heroic connotation, as Samuel Butler's

parody A parody, also known as a spoof, a satire, a send-up, a take-off, a lampoon, a play on (something), or a caricature, is a creative work designed to imitate, comment on, and/or mock its subject by means of satiric or ironic imitation. Often its sub ...

in tetrameter couplets, ''

Hudibras ''Hudibras'' is a vigorous satirical poem, written in a mock-heroic style by Samuel Butler (1613–1680), and published in three parts in 1663, 1664 and 1678. The action is set in the last years of the Interregnum, around 1658–60, immediately b ...

'' shows). As for subject matter, the hero of a heroic drama must demonstrate, Dryden said, the Classical virtues of strength and decisiveness. Inasmuch as the British Restoration stage was already under attack for the licentiousness of its comedies and the example set by its lewd actresses, Dryden was attempting to turn the tide to admirable subjects.

Plot

The play concerns the

Battle of Granada The Granada War ( es, Guerra de Granada) was a series of military campaigns between 1482 and 1491 during the reign of the Catholic Monarchs, Isabella I of Castile and Ferdinand II of Aragon, against the Nasrid dynasty's Emirate of Granada. ...

, fought between the

Moors The term Moor, derived from the ancient Mauri, is an exonym first used by Christian Europeans to designate the Muslim inhabitants of the Maghreb, the Iberian Peninsula, Sicily and Malta during the Middle Ages. Moors are not a distinct or ...

and the Spanish, which led to the historic fall of

. The Spanish are kept generally in the background, and the action mainly concerns two factions of Moors, the Abencerrages and the Zegrys. The hero is Almanzor, who fights for the Moors. He falls in love with Almahide, who is engaged to Boabdelin, king of the Moors. She loves him, too, but she will not betray her vows to Boabdelin, and Boabdelin is torn between his jealousy and need for Almanzor. Almanzor and Almahide remain separated until the death of Boabdelin in the last act, when impediments are removed and the forbearing lovers can be united. There are two other crossed love plots in the play as well. Abdalla, brother of king Boabdelin, and Abdelmelich, the head of the Abencerrage faction, vie in love for the hand of Lyndaraxa, the sister of the leader of the Zegrys. Also, Ozmyn, a young Abencerrage man, loves Benzayda, a Zegry. It turns out during the play that Almanzor is the lost son of the Duke of Arcos, a Spaniard, but he fights for the Moors out of duty.

Satire

The fame of the play, the exceptional tangle of the plot, and especially the bombast of the speeches Almanzor makes, invited

of ''The Conquest of Granada'' by other playwrights. One example is '' The Rehearsal'', written by

George Villiers, 2nd Duke of Buckingham George Villiers, 2nd Duke of Buckingham, 20th Baron de Ros, (30 January 1628 – 16 April 1687) was an English statesman and poet. Life Early life George was the son of George Villiers, 1st Duke of Buckingham, favourite of James I ...

Henry Fielding Henry Fielding (22 April 1707 – 8 October 1754) was an English novelist, irony writer, and dramatist known for earthy humour and satire. His comic novel '' Tom Jones'' is still widely appreciated. He and Samuel Richardson are seen as founders ...

, in ''Tragedy of Tragedies, or the Life and Death of Tom Thumb the Great'' (

1730 Events January–March * January 30 (January 19 O.S.) – At dawn, Emperor Peter II of Russia dies of smallpox, aged 14 in Moscow, on the eve of his projected marriage. * February 26 (February 15 O.S.) – Anna of Russia (Ann ...

) also takes aim at the silliness of some of ''The Conquest of Granada.'' For example, the lofty aims expressed in the "Preface" to Fielding's play seem mismatched to the material.

A modern assessment

"No one, not even

Alexander Pope Alexander Pope (21 May 1688 O.S. – 30 May 1744) was an English poet, translator, and satirist of the Enlightenment era who is considered one of the most prominent English poets of the early 18th century. An exponent of Augustan literature, ...

, is better than Dryden at driving narrative through rhyme, but the aural effect is like that of being pelted with a succession of pellets. When, as in ''The Conquest of Granada'', the pelting continues for ten acts, the impact is deafening."Peter Thomson, ''The Cambridge Introduction to English Theatre, 1660–1900'', Cambridge, Cambridge University Press, 2006; p. 43.

References

External links

Cambridge Companion Discussion
{{DEFAULTSORT:Conquest of Granada, The English Restoration plays 1670 plays Plays by John Dryden Tragedy plays West End plays Plays based on actual events Plays set in Spain Plays set in the 15th century