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''The Apotheosis of Homer'' is a grand 1827 painting by
Jean-Auguste-Dominique Ingres Jean-Auguste-Dominique Ingres ( , ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ...
, now exhibited at the
Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the '' Venus de Milo''. A central ...
as INV 5417. The symmetrical composition depicts
Homer Homer (; grc, Ὅμηρος , ''Hómēros'') (born ) was a Greek poet who is credited as the author of the ''Iliad'' and the ''Odyssey'', two epic poems that are foundational works of ancient Greek literature. Homer is considered one of the ...
being crowned by a winged figure personifying Victory or the Universe. Forty-four additional figures pay homage to the poet in a kind of classical confession of faith.


History

A state commission to decorate a ceiling of the musée
Charles X Charles X (born Charles Philippe, Count of Artois; 9 October 1757 – 6 November 1836) was King of France from 16 September 1824 until 2 August 1830. An uncle of the uncrowned Louis XVII and younger brother to reigning kings Louis XVI and Lou ...
at the Louvre (now the ancient Egyptian galleries), it formed part of a renovation project commissioned by Charles X to have himself remembered in the grand tradition of Bourbon building works at the Louvre. A condition of the commission was that it was to be completed within a year's time.Condon et al. 1983, p. 110. Upon receiving the commission, Ingres conceived the idea for his painting quickly—it was a source of pride to him that he had required only an hour to establish the broad outlines of his composition in a sketch. The subsequent care he took in developing his idea is evident in more than 100 drawings and numerous painted sketches for it that survive, in which he fixed the details more and more precisely. Ingres's level of research can be seen in the painting's portrait of
Nicolas Poussin Nicolas Poussin (, , ; June 1594 – 19 November 1665) was the leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for ...
, which is directly copied from Poussin's 1650 self-portrait now in the Louvre. The composition is a symmetrical grouping centred in a classical way in front of an
ancient Greek Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic pe ...
temple. The painting's catalogue entry at the time of its first exhibition described it as "Homer receiving homage from all the great men of
Greece Greece,, or , romanized: ', officially the Hellenic Republic, is a country in Southeast Europe. It is situated on the southern tip of the Balkans, and is located at the crossroads of Europe, Asia, and Africa. Greece shares land borders wi ...
,
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus ( legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
and modern times. The Universe crowns him,
Herodotus Herodotus ( ; grc, , }; BC) was an ancient Greek historian and geographer from the Greek city of Halicarnassus, part of the Persian Empire (now Bodrum, Turkey) and a later citizen of Thurii in modern Calabria (Italy). He is known fo ...
burns
incense Incense is aromatic biotic material that releases fragrant smoke when burnt. The term is used for either the material or the aroma. Incense is used for aesthetic reasons, religious worship, aromatherapy, meditation, and ceremony. It may also b ...
. The ''
Iliad The ''Iliad'' (; grc, Ἰλιάς, Iliás, ; "a poem about Ilium") is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the ''Ody ...
'' and ''
Odyssey The ''Odyssey'' (; grc, Ὀδύσσεια, Odýsseia, ) is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the '' Iliad'', ...
'' sit at his feet." The final painting's colours are very fresh and clear, giving the impression of
fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plast ...
. Ingres wished to compete with
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...
through this painting (it is strongly inspired by the Italian artist's ''
Parnassus Mount Parnassus (; el, Παρνασσός, ''Parnassós'') is a mountain range of central Greece that is and historically has been especially valuable to the Greek nation and the earlier Greek city-states for many reasons. In peace, it offers ...
'') and Raphael is to be seen top left (in black and white Renaissance dress), being led by
Apelles Apelles of Kos (; grc-gre, Ἀπελλῆς; fl. 4th century BC) was a renowned painter of ancient Greece. Pliny the Elder, to whom much of modern scholars' knowledge of this artist is owed ('' Naturalis Historia'' 35.36.79–97 and ''passim' ...
(in a blue cloak). Other figures shown include
Dante Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ' ...
who is shown being led by
Virgil Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: th ...
as in the former's ''
Divine Comedy The ''Divine Comedy'' ( it, Divina Commedia ) is an Italian narrative poem by Dante Alighieri, begun 1308 and completed in around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature a ...
'' (extreme left, behind Poussin) and
Molière Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world ...
(right, by the feet of the personification of the ''Odyssey''). The art historian
Robert Rosenblum Robert Rosenblum (July 24, 1927 – December 6, 2006) was an American art historian and curator known for his influential and often irreverent scholarship on European and American art of the mid-eighteenth to 20th centuries. Biography Rosenblum wa ...
said ''The Apotheosis of Homer'' represents "Ingres' most doctrinaire statement of his belief in a hierarchy of timeless values that are based on classical precedent." It is highly successful in its genre, though leaves an impression of coldness, an impression which was reinforced at the time of its production by the exhibition of Delacroix's ''
The Death of Sardanapalus ''The Death of Sardanapalus'' (''La Mort de Sardanapale'') is an oil painting on canvas by Eugène Delacroix, dated 1827. It currently hangs in the Musée du Louvre, Paris. A smaller replica, painted by Delacroix in 1844, is now in the Philadelph ...
'' at the same year's
Paris Salon The Salon (french: Salon), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial ar ...
. Ingres had been considered revolutionary early in his career, but this contrast now faced off a Romantic renewal under Delacroix against the purest classical tradition as shown by Ingres. ''The Apotheosis of Homer'' was taken down from its initial site in 1855 and replaced later that year with a copy by Paul and Raymond Balze (in collaboration with Michel Dumas).The Balzes' copy
/ref>


Figures shown

Surrounding Homer are poets, artists, and philosophers both ancient and modern—the modern personages are mostly confined to the lower register of the composition, although Ingres deemed
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...
and
Michelangelo Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was ins ...
worthy of elevation to stand alongside the ancients. The figures are:Radius 1968, p. 103.


Later repetitions

Ingres revisited the subject in several later works, including an undated watercolour (Lille, Musée des Beaux-Arts) and paintings such as ''Homer and His Guide'' (1861; Brussels, Royal Collection) and ''The Odyssey'' (Lyon, Musée des Beaux-Arts). In 1854 be began work on a drawing of the composition to be used as a model for the engraver Calamatta.Condon et al. 1983, p. 112. This drawing, in which Ingres announced his intention to "amplify and complete" his conception, was not completed until 1865, as the artist deliberated at length in choosing the appropriate historical personages to be included. He ultimately added dozens of new figures, including
Ictinus Ictinus (; el, Ἰκτῖνος, ''Iktinos'') was an architect active in the mid 5th century BC. Ancient sources identify Ictinus and Callicrates as co-architects of the Parthenon. He co-wrote a book on the project – which is now lost – in col ...
,
Giulio Romano Giulio Romano (, ; – 1 November 1546), is the acquired name of Giulio Pippi, who was an Italian painter and architect. He was a pupil of Raphael, and his stylistic deviations from High Renaissance classicism help define the sixteenth-cent ...
,
John Flaxman John Flaxman (6 July 1755 – 7 December 1826) was a British sculptor and draughtsman, and a leading figure in British and European Neoclassicism. Early in his career, he worked as a modeller for Josiah Wedgwood's pottery. He spent several ye ...
,
Jacques-Louis David Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away f ...
,
Pliny the Elder Gaius Plinius Secundus (AD 23/2479), called Pliny the Elder (), was a Roman author, naturalist and natural philosopher, and naval and army commander of the early Roman Empire, and a friend of the emperor Vespasian. He wrote the encyclopedic ' ...
,
Plutarch Plutarch (; grc-gre, Πλούταρχος, ''Ploútarchos''; ; – after AD 119) was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo in Delphi. He is known primarily for hi ...
, Cosimo de Medici,
Louis XIV Louis XIV (Louis Dieudonné; 5 September 16381 September 1715), also known as Louis the Great () or the Sun King (), was List of French monarchs, King of France from 14 May 1643 until his death in 1715. His reign of 72 years and 110 days is the Li ...
, and
Pope Leo X Pope Leo X ( it, Leone X; born Giovanni di Lorenzo de' Medici, 11 December 14751 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death in December 1521. Born into the prominent political an ...
. Ingres also refined his selection by excluding Shakespeare, Tasso, and Camões from the 1865 drawing, as he had come to believe that they were too closely related to the Romantic tendency epitomized by his rival Delacroix.


Notes


References

*Condon, Patricia; Cohn, Marjorie B.; Mongan, Agnes (1983). ''In Pursuit of Perfection: The Art of J.-A.-D. Ingres''. Louisville: The J. B. Speed Art Museum. *Radius, Emilio (1968). ''L'opera completa di Ingres''. Milan: Rizzoli. *Rosenblum, Robert (1990). ''Jean-Auguste-Dominique Ingres''. New York: H.N. Abrams. .


External links


Cataloge entry for this work at the LouvreOil study of Homer's feet for the paintingStudy of hands for the painting
{{DEFAULTSORT:Apotheosis of Homer (Ingres) Paintings in the Louvre by French artists 1827 paintings Paintings by Jean-Auguste-Dominique Ingres Angels in art Cultural depictions of Homer Cultural depictions of Aristotle Cultural depictions of Socrates Cultural depictions of Plato Cultural depictions of Alexander the Great Cultural depictions of Dante Alighieri Cultural depictions of Michelangelo Cultural depictions of Raphael Cultural depictions of Molière Cultural depictions of Wolfgang Amadeus Mozart Cultural depictions of William Shakespeare Musical instruments in art Paintings based on the Iliad Paintings based on the Odyssey