Treasure Of El Carambolo
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The Treasure of El Carambolo ( es, Tesoro del Carambolo) was found in El Carambolo hill in the municipality of Camas (
Province of Seville The Province of Seville ( es, Sevilla) is a province of southern Spain, in the western part of the autonomous community of Andalusia. It is bordered by the provinces of Málaga, Cádiz in the south, Huelva in the west, Badajoz in the north and C ...
, Andalusia, Spain), 3 kilometers west of Seville, on 30 September 1958.Chamorro, 197. The discovery of the treasure hoard spurred interest in the Tartessos culture, which prospered from the 9th to the 6th centuries BCE, but recent scholars have debated whether the treasure was a product of local culture or of the Phoenicians.Perea and Hunt-Ortiz. The treasure was found by Spanish construction workers during renovations being made at a pigeon shooting society. After years of displaying a
replica A 1:1 replica is an exact copy of an object, made out of the same raw materials, whether a molecule, a work of art, or a commercial product. The term is also used for copies that closely resemble the original, without claiming to be identical. Al ...
while the original treasure was locked in a safe, the
Archeological Museum of Seville The Archeological Museum of Seville (Spanish: ''Museo Arqueológico de Sevilla'') is a museum in Seville, southern Spain, housed in the ''Pabellón del Renacimiento'', one of the pavilions designed by the architect Aníbal González. These pavili ...
has put the original artifacts on permanent display since January 2012. A replica is on display in the National Archaeological Museum in Madrid.


Gold treasure

It consists of 21 pieces of crafted gold: a necklace with pendants, two bracelets, two ox-hide-shaped pectorals, and 16 plaques. The jewelry had been buried inside a ceramic vessel. The plaques may have made up a necklace or diadem; alternatively, some current thinking is that they were attached to textiles adorning animals led to sacrifice, while the necklace and bracelets were worn by the priest officiating. Following the discovery, archaeologist Juan de Mata Carriazo excavated the site. The treasure has been dated to the 8th century BCE, with the exception of the necklace, which is thought to be from 6th century BCE Cyprus. The hoard itself is thought to have been deliberately buried in the 6th century BCE. Two distinct archaeological sites have been found at El Carambolo with the later replacing the first. One, on top of a hill, referred to as "Carambolo Alto" dates from the ninth to mid-eighth century BCE. Remains at this site consist mainly of burned huts and pottery with geometric designs. The first site reflects indigenous culture and is dated before the arrival of the Phoenicians. The second site, on the side of the hill facing the river, is known as "Carambolo Bajo." This site dates from the beginning of trade with the Phoenicians in the mid-eighth century. The Treasure of El Carambolo is associated with the second site, and may have been buried at the time of the site's destruction in the sixth century. The discovery of a statue of the Phoenician goddess Astarte cast doubt on the interpretation of the site as an indigenous settlement and led some to argue that it was more Phoenician than Tartessian. Further excavations at the site revealed a Phoenician religious sanctuary.


Phoenician statuette

Between 1960 and 1962, a small bronze statuette of Astarte was found in El Carambolo. The plinth (4.1 x 2.8 cm) contained a notable
Phoenician inscription The Canaanite and Aramaic inscriptions, also known as Northwest Semitic inscriptions, are the primary extra-Biblical source for understanding of the society and history of the ancient Phoenicians, Hebrews and Arameans. Semitic inscriptions may occ ...
, known today as KAI 294, with five lines of Phoenician text. It was delivered to the
Archeological Museum of Seville The Archeological Museum of Seville (Spanish: ''Museo Arqueológico de Sevilla'') is a museum in Seville, southern Spain, housed in the ''Pabellón del Renacimiento'', one of the pavilions designed by the architect Aníbal González. These pavili ...
by Joaquín Romero Murube in 1963.


Provenance

A 2018 study used chemical and
isotopic analysis Isotope analysis is the identification of isotopic signature, abundance of certain stable isotopes of chemical elements within organic and inorganic compounds. Isotopic analysis can be used to understand the flow of energy through a food web, ...
to try and resolve this debate over the hoard's provenance. The study concluded that while the jewelry was crafted using predominantly Phoenician techniques, the gold itself was sourced from mines only away, likely the same mines which provided gold for the massive underground tombs at Valencina de la Concepcion.


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References

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External links

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Archaeological Museum of Seville - item description
{{Coord, 37, 23, 34.57, N, 6, 2, 13.62, W, type:landmark_scale:1000_region:ES, display=title 8th-century BC works 1958 archaeological discoveries Tartessos Phoenician metalwork Treasure troves in Spain Camas, Seville