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Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of
drama Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been ...
based on human
suffering Suffering, or pain in a broad sense, may be an experience of unpleasantness or aversion, possibly associated with the perception of harm or threat of harm in an individual. Suffering is the basic element that makes up the negative valence of a ...
and, mainly, the terrible or sorrowful events that befall a
main character A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a st ...
. Traditionally, the intention of tragedy is to invoke an accompanying
catharsis Catharsis (from Greek , , meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions through dramatic art, or it may be any extreme emotional state that results in renewal and restoration. In its lite ...
, or a "pain
hat A hat is a head covering which is worn for various reasons, including protection against weather conditions, ceremonial reasons such as university graduation, religious reasons, safety, or as a fashion accessory. Hats which incorporate mecha ...
awakens pleasure", for the audience. While many cultures have developed forms that provoke this
paradox A paradox is a logically self-contradictory statement or a statement that runs contrary to one's expectation. It is a statement that, despite apparently valid reasoning from true premises, leads to a seemingly self-contradictory or a logically u ...
ical response, the term ''tragedy'' often refers to a specific
tradition A tradition is a belief or behavior (folk custom) passed down within a group or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or ...
of drama that has played a unique and important role historically in the self-definition of
Western civilization Leonardo da Vinci's ''Vitruvian Man''. Based on the correlations of ideal Body proportions">human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise ''De architectura''. image:Plato Pio-Cle ...
. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of
cultural identity Cultural identity is a part of a person's identity, or their self-conception and self-perception, and is related to nationality, ethnicity, religion, social class, generation, locality or any kind of social group that has its own distinct cultur ...
and historical continuity—"the
Greeks The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, oth ...
and the Elizabethans, in one cultural form;
Hellenes The Greeks or Hellenes (; el, Έλληνες, ''Éllines'' ) are an ethnic group and nation indigenous to the Eastern Mediterranean and the Black Sea regions, namely Greece, Cyprus, Albania, Italy, Turkey, Egypt, and, to a lesser extent, other ...
and Christians, in a common activity," as
Raymond Williams Raymond Henry Williams (31 August 1921 – 26 January 1988) was a Welsh socialist writer, academic, novelist and critic influential within the New Left and in wider culture. His writings on politics, culture, the media and literature contribu ...
puts it. From its origins in the
theatre of ancient Greece Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was ...
2500 years ago, from which there survives only a fraction of the work of
Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
,
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or co ...
and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
, as well as many fragments from other poets, and the later Roman tragedies of
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extrat ...
; through its singular articulations in the works of
Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
,
Lope de Vega Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature ...
,
Jean Racine Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western traditio ...
, and
Friedrich Schiller Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friends ...
to the more recent naturalistic tragedy of
Henrik Ibsen Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playw ...
and
August Strindberg Johan August Strindberg (, ; 22 January 184914 May 1912) was a Swedish playwright, novelist, poet, essayist and painter.Lane (1998), 1040. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than sixty p ...
;
Samuel Beckett Samuel Barclay Beckett (; 13 April 1906 – 22 December 1989) was an Irish novelist, dramatist, short story writer, theatre director, poet, and literary translator. His literary and theatrical work features bleak, impersonal and tragicomic expe ...
's
modernist Modernism is both a philosophical and arts movement that arose from broad transformations in Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, an ...
meditations on death, loss and suffering;
Heiner Müller Heiner Müller (; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdr ...
postmodernist Postmodernism is an intellectual stance or mode of discourseNuyen, A.T., 1992. The Role of Rhetorical Devices in Postmodernist Discourse. Philosophy & Rhetoric, pp.183–194. characterized by skepticism toward the " grand narratives" of moderni ...
reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of
philosophers A philosopher is a person who practices or investigates philosophy. The term ''philosopher'' comes from the grc, φιλόσοφος, , translit=philosophos, meaning 'lover of wisdom'. The coining of the term has been attributed to the Greek th ...
—which includes
Plato Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution ...
,
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
,
Saint Augustine Augustine of Hippo ( , ; la, Aurelius Augustinus Hipponensis; 13 November 354 – 28 August 430), also known as Saint Augustine, was a theologian and philosopher of Berber origin and the bishop of Hippo Regius in Numidia, Roman North Af ...
,
Voltaire François-Marie Arouet (; 21 November 169430 May 1778) was a French Age of Enlightenment, Enlightenment writer, historian, and philosopher. Known by his ''Pen name, nom de plume'' M. de Voltaire (; also ; ), he was famous for his wit, and his ...
, Hume,
Diderot Denis Diderot (; ; 5 October 171331 July 1784) was a French philosopher, art critic, and writer, best known for serving as co-founder, chief editor, and contributor to the ''Encyclopédie'' along with Jean le Rond d'Alembert. He was a prominen ...
,
Hegel Georg Wilhelm Friedrich Hegel (; ; 27 August 1770 – 14 November 1831) was a German philosopher. He is one of the most important figures in German idealism and one of the founding figures of modern Western philosophy. His influence extends a ...
,
Schopenhauer Arthur Schopenhauer ( , ; 22 February 1788 – 21 September 1860) was a German philosopher. He is best known for his 1818 work ''The World as Will and Representation'' (expanded in 1844), which characterizes the phenomenal world as the prod ...
, Kierkegaard,
Nietzsche Friedrich Wilhelm Nietzsche (; or ; 15 October 1844 – 25 August 1900) was a German philosopher, Prose poetry, prose poet, cultural critic, Philology, philologist, and composer whose work has exerted a profound influence on contemporary philo ...
,
Freud Sigmund Freud ( , ; born Sigismund Schlomo Freud; 6 May 1856 – 23 September 1939) was an Austrian neurologist and the founder of psychoanalysis, a clinical method for evaluating and treating pathologies explained as originating in conflicts in ...
,
Benjamin Benjamin ( he, ''Bīnyāmīn''; "Son of (the) right") blue letter bible: https://www.blueletterbible.org/lexicon/h3225/kjv/wlc/0-1/ H3225 - yāmîn - Strong's Hebrew Lexicon (kjv) was the last of the two sons of Jacob and Rachel (Jacob's thir ...
,
Camus Albert Camus ( , ; ; 7 November 1913 – 4 January 1960) was a French philosopher, author, dramatist, and journalist. He was awarded the 1957 Nobel Prize in Literature at the age of 44, the second-youngest recipient in history. His works ...
,
Lacan Jacques Marie Émile Lacan (, , ; 13 April 1901 – 9 September 1981) was a French psychoanalyst and psychiatrist. Described as "the most controversial psycho-analyst since Freud", Lacan gave yearly seminars in Paris from 1953 to 1981, and ...
, and
Deleuze Gilles Louis René Deleuze ( , ; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art. His most popular works were the two volu ...
—have analysed, speculated upon, and criticised the genre. In the wake of Aristotle's ''
Poetics Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry. History The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" an ...
'' (335 BCE), tragedy has been used to make genre distinctions, whether at the scale of poetry in general (where the tragic divides against epic and lyric) or at the scale of the drama (where tragedy is opposed to
comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...
). In the
modern Modern may refer to: History * Modern history ** Early Modern period ** Late Modern period *** 18th century *** 19th century *** 20th century ** Contemporary history * Moderns, a faction of Freemasonry that existed in the 18th century Phil ...
era, tragedy has also been defined against drama,
melodrama A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or exces ...
, the tragicomic, and
epic theatre Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creati ...
. Drama, in the narrow sense, cuts across the traditional division between comedy and tragedy in an anti- or a-
generic Generic or generics may refer to: In business * Generic term, a common name used for a range or class of similar things not protected by trademark * Generic brand, a brand for a product that does not have an associated brand or trademark, other ...
deterritorialisation from the mid-19th century onwards. Both
Bertolt Brecht Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a pl ...
and
Augusto Boal Augusto Boal (16 March 1931 – 2 May 2009) was a Brazilian theatre practitioner, drama theorist, and political activist. He was the founder of Theatre of the Oppressed, a theatrical form originally used in radical left popular education movemen ...
define their
epic theatre Epic theatre (german: episches Theater) is a theatrical movement arising in the early to mid-20th century from the theories and practice of a number of theatre practitioners who responded to the political climate of the time through the creati ...
projects (
non-Aristotelian drama Non-Aristotelian drama, or the 'epic form' of the drama, is a kind of play whose dramaturgical structure departs from the features of classical tragedy in favour of the features of the epic, as defined in each case by the ancient Greek philosophe ...
and
Theatre of the Oppressed The Theatre of the Oppressed (TO) describes theatrical forms that the Brazilian theatre practitioner Augusto Boal first elaborated in the 1970s, initially in Brazil and later in Europe. Boal was influenced by the work of the educator and theoris ...
, respectively) against models of tragedy. Taxidou, however, reads epic theatre as an incorporation of tragic functions and its treatments of mourning and speculation.


Etymology

The word "tragedy" appears to have been used to describe different phenomena at different times. It derives from
Classical Greek Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic peri ...
, contracted from ''trag(o)-aoidiā'' = "goat
song A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetitio ...
", which comes from ''tragos'' = "he-goat" and ''aeidein'' = "to sing" (''
cf. The abbreviation ''cf.'' (short for the la, confer/conferatur, both meaning "compare") is used in writing to refer the reader to other material to make a comparison with the topic being discussed. Style guides recommend that ''cf.'' be used onl ...
'' "ode"). Scholars suspect this may be traced to a time when a goat was either the prize in a competition of choral dancing or was what a
chorus Chorus may refer to: Music * Chorus (song) or refrain, line or lines that are repeated in music or in verse * Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound * Chorus form, song in which all verse ...
danced around prior to the animal's
ritual A ritual is a sequence of activities involving gestures, words, actions, or objects, performed according to a set sequence. Rituals may be prescribed by the traditions of a community, including a religious community. Rituals are characterized, b ...
sacrifice Sacrifice is the offering of material possessions or the lives of animals or humans to a deity as an act of propitiation or worship. Evidence of ritual animal sacrifice has been seen at least since ancient Hebrews and Greeks, and possibly exi ...
. In another view on the etymology,
Athenaeus Athenaeus of Naucratis (; grc, Ἀθήναιος ὁ Nαυκρατίτης or Nαυκράτιος, ''Athēnaios Naukratitēs'' or ''Naukratios''; la, Athenaeus Naucratita) was a Greek rhetorician and grammarian, flourishing about the end of th ...
of Naucratis (2nd–3rd century CE) says that the original form of the word was ''trygodia'' from ''trygos'' (grape harvest) and ''ode'' (song), because those events were first introduced during grape harvest. Writing in 335 BCE (long after the
Golden Age The term Golden Age comes from Greek mythology, particularly the ''Works and Days'' of Hesiod, and is part of the description of temporal decline of the state of peoples through five Ages of Man, Ages, Gold being the first and the one during ...
of 5th-century
Athenian Athens ( ; el, Αθήνα, Athína ; grc, Ἀθῆναι, Athênai (pl.) ) is both the capital and largest city of Greece. With a population close to four million, it is also the seventh largest city in the European Union. Athens dominates ...
tragedy),
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
provides the earliest-surviving explanation for the origin of the dramatic
art form The arts are a very wide range of human practices of creative expression, storytelling and cultural participation. They encompass multiple diverse and plural modes of thinking, doing and being, in an extremely broad range of media. Both ...
in his ''
Poetics Poetics is the theory of structure, form, and discourse within literature, and, in particular, within poetry. History The term ''poetics'' derives from the Ancient Greek ποιητικός ''poietikos'' "pertaining to poetry"; also "creative" an ...
'', in which he argues that tragedy developed from the
improvisation Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of impr ...
s of the leader of
choral A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which ...
dithyramb The dithyramb (; grc, διθύραμβος, ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in ''The Laws'', while discussing ...
s (
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' ...
s sung and danced in praise of
Dionysos In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans ...
, the god of wine and fertility): In the same work, Aristotle attempts to provide a scholastic definition of what tragedy is: There is some dissent to the dithyrambic origins of tragedy, mostly based on the differences between the shapes of their choruses and styles of dancing. A common descent from pre- Hellenic fertility and burial rites has been suggested.
Friedrich Nietzsche Friedrich Wilhelm Nietzsche (; or ; 15 October 1844 – 25 August 1900) was a German philosopher, prose poet, cultural critic, philologist, and composer whose work has exerted a profound influence on contemporary philosophy. He began his ...
discussed the origins of Greek tragedy in his early book ''
The Birth of Tragedy ''The Birth of Tragedy Out of the Spirit of Music'' (german: Die Geburt der Tragödie aus dem Geiste der Musik) is a 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as ''The Birth of Tragedy, Or ...
'' (1872). Here, he suggests the name originates in the use of a chorus of goat-like
satyr In Greek mythology, a satyr ( grc-gre, :wikt:σάτυρος, σάτυρος, sátyros, ), also known as a silenus or ''silenos'' ( grc-gre, :wikt:Σειληνός, σειληνός ), is a male List of nature deities, nature spirit with ears ...
s in the original
dithyramb The dithyramb (; grc, διθύραμβος, ''dithyrambos'') was an ancient Greek hymn sung and danced in honor of Dionysus, the god of wine and fertility; the term was also used as an epithet of the god. Plato, in ''The Laws'', while discussing ...
s from which the tragic genre developed. Scott Scullion writes:


Greek

Athenian tragedy—the oldest surviving form of tragedy—is a type of dance-drama that formed an important part of the theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the
Hellenistic period In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in 3 ...
. No tragedies from the 6th century and only 32 of the more than a thousand that were performed in the 5th century have survived. We have complete texts
extant Extant is the opposite of the word extinct. It may refer to: * Extant hereditary titles * Extant literature, surviving literature, such as ''Beowulf'', the oldest extant manuscript written in English * Extant taxon, a taxon which is not extinct, ...
by
Aeschylus Aeschylus (, ; grc-gre, Αἰσχύλος ; c. 525/524 – c. 456/455 BC) was an ancient Greek tragedian, and is often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek ...
,
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or co ...
, and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
. Aeschylus' ''
Persians The Persians are an Iranian ethnic group who comprise over half of the population of Iran. They share a common cultural system and are native speakers of the Persian language as well as of the languages that are closely related to Persian. ...
'' is recognized to be the earliest extant Greek tragedy, and as such it is doubly unique among the extant ancient dramas. Athenian tragedies were performed in late March/early April at an annual state religious festival in honor of Dionysus. The presentations took the form of a contest between three playwrights, who presented their works on three successive days. Each playwright offered a tetralogy consisting of three tragedies and a concluding comic piece called a
satyr play The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is stro ...
. The four plays sometimes featured linked stories. Only one complete trilogy of tragedies has survived, the ''
Oresteia The ''Oresteia'' ( grc, Ὀρέστεια) is a trilogy of Greek tragedies written by Aeschylus in the 5th century BCE, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of th ...
'' of Aeschylus. The Greek theatre was in the open air, on the side of a hill, and performances of a trilogy and satyr play probably lasted most of the day. Performances were apparently open to all citizens, including women, but evidence is scant. The theatre of Dionysus at Athens probably held around 12,000 people. All of the choral parts were sung (to the accompaniment of an ''
aulos An ''aulos'' ( grc, αὐλός, plural , ''auloi'') or ''tibia'' (Latin) was an ancient Greek wind instrument, depicted often in art and also attested by archaeology. Though ''aulos'' is often translated as "flute" or "double flute", it was usu ...
'') and some of the actors' answers to the chorus were sung as well. The play as a whole was composed in various verse metres. All actors were male and wore masks. A
Greek chorus A Greek chorus, or simply chorus ( grc-gre, χορός, chorós), in the context of ancient Greek tragedy, comedy, satyr plays, and modern works inspired by them, is a homogeneous, non-individualised group of performers, who comment with a collect ...
danced as well as sang, though no one knows exactly what sorts of steps the chorus performed as it sang. Choral songs in tragedy are often divided into three sections: strophe ("turning, circling"), antistrophe ("counter-turning, counter-circling") and epode ("after-song"). Many ancient Greek tragedians employed the '' ekkyklêma'' as a theatrical device, which was a platform hidden behind the scene that could be rolled out to display the aftermath of some event which had happened out of sight of the audience. This event was frequently a brutal murder of some sort, an act of violence which could not be effectively portrayed visually, but an action of which the other characters must see the effects for it to have meaning and emotional resonance. A prime example of the use of the ''ekkyklêma'' is after the murder of
Agamemnon In Greek mythology, Agamemnon (; grc-gre, Ἀγαμέμνων ''Agamémnōn'') was a king of Mycenae who commanded the Greeks during the Trojan War. He was the son, or grandson, of King Atreus and Queen Aerope, the brother of Menelaus, the husb ...
in the first play of Aeschylus' ''Oresteia'', when the king's butchered body is wheeled out in a grand display for all to see. Variations on the ''ekkyklêma'' are used in tragedies and other forms to this day, as writers still find it a useful and often powerful device for showing the consequences of extreme human actions. Another such device was a crane, the
mechane A mechane (; el, μηχανή, ''mēkhanḗ'') or machine was a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually represen ...
, which served to hoist a god or goddess on stage when they were supposed to arrive flying. This device gave origin to the phrase "
deus ex machina ''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function ...
" ("god out of a machine"), that is, the surprise intervention of an unforeseen external factor that changes the outcome of an event.


Roman

Following the expansion of the
Roman Republic The Roman Republic ( la, Res publica Romana ) was a form of government of Rome and the era of the classical Roman civilization when it was run through public representation of the Roman people. Beginning with the overthrow of the Roman Kin ...
(509–27 BCE) into several Greek territories between 270 and 240 BCE, Rome encountered
Greek tragedy Greek tragedy is a form of theatre from Ancient Greece and Greek inhabited Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy. Greek tragedy is widely believed t ...
. From the later years of the republic and by means of the
Roman Empire The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post-Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediterr ...
(27 BCE-476 CE), theatre spread west across Europe, around the Mediterranean and even reached Britain. While Greek tragedy continued to be performed throughout the Roman period, the year 240 BCE marks the beginning of regular Roman drama.
Livius Andronicus Lucius Livius Andronicus (; el, Λούκιος Λίβιος Ανδρόνικος; c. 284 – c. 204 BC) was a Greco-Roman dramatist and epic poet of the Old Latin period during the Roman Republic. He began as an educator in the service of a n ...
began to write Roman tragedies, thus creating some of the first important works of
Roman literature Latin literature includes the essays, histories, poems, plays, and other writings written in the Latin language. The beginning of formal Latin literature dates to 240 BC, when the first stage play in Latin was performed in Rome. Latin literature ...
. Five years later,
Gnaeus Naevius Gnaeus Naevius (; c. 270 – c. 201 BC) was a Roman epic poet and dramatist of the Old Latin period. He had a notable literary career at Rome until his satiric comments delivered in comedy angered the Metellus family, one of whom was consul. A ...
also began to write tragedies (though he was more appreciated for his comedies). No complete early Roman tragedy survives, though it was highly regarded in its day; historians know of three other early tragic playwrights—
Quintus Ennius Quintus Ennius (; c. 239 – c. 169 BC) was a writer and poet who lived during the Roman Republic. He is often considered the father of Roman poetry. He was born in the small town of Rudiae, located near modern Lecce, Apulia, (Ancient Calabria, ...
,
Marcus Pacuvius Marcus Pacuvius (; 220 – c. 130 BC) was an ancient Roman tragic poet. He is regarded as the greatest of their tragedians prior to Lucius Accius. Biography He was the nephew and pupil of Ennius, by whom Roman tragedy was first raised to a positi ...
and
Lucius Accius Lucius Accius (; 170 – c. 86 BC), or Lucius Attius, was a Roman tragic poet and literary scholar. Accius was born in 170 BC at Pisaurum, a town founded in the Ager Gallicus in 184 BC. He was the son of a freedman and a freedwoman, probably from ...
. From the time of the empire, the tragedies of two playwrights survive—one is an unknown author, while the other is the
Stoic philosopher Stoicism is a school of Hellenistic philosophy founded by Zeno of Citium in Athens in the early 3rd century Common Era, BCE. It is a philosophy of personal virtue ethics informed by its system of logic and its views on the natural world, asser ...
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extrat ...
. Nine of Seneca's tragedies survive, all of which are ''fabula crepidata'' (tragedies adapted from Greek originals); his ''
Phaedra Phaedra may refer to: Mythology * Phaedra (mythology), Cretan princess, daughter of Minos and Pasiphaë, wife of Theseus Arts and entertainment * ''Phaedra'' (Alexandre Cabanel), an 1880 painting Film * ''Phaedra'' (film), a 1962 film by ...
'', for example, was based on
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
' '' Hippolytus''. Historians do not know who wrote the only
extant Extant is the opposite of the word extinct. It may refer to: * Extant hereditary titles * Extant literature, surviving literature, such as ''Beowulf'', the oldest extant manuscript written in English * Extant taxon, a taxon which is not extinct, ...
example of the ''fabula praetexta'' (tragedies based on Roman subjects), '' Octavia'', but in former times it was mistakenly attributed to Seneca due to his appearance as a character in the tragedy. Seneca's tragedies rework those of all three of the Athenian tragic playwrights whose work has survived. Probably meant to be recited at elite gatherings, they differ from the Greek versions in their long declamatory, narrative accounts of action, their obtrusive moralising, and their bombastic rhetoric. They dwell on detailed accounts of horrible deeds and contain long reflective soliloquies. Though the gods rarely appear in these plays, ghosts and witches abound. Senecan tragedies explore ideas of
revenge Revenge is committing a harmful action against a person or group in response to a grievance, be it real or perceived. Francis Bacon described revenge as a kind of "wild justice" that "does... offend the law ndputteth the law out of office." Pr ...
, the occult, the supernatural, suicide, blood and gore. The Renaissance scholar
Julius Caesar Scaliger Julius Caesar Scaliger (; April 23, 1484 – October 21, 1558), or Giulio Cesare della Scala, was an Italian scholar and physician, who spent a major part of his career in France. He employed the techniques and discoveries of Renaissance humanism ...
(1484–1558), who knew both Latin and Greek, preferred Seneca to Euripides.


Renaissance


Influence of Greek and Roman

Classical Greek drama was largely forgotten in Western Europe from the Middle Ages to the beginning of the 16th century.
Medieval theatre Medieval theatre encompasses theatrical performance in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, c ...
was dominated by
mystery play Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the represen ...
s,
morality play The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts ( ...
s,
farce Farce is a comedy that seeks to entertain an audience through situations that are highly exaggerated, extravagant, ridiculous, absurd, and improbable. Farce is also characterized by heavy use of physical humor; the use of deliberate absurdity o ...
s and
miracle play Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the represen ...
s. In Italy, the models for tragedy in the later Middle Ages were Roman, particularly the works of Seneca, interest in which was reawakened by the
Padua Padua ( ; it, Padova ; vec, Pàdova) is a city and ''comune'' in Veneto, northern Italy. Padua is on the river Bacchiglione, west of Venice. It is the capital of the province of Padua. It is also the economic and communications hub of the ...
n Lovato de' Lovati (1241–1309). His pupil
Albertino Mussato Albertino Mussato (1261–1329) was a statesman, poet, historian and playwright from Padua. He is credited with providing an impetus to the revival of literary Latin, and is characterized as an early humanist. He was influenced by his teacher, the ...
(1261–1329), also of Padua, in 1315 wrote the Latin verse tragedy ''Eccerinis'', which uses the story of the tyrant
Ezzelino III da Romano Ezzelino III da Romano (25 April 1194, Tombolo7 October 1259) was an Italian feudal lord, a member of the Ezzelino family, in the March of Treviso (in modern Veneto). He was a close ally of the emperor Frederick II ( r. 1220–1250), and ruled ...
to highlight the danger to Padua posed by
Cangrande della Scala Cangrande (christened Can Francesco) della Scala (9 March 1291 – 22 July 1329) was an Italian nobleman, belonging to the della Scala family which ruled Verona from 1308 until 1387. Now perhaps best known as the leading patron of the poet Dante ...
of
Verona Verona ( , ; vec, Verona or ) is a city on the Adige River in Veneto, Northern Italy, Italy, with 258,031 inhabitants. It is one of the seven provincial capitals of the region. It is the largest city Comune, municipality in the region and the ...
. It was the first secular tragedy written since Roman times, and may be considered the first Italian tragedy identifiable as a Renaissance work. The earliest tragedies to employ purely classical themes are the ''Achilles'' written before 1390 by
Antonio Loschi Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male ...
of
Vicenza Vicenza ( , ; ) is a city in northeastern Italy. It is in the Veneto region at the northern base of the ''Monte Berico'', where it straddles the Bacchiglione River. Vicenza is approximately west of Venice and east of Milan. Vicenza is a th ...
(c.1365–1441) and the ''Progne'' of the Venetian
Gregorio Correr Gregorio Correr (Corraro) (1409 – 1464) was an Italian humanist and ecclesiastic from Venice. In the last year of his life he was elected Patriarch of Venice The Patriarch of Venice ( la, Patriarcha Venetiarum; it, Patriarca di Venezia) is the ...
(1409–1464) which dates from 1428 to 1429. In 1515
Gian Giorgio Trissino Gian Giorgio Trissino (8 July 1478 – 8 December 1550), also called Giovan Giorgio Trissino and self-styled as Giovan Giωrgio Trissino, was a Venetian Renaissance humanist, poet, dramatist, diplomat, grammarian, linguist, and philosopher. ...
(1478–1550) of Vicenza wrote his tragedy ''Sophonisba'' in the
vernacular A vernacular or vernacular language is in contrast with a "standard language". It refers to the language or dialect that is spoken by people that are inhabiting a particular country or region. The vernacular is typically the native language, n ...
that would later be called Italian. Drawn from
Livy Titus Livius (; 59 BC – AD 17), known in English as Livy ( ), was a Ancient Rome, Roman historian. He wrote a monumental history of Rome and the Roman people, titled , covering the period from the earliest legends of Rome before the traditiona ...
's account of
Sophonisba Sophonisba (in Punic, 𐤑𐤐𐤍𐤁𐤏𐤋 Ṣap̄anbaʿal) (fl. 203 BC) was a Carthaginian noblewoman who lived during the Second Punic War, and the daughter of Hasdrubal Gisco. She held influence over the Numidian political landscape, conv ...
, the
Carthaginian The term Carthaginian ( la, Carthaginiensis ) usually refers to a citizen of Ancient Carthage. It can also refer to: * Carthaginian (ship), a three-masted schooner built in 1921 * Insurgent privateers; nineteenth-century South American privateers, ...
princess who drank poison to avoid being taken by the Romans, it adheres closely to classical rules. It was soon followed by the ''Oreste'' and ''Rosmunda'' of Trissino's friend, the Florentine
Giovanni di Bernardo Rucellai Giovanni di Bernardo Rucellai (20 October 1475 – 3 April 1525) was an Italian humanist, poet, dramatist and man of letters in Renaissance Florence, in Tuscany, Italy. A member of a wealthy family of wool merchants and one of the richest men in ...
(1475–1525). Both were completed by early 1516 and are based on classical Greek models, ''Rosmunda'' on the ''
Hecuba Hecuba (; also Hecabe; grc, Ἑκάβη, Hekábē, ) was a queen in Greek mythology, the wife of King Priam of Troy during the Trojan War. Description Hecuba was described by the chronicler Malalas in his account of the ''Chronography'' as "da ...
'' of
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
, and ''Oreste'' on the ''
Iphigenia in Tauris ''Iphigenia in Tauris'' ( grc, Ἰφιγένεια ἐν Ταύροις, ''Iphigeneia en Taurois'') is a drama by the playwright Euripides, written between 414 BC and 412 BC. It has much in common with another of Euripides's plays, '' Helen'', as ...
'' of the same author; like ''Sophonisba'', they are in Italian and in blank (unrhymed)
hendecasyllable In poetry, a hendecasyllable (sometimes hendecasyllabic) is a line of eleven syllables. The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and ...
s. Another of the first of all modern tragedies is ''A Castro'', by Portuguese poet and playwright António Ferreira, written around 1550 (but only published in 1587) in polymetric verse (most of it being blank hendecasyllables), dealing with the murder of
Inês de Castro Inês de Castro (; in Castilian: Inés; 1325 – 7 January 1355) was a Galician noblewoman and courtier, best known as lover and posthumously-recognized wife of King Peter I of Portugal. The dramatic circumstances of her relationship with Peter ...
, one of the most dramatic episodes in Portuguese history. Although these three Italian plays are often cited, separately or together, as being the first regular tragedies in modern times, as well as the earliest substantial works to be written in blank hendecasyllables, they were apparently preceded by two other works in the vernacular: ''Pamfila'' or ''Filostrato e Panfila'' written in 1498 or 1508 by
Antonio Cammelli Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male ...
(Antonio da Pistoia); and a ''Sophonisba'' by
Galeotto del Carretto Galeotto is an Italian name used in the Middle Ages. In modern Italian language, it means prisoner. People Galeotto is the name of: * Galeotto Franciotti della Rovere (1471–1507), Italian Roman Catholic bishop and cardinal * Galeotto Graziani ...
of 1502. From about 1500 printed copies, in the original languages, of the works of
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or co ...
,
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extrat ...
, and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
, as well as comedic writers such as
Aristophanes Aristophanes (; grc, Ἀριστοφάνης, ; c. 446 – c. 386 BC), son of Philippus, of the deme In Ancient Greece, a deme or ( grc, δῆμος, plural: demoi, δημοι) was a suburb or a subdivision of Athens and other city-states ...
,
Terence Publius Terentius Afer (; – ), better known in English as Terence (), was a Roman African playwright during the Roman Republic. His comedies were performed for the first time around 166–160 BC. Terentius Lucanus, a Roman senator, brought ...
and
Plautus Titus Maccius Plautus (; c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the gen ...
, were available in Europe and the next forty years saw
humanists Humanism is a philosophical stance that emphasizes the individual and social potential and agency of human beings. It considers human beings the starting point for serious moral and philosophical inquiry. The meaning of the term "humani ...
and poets translating and adapting their tragedies. In the 1540s, the European university setting (and especially, from 1553 on, the Jesuit colleges) became host to a Neo-Latin theatre (in Latin) written by scholars. The influence of Seneca was particularly strong in its humanist tragedy. His plays, with their ghosts, lyrical passages and rhetorical oratory, brought a concentration on rhetoric and language over dramatic action to many humanist tragedies. The most important sources for French tragic theatre in the Renaissance were the example of
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extrat ...
and the precepts of
Horace Quintus Horatius Flaccus (; 8 December 65 – 27 November 8 BC), known in the English-speaking world as Horace (), was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his ' ...
and
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
(and contemporary commentaries by
Julius Caesar Scaliger Julius Caesar Scaliger (; April 23, 1484 – October 21, 1558), or Giulio Cesare della Scala, was an Italian scholar and physician, who spent a major part of his career in France. He employed the techniques and discoveries of Renaissance humanism ...
and
Lodovico Castelvetro Lodovico Castelvetro (ca. 1505–1571) was an important figure in the development of neo-classicism, especially in drama. It was his reading of Aristotle that led to a widespread adoption of a tight version of the Three Unities, as a dramatic ...
), although plots were taken from classical authors such as
Plutarch Plutarch (; grc-gre, Πλούταρχος, ''Ploútarchos''; ; – after AD 119) was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo in Delphi. He is known primarily for his ''P ...
,
Suetonius Gaius Suetonius Tranquillus (), commonly referred to as Suetonius ( ; c. AD 69 – after AD 122), was a Roman historian who wrote during the early Imperial era of the Roman Empire. His most important surviving work is a set of biographies ...
, etc., from the Bible, from contemporary events and from short story collections (Italian, French and Spanish). The Greek tragic authors (
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or co ...
and
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
) would become increasingly important as models by the middle of the 17th century. Important models were also supplied by the
Spanish Golden Age The Spanish Golden Age ( es, Siglo de Oro, links=no , "Golden Century") is a period of flourishing in arts and literature in Spain, coinciding with the political rise of the Spanish Empire under the Catholic Monarchs of Spain and the Spanish H ...
playwrights
Pedro Calderón de la Barca Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño (, ; ; 17 January 160025 May 1681) was a Spanish dramatist, poet, writer and knight of the Order of Santiago. He is known as one of the most distinguished Baroque w ...
,
Tirso de Molina Gabriel Téllez ( 24 March 1583 20 February 1648), better known as Tirso de Molina, was a Spanish Baroque dramatist, poet and Roman Catholic monk. He is primarily known for writing '' The Trickster of Seville and the Stone Guest'', the play from ...
and
Lope de Vega Félix Lope de Vega y Carpio ( , ; 25 November 156227 August 1635) was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature ...
, many of whose works were translated and adapted for the French stage.


Britain

The common forms are the: * ''Tragedy of circumstance'': people are born into their situations, and do not choose them; such tragedies explore the consequences of birthrights, particularly for monarchs * ''Tragedy of miscalculation'': the
protagonist A protagonist () is the main character of a story. The protagonist makes key decisions that affect the plot, primarily influencing the story and propelling it forward, and is often the character who faces the most significant obstacles. If a st ...
's error of judgement has tragic consequences * ''
Revenge play The revenge tragedy, or revenge play, is a dramatic genre in which the protagonist seeks revenge for an imagined or actual injury. The term ''revenge tragedy'' was first introduced in 1900 by A. H. Thorndike to label a class of plays written in t ...
'' In English, the most famous and most successful tragedies are those of
William Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...
and his
Elizabethan The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The symbol of Britannia (a female personifi ...
contemporaries. Shakespeare's tragedies include: * ''
Antony and Cleopatra ''Antony and Cleopatra'' (First Folio title: ''The Tragedie of Anthonie, and Cleopatra'') is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around ...
'' * ''
Coriolanus ''Coriolanus'' ( or ) is a tragedy by William Shakespeare, believed to have been written between 1605 and 1608. The play is based on the life of the legendary Roman leader Caius Marcius Coriolanus. Shakespeare worked on it during the same ye ...
'' * ''
Hamlet ''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts ...
'' * ''
Julius Caesar Gaius Julius Caesar (; ; 12 July 100 BC – 15 March 44 BC), was a Roman general and statesman. A member of the First Triumvirate, Caesar led the Roman armies in the Gallic Wars before defeating his political rival Pompey in a civil war, and ...
'' * ''King Lear'' * ''Macbeth'' * ''Othello'' * ''Romeo and Juliet'' * ''Timon of Athens'' * ''Titus Andronicus'' * ''Troilus and Cressida'' A contemporary of Shakespeare, Christopher Marlowe, also wrote examples of tragedy in English, notably: * ''The Tragical History of Doctor Faustus'' * ''Tamburlaine (play), Tamburlaine the Great'' John Webster (1580?–1635?), also wrote famous plays of the genre: * ''The Duchess of Malfi'' * ''The White Devil''


Domestic tragedy

Domestic tragedies are tragedies in which the tragic protagonists are ordinary middle-class or working-class individuals. This subgenre contrasts with classical antiquity, classical and Neoclassicism, Neoclassical tragedy, in which the protagonists are of kingly or Aristocracy (class), aristocratic rank and their downfall is an affair of state as well as a personal matter. The Ancient Greek theorist
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
had argued that tragedy should concern only great individuals with great minds and souls, because their catastrophic downfall would be more emotionally powerful to the audience; only comedy should depict middle-class people. Domestic tragedy breaks with Aristotle's precepts, taking as its subjects merchants or citizens whose lives have less consequence in the wider world. The advent of the domestic tragedy ushered in the first phase shift of the genre focusing less on the Aristotelian definition of the genre and more on the definition of tragedy on the scale of the drama, where tragedy is opposed to comedy i.e. melancholic stories. Although the utilization of key elements such as suffering, hamartia, morality, and spectacle ultimately ties this variety of tragedy to all the rest. This variant of tragedy has led to the evolution and development of tragedies of the modern era especially those past the mid-1800s such as the works of Arthur Miller, Eugene O'Neill and
Henrik Ibsen Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playw ...
. Newly dealt with themes that sprang forth from the Domestic tragedy movement include: wrongful convictions and executions, poverty, starvation, addiction, alcoholism, debt, structural abuse, child abuse, crime, domestic violence, shunning, social shunning, Major depressive disorder, depression, and loneliness. Classical Domestic tragedies include: * ''Arden of Faversham'' (1592) * ''A Woman Killed with Kindness'' (1607) * ''A Yorkshire Tragedy'' (1608) * ''The Witch of Edmonton'' (1621)


Opera

Contemporary with Shakespeare, an entirely different approach to facilitating the rebirth of tragedy was taken in Italy. Jacopo Peri, in the preface to his ''Euridice (Peri), Euridice'' refers to "the ancient Greeks and Romans (who in the opinion of many sang their staged tragedies throughout in representing them on stage)." The attempts of Peri and his contemporaries to recreate ancient tragedy gave rise to the new Italian musical genre of opera. In France, tragic operatic works from the time of Jean-Baptiste Lully, Lully to about that of Christoph Willibald Gluck, Gluck were not called opera, but ''tragédie en musique'' ("tragedy in music") or some similar name; the ''tragédie en musique'' is regarded as a distinct musical genre. Some later operatic composers have also shared Peri's aims: Richard Wagner's concept of ''Gesamtkunstwerk'' ("integrated work of art"), for example, was intended as a return to the ideal of Greek tragedy in which all the arts were blended in service of the drama. Nietzsche, in his ''
The Birth of Tragedy ''The Birth of Tragedy Out of the Spirit of Music'' (german: Die Geburt der Tragödie aus dem Geiste der Musik) is a 1872 work of dramatic theory by the German philosopher Friedrich Nietzsche. It was reissued in 1886 as ''The Birth of Tragedy, Or ...
'' (1872) was to support Wagner in his claims to be a successor of the ancient dramatists.


Neo-classical

For much of the 17th century, Pierre Corneille, who made his mark on the world of tragedy with plays like ''Medée'' (1635) and ''Le Cid'' (1636), was the most successful writer of French tragedies. Corneille's tragedies were strangely un-tragic (his first version of ''Le Cid'' was even listed as a tragicomedy), for they had happy endings. In his theoretical works on theatre, Corneille redefined both comedy and tragedy around the following suppositions: * The stage—in both comedy and tragedy—should feature noble characters (this would eliminate many low-characters, typical of the farce, from Corneille's comedies). Noble characters should not be depicted as vile (reprehensible actions are generally due to non-noble characters in Corneille's plays). * Tragedy deals with affairs of the state (wars, dynastic marriages); comedy deals with love. For a work to be tragic, it need not have a tragic ending. * Although
Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
says that
catharsis Catharsis (from Greek , , meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions through dramatic art, or it may be any extreme emotional state that results in renewal and restoration. In its lite ...
(purgation of emotion) should be the goal of tragedy, this is only an ideal. In conformity with the moral codes of the period, plays should not show evil being rewarded or nobility being degraded. Corneille continued to write plays through 1674 (mainly tragedies, but also something he called "heroic comedies") and many continued to be successes, although the "irregularities" of his theatrical methods were increasingly criticised (notably by François Hédelin, abbé d'Aubignac) and the success of Jean Racine from the late 1660s signalled the end of his preeminence.
Jean Racine Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western traditio ...
's tragedies—inspired by Greek myths,
Euripides Euripides (; grc, Εὐριπίδης, Eurīpídēs, ; ) was a tragedian Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful e ...
,
Sophocles Sophocles (; grc, Σοφοκλῆς, , Sophoklễs; 497/6 – winter 406/5 BC)Sommerstein (2002), p. 41. is one of three ancient Greek tragedians, at least one of whose plays has survived in full. His first plays were written later than, or co ...
and
Seneca Seneca may refer to: People and language * Seneca (name), a list of people with either the given name or surname * Seneca people, one of the six Iroquois tribes of North America ** Seneca language, the language of the Seneca people Places Extrat ...
—condensed their plot into a tight set of passionate and duty-bound conflicts between a small group of noble characters, and concentrated on these characters' double-binds and the geometry of their unfulfilled desires and hatreds. Racine's poetic skill was in the representation of pathos and amorous passion (like Phèdre's love for her stepson) and his impact was such that emotional crisis would be the dominant mode of tragedy to the end of the century. Racine's two late plays ("Esther" and "Athalie") opened new doors to biblical subject matter and to the use of theatre in the education of young women. Racine also faced criticism for his irregularities: when his play, ''Bérénice'', was criticised for not containing any deaths, Racine disputed the conventional view of tragedy. For more on French tragedy of the 16th and 17th centuries, see French Renaissance literature and French literature of the 17th century.


Later development

Towards the close of the eighteenth century, having studied her predecessors, Joanna Baillie wanted to revolutionise theatre, believing that it could be used more effectively to affect people's lives. To this end she gave a new direction to tragedy, which she defines as ‘the unveiling of the human mind under the dominion of those strong and fixed passions, which seemingly unprovoked by outward circumstances, will from small beginnings brood within the breast, till all the better dispositions, all the fair gifts of nature are borne down before them'. This theory, she put into practice in her 'Series of Plays on the Passions' in three volumes (commencing in 1798) and in other dramatic works. Her method was to create a series of scenes and incidents intended to capture the audience's inquisitiveness and 'trace the progress of the passion, pointing out those stages in the approach of the enemy, when he might have been combated most successfully; and where the suffering him to pass may be considered as occasioning all the misery that ensues.'


Bourgeois

Bourgeois tragedy (German: Bürgerliches Trauerspiel) is a form that developed in 18th-century Europe. It was a fruit of the Age of Enlightenment, Enlightenment and the emergence of the Bourgeoisie, bourgeois class and its ideals. It is characterised by the fact that its protagonists are ordinary citizens. The first true bourgeois tragedy was an English play, George Lillo's ''The London Merchant; or, the History of George Barnwell'', which was first performed in 1731. Usually, Gotthold Ephraim Lessing's play ''Miss Sara Sampson'', which was first produced in 1755, is said to be the earliest ''Bürgerliches Trauerspiel'' in Germany.


Modern development

In modernist literature, the definition of tragedy has become less precise. The most fundamental change has been the rejection of Aristotle's dictum that true tragedy can only depict those with power and high status. Arthur Miller's essay "Tragedy and the Common Man" (1949) argues that tragedy may also depict ordinary people in domestic surroundings thus defining Domestic tragedies. British playwright Howard Barker has argued strenuously for the rebirth of tragedy in the contemporary theatre, most notably in his volume ''Arguments for a Theatre''. "You emerge from tragedy equipped against lies. After the musical, you're anybody's fool," he insists. Critics such as George Steiner have even been prepared to argue that tragedy may no longer exist in comparison with its former manifestations in classical antiquity. In ''The Death of Tragedy'' (1961) George Steiner outlined the characteristics of Greek tragedy and the traditions that developed from that period. In the Foreword (1980) to a new edition of his book Steiner concluded that ‘the dramas of Shakespeare are not a renascence of or a humanistic variant of the absolute tragic model. They are, rather, a rejection of this model in the light of tragi-comic and "realistic" criteria.’ In part, this feature of Shakespeare's mind is explained by his bent of mind or imagination which was ‘so encompassing, so receptive to the plurality of diverse orders of experience.’ When compared to the drama of Greek antiquity and French classicism Shakespeare's forms are ‘richer but hybrid'. Numerous books and plays continue to be written in the tradition of tragedy to this day examples include ''Froth on the Daydream'', ''The Road'', ''The Fault in Our Stars'', ''Fat City (novel), Fat City'', ''Rabbit Hole (play), Rabbit Hole'', ''Requiem for a Dream (novel), Requiem for a Dream'', ''The Handmaid's Tale''.


Theories

Defining tragedy is no simple matter, and there are many definitions, some of which are incompatible with each other. Oscar Mandel, in ''A Definition of Tragedy'' (1961), contrasted two essentially different means of arriving at a definition. First is what he calls the ''derivative'' way, in which the tragedy is thought to be an expression of an ordering of the world; "instead of asking what tragedy expresses, the derivative definition tends to ask what expresses itself through tragedy". The second is the ''substantive'' way of defining tragedy, which starts with the work of art which is assumed to ''contain'' the ordering of the world. Substantive critics "are interested in the constituent elements of art, rather than its ontological sources". He recognizes four subclasses: a. "definition by formal elements" (for instance the supposed "three unities"); b. "definition by situation" (where one defines tragedy for instance as "exhibiting the fall of a good man"); c. "definition by ethical direction" (where the critic is concerned with the meaning, with the "intellectual and moral effect); and d. "definition by emotional effect" (and he cites Aristotle's "requirement of pity and fear").


Aristotle

Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Peripatetic school of phil ...
wrote in his work Poetics (Aristotle), ''Poetics'' that tragedy is characterised by seriousness and involves a great person who experiences a reversal of luck, fortune (''Peripeteia''). Aristotle's definition can include a change of fortune from bad to good as in the ''The Eumenides, Eumenides'', but he says that the change from good to bad as in ''Oedipus Rex'' is preferable because this induces pity and fear within the spectators. Tragedy results in a
catharsis Catharsis (from Greek , , meaning "purification" or "cleansing" or "clarification") is the purification and purgation of emotions through dramatic art, or it may be any extreme emotional state that results in renewal and restoration. In its lite ...
(emotional cleansing) or healing for the audience through their experience of these emotions in response to the suffering of the characters in the drama. According to Aristotle, "the structure of the best tragedy should not be simple but complex and one that represents incidents arousing fear and pity—for that is peculiar to this form of art." This reversal of fortune must be caused by the tragic hero's ''hamartia'', which is often translated as either a character flaw, or as a mistake (since the original Greek etymology traces back to ''hamartanein'', a sporting term that refers to an archery, archer or spear-thrower missing his target). According to Aristotle, "The misfortune is brought about not by [general] vice or depravity, but by some [particular] error or frailty." The reversal is the inevitable but unforeseen result of some action taken by the hero. It is also a misconception that this reversal can be brought about by a higher power (e.g. the law, the gods, destiny, fate, or society), but if a character's downfall is brought about by an external cause, Aristotle describes this as a Accident, misadventure and not a tragedy. In addition, the tragic hero may achieve some revelation or recognition (anagnorisis--"knowing again" or "knowing back" or "knowing throughout") about human fate, destiny, and the will of the gods. Aristotle terms this sort of recognition "a change from ignorance to awareness of a bond of love or hate." In ''Poetics'', Aristotle gave the following definition in ancient Greek of the word "tragedy" (τραγῳδία): Common usage of tragedy refers to any story with a sad ending, whereas to be an Aristotelianism, Aristotelian tragedy the narrative, story must fit the set of requirements as laid out by ''Poetics''. By this definition social drama cannot be tragic because the hero in it is a victim of circumstance and incidents that depend upon the society in which he lives and not upon the inner compulsions—psychological or religious—which determine his progress towards self-knowledge and death. Exactly what constitutes a "tragedy", however, is a frequently debated matter. According to Aristotle, there are four species of tragedy: 1. Complex, which involves Peripety and Discovery (fiction), Discovery 2. Suffering, tragedies of such nature can be seen in the Greek mythological stories of Ajaxes and Ixions 3. Character, a tragedy of moral or ethical character. Tragedies of this nature can be found in Phthiotides and Peleus 4. Spectacle, that of a horror-like theme. Examples of this nature are Graeae, Phorcides and Prometheus


Hegel

G.W.F. Hegel, the German philosopher most famous for his dialectical approach to epistemology and history, also applied such a methodology to his theory of tragedy. In his essay "Hegel's Theory of Tragedy," A.C. Bradley first introduced the English-speaking world to Hegel's theory, which Bradley called the "tragic collision", and contrasted against the Aristotelian notions of the "tragic hero" and his or her "hamartia" in subsequent analyses of the Aeschylus' ''Oresteia'' trilogy and of Sophocles' ''Antigone''. Hegel himself, however, in his seminal "The Phenomenology of Spirit" argues for a more complicated theory of tragedy, with two complementary branches which, though driven by a single dialectical principle, differentiate Greek tragedy from that which follows Shakespeare. His later lectures formulate such a theory of tragedy as a conflict of ethical forces, represented by characters, in ancient Greek tragedy, but in Shakespearean tragedy the conflict is rendered as one of subject and object, of individual personality which must manifest self-destructive passions because only such passions are strong enough to defend the individual from a hostile and capricious external world: Hegel's comments on a particular play may better elucidate his theory: "Viewed externally, Hamlet's death may be seen to have been brought about accidentally... but in Hamlet's soul, we understand that death has lurked from the beginning: the sandbank of finitude cannot suffice his sorrow and tenderness, such grief and nausea at all conditions of life... we feel he is a man whom inner disgust has almost consumed well before death comes upon him from outside."


See also

* Classicism * Tragédies en musique * She-tragedy * Revenge tragedy


Notes


References


Sources

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External links

* * . * . {{Authority control 1st-millennium BC introductions Ancient Greek theatre Ancient inventions Drama genres History of theatre Humanities Literary genres Theatrical genres Tragedies (dramas), Greek inventions