Tommy Ridgeley

Thomas Herman Ridgley (October 30, 1925 – August 11, 1999)Tony Rounce, Tommy Ridgley 'In The Same Old Way': The Complete Ric, Ron and Sho-Biz recordings, Ace records UK (2015). was an American R&B singer, pianist, songwriter and bandleader in New Orleans, Louisiana.Jeff Hanusch, The Soul Of New Orleans: A Legacy of Rhythm and Blues, Chapter four on Tommy Ridgley: The New Orleans King Of The Stroll, Swallow publications, Ville Platte, Louisiana, USA (2001). In a musical career lasting half a century Ridgley was a stalwart of the New Orleans rhythm and blues scene. Although he never had a national hit , unlike several of his contemporaries, he made numerous, popular recordings that sold mainly in New Orleans and Louisiana beginning in 1949 with a final release in 1995. His voice was variously described as similar to Roy Brown and Bull Moose JacksonNew Orleans Soul 60s: The Watch label, Mardi Gras records , sleeve notes (2000) and thus able to adapt to a variety of styles: Blues, Jump blues, Rhythm and Blues and Soul. In the late 50s he became bandleader of The Untouchables with whom he held residencies at important night venues often backing visiting artists. His recording career consisted of over forty singles and three albums. Most of his recordings have been anthologised on compilations in vinyl and CDs.

Biography

Early life

Tommy Ridgley was born in the Shrewsbury district of New Orleans , the eldest of seventeen brothers and sisters, of which eight survived He had an impoverished upbringing and was a breadwinner for his family before his teens. His social life and that of his family centred on the local church where Ridgley began singing in harmony groups He served with the United States Navy during the Second World War and during his rest-time learnt to play the piano.Marvin Goldberg and George Moonoogian, R& B Notebook : Tommy Ridgley (2009). http://www.uncamarvy.com/TommyRidgley/tommyridgley.html At demobilization under the terms of the G.I. Bill, that provided World War II veterans with funds for college education Ridgley studied at the Grunewald School of Music.
In 1946 he entered a talent contest at the Dew Drop Inn , one of New Orleans premier nightclubs which he won and more significantly gained a profile as an up-coming performer.Jeff Hannusch, King Of The Stroll, Discoveries Magazine. (Sept 1994)

Career

Dave Bartholomew Orchestra

Ridgley started his professional career in the late 40's as a band singer with a New Orleans Dixieland group and after a brief stint with Earl Anderson's band playing at The Starlight Hotel in Gert Town,The Starlight Hotel and Lounge opened in 1946 managed by Odile Clark Washington (1909 - 2020) and was a major venue for black musicians during the 50's through to the 80s. he was recruited by trumpeter and band leader Dave Bartholomew. Ridgley, released his debut single, ''Shrewsbury Blues'' c/w ''Early Dawn Boogie'' in New Orleans in 1949.The success of Shrewsbury Blues led to Ridgley being billed as the 'Shrewsbury Kid' for a number of releases on Park and Imperial. Produced by Bartholomew and released on the new imprint Imperial Records the record established Ridgley within New Orleans as a progenitor of jump blues and blues ballads. A competent songwriter Ridgley wrote both sides of the follow-up ''I Live My Life'' c/w ''Lavinia''. In 1952 Lew Chudd, owner of Imperial records selected Ridgley and Bartholomew to cover a song called ''Looped''. It was another New Orleans hit and thereafter a staple of Tommy Ridgley's repertoire. A Dave Bartholomew Orchestra single with Ridgley on lead ''Tra La La'' issued on Decca was later covered by Pat Boone.
Ridgley's singing style in his early career has been compared to that of Roy Brown whilst his reputation as a major New Orleans artist was enhanced by Dave Bartholomew's band that featured outstanding musicians: drummer Earl Palmer and saxophonists Lee Allen, Herb Hardesty, Red Tyler and Ernest Allen Jeff Hannusch, "Obituary: Ernest McLean", ''Offbeat.com''
Retrieved 28 August 2015

In 1953 Ridgley left Bartholomew's band and signed a contract with Atlantic records. He cut ''I'm Gonna Cross That River'' c/w ''Ooh Lawdy My Baby'', a record that featured Ray Charles on piano as a member of Edgar Blanchard's Gondoliers and ''Jam Up'', a sax-led instrumental dance record that narrowly missed the national charts when re-cut in 1961. A regular presence by 1957 on the thriving R&B scene in New Orleans, he was offered a recording contract with Herald Records, by which time Ridgley had formed his own band The Untouchables. Herald released six singles by The Untouchables of which the first release ''When I Meet My Girl'' was the most successful. As a marketing ploy Herald used the nickname ''The New King of The Stroll'' following the death of the original 'king' Chuck Willis in 1958.
By the end of 1950's Tommy Ridgley and The Untouchables were the resident band at the iconic Dew Drop Inn where they opened for and sometimes backed visiting acts. These included a number of major R&B artists of the late 50's and early 60's: James Brown, Clyde McPhatter, Sam Cooke, Little Willie John and Ivory Joe Hunter . Ridgley also employed a young Irma Thomas as one of his girl singers, later recommending her to Ric Records where she recorded for the subsidiary Ron label.

Joe Ruffino's Ric records

In 1960, Ridgley also signed with Joe Ruffino's New Orleans Ric Records, and released seven singles, at six monthly intervals. His third release, a recording of Wynona Carr's ''Should I Ever Love Again'' c/w ''Double-Eyed Whammy'' was a strong seller in spring 1961, the latter covered by Freddy King in 1966 His fifth release on Ric ''In The Same Old Way'' proved one of the most successful records of his career and he later cut it again on the Shreveport based label Ronn label. Joe Ruffino's death in 1962 left the label in limbo and Ridgley's final two Ric 45s, both of which featured Dr.John on production duties, were released with little in the way of promotion and consequently were not successful. However, ''Heavenly'' c/w ''Honest I Do'' and ''I’ve Heard That Story Before'', the latter covered by his brother Sammy Ridgley demonstrated that Ridgley could adapt his voice to the new soul music style that was evolving

A one-record deal with the tiny Cinderella label saw ''No One But You'' released in the winter of 1963. In February 1964 Cash Box reviewed favourably ''All My Love Belongs To You'' c/w ''I Want Some Money,'' on the Johen label, a R&B dance record from the pen of Eddie Bo. As the decade progressed Tommy Ridgley continued to gig regularly in New Orleans and Louisiana releasing further one-off soul 45s on small labels: Blue Jay, White Cliffs and Ronn. Ridgley also cut a number of tracks at a studio in Clinton, Mississippi for Bob Robin's International City imprint including ''My Love is Getting Stronger'', a song that became highly popular on the UK Northern Soul scene in the 1970s and 80s.

During the 1970s and 1980s, there were fewer recording opportunities for Ridgley, however, he intermittently continued to record for a plethora of local New Orleans and Louisiana record labels.These included ''Sometimes You Get It ''for Allen Toussaint's Sansu label in 1976 and a remake of Ridgley's own ''I Can't Make It Any Longer'' on Hep' Me Records, a label owned by Senator Jones. Throughout this period Ridgley continued to perform around New Orleans whilst accepting occasional European dates.The Untouchables maintained their residency at the Dew Drop Inn until it closed in 1972 and Ridgley kept performing at the New Orleans Jazz & Heritage Festival every year from 1972 until his death in 1999, a continuous appearance of twenty eight years.

Modern Blues L.P.

In 1992 and nearly fifty years into his music career Ridgley released his first album of new recordings.In the 80s there were a number of cassette only recordings of new material on the Du Bat label and The Sound of New Orleans label. Appearing on Modern Blues Recordings and titled ''She Turns Me On'' it was a varied mix of Jump blues, New Orleans funk and sweet, soulful ballads. It included re-cuts of a number of Ridgley favourites including, ''I Want Some Money'' and ''Jam Up''. The Sound of New Orleans label also released an album ''How Long''? during 1992, although the recordings originated from around the turn of the decade. A final album ''Since The Blues Began'' on Black Top Records appeared in 1995. In recognition of his long career in New Orleans he was supported by established musicians that included George Porter Jr., Raymond Weber and guest guitarist Snooks Eaglin all of whom turned out on his last recorded album.Ridgley's recordings for Herald and Ric have been frequently anthologised as have his releases as a lead singer with the Dave Bartholomew Orchestra

In January 1999 Ridgley received ''OffBeat'' magazine's annual Lifetime Achievement Award
Ridgley who suffered from kidney failure in his last few years, died from lung cancer, caused by asbestos inhalation whilst working as a construction worker, in August 1999.Associated Press, Obituaries in the News, August 13, 1999.

Discography (L.P.s)

* 1992 ''How Long?'' (Sound of New Orleans)
* 1992 ''She Turns Me On'' (Modern Blues Recordings)
* 1995 ''Since The Blues Began'' (Black Top)

Compilations (selected)

* 1977 ''Through The Years'' (Sound of New Orleans) (USA)
* 1986 ''Tommy Ridgley: The early 50's in New Orleans'' (Pathé Marconi) (France)
* 1988 ''The New Orleans King of the Stroll'' (Rounder) (USA)
* 1992 ''The Herald Recordings'' (Collectables) (USA)
* 2005 ''Tommy Ridgley 1949-1954'' (Classics) (France)
* 2015 ''In The Same Old Way: The Complete Ric, Ron and Sho-Biz Recordings'' (shared with Bobby Mitchell) (Ace) (UK)
* ''Mardi Gras Jam / Tommy Ridgley & His Orchestra (Blue City) (USA)

Notes

References

External links

Tommy Ridgley official website
*Biography on Allmusicbr>Biography by Marv Goldberg

{{DEFAULTSORT:Ridgley, Tommy
1925 births
1999 deaths
American rhythm and blues musicians
African-American pianists
American soul musicians
Rhythm and blues musicians from New Orleans
Atlantic Records artists
Imperial Records artists
Singers from Louisiana
20th-century African-American male singers
African-American songwriters
Deaths from lung cancer
Deaths from mesothelioma
Deaths from cancer in the United States