Théodore Gouvy

Louis Théodore Gouvy (3 July 1819 – 21 April 1898) was a French/German composer.

Biography

Gouvy was born into a French-speaking family in the village of Goffontaine, then a Prussian village in the Sarre region (now Saarbrücken-Schafbrücke, Germany). The family was of Belgian descent. Gouvy's great-grandfather Pierre came from Goffontaine, a Belgian village near Liège. Around 1753, being mayor of Saarlouis, he named his ironworks factory "Goffontaine". Because this region fell under Prussian control shortly before his birth, Théodore Gouvy could not attain French citizenship until the age of 32.

He began piano lessons with a private tutor at the age of eight, and was educated in Sarreguemines (France), developing a keen interest in Classical Greek culture and in modern languages. He spoke not only German and French, but English and Italian as well. In 1837, he went to Paris to study law, continuing his piano lessons with a pupil of the pianist and composer Henri Herz (1803–1888) and became friendly with Adolphe Adam. This led to further music studies in Paris and Berlin. Unable to pursue music instruction at the Conservatoire de Paris, he took up private courses.

Drawn toward instrumental music rather than opera, this led Gouvy to live the last third of his life almost entirely in Germany where he felt more appreciated. In particular, he wrote twenty-four compositions for full orchestra, including nine symphonies, as well as overtures and variations. Chamber music comprises a large portion of Gouvy's work and accounts in particular for four sonatas in duet form, five trios, eleven quartets, seven quintets, an enormous piano repertoire, several scores for wind ensembles, as well as many melodies and Lieder. There are also five dramatic cantatas: ''Aslega'', ''Œdipe à Colone'', ''Iphigénie en Tauride'', ''Électre'', and ''Polyxène''; two operas: ''Le Cid'' and ''Mateo Falcone''; as well as some large religious works, including a Requiem, a Stabat Mater, a Missa brevis, and the cantata ''Golgotha''. A list of his works was compiled by François-Joseph Fétis and Arthur Pougin.. J. A. Fuller Maitland (ed.), 1906 edition, p. 211 An important portion of his compositions was not published during his lifetime. Publishing them is now the major aim of the Institut Théodore Gouvy.

Gouvy was elected to the Académie des Beaux-Arts in Paris in 1894 on the death of Anton Rubinstein, and to the König-Preussische Akademie in Berlin in 1895. He died in Leipzig on 21 April 1898.

Appreciation

Gouvy was a man of two cultures, divided between France and Germany, from which he drew his inspiration, his characteristics and his force. While to a certain extent he was known and recognised in his lifetime, he fell into obscurity following his death.

During his lifetime, his compositions, and especially his chamber music, were held in high regard and often performed in countries like Germany, Austria, England, Scandinavia, and Russia, rather than France. Gouvy was universally acknowledged for being a master of form and for his deft sense of instrumental timbre. Mendelssohn and Schumann were his models. Virtually all of his works show that he was a gifted melodist. Musicians of the first rank such as Johannes Brahms, Carl Reinecke, and Joseph Joachim, who were familiar with Gouvy's music, held it in high regard.

Hector Berlioz wrote in the ''Journal des débats'' of 13 April 1851: " at a musician of the importance of M. Gouvy is still not very well known in Paris, and that so many gnats bother the public with their tenacious buzzing, it is enough to confuse and inflame the naive spirits that still believe in the reason and the justice of our musical manners."

But Berlioz's favourable reviews had little effect, and Gouvy's music continued to be neglected until the end of the 20th century. In 1994, his Requiem, with its vigorous ''Dies iræ'', was revived by the Lorraine Philharmonic Orchestra under the direction of (who recorded a CD with the work, which appeared the K617 label). Stylistically the composition owes something to Mendelssohn, to Gounod, and to Verdi, but remains quietly original despite these influences. Although his work comprises more than two hundred compositions, including 90 opuses published in his lifetime, it largely remains ignored.

Works

Opera

*''Le Cid'' (1853) with German libretto
*''Mateo Falcone''

Orchestral works

*Symphony No. 1 in E major, Op. 9 (1845)published by Richault of Paris in the 1850s
*Serenade for strings, Op. 11
*Symphony No. 2 in F major, Op. 12 (1848)Released on Sterling i
early 2010
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*''Le Giaour'' Overture, Op. 14
*Symphony No. 3 in C major, Op. 20 (1850) (premiered by 1854 in Leipzig)Released on cpo in mid-2009
*Symphony No. 4 in D minor, Op. 25 (1855) (premiered 1856 at Gürzenich)Fétis' entry for Gouvy, volumes 3–4, pp. 73–74.
*Symphony No. 5 in B major, Op. 30 (pub.1868)
*''Symphonie brève; variations et rondo pour orchestre'' in G minor, Op. 58 (1855?)
*''Jeanne d'Arc'' (Concert Overture) (1858)
*''Fantaisie symphonique'' in G minor, Op. 69 (1879)
*Sinfonietta in D major, Op. 80 (1885)published by Kistner in 1886 (Hofmeisters Monatsberichte, scanned images at ÖNB searchable at http://www.hofmeister.rhul.ac.uk/, the source for this)
*Symphony No. 6 in G minor, Op. 87 (1889–1892)Recorded on cpo.published by Breitkopf & Härtel in 1893
*''Paraphrases symphoniques'', Op. 89 (1886)
*''Le Festival'' Overture
*4 Pieces for String Orchestra
*''Swedish Dance'' (''tirée de l'Otteto''), Op. 71
*''Tragic March'' for organ and orchestra
*''Variations for Orchestra on Theme of Scandinavia''
*''Fantasie Pastorale'' for violin and orchestra
*''Hymne et marche triomphale''

Chamber music

*Piano Trio No．1 Op．8 (1844)
*Piano Trio No．2 Op．18 (1847)
*String Quartet in E minor (1848)
*String Quartet in D major (1848)
*String Quartet in A minor (1848)
*String Quartet in B major (1855)
*Piano Trio No．3 Op．19 (1855)
*String Quartet No．1 in B major Op．16/1 (1857)
*String Quartet No．2 Op．16/2 (1857)
*Piano Trio No．4 Op．22 (1858)
*''Decameron'', 10 Pieces for cello and piano Op．28 (1860)
*Piano Trio No．5 Op．33 (1860)
*Piano Quintet in A major Op．24 (ca.1850)
*Serenade(Piano Quartet) Op．31 (1865)
*Duets for violin and piano Op．34
*Duets for violin and piano, Op．50
*String Quintet in E minor (1869)
*String Quintet No．1 in G major Op．55 (1870)
*String Quintet in B minor (1871)
*String Quintet in B major (1872)
*String Quartet No．3 Op．56 No. 1 (1872)
*String Quartet No．4 Op．56 No. 2 (1873)
*Sonata for Violin and Piano in G minor Op．61 (1873)
*String Quintet in D minor (1873) (first version)
*6 Duets for Cello and Piano (1872–1876)
*String Quartet No．5 Op．68 (1874)
*Sonata in G for clarinet and piano Op．67 (1875)
*Impromptu for Cello and Quartet (1878)
*String Quintet in D minor, 2nd version (1879)
*Octet No．1 Op．71 (1879)
*String Quintet in A minor (1880)
*Le Nonetto (1883)
*Octet No．2 in G minor (1884)
*''Sérénade vénitienne'' in E minor for viola and piano (1875)
*String Quartet in G minor (1886)
*Septuor(Septet) inedit dedicated to Paul Taffanel (1887)
*String Quartet in G major (reconstruction：Pierre Thilloy) (1888)
*''Petite Suite Gauloise'' Op．90 (1888)

Piano music

*2 Studies for piano Op. 1 (1842)
*''20 Sérénades'' for piano (1855)
*''Divertissement'' for 2 pianos
*Sonata for Piano Op. 29
*Sonata in D minor for piano 4 hands Op．36
*Sonata in C minor for piano 4 hands Op．49 (1869)
*Sonata in F major for piano 4 hands Op．51 (1869)
*''Variations on a French Theme'' for piano 4 hands Op．57
*''6 Morceaux'' for piano 4 hands Op．59
*Fantaisie in G minor for piano 4 hands op. 69 (1879)
*''Scherzo and Aubade'' for piano 4 hands Op．77
*''Ghribizzi'' Op．83

Choral works

*12 Choral Works for Men's voices Op．23 (1860)
*Requiem Op．70 (1874)
*Stabat Mater Op．65 (1875)
*''La Religieuse'' (1875)
*''Asléga'' (1876)
*''Le Calvaire'' (1877)
*Missa Brevis Op．72 (1882)
*''Spring (Frühlings Erwachen)'' Op．73 (1878)
*''Oedipus in Colonna'' Op．75 (1880)
*''Iphigénie en Tauride'' Op．76 (1883)
*''Elektra'' Op．85 (1886)
*''Egille'' Op．86 (1886)
*''Polyxéne'' Op．88 (1894)
*''Fortunato'' (1896)
*''Golgotha''
*''Le dernier Hymne d'Ossian''
*''Didon ''

Songs

*"Gondoliera" Op．2 (1842)
*''6 Songs after Moritz Hartmann'' Op．21 (1857)
*''20 German Poems'' Op．26
*''40 Poèmes de Ronsard'' Op．37, Op.41, Op.42, Op.44 (1876)
*''Songs and Sonnets by Desportes'' Op．45 (1867)
*"La pléiade francaise" Op．48 (1876)
*"Que dites-vous, que faites-vous, mignonne?" (1866)
*"Regrets" (1866)

See also

*Théodore Gouvy International Festival

Bibliography

* Wolfgang Birtel, "Zu Persönlichkeit und Werk des 'saarländischen' Komponisten Theodor Gouvy (1819–1898)", in: ''Mitteilungen der Arbeitsgemeinschaft für mittelrheinische Musikgeschichte'', vol. 38 (1979), p. 463–472.
* Alexandre Dratwicki (ed.), ''Théodore Gouvy: Cantates, œuvres symphoniques et musique de chambre'', CD booklet notes (3 CDs), Ediziones singulares/Palazetto Bru-Zane (Centre de musique romantique française), 2013.
* , ''Theodor Gouvy. Sein Leben und seine Werke'' (Berlin: Harmonie, 1902).
* & René Auclair (ed.), ''Théodore Gouvy 1819–1898. Bericht über den Internationalen Kongress / Actes du Colloque international, Saarbrücken/Hombourg-Haut (Hildesheim: Georg Olms Verlag, 2008), .

References

External links

*
*

French Symphonies From the Nineteenth Century To The Present
A Discography of CDs And LPs. Prepared by Michael Herman

Fantaisie symphonique. III ''Alla breve''
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, dir. Jacques Mercier.

{{DEFAULTSORT:Gouvy, Theodore
1819 births
1898 deaths
19th-century classical composers
19th-century French composers
19th-century German composers
19th-century German male musicians
Composers for piano
French composers of sacred music
French male classical composers
French Roman Catholics
French Romantic composers
German classical composers
German male classical composers
Male opera composers
Music in Leipzig
People from Saarbrücken
Recipients of the Legion of Honour
Musicians from Saarland