''Three Weeks after Marriage'' is a

comedy play Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy endin ...

by the Irish writer Arthur Murphy. An

afterpiece An afterpiece is a short, usually humorous one-act playlet or musical work following the main attraction, the full-length play, and concluding the theatrical evening.p24 "The Chambers Dictionary"Edinburgh, Chambers,2003 This short comedy, farce, ...

, it premiered at the

Theatre Royal, Covent Garden The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal O ...

London London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary dow ...

on 30 March 1776. It was a reworking of an earlier play ''What We Must All Come To'' which was staged in 1764, which had a poor reception. The cast included

William Thomas Lewis William Thomas Lewis (1748?–1811), known as "Gentleman" Lewis, due to his refined acting style, was an English actor. He was said to be "the most complete fop on the stage". In later life he went into theatrical management. Early days in Ir ...

as Sir Charles Racket, John Quick as Drugget,

Isabella Mattocks Isabella Mattocks (1746 – June 25, 1826) was a British actress and singer. Early life Hallam (later Mattocks) was baptised in Whitechapel in 1746 by Lewis and Sarah Hallam Douglass. Her father and her uncle William were also actors.Jared Brown ...

as Lady Racket, Ann Pitt as Mrs Drugget and Jane Green as Dimity. The entire play takes place at a country house about four miles outside

. It was met "with great applause" and became a standard work, being played every year for the remainder of the century. It's performances continued well into the

nineteenth century The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolish ...

. The role of Lady Racket later became a signature for

Frances Abington Frances "Fanny" Abington (1737 – 4 March 1815) was an English actress who was also known for her sense of fashion. Writer and politician Horace Walpole described her as one of the finest actors of their time, and Richard Brinsley Sheridan was s ...

, and was also played by

Dorothea Jordan Dorothea Jordan, née Bland (21 November 17615 July 1816), was an Anglo-Irish actress, as well as a courtesan. She was the long-time mistress of Prince William, Duke of Clarence, later William IV, and the mother of ten illegitimate children by ...

and Harriet Faucit.Emery p.89

References

Bibliography

* Emery, John Pike. ''Arthur Murphy: An Eminent English Dramatist of the Eighteenth Century''. University of Pennsylvania Press, 1946. * Nicoll, Allardyce. ''A History of English Drama 1660–1900: Volume III''. Cambridge University Press, 2009. * Hogan, C.B (ed.) ''The London Stage, 1660–1800: Volume V''. Southern Illinois University Press, 1968. * Taylor, George (ed.) ''Plays by Samuel Foote and Arthur Murphy: The Minor, The Nabob, The Citizen, Three Weeks After Marriage, Know Your Own Mind''. CUP Archive, 1984. 1776 plays Comedy plays British plays Irish plays West End plays Plays set in England Plays by Arthur Murphy {{18thC-play-stub