''Three Bells'' is the fifteenth studio album by the American

garage rock Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The sty ...

musician Ty Segall, released on January 26, 2024, on Drag City Records. It was produced by Segall and Cooper Crain, and received acclaim from critics.

Critical reception

''Three Bells'' received a score of 81 out of 100 on review aggregator Metacritic based on nine critics' reviews, indicating "universal acclaim". ''

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'' stated that "this is an album that sounds like it's had time spent on it. It's brilliantly recorded, pristine and perfectly imperfect." '' Mojo'' wrote that "this double LP has sonic coherence across 65 minutes of taut, sinewy but ever-unpredictable compositions, with a subtly altered sound palette". ''

Exclaim! ''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features in-depth coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly Exclaim! print magazine publishes 7 ...

''s Bruno Coulombe" felt that the album "immediately suggests a denser approach, not just in scope and length but in structure too" than ''

Hello, Hi ''"Hello, Hi"'' is the fourteenth studio album by the American garage rock Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United Sta ...

'' (2022), as "many of the tracks here form multi-part journeys where contrasting ideas are juxtaposed". Lewis Wade of '' The Skinny'' called it "a paranoid, claustrophobic enigma. He can still shred with the best of them ('Wait', 'Hi Dee Dee', 'Watcher'), but across this hour-plus album he revels in upending expectations" with "abrupt tonal shifts" into different genres. AllMusic's Mark Deming wrote that "one could credit the easygoing but solid interplay between Segall and his accompanists for giving this music such an engaging feel, but most of the time, Segall is backing himself, dubbing bass, drums, and percussion over his stacks of guitar". '' Pitchfork''s Stuart Berman described the album as "a mid-career standout full of gunky riffs and tender love" as Segall "delivers some of his most immaculately constructed grotesquerie to date".

Track listing

Personnel

Musicians * Ty Segall – vocals, guitar, percussion (all tracks); drums (tracks 1–6, 8–15), bass guitar (1, 3–5, 8–12, 15), keyboards (2, 12) * Emmett Kelly – bass guitar (tracks 2, 6, 13, 14), electric guitar (7), acoustic guitar (13) * Ben Boye – keyboards (tracks 7, 14) * Denée Segall – lead vocals (track 7), vocals (15) * Mikal Cronin – bass guitar (track 7) * Charles Moothart – drums (track 7) Technical * Ty Segall – production (all tracks), mixing (tracks 3, 8, 11, 15), recording (tracks 3, 8, 10, 11, 15) * Cooper Crain – production (all tracks), mixing (tracks 1, 2, 4–7, 9, 10, 12–15), recording (1, 2, 4–6, 9, 12–14) * Matt Littlejohn – recording (track 7) Visuals * Denée Segall – front photo, layout, design

Charts

References

{{Authority control 2024 albums Albums produced by Ty Segall Drag City (record label) albums Ty Segall albums