Third Mind Records
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''Third Mind Records'' was a British
independent record label An independent record label (or indie label) is a record label that operates without the funding or distribution of major record labels; they are a type of small- to medium-sized enterprise, or SME. The labels and artists are often represented ...
, founded in February 1983 by Gary Levermore.


Name

The label derived its name from the book ''
The Third Mind ''The Third Mind'' is a book by Beat Generation novelist William S. Burroughs and artist/poet/novelist Brion Gysin. First published in a French-language edition in 1977, it was published in English in 1978. It contains numerous short fiction pie ...
'', a work compiled by
Beat Generation The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-war era. The bulk of their work was published and popularized by Silent Generatio ...
author William S. Burroughs and artist
Brion Gysin Brion Gysin (19 January 1916 – 13 July 1986) was a British-Canadian painter, writer, sound poet, performance artist and inventor of experimental devices. He is best known for his use of the cut-up technique, alongside his close friend, the ...
using the
cut-up technique The cut-up technique (or ''découpé'' in French) is an aleatory literary technique in which a written text is cut up and rearranged to create a new text. The concept can be traced to the Dadaists of the 1920s, but it was developed and popularized ...
.


History

''Third Mind'' originated from the group and fanzine ''Tone Death'' that Levermore had founded in the middle of 1982 together with two friends. During that time Levermore started contacting bands he had discovered through diverse media and on concerts which would finally be featured in ''Tone Death''. While writing the editorial for the second issue of the fanzine, to be released around February 1983, Levermore "began considering the possibility of releasing a cassette containing contributions by some of the groups that had been featured in the two issues to date." His considerations led to the double cassette release ''Rising From The Red Sand Vols. I&II'' which was followed by volumes III and IV in 1983. The compilations featured a number of post-punk, electronic and industrial bands some of which would be later on the label's roster, and sped up Levermore's "transition from zine enthusiast into label owner." The ''Rising From The Red Sand'' series was met with stronger demands than Levermore had anticipated. Sending promo copies to some shops and getting a five star review in ''Sounds (magazine), Sounds'' magazine led to a great number of order requests. The London-based shop of Rough Trade Records, Rough Trade ordered a substantial number of copies. "Those compilations sold quite well", remembered Levermore, "and more or less provided the fund base to actually put out three or four albums." After this initial success ''Third Mind'' developed slowly, with an annual quantity of seven or eight records in the first years. Levermore had to deal with tight budgets, the label's artists recorded "for very, very low sums of money." Signing Canadian industrial band Front Line Assembly and British singer-songwriter Bill Pritchard in 1987 meant a major step forward for the label making them the label's flagships in different markets and entailing also further post-''Third Mind'' management duties. All of the label's releases until after Front Line Assembly's 1990 album Caustic Grip were licensed to American independent label Wax Trax! Records, Wax Trax. ''Third Mind'' started off with Rough Trade Records, Rough Trade as distributor which changed between 1987 and 1988 when the label switched to ''PIAS Recordings, Play It Again Sam''. Due to "policy differences" ''Third Mind'' and ''Play It Again Sam'' terminated their partnership and in 1992 Levermore moved on to partner with American Heavy metal music, metal label ''Roadrunner Records''. In 1991, ''Roadrunner'' had already bought a 50 percent stake of ''Third Mind'' which gave Levermore a greater financial leeway since ''Roadrunner'' paid Levermore "a salary for three years to continue running the label while they financed new releases." Before ''Roadrunner'', Levermore said, "there's been many occasions over the years when I've seen a band that I wanted to work with go somewhere else and have a bit of success." Levermore and ''Roadrunner'' ended their collaboration in April 1994. When ''Third Mind'' ended its business activities in the same year, it had released more than 100 titles. The rights to all releases passed over to ''Roadrunner''.


Fourth Dimension Records

In 1983 Levermore started Fourth Dimension Records as an offshoot of ''Third Mind''. After two releases he handed over business to Richard Johnson from British fanzine ''Grim Humour''. The second release was born out of collaboration between Levermore and Johnson as flexi disc for ''Grim Humour''. Johnson had already thought about starting a label by himself and "when Gary told me he wouldn’t be operating FD after this second release, it just made sense for me to continue with the name."


Artists


See also

* List of record labels


References

{{Authority control British independent record labels Record labels established in 1983 Industrial record labels Electronic music record labels New wave record labels Cassette culture 1970s–1990s