''The Woman of the Port'' ( es, La Mujer del Puerto) is a 1934 Mexican
romantic drama film
Romance films or movies involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion (emotion), passion, emotion, and the affectionate romantic involvement of the main characters. Typica ...
directed by
Arcady Boytler
Arcady Sergeevich Boytler Rososky (August 31, 1895 – November 24, 1965) was a producer, screenwriter, and director most renowned for his films during the golden age of Mexican cinema.
Boytler was born in Moscow, Russia. During the 1920s, he ...
and starring
Andrea Palma
Andrea Palma (b. Trapani, 1644 or 1664 – d. 1730) was an 18th-century Italian architect, working in the Baroque style. He is credited with being one of the most notable architects of the Sicilian Baroque movement.
His works include the Cat ...
. The film is based on the story by
French
French (french: français(e), link=no) may refer to:
* Something of, from, or related to France
** French language, which originated in France, and its various dialects and accents
** French people, a nation and ethnic group identified with Franc ...
author
Guy de Maupassant
Henri René Albert Guy de Maupassant (, ; ; 5 August 1850 – 6 July 1893) was a 19th-century French author, remembered as a master of the short story form, as well as a representative of the Naturalist school, who depicted human lives, destin ...
.
Plot
Rosario (
Andrea Palma
Andrea Palma (b. Trapani, 1644 or 1664 – d. 1730) was an 18th-century Italian architect, working in the Baroque style. He is credited with being one of the most notable architects of the Sicilian Baroque movement.
His works include the Cat ...
) was the average Mexican girl that grew up in a humble household with her dad. Her boyfriend had promised to marry her and that they would be better off once he landed a decent job. The Father falls sick and isn’t able to work, leaving his daughter helpless because she was not wedded yet. In the process of trying to find some money and trying to get help she turns to her boyfriend and finds him sleeping with another village girl. She is distraught and leaves town. She decides to leave Cordoba City to settle in Veracruz City. In a port that is facing the
Gulf of Mexico
The Gulf of Mexico ( es, Golfo de México) is an oceanic basin, ocean basin and a marginal sea of the Atlantic Ocean, largely surrounded by the North American continent. It is bounded on the northeast, north and northwest by the Gulf Coast of ...
, she establishes herself above a sordid cabaret, and starts “selling love” to the sailors that come from afar. She made this her life profession and enjoyed being heartless and reckless with men’s feelings. One night, a drunken sailor gets out of hand and Alberto (
Domingo Soler
Domingo Soler (born Domingo Díaz Pavia; 17 April 1901 – 13 June 1961) was a Mexican actor and occasional screenwriter of the Golden Age of Mexican cinema. He appeared in over 150 films and wrote the screenplays for 2 films.
Soler won an Ariel ...
) rescues her from getting beat. She is grateful and takes Alberto to her room to compensate him. After the love making they begin to talk about their backgrounds and discover that they are siblings. Rosario, distraught, leaves the cabaret and makes her way to the port's dock. Alberto searches for her, only to find her shawl floating in the water near the dock, implying that she jumped.
The Director
Arcady Boytler
Arcady Sergeevich Boytler Rososky (August 31, 1895 – November 24, 1965) was a producer, screenwriter, and director most renowned for his films during the golden age of Mexican cinema.
Boytler was born in Moscow, Russia. During the 1920s, he ...
's film La Mujer del puerto had some strong themes of incest and prostitution. Around this time prostitution was not a theme that most were surprised by, but it was the incest notion that gave the film controversy. It would be tempting to attribute the films credentials with
Boytler's Birth nation, but the reality of things is that it is an untouched topic. Earlier in 1930's
Sergei Eisenstein
Sergei Mikhailovich Eisenstein (russian: Сергей Михайлович Эйзенштейн, p=sʲɪrˈɡʲej mʲɪˈxajləvʲɪtɕ ɪjzʲɪnˈʂtʲejn, 2=Sergey Mikhaylovich Eyzenshteyn; 11 February 1948) was a Soviet film director, screenw ...
's visit to
Mexico
Mexico (Spanish: México), officially the United Mexican States, is a country in the southern portion of North America. It is bordered to the north by the United States; to the south and west by the Pacific Ocean; to the southeast by Guatema ...
influenced a dozen of directors.
Boytler set out to make a film that could transcend its culture and make it an international treasure. Mexico was being torn apart with modernity and post-revolution trying to rebuild and keep the heritage intact. Through cinematic art and the influence of
Eisenstein’s visit to the America’s, Mexico flourished with talent and pushed its boundaries.
Boytler said “To be sure, great films will made in Mexico. In this country, there is a great artistic spirit, many elements of magnificent value to be discovered. I think that not all films should be to vernacular so that they are accepted and understood in other Spanish-speaking countries.” Countries that don’t understand the tendencies, or culture if you will, from a certain part of Mexico would have a hard time understanding the message or dialect pushed through the film. On one side we have the country debating concern in identity and the other we have a post-revolutionary period. Boytler tried incorporating the loving side of the entity engendered by the revolution into the nation space. On the other, we have the drive of modernization and desire to measure up to international standards of progress. In other words, you have two opposing sides: on one hand you have the highbrow, Europeanized elite dream of inserting the nation’s creative talent into global stream, and on the other you have ancient and borrow elements, is produced by and from the masses.
Boyltercaptured the heart of the masses even through the modernizing form of cinema adding sound and incorporating the music of the people being
rancheras. The high production value made it an instant landmark within its national cinematic context. This movie truly deserves a qualification of excellence, said
Luz Alba
Luz ( ''Lūz'') is the name of two places in the Bible.
Mentioned in Genesis
Luz is the ancient name of a royal Canaanite city, connected with Bethel (Genesis 28:19; 35:6). It is debated among scholarsRashi on 28:17 whether Luz and Bethel repres ...
.
Many critics acclaim that Boytler has a definite influence of
German Expressionism
German Expressionism () consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central ...
but it is not the only influence.
Cast
*
Andrea Palma
Andrea Palma (b. Trapani, 1644 or 1664 – d. 1730) was an 18th-century Italian architect, working in the Baroque style. He is credited with being one of the most notable architects of the Sicilian Baroque movement.
His works include the Cat ...
as Rosario
*
Domingo Soler
Domingo Soler (born Domingo Díaz Pavia; 17 April 1901 – 13 June 1961) was a Mexican actor and occasional screenwriter of the Golden Age of Mexican cinema. He appeared in over 150 films and wrote the screenplays for 2 films.
Soler won an Ariel ...
as Alberto
*
Stella Inda
Stella (or Estela) Inda (June 28, 1924 – December 7, 1995) was a Mexican film actress. She was the star of notable Mexican films, including ''Los olvidados'' by Luis Buñuel in 1949.
Biography
Inda started her career as extra in the successful ...
as "a woman in the cabaret"
* Fabio Acevedo as Rosario's father
References
External links
*
{{DEFAULTSORT:Woman Of The Port, The
1934 films
Mexican black-and-white films
Films based on works by Guy de Maupassant
Films directed by Arcady Boytler
1934 romantic drama films
1930s Spanish-language films
Mexican romantic drama films