The Witch's Tales
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''The Witch's Tales'' was an American pulp magazine edited by Tom Chadburn which published two issues in November and December 1936. It was a companion to a
radio Radio is the technology of signaling and communicating using radio waves. Radio waves are electromagnetic waves of frequency between 30 hertz (Hz) and 300 gigahertz (GHz). They are generated by an electronic device called a transmi ...
program, called '' The Witch's Tale'', which had begun broadcasting in May 1931. With the exception of the lead story in each issue, all the stories were reprints from the American edition of ''
Pearson's Magazine ''Pearson's Magazine'' was a monthly periodical that first appeared in Britain in 1896. A US version began publication in 1899. It specialised in speculative literature, political discussion, often of a socialist bent, and the arts. Its contribut ...
''. Alonzo Deen Cole, who wrote the radio series, contributed one lead story, and provided the plot for the other. The authors of the reprint stories included George Daulton, Wardon Allan Curtis, William Hamilton Osborne, and John C. Haywood.


Publication history and contents

'' The Witch's Tale'' was a radio program that began on American radio in May 1931. A weekly anthology show, it was the first radio horror program, and soon became quite popular. In 1936, the magazine ''The Witch's Tales'' appeared as a companion to it, perhaps inspired by ''
The Shadow The Shadow is a fictional character created by magazine publishers Street & Smith and writer Walter B. Gibson. Originally created to be a mysterious radio show narrator, and developed into a distinct literary character in 1931 by writer Walter ...
'', a successful pulp magazine which had also been launched as the companion of a radio program of the same name. ''The Witch's Tales'' was published by The Carwood Publishing Co., a small and relatively inexperienced firm. The named editor of the magazine was Alonzo Deen Cole, who wrote the radio episodes, but the editorial work was actually done by Tom Chadburn.Ashley & Parnell (1985), pp. 742–743. Having both a pulp magazine and radio show act as vehicles for Cole's work is an early example of the 21st century's media industry's approach, with content tied together across more than one media platform, but although
Street & Smith Street & Smith or Street & Smith Publications, Inc. was a New York City publisher specializing in inexpensive paperbacks and magazines referred to as dime novels and pulp fiction. They also published comic books and sporting yearbooks. Among t ...
demonstrated that this could be done successfully for ''The Shadow'', Carwood did little to promote the radio show in the magazine, probably because of their inexperience. Only one more issue appeared, the following month; it is unlikely that the publisher could have received sales data on the first issue by that time, so there may have been reasons other than poor sales for the magazine's short run, perhaps including weak financing and distribution.Ashley (2000), pp. 104–105. The first issue, dated November 1936, led with "The Madman", a story by Cole about a
mad scientist The mad scientist (also mad doctor or mad professor) is a stock character of a scientist who is perceived as " mad, bad and dangerous to know" or " insane" owing to a combination of unusual or unsettling personality traits and the unabashedly a ...
. Cole's work also appeared in the second issue with "Mrs. Hawker's Will". Originally an episode Cole had written for the radio show, it was adapted from the script for the magazine by Laurence D. Smith. All the other stories, from both issues, were reprinted from the American edition of ''
Pearson's Magazine ''Pearson's Magazine'' was a monthly periodical that first appeared in Britain in 1896. A US version began publication in 1899. It specialised in speculative literature, political discussion, often of a socialist bent, and the arts. Its contribut ...
''.Ashley (1997), p. 612. These included "The Monster of Lake LaMetrie", by Wardon Allan Curtis, from 1899; "The Fountain of Youth", by William Hamilton Osborne, and "Phantom of the Links", by John C. Haywood, both from 1906; and "The Death-Trap", by George Daulton, which had originally appeared in 1908. The reprints were good stories, in the opinion of Mike Ashley, and they often had science fiction themes: Curtis's story involved the transplant of a man's brain into the body of a prehistoric monster. Despite the relatively high quality of the material, the stories were not action-oriented enough to have pleased a typical pulp magazine reader of the era.


Bibliographic details

The magazine's two issues were dated November and December 1936, and numbered as a single volume of two issues. The publisher was The Carwood Publishing Co., of New York, and the editor was Tom Chadburn. The magazine was in
bedsheet The bedsheet format (also known as large pulp) was the size of many magazines published in the United States in the first quarter of the 20th century. Magazines in bedsheet format were roughly the size of ''Life'' but with square spines. While the ...
format, with 48 pages, and was priced at 15 cents.


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* * * * * * {{DEFAULTSORT:Witch's Tales, The Fantasy fiction magazines Pulp magazines Magazines established in 1936 Magazines disestablished in 1936 Magazines published in New York (state) Defunct science fiction magazines published in the United States