''The Wild Wild West'' is an American

Western Western may refer to: Places *Western, Nebraska, a village in the US *Western, New York, a town in the US *Western Creek, Tasmania, a locality in Australia *Western Junction, Tasmania, a locality in Australia *Western world, countries that id ...

espionage Espionage, spying, or intelligence gathering is the act of obtaining secret or confidential information (intelligence) from non-disclosed sources or divulging of the same without the permission of the holder of the information for a tangibl ...

, and science fiction television series that ran on the

CBS CBS Broadcasting Inc., commonly shortened to CBS, the abbreviation of its former legal name Columbia Broadcasting System, is an American commercial broadcast television and radio network serving as the flagship property of the CBS Entertainm ...

television network for four seasons from September 17, 1965, to April 11, 1969. Two satirical

comedy Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term o ...

television film A television film, alternatively known as a television movie, made-for-TV film/movie or TV film/movie, is a feature-length film that is produced and originally distributed by or to a television network, in contrast to theatrical films made for ...

sequels were made with the original cast in 1979 and 1980 and the series was adapted for a theatrical film in 1999. Developed at a time when the television Western was losing ground to the spy genre, this show was conceived by its creator, Michael Garrison, as "

James Bond The ''James Bond'' series focuses on a fictional British Secret Service agent created in 1953 by writer Ian Fleming, who featured him in twelve novels and two short-story collections. Since Fleming's death in 1964, eight other authors have ...

on horseback." Set during the administration of President

Ulysses Grant Ulysses S. Grant (born Hiram Ulysses Grant ; April 27, 1822July 23, 1885) was an American military officer and politician who served as the 18th president of the United States from 1869 to 1877. As Commanding General, he led the Union Ar ...

(1869–1877), the series followed

Secret Service A secret service is a government agency, intelligence agency, or the activities of a government agency, concerned with the gathering of intelligence data. The tasks and powers of a secret service can vary greatly from one country to another. For ...

agents James West ( Robert Conrad) and Artemus Gordon (

Ross Martin Ross or ROSS may refer to: People * Clan Ross, a Highland Scottish clan * Ross (name), including a list of people with the surname or given name Ross, as well as the meaning * Earl of Ross, a peerage of Scotland Places * RoSS, the Republic of Sout ...

) as they solved crimes, protected the President, and foiled the plans of megalomaniacal villains to take over part or all of the United States. The show featured a number of fantasy elements, such as the technologically advanced devices used by the agents and their adversaries. The combination of the

Victorian era In the history of the United Kingdom and the British Empire, the Victorian era was the period of Queen Victoria's reign, from 20 June 1837 until her death on 22 January 1901. The era followed the Georgian period and preceded the Edwardia ...

time-frame and the use of Vernean technology has led several steampunk web sites to cite the show as a pioneering influence on the genre. This aspect was accentuated even more in the 1999 film adaptation. Despite high ratings, the series was cancelled near the end of its fourth season as a concession to Congress over television violence.

Concept

Ross Martin Robert Conrad Wild Wild West 1965

''The Wild Wild West'' told the story of two

agents: the fearless and handsome James West (played by Robert Conrad), and Artemus Gordon (played by

), a brilliant gadgeteer and master of disguise. Their mission was to protect President Ulysses S. Grant and the United States from all manner of dangerous threats. The agents traveled in luxury aboard their own train, the ''Wanderer'', equipped with everything from a stable car to a laboratory. James West had served as an intelligence and cavalry officer in the

American Civil War The American Civil War (April 12, 1861 – May 26, 1865; also known by other names) was a civil war in the United States. It was fought between the Union ("the North") and the Confederacy ("the South"), the latter formed by states th ...

(1861–1865) on Grant's staff; his "cover", at least in the pilot episode, is that of "a dandy, a high-roller from the East". Thereafter, however, there is no pretense, and his reputation as the foremost Secret Service agent often precedes him. According to the later TV movies, West retires from the Service by 1880 and lives on a ranch in Mexico. When he retires, Gordon, who was a captain in the Civil War, returns to show business as the head of a traveling

Shakespeare William Shakespeare ( 26 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's nation ...

players troupe. The show incorporated classic

elements with an

thriller,

science fiction Science fiction (sometimes shortened to Sci-Fi or SF) is a genre of speculative fiction which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel unive ...

/ alternate history ideas (in a similar vein to what would later be called steampunk), in one case horror ("The Night of the Man Eating House") and humor. Episodes were also inspired by

Edgar Allan Poe Edgar Allan Poe (; Edgar Poe; January 19, 1809 – October 7, 1849) was an American writer, poet, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is wide ...

H. G. Wells Herbert George Wells"Wells, H. G."
Revised 18 May 2015. ''

Jules Verne Jules Gabriel Verne (;''Longman Pronunciation Dictionary''. ; 8 February 1828 – 24 March 1905) was a French novelist, poet, and playwright. His collaboration with the publisher Pierre-Jules Hetzel led to the creation of the ''Voyages extraor ...

. In the tradition of

, there were always beautiful women, clever gadgets and delusional arch-enemies with half-insane plots to take over the country or

the world In its most general sense, the term "world" refers to the totality of entities, to the whole of reality or to everything that is. The nature of the world has been conceptualized differently in different fields. Some conceptions see the worl ...

. The title of each episode begins with "The Night" (except for the first-season episode "Night of the Casual Killer", which omitted the definite article "The"). This followed other idiosyncratic naming conventions established by shows such as '' Rawhide'', where each episode title began with "Incident at" or "Incident of," and ''

The Man from U.N.C.L.E. ''The Man from U.N.C.L.E.'' is an American spy fiction television series produced by MGM Television, Metro-Goldwyn-Mayer Television and first broadcast on NBC. The series follows secret agents, played by Robert Vaughn and David McCallum, who wo ...

'', where episodes were titled "The (Blank) Affair."

Episodes

Characters

Leads

Before ''The Wild Wild West'', Robert Conrad played private detective Tom Lopaka in ABC's '' Hawaiian Eye'' for four seasons (1959–63). In November 1964, he was making the film ''Young Dillinger'' (1965) with Nick Adams,

Victor Buono Victor Charles Buono (February 3, 1938January 1, 1982) was an American actor, comic, and briefly a recording artist. He was known for playing the villain King Tut in the television series ''Batman (TV series), Batman'' (1966–1968) and musician ...

and John Ashley (all of whom would later guest star on ''The Wild Wild West'') when his agent sent him to CBS to audition for the West role. Conrad claimed to be the 17th actor to test for the part. Others tested included Robert Horton, Ray Danton and James "Skip" Ward. Conrad also claimed that John Derek left the audition without testing. Conrad performed nearly all of his own stunts in the series. "For the first few episodes we tried stuntmen," Conrad explained, "but the setup time slowed production down, so I volunteered. Things started moving quicker when I took the jumps and the spills. We started meeting the budget." Early on, he was doubled by Louie Elias or Chuck O'Brien. On January 24, 1968, however, during filming of "The Night of the Fugitives" near the end of the third season, Conrad fell from a chandelier onto the stage floor and suffered a

concussion A concussion, also known as a mild traumatic brain injury (mTBI), is a head injury that temporarily affects brain functioning. Symptoms may include loss of consciousness (LOC); memory loss; headaches; difficulty with thinking, concentration, ...

. "A little gymnastics — chandelier work," he later explained. "I didn't chalk up properly and I went 15 feet to the concrete and fractured my skull. I was in intensive care for 72 hours, with a six-inch lineal fracture of the skull and a high temporal concussion." As a result, production of the series ended two weeks early. Conrad spent weeks in the hospital and had a long convalescence slowed by constant dizziness. The episode was eventually completed and aired early during the fourth season, with footage of the fall left in. Conrad later told Percy Shain of the ''Boston Globe'', "I have the whole scene on film. It's a constant reminder to be careful. It also bolstered my determination to make this my last year with the series. Four seasons are enough of this sort of thing."''Boston Globe'', "Wild West Proves Hazardous" September 15, 1968 Thereafter, Conrad was doubled for the dangerous stunts, but still participated in fight scenes. Prior to ''The Wild Wild West,'' Ross Martin co-starred in the CBS series '' Mr. Lucky'' from 1959 to 1960, portraying Mr. Lucky's sidekick, Andamo. The series was created by

Blake Edwards Blake Edwards (born William Blake Crump; July 26, 1922 – December 15, 2010) was an American film director, producer, screenwriter and actor. Edwards began his career in the 1940s as an actor, but he soon began writing screenplays and radio s ...

, who also cast Martin in his films ''

Experiment in Terror ''Experiment in Terror'' is a 1962 American neo-noir thriller film released by Columbia Pictures. It was directed by Blake Edwards and written by Mildred Gordon and Gordon Gordon based on their 1961 novel ''Operation Terror''. The film stars Gle ...

'' (1962) and ''

The Great Race ''The Great Race'' is a 1965 American Technicolor slapstick comedy film starring Jack Lemmon, Tony Curtis, and Natalie Wood, directed by Blake Edwards, written by Arthur A. Ross (from a story by Edwards and Ross), and with music by Henry Manci ...

'' (1964). Martin once called his role as Artemus Gordon "a show-off's showcase" because it allowed him to portray over 100 different characters during the course of the series and perform dozens of different dialects. Martin sketched his ideas for his characterizations and worked with the makeup artists to execute the final look. Martin told Percy Shain of the ''Boston Globe'', "In the three years of the show, I have run a wider gamut than even those acknowledged masters of disguise, Paul Muni and

Lon Chaney Leonidas Frank "Lon" Chaney (April 1, 1883 – August 26, 1930) was an American actor. He is regarded as one of the most versatile and powerful actors of cinema, renowned for his characterizations of tortured, often grotesque and affli ...

. Sometimes I feel like a one man repertory company. I think I've proven to myself and to the industry that I am the No. 1 character lead in films today." The industry acknowledged Martin's work with an Emmy nomination in 1969. Martin broke his leg in a fourth-season episode, "The Night of the Avaricious Actuary," when he dropped a rifle, stepped on it, and his foot rolled over it. Martin told Percy Shain of the ''Boston Globe,'' "In the scene where I was hurt, my stand-in tried to finish it. When the shell ejected from the rifle, it caught him in the eye and burned it. We still haven't finished that scene. It will have to wait until I can move around again." A few weeks later, after completing "The Night of Fire and Brimstone", Martin suffered a

heart attack A myocardial infarction (MI), commonly known as a heart attack, occurs when blood flow decreases or stops to the coronary artery of the heart, causing damage to the heart muscle. The most common symptom is chest pain or discomfort which may tr ...

on August 17, 1968 (this was exactly two years after the show's creator, Michael Garrison, died). Martin's character was replaced temporarily by other agents played by

Charles Aidman Charles Leonard Aidman (January 21, 1925 – November 7, 1993) was an American actor of stage, film, and television. Early life Aidman was born in Frankfort, Indiana, the son of George E. and Etta (Kwitny) Aidman. Aidman graduated from Frank ...

(four episodes as Jeremy Pike), Alan Hale, Jr. (as Ned Brown) and

William Schallert William Joseph Schallert (July 6, 1922 – May 8, 2016) was an American character actor who appeared in dozens of television shows and films over a career spanning more than 60 years. He is known for his roles on '' Richard Diamond, Privat ...

(two episodes as Frank Harper), and West worked solo in two other episodes. Aidman said the producers had promised to rewrite the scripts for his new character, but this simply amounted to scratching out the name "Artemus Gordon" and penciling in "Jeremy Pike" (his character's name).

Pat Paulsen Patrick Layton Paulsen (July 6, 1927 – April 25, 1997) was an American comedian and satirist notable for his roles on several of the Smothers Brothers television shows, and for his satirical campaigns for President of the United States between ...

(one episode as Agent Bosley Cranston) is frequently thought of as a Martin substitute, but he, in fact, appeared in one of Aidman's episodes and his character would have been present even if Martin had appeared. Martin returned to work in mid-December and appeared in the final three episodes to be filmed.

Villains

Michael Dunn Richard Kiel Wild Wild West

The show's most memorable

recurring Recurring means occurring repeatedly and can refer to several different things: Mathematics and finance *Recurring expense, an ongoing (continual) expenditure *Repeating decimal, or recurring decimal, a real number in the decimal numeral syste ...

arch-

villain A villain (also known as a "black hat" or "bad guy"; the feminine form is villainess) is a stock character, whether based on a historical narrative or one of literary fiction. ''Random House Unabridged Dictionary'' defines such a character a ...

was Dr. Miguelito Quixote Loveless, a brilliant but petulant and megalomaniacal dwarf portrayed by Michael Dunn. Initially he had two companions: the towering 7'2" Voltaire, played by

Richard Kiel Richard Dawson Kiel (September 13, 1939 – September 10, 2014) was an American actor. Standing tall, he was known for portraying Jaws in '' The Spy Who Loved Me'' (1977) and '' Moonraker'' (1979). Kiel's next-most-recognized role is the t ...

; and the beautiful Antoinette, played by Dunn's real-life singing partner, Phoebe Dorin. Voltaire disappeared without explanation after his third episode, but Kiel returned in a different role in "The Night of the Simian Terror". Antoinette vanished after her sixth episode due to demands by Dunn's jealous real-life wife. According to the

''The Wild Wild West Revisited'', Loveless eventually dies in 1880 from

ulcer An ulcer is a discontinuity or break in a bodily membrane that impedes normal function of the affected organ. According to Robbins's pathology, "ulcer is the breach of the continuity of skin, epithelium or mucous membrane caused by sloughing o ...

s, brought on by the frustration of having his plans consistently foiled by West and Gordon (his son, played by Paul Williams in the TV film, subsequently seeks revenge on the agents). Although several actors appeared in different villainous roles, only one other character had a second encounter with West and Gordon: Count Manzeppi, played flamboyantly by

. Manzeppi was a diabolical genius of "black magic" and crime, wholike Dr. Lovelesshad an escape plan at the end. Buono played a different villain in the pilot episode, and also returned in ''More Wild Wild West'' as "Dr. Henry Messenger", a parody of

Henry Kissinger Henry Alfred Kissinger (; ; born Heinz Alfred Kissinger, May 27, 1923) is a German-born American politician, diplomat, and geopolitical consultant who served as United States Secretary of State and National Security Advisor under the presid ...

Agnes Moorehead Agnes Robertson Moorehead (December 6, 1900April 30, 1974) was an American actress. In a career spanning four decades, her credits included work in radio, stage, film, and television.Obituary ''Variety'', May 8, 1974, page 286. Moorehead was th ...

won an Emmy for her role as Emma Valentine in "The Night of the Vicious Valentine". Other villains were portrayed by

Leslie Nielsen Leslie William Nielsen (11 February 192628 November 2010) was a Canadian actor and comedian. With a career spanning 60 years, he appeared in more than 100 films and 150 television programs, portraying more than 220 characters. Nielsen was bo ...

Sam Wanamaker Samuel Wanamaker, (born Wattenmacker; June 14, 1919 – December 18, 1993) was an American actor and director who moved to the United Kingdom after becoming fearful of being blacklisted in Hollywood due to his communist views. He is credited a ...

Martin Landau Martin James Landau (; June 20, 1928 – July 15, 2017) was an American actor, acting coach, producer, and editorial cartoonist. His career began in the 1950s, with early film appearances including a supporting role in Alfred Hitchcock's ''North ...

Burgess Meredith Oliver Burgess Meredith (November 16, 1907 – September 9, 1997) was an American actor and filmmaker whose career encompassed theater, film, and television. Active for more than six decades, Meredith has been called "a virtuosic actor" and "on ...

Boris Karloff William Henry Pratt (23 November 1887 – 2 February 1969), better known by his stage name Boris Karloff (), was an English actor. His portrayal of Frankenstein's monster in the horror film ''Frankenstein'' (1931) (his 82nd film) established h ...

Ida Lupino Ida Lupino (4 February 1918Recorded in ''Births Mar 1918'' Camberwell Vol. 1d, p. 1019 (Free BMD). Transcribed as "Lupine" in the official births index – 3 August 1995) was an English-American actress, singer, director, writer, and producer. T ...

Carroll O'Connor John Carroll O'Connor (August 2, 1924 – June 21, 2001) was an American actor, producer, and director whose television career spanned over four decades. He became a lifelong member of the Actors Studio in 1971. O'Connor found widespread fame a ...

Ricardo Montalban Ricardo is the Spanish and Portuguese cognate of the name Richard. It derived from Proto-Germanic ''*rīks'' 'king, ruler' + ''*harduz'' 'hard, brave'. It may be a given name, or a surname. People Given name *Ricardo de Araújo Pereira, Portugu ...

Robert Duvall Robert Selden Duvall (; born January 5, 1931) is an American actor and filmmaker. His career spans more than seven decades and he is considered one of the greatest American actors of all time. He is the recipient of an Academy Award, four Gold ...

Ramon Novarro José Ramón Gil Samaniego (February 6, 1899 – October 30, 1968), known professionally as Ramon Novarro, was a Mexican-American actor. He began his career in silent films in 1917 and eventually became a leading man and one of the top box ...

Ed Asner Eddie Asner (; November 15, 1929 – August 29, 2021) was an American actor and former president of the Screen Actors Guild. He is best remembered for portraying Lou Grant during the 1970s and early 1980s, on both ''The Mary Tyler Moore Show'' a ...

Jo Van Fleet Catherine Josephine Van Fleet (December 29, 1915"The Bi ...

William Windom William Windom (May 10, 1827January 29, 1891) was an American politician from Minnesota. He served as U.S. Representative from 1859 to 1869, and as U.S. Senator from 1870 to January 1871, from March 1871 to March 1881, and from November 1881 ...

Delphi Lawrence Delphi Lawrence (23 March 1932 – 11 April 2002) was an English actress. She was educated at Halidon House School in Slough, Berkshire, whilst living in Colnbrook. Born to Barbara Yvonne ( Enever) and Louis Holzman, who wed in 1930, she wa ...

, Susan Oliver,

Anthony Eisley Anthony Eisley (January 19, 1925 – January 29, 2003) was an American actor best known as one of the detective leads, Tracy Steele, in the ABC/Warner Brothers television series '' Hawaiian Eye''. Early in his career, he was credited as Fred Eis ...

H. M. Wynant H. M. Wynant (born Chaim Winant; February 12, 1927) is an American film and television actor. Biography Wynant was born in Detroit, Michigan. He made his feature film debut as an Indian in Samuel Fuller's ''Run of the Arrow'' (1957). In the ...

Harvey Korman Harvey Herschel Korman (February 15, 1927May 29, 2008) was an American actor and comedian who performed in television and film productions. His big break was being a featured performer on CBS' ''The Danny Kaye Show'', but he is best remembered f ...

Yvonne Craig Yvonne Joyce Craig (May 16, 1937 – August 17, 2015) was an American actress and ballerina, who was renowned for her role as Batgirl in the 1960s television series '' Batman''. Other notable roles in her career include Dorothy Johnson in the 196 ...

Percy Rodrigues Percy Rodriguez (born Percy Rodrigues; June 13, 1918 – September 6, 2007) was a Canadian actor who appeared in many television shows and films from the 1950s to the 1980s. He was of Afro-Portuguese heritage and was born in the Saint-Henri neig ...

, and

Robert Loggia Salvatore "Robert" Loggia ( , ; January 3, 1930 – December 4, 2015) was an American actor. He was nominated for the Academy Award for Best Supporting Actor for '' Jagged Edge'' (1985) and won the Saturn Award for Best Supporting Actor for ...

. While the show's writers created their fair share of villains, they often started with the nefarious, stylized and sometimes anachronistic inventions of these madmen (or madwomen) and then wrote the episodes around these devices. Henry Sharp, the series' story consultant, would sketch the preliminaries of the designs (eccentrically numbering every sketch "fig. 37"), and give the sketch to a writer, who would build a story around it.

Recurring characters

* Dr. Miguelito Quixote Loveless ( Michael Dunn): Ten episodes. The agents' nemesis. * Colonel Richmond ( Douglas Henderson) Ten episodes. West and Gordon's control officer in the Secret Service. * President Ulysses S. Grant: Seven episodes ( James Gregory in the pilot; Roy Engel thereafter). * Antoinette (Phoebe Dorin): Six appearances. Loveless' female companion, often seen playing a piano or string instrument and singing duet with Loveless. Dorin and Dunn (Loveless) had a real-life nightclub act, "Michael Dunn and Phoebe", in which they sang and exchanged banter. According to Dorin, while filming the episode "The Night of the Murderous Spring", her costume became entangled in the machinery used to pull the boat she and Dunn were in underwater. Dunn did not hesitate to follow her down and help her escape. * Jeremy Pike (Charles Aidman): Four episodes. One of several agents paired with Jim during Artemus' absence in the fourth season. Appears in the final Loveless episode, "The Night of Miguelito's Revenge." * Tennyson (Charles Davis): Three episodes. West's butler/valet during the first season. * Voltaire (

): Three episodes. Loveless' silent, giant bodyguard (Kiel also played Dimos Buckley in "The Night of the Simian Terror"). * Count Carlos Mario Vincenzo Robespierre Manzeppi (

): Two appearances. A master of dark magic and leader of a handpicked teams of assassins. (Buono also played Juan Manolo in "The Night of the Inferno," the first episode, and Henry Messenger in ''More Wild Wild West'', the final production.) * Frank Harper (

): Another agent who worked with Jim in the fourth season. He appears in the only two-part episode in the series, "The Night of the Winged Terror". (Schallert appeared in two other episodes as different characters.)

Production

Creation, writing and filming

In 1954, director/producer

Gregory Ratoff Gregory Ratoff (born Grigory Vasilyevich Ratner; russian: Григорий Васильевич Ратнер, tr. ; April 20, c. 1893 – December 14, 1960) was a Russian-born American film director, actor and producer. As an actor, he was bes ...

purchased the film rights to

Ian Fleming Ian Lancaster Fleming (28 May 1908 – 12 August 1964) was a British writer who is best known for his postwar ''James Bond'' series of spy novels. Fleming came from a wealthy family connected to the merchant bank Robert Fleming & Co., a ...

's first James Bond novel, '' Casino Royale,'' for $600. CBS, meanwhile, bought the TV rights for $1,000, and on October 21, 1954, the network broadcast an hour-long adaptation on its ''Climax!'' series, with Barry Nelson playing American agent "Jimmy Bond" and Peter Lorre playing the villain, Le Chiffre. CBS also approached Fleming about developing a Bond TV series. Fleming later contributed ideas to NBC's ''The Man From U.N.C.L.E.'' In 1955, Ratoff and Michael Garrison formed a production company to make a ''Casino Royale'' film, with Ratoff set to direct and

20th Century Fox 20th Century Studios, Inc. (previously known as 20th Century Fox) is an American film production company headquartered at the Fox Studio Lot in the Century City area of Los Angeles. As of 2019, it serves as a film production arm of Walt Dis ...

set to distribute. Production stalled when Ratoff and Garrison could not obtain financing. In 1960, Hedda Hopper reported that Ratoff's film would star Peter Finch as Bond. But Ratoff died that December and his widow sold the film rights to producer

Charles K. Feldman Charles K. Feldman (April 26, 1905 – May 25, 1968) was a Hollywood attorney, film producer and talent agent who founded the Famous Artists talent agency. According to one obituary, Feldman disdained publicity. "Feldman was an enigma to Holly ...

for $75,000. Feldman and director Howard Hawks were interested in making ''Casino Royale'' with

Cary Grant Cary Grant (born Archibald Alec Leach; January 18, 1904November 29, 1986) was an English-American actor. He was known for his Mid-Atlantic accent, debonair demeanor, light-hearted approach to acting, and sense of comic timing. He was one o ...

as Bond. Eventually Feldman was offered $500,000 and a percentage of the profits to let Harry Saltzman and Cubby Broccoli make the film with Sean Connery. Feldman turned them down, and eventually produced the spoof '' Casino Royale'' in 1967. By then, Garrison and CBS had brought James Bond to television in a unique way. The series' pilot episode, "The Night of the Inferno", was filmed in December 1964. It was produced by Garrison and, according to Robert Conrad, cost $685,000. The episode was scripted by

Gilbert Ralston Gilbert Alexander Ralston (January 5, 1912 – March 18, 1999) was a British-American screenwriter, journalist and author. He was a television producer in the 1950s and a screenwriter in the 1960s. He created the television series '' The Wild ...

, who had written for numerous episodic TV series in the 1950s and 1960s. (Western novelist and screenwriter

Clair Huffaker Clair Huffaker (September 26, 1926 – April 3, 1990) was an American screenwriter and author of westerns and other fiction, many of which were turned into films. Biography Born in Magna, Utah, Huffaker wrote of his childhood in ''One Time I ...

also worked on the concept.) In a later deposition, Ralston explained that he was approached by Michael Garrison, who "said he had an idea for a series, good commercial idea, and wanted to know if I could glue the idea of a western hero and a James Bond type together in the same show."''The New York Times'', July 8, 1999 Ralston said he then created the

Civil War A civil war or intrastate war is a war between organized groups within the same state (or country). The aim of one side may be to take control of the country or a region, to achieve independence for a region, or to change government policies ...

characters, the format, the story outline and nine drafts of the pilot script that was the basis for the television series. It was his idea, for example, to have a secret agent named Jim West who would perform secret missions for President

Ulysses S. Grant Ulysses S. Grant (born Hiram Ulysses Grant ; April 27, 1822July 23, 1885) was an American military officer and politician who served as the 18th president of the United States from 1869 to 1877. As Commanding General, he led the Union Ar ...

. Ralston later sued

Warner Bros. Warner Bros. Entertainment Inc. (commonly known as Warner Bros. or abbreviated as WB) is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California, and a subsidiary of Warner Bros. D ...

over the 1999 theatrical film ''

Wild Wild West ''Wild Wild West'' is a 1999 American steampunk Western film co-produced and directed by Barry Sonnenfeld and written by S. S. Wilson and Brent Maddock alongside Jeffrey Price and Peter S. Seaman, from a story penned by brothers Jim and John ...

'', which was based on the series. As indicated by Robert Conrad on his DVD commentary, the show went through several producers in its first season. This was apparently due to conflicts between the network and Garrison, who had no experience producing for television and had trouble staying on budget. At first, Ben Brady was named producer, but he was shifted to '' Rawhide'', which had its own crisis when star

Eric Fleming Eric Fleming (born Edward Heddy Jr.; July 4, 1925 – September 28, 1966) was an American actor known primarily for his role as Gil Favor in the CBS television series '' Rawhide''. Early life Fleming was born as Edward Heddy Jr. in Santa Pau ...

quit at the end of the 1964–65 season. ''Rawhide'' lasted another 13 episodes before it was cancelled by CBS. The network then hired Collier Young. In an interview, Young said he saw the series as '' The Rogues'' set in 1870 (''The Rogues'', which he had produced, was about con men who swindled swindlers, much like the 1970s series ''

Switch In electrical engineering, a switch is an electrical component that can disconnect or connect the conducting path in an electrical circuit, interrupting the electric current or diverting it from one conductor to another. The most common type of ...

''). Young also claimed to have added the wry second "Wild" to the series title, which had been simply "The Wild West" in its early stages of production. Young's episodes (2–4) featured a butler named Tennyson who traveled with West and Gordon, but since the episodes were not broadcast in production order, the character popped up at different times during the first season. Conrad was not sorry to see Young go: "I don't mind. All that guy did creatively was put the second 'wild' in the title. CBS did the right thing." Jim Shane Michael Dunn Wild Wild West 1968

Jim Shane Michael Dunn Wild Wild West 1968

Young's replacement,

Fred Freiberger Fred Freiberger (February 19, 1915March 2, 2003) was an American film and television writer and television producer, whose career spanned four decades and work on such films as '' The Beast from 20,000 Fathoms'' (1953) and TV series including '' ...

, returned the series to its original concept. It was on his watch that writer

John Kneubuhl John Alexander Kneubuhl (July 2, 1920 – February 20, 1992) was an American Samoan screenwriter, playwright and Polynesian historian. He wrote for American television series such as '' The Fugitive'', '' Gunsmoke'', '' The Wild Wild West'', '' ...

, inspired by a magazine article about Michael Dunn, created the arch-villain Dr. Miguelito Quixote Loveless. Phoebe Dorin, who played Loveless' assistant, Antoinette, recalled: "Michael Garrison came to see urnightclub act when he was in New York. Garrison said to himself, 'Michael Dunn would make the most extraordinary villain. People have never seen anything like him before, and he's a fabulous little actor and he's funny as hell.' And, Garrison felt, if Michael Dunn sang on every show, with the girl, it would be an extraordinary running villain. He came backstage and he told us who he was and he said he was going to do a television show called ''The Wild Wild West'' and we would be called. We thought, 'Yeah, yeah, we've heard all that before.' But he did call us and the show was a fantastic success. And that's how it started, because he saw the nightclub act." Loveless was introduced in "The Night the Wizard Shook The Earth," the show's sixth produced, but third televised episode. The character became an immediate hit and Dunn was contracted to appear in four episodes per season. Because of health problems, however, Dunn only appeared in 10 episodes instead of 16. After 10 episodes (5–14), Freiberger and executive producer Michael Garrison were, according to ''Variety'', "unceremoniously dumped," reputedly due to a behind-the-scenes power struggle. Garrison was replaced by Phillip Leacock, the executive producer of ''

Gunsmoke ''Gunsmoke'' is an American radio and television Western drama series created by director Norman Macdonnell and writer John Meston. It centers on Dodge City, Kansas, in the 1870s, during the settlement of the American West. The central character ...

'', and Freiberger was supplanted by John Mantley, an associate producer on ''Gunsmoke''. The exchange stunned both cast and crew. Garrison, who owned 40% of ''The Wild Wild West'', knew nothing about the changes and had not been consulted. He turned the matter over to his attorneys. Freiberger said, "I was fired for accomplishing what I had been hired to do. I was hired to pull the show together when it was in chaos."''Variety'', November 10, 1965 "'Gunsmoke' in CBS' 'Wild West' Conrad said, "I was totally shocked by it. Let's face it, the show is healthy. I think Fred Freiberger is totally correct in his concept of the show. It's an administrative change, for what reason I don't know." Mantley produced seven (15–21) episodes, then returned to his former position on ''Gunsmoke'' and Gene L. Coon took over as associate producer. By then, Garrison's conflict with CBS was resolved and he returned to the executive producer role. Coon left after six episodes (22–27) to write ''First to Fight'' (1967), a Warner Bros. film about the Marines. Garrison produced the last episode of season 1 and the initial episodes of season 2. Garrison's return was much to the relief of Ross Martin, who once revealed that he was so disenchanted during the first season that he tried to quit three times. He explained that Garrison "saw the show as a Bond spoof laid in 1870, and we all knew where we stood. Each new producer tried to put his stamp on the show and I had a terrible struggle. I fought them line by line in every script. They knew they couldn't change the James West role very much, but it was open season on Artemus Gordon because they had never seen anything like him before." On August 17, 1966, however, during production of the new season's ninth episode, "The Night of the Ready-Made Corpse", Garrison fell down a flight of stairs in his home, fractured his skull and died. CBS assigned

Bruce Lansbury William Bruce Mageean Lansbury (12 January 1930 – 13 February 2017) was a British-born Irish-American television producer, television writer and screenwriter. His career spanned over 30 years, from the 1960s to the 1990s, and included wor ...

, brother of actress

Angela Lansbury Dame Angela Brigid Lansbury (October 16, 1925 – October 11, 2022) was an Irish-British and American film, stage, and television actress. Her career spanned eight decades, much of it in the United States, and her work received a great deal ...

, to produce the show for the remainder of its run. In the early 1960s Lansbury had been in charge of daytime shows at CBS Television City in Hollywood, then vice president of programming in New York. When he was tapped for ''The Wild Wild West'', Lansbury was working with his twin brother, Edgar, producing legitimate theater on Broadway. The first season's episodes were filmed in black and white and they were darker in tone. Cinematographer Ted Voightlander was nominated for an

Emmy Award The Emmy Awards, or Emmys, are an extensive range of awards for artistic and technical merit for the American and international television industry. A number of annual Emmy Award ceremonies are held throughout the calendar year, each with the ...

for his work on one of these episodes, "The Night of the Howling Light." Subsequent seasons were filmed in color and the show became noticeably campier. ''The Wild Wild West'' was filmed at CBS Studio Center on Radford Avenue in

Studio City Studio City is a neighborhood in the city of Los Angeles, California, in the southeast San Fernando Valley, just west of the Cahuenga Pass. It is named after the studio lot that was established in the area by film producer Mack Sennett in 1927, ...

in the San Fernando Valley. The 70-acre lot was formerly the home of

Republic Studios Republic Pictures Corporation (currently held under Melange Pictures, LLC) was an American motion picture production-distribution corporation in operation from 1935 to 1967, that was based in Los Angeles. It had studio facilities in Studio City an ...

, which specialized in low-budget films, including Westerns starring

Roy Rogers Roy Rogers (born Leonard Franklin Slye; November 5, 1911 – July 6, 1998) was an American singer, actor, and television host. Following early work under his given name, first as co-founder of the Sons of the Pioneers and then acting, the rebra ...

and

Gene Autry Orvon Grover "Gene" Autry (September 29, 1907 – October 2, 1998), nicknamed the Singing Cowboy, was an American singer, songwriter, actor, musician, rodeo performer, and baseball owner who gained fame largely by singing in a crooning s ...

and Saturday morning serials (which ''The Wild Wild West'' appropriately echoed). CBS had a wall-to-wall lease on the lot starting in May 1963 and produced ''

'' and '' Rawhide'' there, as well as '' Gilligan's Island''. The network bought the lot from Republic in February 1967 for $9.5 million. Beginning in 1971, MTM Enterprises (headed by actress

Mary Tyler Moore Mary Tyler Moore (December 29, 1936 – January 25, 2017) was an American actress, producer, and social advocate. She is best known for her roles on ''The Dick Van Dyke Show'' (1961–1966) and ''The Mary Tyler Moore Show'' (1970–1977), which ...

and her then-husband Grant Tinker) became the Studio Center's primary tenant. In the mid-1980s the Western streets and sets were replaced with new sound stages and urban facades, including the New York streets seen in ''Seinfeld''. In 1995, the lagoon set that was originally constructed for ''Gilligan's Island'' was paved over to create a parking lot. Among iconic locations used for filming were

Bronson Canyon Bronson Canyon, or Bronson Caves, is a section of Griffith Park in Los Angeles that has become known as a filming location for many films and television series, especially Westerns and science fiction, from the early days of motion pictures to th ...

("Night of the Returning Dead" S02 E05) and

Vasquez Rocks Vasquez Rocks Natural Area Park is a park located in the Sierra Pelona in northern Los Angeles County, California. It is known for its rock formations, the result of sedimentary layering and later seismic uplift. It is located near the town of ...

("Night of the Cadre" S02 E26). The TV movies used Old Tucson Studios and Apacheland Studios in Tucson, Arizona and Gold Canyon, Arizona respectively.

Train

For the pilot episode, "The Night of the Inferno", the producers used Sierra Railroad No. 3, a 4-6-0 locomotive that was, fittingly, an

anachronism An anachronism (from the Ancient Greek, Greek , 'against' and , 'time') is a chronology, chronological inconsistency in some arrangement, especially a juxtaposition of people, events, objects, language terms and customs from different time per ...

: Sierra No. 3 was built in 1891, 15 to 20 years after the series was set. Footage of this train, with a 5 replacing the 3 on its number plate, was shot in

Jamestown, California Jamestown is a census-designated place (CDP) in Tuolumne County, California, United States. The population was 3,433 at the 2010 census, up from 3,017 at the 2000 census. Formerly a California Gold Rush town, Jamestown is now a California Hi ...

. Best known for its role as the Hooterville Cannonball in the CBS series ''

Petticoat Junction ''Petticoat Junction'' is an American television sitcom that originally aired on CBS from September 1963 to April 1970. The series takes place at the Shady Rest Hotel, which is run by Kate Bradley; her three daughters Billie Jo, Bobbie Jo, and ...

'', Sierra No. 3 probably appeared in more films and TV shows than any other locomotive in history. It was built by the

Rogers Locomotive and Machine Works Rogers Locomotive and Machine Works was a 19th-century manufacturer of railroad steam locomotives based in Paterson, in Passaic County, New Jersey, in the United States. It built more than six thousand steam locomotives for railroads around the ...

Paterson, New Jersey Paterson ( ) is the largest City (New Jersey), city in and the county seat of Passaic County, New Jersey, Passaic County, in the U.S. state of New Jersey.4-4-0 named the Inyo, was built in 1875 by the Baldwin Locomotive Works in Philadelphia. Originally a wood-burner, the Inyo was converted to oil in 1910. The Inyo, as well as the express car and the passenger car, originally served the Virginia and Truckee Railroad in Nevada. They were among the V&T cars sold to Paramount Pictures in 1937–38. The Inyo appears in numerous films including ''High, Wide, and Handsome'' (1938), ''Union Pacific (film), Union Pacific'' (1939), the Marx Brothers' ''Go West (1940 film), Go West'' (1940), ''Meet Me in St. Louis'' (1944), ''Red River (1948 film), Red River'' (1948), Walt Disney, Disney's ''The Great Locomotive Chase'' (1956) and ''McLintock!'' (1963). For ''The Wild Wild West'', Inyo's original number plate was temporarily changed from No. 22 to No. 8 so that footage of the train could be flopped horizontally without the number appearing reversed. Footage of the Inyo in motion and idling was shot around Menifee, California, and reused in virtually every episode. Stock footage of Sierra No. 3 occasionally resurfaced as well. These trains were used only for exterior shots. The luxurious interior of the passenger car was constructed on Stage 6 at CBS Studio Center. Designed by art director Albert Heschong, the set reportedly cost $35,000 in 1965 (over $290,000 in 2021 dollars). The interior was redesigned with lighter wood when the show switched to color for the 1966–67 season. The train interior was also used in at least one episode of ''

'' ("Death Train," aired January 27, 1967) and in at least two episodes of ''The Big Valley'' ("Last Train to the Fair," aired April 27, 1966, and "Days of Wrath," aired January 8, 1968). All three series were filmed at CBS Studio Center and shared other exterior and interior sets. Additionally, the train interior was used for an episode of ''Get Smart'' ("The King Lives?", aired January 6, 1968) and the short-lived ''Barbary Coast (TV series), Barbary Coast'' ("Funny Money," aired September 8, 1975). After her run on ''The Wild Wild West'', the Inyo participated in the Golden Spike Centennial at Promontory, Utah, in 1969. The following year it appeared as a replica of the Central Pacific's "Jupiter" locomotive at the Golden Spike National Historical Site. The State of Nevada purchased the Inyo in 1974; it was restored to 1895 vintage, including a wider smoke stack and a new Pilot (locomotive), pilot (cow catcher) without a drop coupler. The Inyo is still operational and displayed at the Nevada State Railroad Museum in Carson City. The express car (No. 21) and passenger car (No. 4) are also at the museum. Another veteran V&T locomotive, the Reno (built in 1872 by Baldwin), was used in the two ''Wild Wild West'' TV movies. The Reno, which resembles the Inyo, is located at Old Tucson Studios. The 1999 ''

'' film adaptation used the Baltimore & Ohio 4–4–0 No. 25, one of the oldest operating steam locomotives in the U.S. Built in 1856 at the Mason Machine Works in Taunton, Massachusetts, it was later renamed The William Mason (locomotive), William Mason in honor of its manufacturer. For its role as "The Wanderer" in the film, the engine was sent to the steam shops at the Strasburg Rail Road for restoration and repainting. The locomotive is brought out for the B&O Train Museum in Baltimore's "Steam Days". Both the Inyo and The William Mason appeared in the The Walt Disney Company, Disney film ''The Great Locomotive Chase'' (1956).

Gadgets

''The Wild Wild West'' featured numerous, often anachronistic, gadgets. Some were recurring devices, such as West's sleeve gun or a breakaway Derringer hidden in his left and right boot heels. Others appeared in only a single episode. Most of these gadgets are concealed in West's garments: * Sleeve gun (a Remington Double Derringer), featured in many episodes as an unexpected concealed carry alternative to his Open carry, openly carried full-sized revolver. In some episodes, the ejecting arm of the device dispensed other useful gadgets, such as a tiny squirt can containing acid ("The Night of Montezuma's Hordes"), iron climbing-claws, a knife ("The Night of the Watery Death"), a pulley ("The Night of the Bubbling Death") and various blades. * A breakaway Remington Derringer. Usually the frame (grip and trigger mechanism) was located in one hollowed-out boot heel, while the double-barrel assembly was located in the other heel; the two pieces snapped together and locked. Bullets were dispensed from a secret compartment in his belt buckle, or the chambers were pre-loaded. * A breakaway blowtorch, hidden in the hollowed-out boot heels. ("The Night of the Raven") * Lock pick or passkey concealed under the lapel of the Bolero-style jacket. ("The Night of the Avaricious Actuary") * Throwing knife concealed in a pocket inside the back of the jacket. * Various explosive devices (i.e. smoke bombs, impact flares ("The Night of the Avaricious Actuary"), gas grenades, anti-lock key ("The Night of the Golden Cobra"; "The Night of the Simian Terror"), explosive putty ("The Night of the Returning Dead"; "The Night of the Egyptian Queen"; "The Night of the Spanish Curse"), acid-dissolving steel ball ("The Night of Montezuma's Hordes"; "The Night of the Tycoons"), wood-burning chemical ("The Night of the Deadly Plague"), impact explosive ("The Night of the Vipers"), etc.) carried in his jacket pockets, belt buckle, coat buttons, hat, a secret compartment in his holster and the hollowed-out heels of one or both boots. Various lengths and types of fuses were sewn into the hem of his jacket or the waistband of his pants. * A grappling hook attachment for his rifle. ("The Night of Montezuma's Hordes") * A grappling hook mechanism with a piton. ("The Night of the Juggernaut") * A grappling hook/spindle combination silent pistol. ("The Night of the Camera") * A glass cutter. ("The Night of the Camera") * A flat metal barbed climbing-spike (piton) with an attached cord, cable or wire. The piton fit the muzzle of either his Derringer or revolver and was fired into a wooden beam or wall. West would then use a pulley with a handle to zip-line above obstacles. The equipment was usually carried in his jacket's many inside pockets. ("The Night of the Bubbling Death"; "The Night of the Headless Woman"; "The Night of the Fugitives") * A set of a six-shooter pistol and Winchester Carbine decorated with metal stubs. ("The Night of the Inferno"; "The Night of Montezuma's Hordes"; "The Night of the Cut-Throats") * A small, hand-held motor-driven winch. When used in conjunction with the piton and wire, the winch could either hoist him upwards, to a building's roof for instance, or lower him into a pit. ("The Night of the Bubbling Death"; "The Night of the Headless Woman"; "The Night of the Fugitives"; "The Night of the Camera"; "The Night of the Tycoons") * A thin, telescopic probing rod (similar to a long modern-day car antenna). When extended fully, West could probe approximately 10 feet around him. He used this to probe and trigger traps in the Secret Service training room depicted in "The Night of the Janus". * A spring-loaded, swing-out knife blade (switchblade) beneath the toe-box of his boot. ("The Night of the Glowing Corpse"; "The Night of the Flying Pie Plate"; "The Night of the Watery Death"; "The Night of the Amnesiac") * A glass cutter with a suction cup. A cutting arm rotated to score the glass in a complete circle and the suction cup was used to remove the cut piece. ("The Night of the Camera") * A thin but strong wire, coiled and fitted in the inner lining of the crown of his hat; the wire had multiple uses and was even capable of sawing through a steel bar. * A battery-powered (or spring-driven) electric drill that, in one episode, was roughly the size of a large avocado and used to assist West's escape from a metal cage. * West's saddle horn was booby-trapped with a dynamite bullet shell. ("The Night of the Returning Dead") * A kit bag which, when opened, inflated a big balloon to shock and disorient enemies for a few seconds. ("The Night of Fire and Brimstone") * Bulletproof vest. ("The Night of the Thousand Eyes"; "The Night of the Cadre"; "The Night of the Glowing Corpse"; "The Night Dr. Loveless Died"; "The Night of the Arrow") * Tear gas/smoke bombs. ("The Night of the Dancing Death") * Package of burnable material capable of burning through locks or the bottom of man-sized birdcages. ("The Night of the Simian Terror"; "The Night of the Gruesome Games") * A small windup noise buzzer/maker. ("The Night of the Fugitives"; "The Night of the Sabatinii Curse") * A put together wind-up lifter. ("The Night of Miguelito's Revenge") Aboard the train: * A remote control under a revolving table that automatically locked the door of the rail car. ("The Night of the Inferno") Similarly, a concealed panel above the revolving table that would either display a blackboard ("The Night of Miguelito's Revenge") or a map of the United States ("The Night of the Vicious Valentine"), but also concealed several pistols mounted on the panel. ("The Night of the Brain") Depending on the episode, a pistol ("The Night of the Arrow"; "The Night of the Egyptian Queen") or a shotgun (''The Wild Wild West Revisited'') would be hidden under the revolving table top. One episode showed that, after the statue on the revolving table-top was turned upside down, it would unlock a secret panel concealing a small wall safe. ("The Night of the Tartar"). * A metal knight statue on the desk that struck a bell when a hidden alarm triggered it after the train window was broken. ("The Night of the Egyptian Queen") * A Chinese box that made a whistling sound like a firework — a "present" From Dr. Loveless. ("The Night Dr. Loveless Died") * An early warning system on the back door of the rail car which activated the rail car's parlor lights. ("The Night of the Arrow) * A mobile telegraph set concealed in a false book set on the desk. ("The Night of the Bubbling death", "The Night of the Brain") * A "Victorian" record player (an anachronism since this was invented nearly 10 years later – 1888). * Two pistols on a wooden swivel-stand on desk, activated and controlled by a knob on the fireplace. ("The Night of the Bubbling Death") * The fireplace concealed a secret escape door and an emergency flare signal; it also had concealed side panels for chemicals and a primitive phone mouthpiece for communication with the engine ("The Night of the Brain") and a case of fake jewels ("The Night of the Egyptian Queen"). At least one episode showed a pistol concealed behind a side shelf door panel. ("The Night of the Feathered Fury") On either side of the fireplace were Decorative lion heads that spew out knockout gas when triggered. ("The Night of the Big Blackmail") On the fireplace is hung a souvenir Aztec goddess mask. ("The Night of Montezuma's Hordes") * Several pistols, rifles, shotguns and other assorted weaponry were mounted on a concealed pull-down panel on the laboratory section of the train. A sliding closet located in the same area contained clothes and other useful paraphernalia. ("The Night of the Inferno") * A small mirrored ball that hung over the desk and could be used to induce hypnotic suggestions to amiable young women. ("The Night of the Tartar") * Overhead billiard scoring wire and beads that connected to signal lamps on the back of the railroad car (to turn the lights off as needed). ("The Night of the Inferno") * Cages for two carrier pigeons (named Henry and Henrietta). In the pilot episode, the cages were located above the door in the same room where West usually dressed and equipped himself. In subsequent episodes, the carrier pigeons were usually located in a compartment above the fireplace. In one episode, a carrier pigeon is carried within a valise. ("The Night of the Colonel's Ghost") * A pet cat named Denver ("The Night of the Big Blackmail") * A toy train set along with life-sized cutouts of West's and Gordon's heads. ("The Night of the Big Blackmail") * A wooden model of an armored tank (based on the tank in "The Night of the Doomsday Formula"). ("The Night of the Colonel's Ghost") * A surprise joke snake in the cigar humidor. ("The Night of the Iron Fist") * A life-size dummy of Artemus Gordon. ("The Night Dr. Loveless Died") * A Bunsen burner in the laboratory car that, when turned up, activates an outside distress flare. ("The Night of the Falcon") * A miniature piano. ("The Night of the Cut-throats"; "The Night of the Janus") * A ventriloquist's dummy used by Artemus Gordon to throw his voice. ("The Night of the Shedwick Curse") * An "unwanted" souvenir book called ''Encyclopedia of Party Games''. ("The Night of Gruesome Games") * A pair of candlesticks. ("The Night of the Egyptian Queens") * A typewriter. ("The Night of the camera") Other gadgets: * Elastic wire in a watch. ("The Night of the Poisonous Posey") * An exploding pocket watch. * Exploding billiard balls (the cue ball in the series' pilot episode, but sometimes other balls as well). ("The Night of the Inferno" (pilot episode); "The Night of the camera") * Cue stick with a rapier hidden inside. ("The Night of the Inferno" (pilot episode)) * Cue stick that fires bullets. ("The Night of the Inferno" (pilot episode)) * Stagecoach with two ejector seats (one inside and one outside the coach (a nod to James Bond's 007 Aston Martin) and a hook to immobilize killers. ("The Night the Wizard Shook the Earth") * A chemical compound invented by Artemus Gordon that could support a man's weight for between 20 seconds to one minute. ("The Night of the Glowing Corpse"; "The Night of the Big Blackmail") * An explosive compound invented by Artemus Gordon that goes off when exposed to heat. ("The Night of the Juggernaut") * An anti-lock explosive. ("The Night of the Golden Cobra"; "The Night of the Kraken") * A telegraph mechanism in a cane. * A lock pick in a cane. ("The Night of the Shedwick Curse") * A blow torch disguised as a cigar. * A miniature blowtorch. ("The Night of the Turncoat") * A miniature grenade. ("The Night of the Doomsday Formula") * A miniature record player that plays realistic gunshots ("The Night of Fire and Brimstone") or music ("The Night of the Doomsday Formula"). * A combination flare and whistle. ("The Night of the Doomsday Formula") * Clockwork-powered lock-picking device key opener for locks. ("The Night of the Cadre"; "The Night of the Arrow"; "The Night of the Headless Woman"; "The Night of the Vipers") * Rubber mask disguises (similar to ''Mission: Impossible (1966 TV series), Mission Impossible'') for both agents ("The Night of the Brian") and villains ("The Night of the Pelican"). * A net-throwing bazooka. ("The Night of the Big Blast") * A cane that doubles as a mortar. ("The Night of the Bottomless Pit") * Diving helmet. ("The Night of the Kraken") * Gas mask with a five-minute air supply. ("The Night of the Glowing Corpse") * Gas mask. ("The Night of the Flying Pie Plate") * Knockout gas in a cane. ("The Night of the Burning Diamond") * Knockout gas in a ball. ("The Night of the Brain") * Knockout gas in a box ("The Night of the Pelican") * Knockout gas in a balloon. ("The Night of the Cadre"; "The Night Dr. Loveless Died"; "The Night of the Kraken") * Knockout gas in a clay pipe. ("The Night of the Deadly Bubble"; "The Night of the Headless Woman") * Knockout gas in glass dejohns. ("The Night of the Cadre") * Knockout gas water in a seltzer bottle. ("The Night of the Feathered Fury") * A revolver bullet/flare to illuminate a dark cave or call for help. ("The Night of the Returning Dead"; "The Night of the Arrow") * A magnetized coin that explodes when exposed to heat. ("The Night of the Watery Death") * A cigar that, when thrown to the ground, produces shock and smoke effects. ("The Night of the Colonel's Ghost") * Shock/stun smoke pellets. ("The Night of the Vipers") * Wine bottle/smoke/shock grenades. ("The Night of the Bubbling Death") * Wine bottle/joke snake. ("The Night of the Bubbling Death") * Wine bottle/smoke. ("The Night of the Bubbling Death") * Escape basket. ("The Night of the Bubbling Death") * Hammer/jimmy kit concealed in jacket. ("The Night of the Bubbling Death") * Smoke screen escape packet. ("The Night of the Bubbling Death") * Smoke screen in a Theatrical property, prop human skull. ("The Night of the Underground Terror") * Burning strips to destroy metal bars. ("The Night of the Undead"; "The Night of the Simian Terror") * Trick wagon. ("The Night of the Cadre"; "The Night of the Fugitives") * A mechanical wind up butterfly/bomb. ("The Night of Miguelito's Revenge") * A mechanical snake. ("The Night of the Spanish Curse") * A mechanical wind-up bomb ("The Night of the Spanish Curse") The villains often used equally creative gadgets, including: * A device to trigger earthquakes. ("The Night of the Human Trigger") * Brainwashing techniques using intense light and sound. ("The Night of the Steel Assassin"; "The Night of the Howling Light") * A cyborg. ("The Night of the Steel Assassin") * Android (robot), Androids. ("The Night of Miguelito's Revenge") * A flamethrower cannon. ("The Night of the Flaming Ghost") * An early flamethrower. ("The Night of the Circus of Death") * Life-size steam-powered puppets. ("The Night of the Puppeteer") * Jars that preserved disembodied human brains to draw upon their knowledge and psychic force. ("The Night of the Druid's Blood") * Chemical-treated clothing that burned its victims. ("The Night of the Druid's Blood") * A germ that paralyzes its victims for 48 hours. ("The Night of the Sudden Plague") * An explosive powerful enough to destroy city blocks. ("The Night the Wizard Shook the Earth") * A metal cage connected to a lightning rod. ("The Night of a Thousand Eyes") * The Juggernaut: a steam-powered, wedge-shaped tank with a battering ram. ("The Night of the Juggernaut") * A potion, made from liquefied diamonds, which enabled a man to move so fast as to be invisible. ("The Night of the Burning Diamond") * An LSD-like hallucinogen, capable of driving men into fits of killing madness. ("The Night of the Murderous Spring") * A cathode-ray tube (television), plus prototypes of the airplane, the automobile and penicillin. ("The Night the Wizard Shook the Earth") * A torpedo disguised as a dragon capable of homing on a radio signal. ("The Night of the Watery Death") * A force field that disintegrates anything that comes in contact with it. ("The Night of the Watery Death") * A drug capable of shrinking a man down to a height of six inches. ("The Night of the Raven") * An Powered exoskeleton, exoskeleton suit of armor. ("The Night of the Green Terror") * A device that triggers tidal waves. ("The Night of the Deadly Bubble") * Automatic barred doors. ("The Night of the Deadly Bubble"; "The Night of the Undead", "The Night of the Fugitives") * A potion that turns humans into zombies. ("The Night of the Undead") * A sonic device that allowed paintings to be used as portals to other dimensions. ("The Night of the Surreal McCoy") * Crystals that, when surgically implanted inside the brain and shattered by a high-pitched noise, caused the subject to turn into a criminal. ("The Night of the Cadre"; "The Night of the Winged Terror — Part I"; "The Night of the Winged Terror — Part II") * A giant falcon-shaped cannon, capable of devastating a small town with a single shot. ("The Night of the Falcon") * A giant tuning fork that created destructive sound waves. ("The Night of the Avaricious Actuary") * A recording phonograph. ("The Night of the Avaricious Actuary") * A locomotive modified with a large battering ram to collide with oncoming trains and derail them. ("The Night of the Deadly Bed") * Re-animated human corpses (similar to the Frankenstein's monster, Frankenstein Monster) turned into human bombs. ("The Night of the Big Blast") * Dungeons. ("The Night of Montezuma's Hordes"; "The Night of the Spanish Curse") * A pair of revolving blades. ("The Night of the Big Blackmail") * A steam-powered piston used to block entrance to safes. ("The Night of the Big Blackmail") * A pair of large metal hands with a deadly electric field. ("The Night of the Eccentrics") * A large, live-action periscope for spying. ("The Night of the Eccentrics") * A flying "pie plate" (a balloon filled with flares). ("The Night of the Flying Pie Plate") * Knockout gas in a door knocker ("The Night of the Headless Woman") * Knockout gas masks. ("The Night of the Flying Pie Plate"; The Night of the Egyptian Queen) * Knockout gas pistols. ("The Night of the Flying Pie Plate"; The Night of the Egyptian Queen) * Knockout drug pistol. ("The Night of the Feathered Fury") * Stagecoaches with knockout gas tubes. ("The Night of the Masks"; "The Night of the Diva") * Bomb gavel. ("The Night of the Poisonous Posey") * Poison-tipped diamond. ("The Night of the Poisonous Posey") * Revolving gun organ pipes. ("The Night of the Poisonous Posey") * A robotic suit of medieval armor. ("The Night of the Green Terror") * Explosive glass bulbs. ("The Night of the Green Terror") * Explosive mace head. ("The Night of the Green Terror") * Balloon-borne powder that sets forest fires. ("The Night of the Green Terror") * A computer-dating machine. ("The Night of the Vicious Valentine") * A drug that renders its victims immobile for five minutes. ("The Night of the Braine") * A backwards-firing pistol. ("The Night of the Brain"; "The Night of the Bogus Bandits"; "The Night of the Winged Terror – Part 1") * An ejection chair-seat. ("The Night of the Brain"; "The Night of the Hangman") * Doubles of world leaders. ("The Night of the Brain"; ''The Wild Wild West Revisited'') * Steam-powered wheelchair with rockets and impaling spikes. ("The Night of the Brain") * A magnetic sea mine. ("The Night of the Kraken") * An undersea fortress. ('"The Night of the Deadly Bubble"; "The Night of the Kraken") * Copies of the White House rooms. ("The Night of the Brain"; The Night of the Big Blackmail") * Windows with sliding bars/barriers. ("The Night of the Raven"; "The Night of the Colonels Ghost"; "The Night of the Fugitives") * Swinging axe pendulum. ("The Night of the Deadly Blossom") * A combination flare and whistle. ("The Night Dr. Loveless Died") * 2 wireless remote controlled rockets ["The Night of the Steel Assassian"] * Anti-ship rockets. ("The Night of the Deadly Blossom"; "The Night of the Pelican") * A circus cannon that can be used as an escape vehicle. ("The Night of Miguelito's Revenge") * Phosgene gas. ("The Night of the Shedwick Curse"; "The Night Dr. Loveless Died") * Booby-trapped knife/chair. ("The Night of the Tottering Tontine"; "The Night of the Falcon") * Armored wagon with cannon. ("The Night of the Vipers") * Heavy iron artificial leg(s). ("The Night of the Glowing Corpse"; "The Night of the Bottomless Pit") * A booby-trapped bed. ("The Night of the Inferno'; "The Night of the Shedwick Curse") * A revolving wall/bed. ("The Night of the Shedwick Curse") * An anti-aging serum that instead turns those who are injected with it 50 years older. ("The Night of the Shedwick Curse") * Large bird cages/prisoner cages. ("The Night of the Feathered Fury"; "The Night of Miguelito's Revenge"; "The Night of the Simian Terror"; "The Night of the Gruesome Games"; "The Night of the Diva") * Grenades. ("The Night of the Pelican") * Miniature rockets. ("The Night of the Brian"; The Night of the Gruesome Games") * Miniature grenades. ("The Night of the Falcon"; "The Night of the Feathered Fury"; "The Night of the Tycoons") * Bulletproof armor. ("The Night of the Spanish Curse") * An amplified drum. ("The Night of the Spanish Curse") * A $600.00 man and woman whose strength has been increased 1,000% via robotic pulley implants (''The Wild West Revisited'', a spoof of the popular ''The Six Million Dollar Man'' and ''The Bionic Woman'' TV series)

Theme music

The main title theme was written by Richard Markowitz, who previously composed the theme for the TV series ''The Rebel (American TV series), The Rebel''. He was brought in after the producers rejected two attempts by film composer Dimitri Tiomkin. In an interview by Susan Kesler (for her book ''The Wild Wild West: The Series'') included in the first season DVD boxed set, Markowitz recalled that the original Tiomkin theme "was very, kind of, traditional, it just seemed wrong." Markowitz explained his own approach: "By combining jazz with Americana, I think that's what nailed it. That took it away from the serious kind of thing that Tiomkin was trying to do...What I did essentially was write two themes: the rhythmic, contemporary theme, Fender bass and brushes, that vamp, for the cartoon effects and for West's getting himself out of trouble, and the heraldic western outdoor theme over that, so that the two worked together." Session musicians who played on the theme were Tommy Morgan (harmonica); Bud Shank, Ronnie Lang, Plas Johnson and Gene Cipriano (woodwinds); Vincent DeRosa, Vince DeRosa and Henry Sigismonti (French horns); Uan Rasey, Ollie Mitchell and Tony Terran (trumpets); Dick Nash, Lloyd Ulyate, Chauncey Welsch and Kenny Shroyer (trombones); Tommy Tedesco and Bill Pitman (guitars); Carol Kaye (Fender bass); Joe Porcaro (brushes) and Gene Estes, Larry Bunker and Emil Richards (timpani, percussion). Markowitz, however, was never credited for his theme in any episode; it is believed that this was due to legal difficulties between CBS and Tiomkin over the rejection of the latter's work. Markowitz did receive "music composed and conducted by" credits for episodes he had scored (such as "The Night of the Bars of Hell" and "The Night of the Raven") or where he supplied the majority of tracked-in cues (such as "The Night of the Grand Emir" and "The Night of the Gypsy Peril"). He finally received "theme by" credit on both of the TV movies, which were scored by Jeff Alexander rather than Markowitz (few personnel from the series were involved with the TV movies).

Graphics

The animated title sequence was another unique element of the series. Created by Michael Garrison Productions and DePatie-Freleng Enterprises, it was directed by Friz Freleng, Isadore "Friz" Freleng and animated by Ken Mundie, who designed the titles for the film ''

'' and the TV series ''Danger Man, Secret Agent,'' ''I Spy (1965 TV series), I Spy'', '' Rawhide'' and ''Death Valley Days''. The screen was divided into four corner panels abutting a narrow central panel that contained a cartoon "hero". The hero looked more like a traditional cowboy than either West or Gordon, and from each corner panel encountered cliché western characters and situations that never appeared in the show. In the three seasons shot in color, the overall backdrop was an abstracted wash of the flag of the United States, with the upper left panel colored blue and the others containing horizontal red stripes. The original animation sequence is: * The hero strikes a match, lights a cigar, and begins walking in profile to the right. * Behind the hero, in the lower left panel, a robber backs out of a bank; the hero subdues him with a karate chop to the back. * In the upper right panel, a cardsharp tries to pull an ace of spades from his boot, but the hero draws his gun and the cardsharp drops the ace. * In the upper left panel, a gunman points a six-shooter at the hero, who drops his gun and puts his hands up. The hero shoots the gunman with his sleeve Derringer; the gunman's hand falls limp. The hero then quickly retrieves his own gun and puts it back in his holster. * A woman in the lower right panel taps the hero on the hat with her parasol. He pulls her close and kisses her. She draws a knife but, mesmerized by his kiss, turns away and slumps against the side of the frame. He tips his hat and walks away with his back to the camera. There were two versions of this Vignette (graphic design), vignette; this one appears during the first season. When the show switched to color, the hero knocked the woman down with a Cross (boxing), right cross to the jaw. This variant also appears in the original pilot episode (included on the DVD release) when the series was titled ''The Wild West''. Despite this, James West never hit a woman in any episode, although he grappled with many. The closest he came was when he slammed a door against the shotgun-holding evil Countess Zorana in "The Night of the Iron Fist". In "The Night of the Running Death", he slugged a woman named Miss Tyler, but "she" was a man in Drag (clothing), drag (actor T. C. Jones). The original animation, with the hero winning the woman over with a kiss, was a more accurate representation of West's methods than the right cross. Ironically, it is another example of the emphasis on violence of the show. * The hero walks away into the distance and the camera zooms into his panel. The title ''The Wild Wild West'' appears. The camera then Cinematic techniques, swish pans to an illustration of the train, with Conrad's and Martin's names on the ends of different cars. This teaser (media), teaser part of the show was incorporated into History (U.S. TV channel), The History Channel's ''Wild West Tech'' (2003–05). Each episode had four acts. At the end of each act, the scene, usually a cliffhanger moment, would freeze, and a sketch or photograph of the scene replaced the cartoon art in one of the corner panels. The style of freeze-frame art changed over the course of the series. In all first-season episodes other than the pilot, the panels were live-action stills made to evoke 19th-century engravings. In season 2 (the first in color) the scenes dissolved to tinted stills; from "The Night of the Flying Pie Plate" on, however, the panels were home to Warhol-like serigraphs of the freeze-frames. The end credits were displayed over each episode's unique mosaic of scenes. In the final season, however, a generic design was used under the end credits. Curiously, in this design, the bank robber is unconscious, the cardsharp has no card and the lady is on the ground, but the six-shooter in the upper left-hand panel has returned. The freeze-frame graphics were shot at a facility called Format Animation. The pilot is the only episode in which the center panel of the hero is replaced by a sketch of the final scene of an act; he is replaced by the villainous General Cassinello (Nehemiah Persoff) at the end of the third act. During the first season, the series title ''The Wild Wild West'' was set in the font Barnum, which resembles the newer font P. T. Barnum (typeface), P. T. Barnum. In subsequent seasons, the title appeared in a hand-drawn version of the font Dolphin (which resembles newer fonts called Zebrawood, Circus and Rodeo Clown). Robert Conrad's name was also set in this font. Ross Martin's name was set in the font Bracelet (which resembles newer fonts named Tuscan Ornate and Romantiques). All episode titles, writer and director credits, guest cast and crew credits were set in Barnum. During commercial breaks, the title "The Wild Wild West" also appeared in Barnum.

Dates given in the series

The series is generally set during the presidency of Ulysses S. Grant from 1869 to 1877; occasional episodes indicate a more precise date: * "The Night of the Glowing Corpse" is set during the Franco-Prussian War of July 19, 1870 – May 10, 1871. * "The Night of the Eccentrics" takes place four years after the execution in 1867 of Emperor Maximilian I of Mexico, i.e. 1871. This is supported by a reference to Benito Juárez, President Benito Juárez, who stepped down in 1872. * In "The Night of the Eccentrics", Count Manzeppi hums "Ride of the Valkyries" which was first performed on June 26, 1870. * "The Night of the Man Eating House" states that Liston Day has been in solitary confinement for 30 years and later that he was arrested April 23, 1836. This would put it around 1866, three years before the Grant presidency began. * In "The Night of the Brain", Artemus Gordon shows James West a newspaper dated July 12, 1872. West states, "July 12, that's an interesting date, but it happens to be tomorrow." After the events described happen, they again get tomorrow's newspaper and we see the date: July 14, 1872. * "The Night of the Lord of Limbo" takes place seven years after the end of the Civil War, making it 1872. * "The Night of the Tartar" takes place five years after the 1867 purchase of Alaska [i.e., 1872] * "The Night of the Whirring Death" opens with the caption ''San Francisco 1874''. * "The Night of the Returning Death" is set 13 years after the start of the Civil War [i.e., 1874] * In "The Night of the Flaming Ghost", West says, "If the real John Brown (abolitionist), John Brown had lived he'd be almost 75 years old by now." Brown was born May 9, 1800. * In "The Night of the Arrow", a cavalry officer resigns his commission as of April 6, 1874. * In "The Night of the Avaricious Actuary", the heading of a letter shown on screen is dated 1875. * In "The Night of the Underground Terror", the sadistic commandant of a POW, prison camp is said to have escaped justice for 10 years, presumably from the end of the war in 1865. * In "The Night of the Samurai," Baron Saigo says Matthew C. Perry, Admiral Perry took the sword over 30 years earlier. Assuming the date of Perry's first visit to Japan (July 8, 1853), that would mean the episode takes place after 1883, or some six years after the end of the Grant presidency. * In "The Night that Terror Stalked the Town", Loveless has a headstone prepared for West, showing his birthdate as July 2, 1842. * In "The Night of the Kraken", there is an assassination attempt on David Farragut, Admiral David Farragut, who died in 1870.

Cancellation

Some episodes were considered violent for their time and that, rather than low ratings, ultimately was the series' downfall. In addition to gunplay, there were usually two fight sequences per episode. These were choreographed by Whitey Hughes and Conrad and performed by Conrad and a Stock company (acting), stock company of Stuntman, stuntmen, including Red West, Dick Cangey and Bob Herron (actor), Bob Herron (who doubled for

). After Conrad suffered a concussion falling from a chandelier in "The Night of the Fugitives," the network insisted that he defer to a stunt double (his chair on the set was newly inscribed: "Robert Conrad, ex-stuntman, retired by CBS, Jan. 24, 1968"). "[W]hen I came back for the fourth season, I was limited to what I could do for insurance reasons," Conrad explained. "So I agreed and gradually I did all the fights but couldn't do anything five feet off the ground and of course that went out the window." He was doubled by Jimmy George. Often, George would start a stunt, such as a high fall or a dive through a window, then land behind boxes or off-camera where Conrad was hidden and waiting to seamlessly complete the action. This common stunt technique, known by filmmakers as "the Texas Switch", was often used by Ross Martin and his double, Bob Herron. It was hazardous work. Hughes recalled, "We had a lot of crashes. We used to say, 'Roll the cameras and call the ambulances!'" Conrad recalled in 1994, "The injuries started at the top. Robert Conrad: 6-inch fracture of the skull, high temporal concussion, partial paralysis. Ross Martin: broken leg. A broken skull for Red West. Broken leg for Jimmy George. Broken arm for Jack Skelly. And Michael Dunn: head injury and a spinal sprain. He did his own stunts. And on and on." As a result of the April 1968 assassination of Martin Luther King and the June 1968 assassination of Robert F. Kennedy, President Lyndon B. Johnson, Johnson created the National Commission on the Causes and Prevention of Violence. One of the questions it tackled was if violence on television, including graphic news coverage of the Vietnam War, was a contributing factor to violence in American society. The television networks, anticipating these allegations, moved to curtail violence on their entertainment programs before the September start of the 1968–69 United States network television schedule, 1968–69 television season. Television reporter Cynthia Lowrey, in an article published in August 1968, wrote that ''The Wild Wild West'' "is one of the action series being watched by network censors for scenes of excessive violence, even if the violence is all in fun." However, despite a CBS mandate to tone down the mayhem, "The Night of the Egyptian Queen" (aired November 15, 1968) contains perhaps the series' most ferocious barroom brawl. A later memo attached to the shooting script of "The Night of Miguelito's Revenge" (aired December 13, 1968) reads: "Note to Directors: The producer respectfully asks that no violent acts be shot which are not depicted in the script or discussed beforehand. Most particularly stay away from gratuitous ad-libs, such as slaps, pointing of firearms or other weapons at characters (especially in close quarters), kicks and the use of furniture and other objects in fight scenes." Strict limits were placed on the number of so-called "acts of violence" in the last episodes of the season (and thus the series). James West rarely wears a gun in these episodes and rather than the usual fisticuffs, fight sequences involved tossing, tackling or body blocking the villains. In December 1968, executives from ABC, CBS and NBC appeared before the President's Commission. The most caustic of the commissioners, Rep. Hale Boggs (D-Louisiana), decried what he called "the Saturday morning theme of children's cartoon shows" that permit "the good guy to do anything in the name of justice." He also indicted CBS for featuring sadism in its primetime programing (''The Wild Wild West'' was subsequently identified as one example). The Congressman did, however, commend CBS for a 25% decline in violence programming in prime time compared to the other two networks. Three months later, in March 1969, Sen. John O. Pastore (D-Rhode Island) called the same network presidents before his Senate communications subcommittee for a public scolding on the same subject. At Pastore's insistence, the networks promised tighter industry self-censorship and the Surgeon General began a $1 million study on the effects of television. Congress's concern was shared by the public: in a nationwide poll, 67.5% of 1,554 Americans agreed with the hypothesis that TV and movie violence prompted violence in real life. Additionally, the National Association for Better Broadcasting (NABB), in a report eventually issued in November 1969, rated ''The Wild Wild West'' "as one of the most violent series on television." After being excoriated by the two committees, networks scrambled to expunge violence from their programming. ''The Wild Wild West'' received its cancellation notice in mid-February, even before Pastore's committee convened. Producer Bruce Lansbury always claimed that "It was a sacrificial lamb … It went off with a 32 or 33 share which in those days was virtually break-even but it always won its time period." This is confirmed by an article by Associated Press reporter Joseph Mohbat: "Shows like ABC's The Outcasts (American TV series), 'Outcasts' and NBC's 'Outsider', which depended heavily on violence, were scrapped. CBS killed 'The Wild, Wild West' despite high ratings because of criticism. It was seen by the network as a gesture of good intentions." The networks played it safe thereafter: of the 22 new television shows that debuted in the fall of 1969, not one was a Western or detective drama; 14 were comedy or variety series. Conrad denounced Pastore for many years, but in other interviews he admitted that it probably was time to cancel the series because he felt that he and the stuntmen were pushing their luck. He also believed the role had hurt his craft. "In so many roles I was a tough guy and I never advanced much," Conrad explained. "''Wild Wild West'' was action adventure. I jumped off roofs and spent all my time with the stuntmen instead of other actors. I thought that's what the role demanded. That role had no dimension other than what it was—a caricature of a performance. It was a comic strip character." The series was shown in the United Kingdom on the ITV (TV network), ITV network starting May 5, 1968. It was reasonably popular, but has not been seen on British terrestrial television since the early 1980s.

Syndication

In the summer of 1970, CBS reran several episodes of ''The Wild Wild West'' on Mondays at 10 p.m. as a summer replacement for ''The Carol Burnett Show''. These episodes were "The Night of the Bleak Island" (aired July 6); "The Night of the Big Blackmail" (July 13); "The Night of the Kraken" (July 20); "The Night of the Diva" (July 27); "The Night of the Simian Terror" (August 3); "The Night of the Bubbling Death" (August 11); "The Night of the Returning Dead" (August 17); "The Night of the Falcon" (August 24); "The Night of the Underground Terror" (August 31); and "The Night of the Sedgewick Curse" (September 7). Curiously, none of these featured the most frequent and popular villain, Dr. Loveless. TV critic Lawrence Laurent wrote, "The return of ''Wild Wild West'' even for a summer re-run isn't surprising. CBS-TV was never really very eager to cancel this series, since over a four-year run that began in 1965 the ''Wild Wild West'' had been a solid winner in the ratings. Cancellation came mainly because CBS officials were concerned about the criticism over televised violence and to a lesser degree because Robert Conrad had grown slightly weary of the role of James West. Ever since last fall's ratings started rolling in, CBS has wished that it had kept ''Wild Wild West''. None of the replacements have done nearly as well and, as a result, all of the Friday programs suffered." That fall, CBS put the program into Syndication (television), syndication, giving it new life on local stations across the country. This further antagonized the anti-violence lobby, since the program was now broadcast weekdays and often after school. One group, The Foundation to Improve Television (FIT), filed a suit on November 12, 1970, to prevent WUSA (TV), WTOP in Washington, D.C., from airing ''The Wild Wild West'' weekday afternoons at 4 pm. The suit was brought in Washington, D.C., specifically to gain government and media attention. The suit said the series "contains fictionalized violence and horror harmful to the mental health and well-being of minor children", and should not air before 9 pm. WTOP's vice president and general manager, John R. Corporan, was quoted as saying, "Since programs directed specifically at children are broadcast in the late afternoon by three other TV stations, it is our purpose to counter-program with programming not directed specifically at children." U.S. District Court Judge John J. Sirica, who later presided over the trial of the Watergate burglars and ordered U.S. President Richard Nixon to turn over White House recordings, dismissed the lawsuit in January 1971, referring FIT to take their complaint to the FCC. FIT appealed, but a year and a half later the U.S. Court of Appeals upheld the district court decision dismissing the suit on the grounds that FIT had not exhausted the administrative remedies available to them. By then, WTOP had stopped broadcasting the series altogether. At that time, the show was in reruns on about 57 other local stations across the country, including WWOR-TV, WOR in New York and WFLD in Chicago. In October 1973, the Los Angeles-based National Association for Better Broadcasting (NABB) reached a landmark agreement with KTTV, a local station, to purge 42 violent cartoon programs, including ''Mighty Mouse'', ''Magilla Gorilla'', ''Speed Racer'' and ''Gigantor''. Additionally, the NABB cited 81 syndicated live-action shows that "may have a detrimental influence on some children who are exposed to such programming without parental guidance or perspective" when they are telecast before 8:30 p.m. This list included ''The Wild Wild West'', ''The Avengers (TV series), The Avengers'', ''Batman (TV series), Batman'', ''

'', ''

'', ''Wanted: Dead or Alive (TV series), Wanted: Dead or Alive'' and ''The Lone Ranger (TV series), The Lone Ranger''. In Los Angeles, such shows opened with a cautionary announcement: "Parents — we wish to advise that because of violence or other possible harmful elements, certain portions of the following program may not be suitable for young children." The NABB hoped to use the cartoon ban and warning announcement as a model for similar agreements with other local stations. By then, ''The Wild Wild West'' was running on 99 local stations. Its ongoing popularity throughout the 1970s prompted two television movie sequels, ''The Wild Wild West Revisited'' (1979) and ''More Wild Wild West'' (1980) (see above). By the spring of 1985, the original series was still carried on 74 local stations. In the late 1980s, the series was still seen on local stations in Boston, Hartford, Philadelphia, Pittsburgh and Los Angeles, among other cities. Significantly, WGN-TV, WGN (Chicago), which carried the show at 10 a.m. on Sundays, became available nationally through cable television. In 1994 ''The Wild Wild West'' began running on Saturdays at 10 a.m. on TNT (American TV network), Turner Network Television (TNT), which preferred the color episodes to the black and white ones. The series was dropped from WGN soon after. Hallmark Channel aired the series in 2005 as part of its slate of Saturday afternoon Westerns, but dropped it after only a few weeks. While the series became scarce on television, each season was released on DVD, beginning with season 1 in 2006 and concluding with the final season early in 2008 (see below). In 2014, it was announced that the series was being prepped for Blu-ray. In 2006 the series began running weekdays and/or weekends on MeTV, then Sundays on the Heroes and Icons digital channel. In 2016, ''The Wild Wild West'' returned to MeTV on Saturday afternoons. On January 1, 2018, MeTV began running the series weekday afternoons again, starting with second season (color) episodes. It also airs in the United Kingdom (as of 2015) on the Horror Channel on Sky (United Kingdom), Sky channel 319, Virgin channel 149, Freeview (UK), Freeview channel 70 and Freesat channel 138.

Television films

Conrad and Martin reunited for two satirical

sequels, ''The Wild Wild West Revisited'' (broadcast May 9, 1979) and ''More Wild Wild West'' (broadcast October 7, 1980).''Revisited'' introduced Paul Williams as Miguelito Loveless Jr., the son of the agents' nemesis. Loveless planned to substitute clones for the crowned heads of Europe and the President of the United States. This plot is similar to the second-season episode "The Night of the Brain", which featured a different villain. Most of the exteriors were filmed at Old Tucson Studios where there are Western sets and a functioning steam train and tracks. Interiors were shot at CBS Studio Center. Ross Martin said, "We worked on a lot of the same sets at the studio, including the interiors of the old train. We used the same guns and gimmicks and wardrobes with the waistlines let out a little bit. The script, unlike the old shows, is played strictly for comedy. It calls for us to be ten years older than when we were last seen. There are a lot more laughs than adventure." ''More Wild Wild West'' was initially conceived as a rematch between the agents and Miguelito Jr., but Williams was on tour and unavailable for the film; his character was changed to Albert Paradine II and played by Jonathan Winters. This explains why the story begins with various clones of Paradine being murdered; the first film ends with word that Loveless had cloned himself five times. Paradine planned world conquest using a formula for invisibility, recalling the first-season episode "The Night of the Burning Diamond". Both TV films were campier than the TV series, although Conrad and Martin played their roles straight. Both films were directed by veteran comedy Western director Burt Kennedy and written by William Bowers (in the latter case with Tony Kayden, from a story by Bowers); neither Kennedy nor Bowers had worked on the original series. ''The Wild Wild West Revisited'' takes the agents to a town called Wagon Gap. This was a nod to the Abbott and Costello film, ''The Wistful Widow of Wagon Gap'' (1947), which was based on a treatment by Bowers and D. D. Beauchamp of a short story by Beauchamp. Conrad once revealed that CBS intended to do yearly TV revivals of ''The Wild Wild West.'' ''Variety,'' in its review of the first TV movie, concurred: "A couple of more movies in this vein, sensibly spaced, could work in the future." Ross Martin's death in 1981, however, put an end to the idea. Conrad was later quoted in Cinefantastique about these films: "We all got along fine with each other when we did these, but I wasn't happy with them only because CBS imposed a lot of restrictions on us. They never came up to the level of what we had done before."

Home video

The first season of ''The Wild Wild West'' was released on DVD in North America on June 6, 2006, by CBS Home Entertainment (distributed by Paramount Home Media Distribution, Paramount Home Entertainment). Although it was touted as a special 40th anniversary edition, it appeared 41 years after the show's 1965 debut. Robert Conrad recorded audio introductions for all 28 first-season episodes, plus a commentary track for the pilot. The set also featured audio interviews by Susan Kesler (for her book, ''The Wild Wild West: The Series''), and 1970s era footage of Conrad and Martin on a daytime talk show. The second season was released on DVD on March 20, 2007; the third season was released on November 20, 2007; and the fourth and final season was released on March 18, 2008. None of the later season sets contained bonus material. A 27-disc complete series set was released on November 4, 2008. It contains all 104 episodes of the series, as well as both reunion telefilms. On May 12, 2015, CBS Home Entertainment released a repackaged version of the complete series set, at a lower price, but did not include the bonus disc that was part of the original complete series set. On June 13, 2016, the bonus disc was released as a standalone item. In France, where the series (known locally as ''Les Mystères de l'Ouest'') was a big hit, all four seasons were released in a DVD boxed set before their U.S. release. The French set, released by TF1 Video, includes many of the extras on the U.S. season 1 set and many others. "The Night of the Inferno" is presented twiceas a regular episode in English with Conrad's audio commentary, and in a French-dubbed version. All of the episodes are presented in English with French subtitles and several episode titles differ in translation from the original English titles. For example, "The Night of the Gypsy Peril", "The Night of the Simian Terror" and "The Night of Jack O'Diamonds" respectively translate as "The Night of the White Elephant", "The Night of the Beast" and "The Night of the Thoroughbred". Both TV movies are included as extras, but only in French-dubbed versions. The set also features a 1999 interview with Robert Conrad at the Mirande Country Music Festival in France.

Theatrical film adaptation

optioned the film rights to ''The Wild Wild West'' in 1992. Mel Gibson was cast as James West, with Richard Donner set to direct from a screenplay by Shane Black (Donner had directed three episodes of the original series). In 1997, as the film was still being developed with other directors, writers and stars,

, who wrote the TV pilot, sued Warner Bros. over the upcoming feature film based on the series he helped create. Ralston died in 1999 before his suit was settled; however, Warner Bros. paid his family between $600,000 and $1.5 million. In 1999, a theatrical feature-length film co-produced and directed by Barry Sonnenfeld was released as ''Wild Wild West'' (without the definite article used in the series title). Loosely based on the original series, the film re-imagined James West as a Black man (played by Will Smith), and Artemus Gordon (played by Kevin Kline) was portrayed as egotistical and bitterly competitive with West. Significant changes were also made to Dr. Loveless (played by Kenneth Branagh). No longer a dwarf, he was portrayed as a legless double amputee confined to a steam-powered wheelchair (similar to that employed by the villain in the episode "The Night of the Brain"). Loveless, whose first name was changed from Miguelito to Arliss, was a bitter Southerner who sought revenge on the North after the

. Robert Conrad was reportedly offered a cameo as President Grant, but turned it down when the producers wanted him to read for the part. He was outspoken in his criticism of the film, which was now a comedic showcase for Will Smith with little in common with the original series. He was not opposed to casting a Black actor as Jim West: "The African-American casting of that role is probable and should not be an issue," Conrad said. "I think the casting of (Will) Smith is the issue. I appreciate his popularity. However, I'd prefer an actor with more athletic prowess. He's a good comedian but just not my choice to play my role. Best would be a Wesley Snipes body with a Denzel Washington head." Conrad was also offended by the racial overtones of the film. "There is a reference in it to a racial slur," Conrad said. "I hope it's not in the final version. I said, 'Why are we going in this direction. Why not just play James West black without explaining it?' He also criticized the casting of Branagh as a double amputee, rather than a little-person actor, in the role of Loveless. "Michael Dunn did such a great job playing Dr. Loveless, and he was by far the best villain on the show," Conrad said. "There are so many talented dwarfs but they wanted Kenneth Branagh." In a ''New York Post'' interview (July 3, 1999), Conrad stated that he disliked the film and that contractually he was owed a share of money on merchandising that he was not paid. He also had a long-standing feud with producer Jon Peters. "He was dating my 17-year-old daughter," Conrad explained, "saying he was divorced when he wasn’t." Conrad later took special delight in accepting the Golden Raspberry Awards for the film in 1999. It was awarded Golden Raspberry Award for Worst Picture, Worst Picture, Golden Raspberry Award for Worst Director, Worst Director, Golden Raspberry Award for Worst Screenplay, Worst Screenplay, Golden Raspberry Award for Worst Original Song, Worst Original Song (for the song "Wild Wild West (Will Smith song), Wild Wild West" by Smith) and Golden Raspberry Award for Worst Screen Combo, Worst Screen Couple. In 2009, Will Smith apologized publicly to Conrad while doing promotion for ''Seven Pounds'':

In other media

The series spawned several merchandising spin-offs, including a seven-issue comic book series by Gold Key Comics, and a Mass market paperback, paperback novel, Richard Wormser's ''The Wild Wild West'', published in 1966 by Signet (), which adapted the episode "The Night of the Double-Edged Knife".

Books

In 1988, Arnett Press published ''The Wild Wild West: The Series'' by Susan E. Kesler (), a thorough production history and episode guide. In 1998, Berkeley Books published three novels by author Robert Vaughan (author), Robert Vaughan ''The Wild Wild West'' (), ''The Night of the Death Train'' (), and ''The Night of the Assassin'' (). In 2019, Epic Press published a new novel by Joseph Covino, Jr, paying tribute to the series with a novel faithful in both style and spirit, ''Night of the Nobility Cult: A Wild, Wild Western''.

Comics

In 1990, Millennium Publications produced a four-issue comic book miniseries ("The Night of the Iron Tyrants") scripted by Mark Ellis (American author), Mark Ellis with art by Darryl Banks. A sequel to the TV series, it involved Dr. Loveless in a conspiracy to assassinate President Grant and the President of Brazil and put the Knights of the Golden Circle into power. The characters of Voltaire and Antoinette were prominent here, despite their respective early departures from Dr. Loveless' side in the original series. A review from the Mile High Comics site states: "This mini-series perfectly captures the fun mixture of western and spy action that marked the ground-breaking 1960s TV series." The storyline of the comics miniseries was optioned for motion picture development. In the 75th volume of the French comic book series ''Lucky Luke'' (''L'Homme de Washington''), published in 2008, both James West and Artemus Gordon have a minor guest appearance, albeit the names have been changed to "James East" and "Artémius Gin".

Television

When Robert Conrad hosted ''Saturday Night Live'' on NBC (January 23, 1982), he appeared in a parody of ''The Wild Wild West''. President Lincoln states his famous quip that, if General U.S. Grant is a drunk, he should send whatever he is drinking to his other, less successful generals. Lincoln dispatches West and Gordon (Joe Piscopo) to find out what Grant drinks. They discover that Grant is held captive by Velvet Jones (Eddie Murphy).

Soundtrack album

On July 11, 2017, La-La Land Records released a limited edition 4-disc set of music from the series, featuring Richard Markowitz's theme, episode scores by Markowitz, Robert Drasnin, Dave Grusin, Richard Shores, Harry Geller, Walter Scharf, Jack Pleis and Fred Steiner and Dimitri Tiomkin's unused theme music.

Contemporary merchandise

As with many television series, ''The Wild Wild West'' had several merchandise tie-ins during its run. These are listed below.

Proposed revivals

On October 5, 2010, ''Entertainment Weekly'' reported that Ronald D. Moore, Ron Moore and Naren Shankar were developing a remake of ''The Wild Wild West'' for television, but the project apparently stalled. In December 2013, Moore told ''Wired'' that "''Wild Wild West'' and ''Star Trek'' were two of my great loves. I watched both in syndication in the '70s. ''Wild Wild West'' was really interesting, that combination of genres—a Western and secret agent, and they dabbled in the occult and paranormal. I really wanted to do a new version for CBS. I still think it's a great property. Someday I hope to go back to it." A pastiche webseries titled ''Back to the Wild Wild West'' began production in November 2011, but apparently has been stalled.

References

External links

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List of Episodes (Televised and Produced Order)

Fan site for ''The Wild Wild West''
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