Style
''The Wars'' utilizes first-, second-, andPlot summary
Prologue
A young man named Robert Ross is introduced as squatting in a tattered Canadian military uniform, with a pistol in hand. A nearby building is on fire, and a train is stopped. There is evidence of war, and Ross is shown to be in the company of a black horse and a dog. Robert, the horse, and the dog seem to have been together for a while, as they understand each other. He decides to free a herd of horses from the train, and the prologue ends with the horses, rider, and dog all running as a herd.Part One
Robert Ross enlists in the army to escape the guilt he feels after the recent death of his sister, Rowena, who died from falling out of her wheelchair while playing with her beloved rabbits in the barn. Robert feels guilty because he was unable to save her since he was making love to his pillows in his bedroom when he should have been watching her. His mother orders Robert to kill the rabbits after Rowena's death; when he refuses, his father hires Teddy Budge to kill the rabbits. In an attempt to stop Teddy, Robert is beaten up. Later, while he soaks the resulting bruises in the bathtub, Robert's mother comes in to talk to him. Drunk and visibly upset, she says that she knows Robert wants to go to war, and she accepts that she cannot stop him. Robert goes to army training. There, he meets Eugene Taffler, a lauded war hero. Taffler shows him how to break bottles with stones, prompting Robert to think of him as David throwing stones at Goliath. Robert then goes with his soldiers-in-training to a brothel named ''Wet Goods''. He goes into a room with the prostitute Ella; when she realizes that he has accidentally ejaculated in his pants and therefore will not be having sex, she decides to pass the time by showing him a peephole into the next room. Here Robert sees Taffler havingPart Two
Robert is now in France and in charge of a convoy. While scouting ahead in the fog, he falls into a muddy sinkhole and nearly drowns. After saving himself, he is met by Poole and Levitt, two of his men. They eventually reach the dugout that will be their temporary home. There, they meet the three other men that live in the dugout: Devlin, Bonnycastle, and Rodwell. Rodwell cares for injured animals he finds: birds, rabbits, toads, and hedgehogs. The rabbits painfully remind Robert of Rowena. However, Robert manages to build a bond with Rodwell, the only other civil soldier who cares and respects animals. Robert remembers Harris, another soldier whom he had befriended on the ship when both fell ill. On land, Harris died two days before Robert was scheduled to leave for France. It is during their time in the infirmary together that Robert and Harris meet Taffler again. After Harris dies, Robert asks Taffler to help him in burying his friend. However, Robert learns that Harris has already been cremated. Disappointed by this turn of events, Robert and Taffler dump the ashes into the sea. Robert says, "This is not a military funeral. This is just a burial at sea. May we take off our caps?"''The Wars'', pg. 107. On February 28, 1916, the Germans set off a string of land mines, strategically placed along the St. Eloi Salient. The whole countryside goes up in flames. This is the second half of a battle that the Canadians thought was already over. "30,000 men would die and not an inch of land would be won."Part Three
Robert is now experiencing trench warfare at its worst. Following a shelling of the dugout, his fellow soldier Levitt loses his mind, and Robert finds himself close to the brink. Ordered to place guns in a location sure to be a deathtrap, Robert and his men find themselves on the wrong end of aPart Four
In an interview, Juliet d'Orsey explains that the d'Orsey home was converted into a hospital for soldiers during the war. It is here that Robert recovers from his own injuries sustained in Part Three. Once again he meets Taffler, another patient at the d'Orsey home; Robert is devastated to find that Taffler has lost both of his arms in the war. While Taffler seems to be in good spirits, he ends up attempting suicide; one day, as Juliet comes into Taffler's room to give him some flowers, she finds him trying to rub his raw arm stumps against the walls and subsequently bleed to death. Various people, including Robert, respond to Juliet's screams, and Taffler is saved. Juliet tells Robert that his assigned room is haunted by the ghost Lady Sorrel, who comes into the room every night and lights the candles. One night, Juliet thinks it would be a neat prank to dress up as Lady Sorrel, walk into Robert's room, and light the candles. When Juliet opens the door, she sees Barbara and Robert Ross having sex, so violently that Juliet at first thinks that Robert is hurting Barbara. Although they do not see who opens the door, Juliet begins to feel guilty. When Robert eventually leaves the home, Juliet slips him a candle and a box of matches in an effort to explain herself and apologize.Part Five
Robert heads back to battle on a small train. He gets hopelessly lost on the way and loses his pack. After many weeks of travelling in circles, he arrives at Désolé, a mental institution. In the bath house, he is brutally raped by four men. Although he assumes that they are patients of the institution, he is horrified to learn that they are fellow soldiers. When he returns to his room, he finally receives his lost pack. He burns his only picture of Rowena, as an act of charity, reasoning that it would be horrible for something so innocent to exist in such a perverse world. Robert then returns to theCharacters
Robert Ross
The character of protagonist Robert Ross was inspired byRowena Ross
Rowena is Robert's older sister, with whom Robert felt a connection from a very early age. She was hydrocephalic, meaning she was born with water in the brain. This caused her to have an adult-sized head but a body of a ten-year-old, and made her unable to walk. Robert acted as her guardian for most of his life. She was 25 years old when she fell out of her wheelchair onto the concrete floor of their barn and died as a result. Robert took it as his duty to protect her, but Robert was in his roomThomas Ross
Commonly referred to as Mr. Ross in the novel, he is the wealthy father of protagonist Robert Ross. He was the more lenient parent in the family and loved every member enough to encourage Robert to go for what he wants while withstanding the accusations surrounding Rowena's death. His relationship with his wife became helpless after Rowena's death and Robert's enlisting in the army. He has a strong relationship with his son Robert, and he is the only member of the family to attend Robert's funeral.Marian Turner
Marian Turner is a young nurse during the war. She cares for Robert when he is injured late in the novel, but the reader is introduced to her earlier. Via transcripts of interviews, an 80-year-old Marian gives accounts of what Robert was like as a young man, and of life during the war.Lady Juliet d'Orsey
Juliet d'Orsey gives an account of Robert, whom she knew at the age of twelve and for whom she had romantic feelings. She is Barbara d'Orsey's younger sister, who saw too much and acted too maturely for her age. She seems to be the only character who understands the delicate homoerotic undertones in male friendships without being confused or disturbed by them.Lady Barbara d'Orsey
This lady is Juliet's older sister, who became Robert's lover at a point in the novel. She was uncaring and moved easily from one man to another. She admired athletes and heroes. She constantly frustrated the delicate homoerotic relationships around her without understanding her own destructiveness.Eugene Taffler
This man was a war hero who was often accompanied by a dog and a horse. From the very beginning when he is first introduced, he plays the game of hitting bottles off of posts with stones, displaying strength and perfect accuracy. This reflects Taffler's reputation in the war as a soldier who kills as though it were some kind of game. He later loses his arms. When Taffler loses his arms he no longer wants to live because his arms were so much a part of him and his identity that without them he doesn't have the will to live. He attempts suicide, by rubbing his stubs against the wall, but is thwarted by Lady Juliet d'Orsey. Taffler's reputation and self-image are linked closely with his arms. First as he's introduced using them to hit bottles with stones, and even later when he helps Robert toss Harris's ashes into the river. Taffler is a complex character because although when introduced, Robert makes Taffler his model of masculinity. Later, upon discovering him having sex with the Swede, Robert's homophobia causes him to cease regarding Taffler as a role model. Nevertheless, Taffler goes on to have a seemingly heterosexual relationship with Barbara d'Orsey. It is also noteworthy that Robert himself may have been struggling with his own homosexual tendencies.Harris
Robert meets Harris in the ship's infirmary. Harris's condition grows progressively worse while in England and he eventually dies before being sent off to France. While under Robert's care at a hospital, Harris talks at great length of his love of the sea. Robert describes Harris as someone he loved deeply.Analysis
Introduction by Guy Vanderhaeghe (2005)
In Penguin's Modern Classic edition, published 2005, Canadian authorSymbols
Wars
The plural "Wars" in the title implies that there are multiple conflicts within the novel. Robert's time in the army and his personal conflicts are among them, creating both external and internal struggles. Guy Vanderhaeghe, in his introduction to ''The Wars'' in Penguiern Classics 2005 edition, states that "Like the frieze of horse and dog, or the occasional glimpse of Harris's blue scarf, ''the wars'' mphasis in originalhovers in the reader's consciousness, heard as the faintest of dire whispers. It is as impossible to boil simple meaning from these two words as it is to impute clear and unambiguous motives' for Ross's actions, or to determine how many angels can dance on the head of a pin." The bald third-person summaries of casualties, contrasted with Robert's idealized view of war, also heighten the book's impact on readers.Animals
Animals appear throughout the story. Among the most common or meaningful: *Birds represent danger and often appear as a sort of warning, with an attack following every time that Robert notices that the birds have stopped singing. Birds are sometimes shown to reflect what Robert is feeling. Birds also represent life and the personal freedom for which Robert fights. *The coyote represents the relationship between man and beast. It symbolizes companionship and loyalty, as the coyote willingly ran with Robert. *Rabbits appear throughout the novel, most notably as the pets that Rowena kept and that Robert was told to kill after her death. Rabbits, along with Rowena, symbolize innocence and purity. *Horses appear throughout the novel as well. Horses bring Robert to Eugene Taffler: Robert was corralling mustangs when he came across Taffler, who had returned and reenlisted in the war. The horse was often used in the novel as a means of transportation and companionship. When Robert finds a black mare while attempting to free a group of doomed military horses; this refers to the Book of Revelation, in which St. John the Divine describes a vision of a black horse whose rider is holding balances. In Robert's mind, the horses from the abandoned train represent his men, whom he had also been unable to save, as well as the last living creatures that he can attempt to protect. Horses also represent the happiness that Robert experienced before the war, as demonstrated in the old photograph of Rowena on a pony.Elements
The fourPistol
Robert's pistol is a powerful symbol of authority and security. It is also a tool with which Robert vents his violent feelings, such as when Juliet witnesses him destroying a tree with his gun.In other media
A feature film version of ''References
{{DEFAULTSORT:Wars, The Novels set during World War I 1977 Canadian novels Novels by Timothy Findley Governor General's Award-winning fiction books Canadian historical novels Clarke, Irwin & Company books Novels with gay themes