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"The Saint Vincent de Paul Food Pantry Stomp" is widely anthologized short
poem Poetry (derived from the Greek ''poiesis'', "making"), also called verse, is a form of literature that uses aesthetic and often rhythmic qualities of language − such as phonaesthetics, sound symbolism, and metre − to evoke meanings in ...
by
Martín Espada Martín Espada (born 1957) is a Puerto Rican-American poet, and a professor at the University of Massachusetts Amherst, where he teaches poetry. Puerto Rico has frequently been featured as a theme in his poems. Life and career Espada was born ...
. The poem was published in number 33 of the journal ''River Styx''. It was collected in 1990 in Espada's bilingual volume of poems entitled ''Rebellion is the Circle of a Lover's Hands''. When published in ''River Styx'', the journal was bundled with a CD of a poetry reading that included Espada reading the poem.


Overview

The setting for the poem is
Madison, Wisconsin Madison is the county seat of Dane County and the capital city of the U.S. state of Wisconsin. As of the 2020 census the population was 269,840, making it the second-largest city in Wisconsin by population, after Milwaukee, and the 80th-lar ...
in 1980. It is free verse in form. In a talk he gave at the University of Arizona in 1992, Espada stated that in his "wanderings" between New York and Puerto Rico, he traveled to Wisconsin to go to school. He came upon hard times, and ultimately found himself "officially destitute," which is when he visited the Saint Vincent de Paul Food Pantry. It was at the food pantry that he had the experience which inspired this poem.


Analysis

Through the entirety of the poem, Espada creates vivid imagery for the reader, especially through his use of metaphor and simile. Due to the fact that he is a largely political writer, it is likely that Espada meant this poem to be a protest against the way people treat the poor. This is evidenced by the phrase "Christian suspicion" in the second line of the poem. In the end, he uses the phrase "a maraca shaker in the salsa band of the unemployed," a reference to his Latino heritage.


Reception

Writing in
Partisan Review ''Partisan Review'' (''PR'') was a small-circulation quarterly "little magazine" dealing with literature, politics, and cultural commentary published in New York City. The magazine was launched in 1934 by the Communist Party USA–affiliated John ...
, Roger Gilbert called the poem "very funny" as it "transforms the speaker's furtive attempt to conceal and take possession of a stray dollar bill while tying his shoes into a salsa-tinged dance performed in honor of the patron saint of canned food." The poem, Gilbert writes, "offers a wry yet biting analysis of the tangled relations between ethnic culture and that ever-in-demand commodity, money." When the poem was republished in an anthology of poems inspired by saints in 2014, Natalie Morrill wrote in the magazine ''Dappled Things'' that the poem possess a "delightful musicality and wit." The poem has been widely anthologized including in * ''Literature: A Portable Anthology'' (2003) edited by Janet E. Gardner, Beverly Lawn, Jack Ridl, and Peter Schakel * ''Approaching literature: writing & reading & thinking'' (2007) by Peter Schakel and Jack Ridl *''The Hungry Ear: Poems of Food and Drink'' (2014) edited by Kevin Young * ''St. Peter’s B-list: Contemporary Poems Inspired by the Saints'' (2014) edited by Mary Ann B. Miller * ''Anthology of Contemporary American Poetry'' (2014) edited by Cary Nelson * ''The Poetry of Capital: Voices from twenty-first-century America'' (2020) edited by Benjamin Grossberg and Clare Rossini


References


External links

* . The author discusses the origins of the poem and reads it aloud. {{DEFAULTSORT:Saint Vincent De Paul Food Pantry Stomp American poems