The Romantic (film)
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''The Romantic'' is a 2009 American animated film directed by Michael P. Heneghan.


Plot summary

Set in a world of autumn landscapes, a young man, the Romantic, falls out of love with his girlfriend. He visits the goddess Love, asking her to restore his feelings. She warns him this is not a good idea, but when he persists she reluctantly agrees. When he returns to his girlfriend he finds her with another man. Feeling betrayed by the gods Love, Hate and Time, he sets out with his companion, Patience, seeking revenge. The story of the Romantic is interwoven with the back story of the gods and a story about the corrupt Fat Daddy.


Cast

*Jason Salerno as Romance *Christopher Magee as Patience *Peter Stambler as Fat Daddy *Alee Spadoni as Po *Ron Blasdell as Pjorrc / The Apple Man *Jacqueline Heneghan as The Vent Monger / Old Love *Tom Hogan as King Crookie / Mr. Gord / The Butcher *Nathan Terry as Ludwig / The Baker / The Candlestick Maker *Roger Taylor as Rumpelstiltskin *Sarah Vaghari as Young Love *
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as The Spank *Amber Reeves as Aveta Jeff Cannata, Conor Gelches and Nathan Terry provided additional voices.


Inspiration and origin

Heneghan named
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,
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, and Yiri Trnka as well as
Jim Henson James Maury Henson (September 24, 1936 – May 16, 1990) was an American puppeteer, animator, cartoonist, actor, inventor, and filmmaker who achieved worldwide notice as the creator of The Muppets and '' Fraggle Rock'' (1983–1987) and ...
as inspiration for the visuals.
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and Norse mythologies, and the book ''
Blood Meridian ''Blood Meridian or the Evening Redness in the West'' is a 1985 epic novel by American author Cormac McCarthy, classified under the Western, or sometimes the anti-Western, genre. McCarthy's fifth book, it was published by Random House. In a l ...
'', served as inspiration for the story. Neil Gaiman and Alan Moore were motivations for Heneghan to become an animator. The Romantic started as a twelve minute senior thesis project while Heneghan studied at the University of the Arts and an abridged version of the 1st act, with a "to be continued..." ending, became his senior project. Character development started as early as 2003. After his graduation in 2006, he expanded it into a feature film.


Production

To support himself while making the film, Heneghan did freelance animation work and worked as a comic book colorist and
flatter A flatter is a coloring specialist within the comic book industry that prepares the inked or sketched comic book page for the colorist with digital art software such as Adobe Photoshop. The specialist does so by selecting the objects on the pag ...
, and later for a
photo booth A photo booth is a vending machine or modern kiosk that contains an automated, usually coin-operated, camera and film processor. Today, the vast majority of photo booths are digital. History The patent for the first automated photography ma ...
company and as a pastor's assistant. Heneghan animated some 80 of the 95 minutes of the film, and drew all the characters and backgrounds himself. He documented the production process on his blog ''The Pumpkin Moon''. The film was released under a
Creative Commons Creative Commons (CC) is an American non-profit organization and international network devoted to educational access and expanding the range of creative works available for others to build upon legally and to share. The organization has release ...
by-nc-sa 3.0 license and by-sa 3.0.


Reception

The film premiered at the
Boston Underground Film Festival The Boston Underground Film Festival (BUFF) is an annual event held in the Boston area that specializes in alternative film and video. BUFF is the largest underground film festival in New England, spotlighting short films and feature-length films ...
on 30 March in 2010. After some further tweaking, it was released on the Internet in February 2011. Mike Everleth of the ''Underground Film Journal'' (then ''Bad Lit'') called the film "a fairy tale for adults, in every sense
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some blue language", but also commended the visual style as "beautifully unique" and the story as a " asterfully rich woventapestry for a far-out fable". He wrote that "''The Romantic'' is a very rich and complex fairy tale and, like all good fairy tales, has deep moral metaphors buried within its story." Everleth especially lauded the characterization, both visually and in their objectives, writing they are "unable to escape their fates, in the way that many of us can feel pushed and pulled around by our own emotions." Mark Bell of ''
Film Threat ''Film Threat'' is an online film review publication, and earlier, a national magazine that focused primarily on independent film, although it also reviewed videos and DVDs of mainstream films, as well as Hollywood movies in theaters. It first ...
'' gave the film four out of five stars, writing that "the story is a little bit all over the place" and that "allegories about religion and philosophy play out simultaneously." Visually he called it "a style all its own, and it is all-out crazy", and compared it to '' Yellow Submarine'' ("though not as psychedelic") and
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("though not as abstract"). Matt Cantor of ''
Philadelphia City Paper ''Philadelphia City Paper'' was an alternative weekly newspaper in Philadelphia, Pennsylvania. The independently owned paper was free and published every Thursday in print and daily online at citypaper.net. Staff reporters focused on labor issues, ...
'' called the film "an eerie, haunting film that's part myth, part fairy tale, and part fable." He wrote that the plot was "more episodic" than a traditional Hollywood story arc and "at times difficult to follow", but called the Tim Burton-echoing animation ultra-smooth, gorgeous and original. He also commended Jason Salerno's performance as Romance "passionate and convincing" and Nathan Terry's original film score "sweet and atmospheric".Matt Cantor.
Movie Review: The Romantic
, ''
Philadelphia City Paper ''Philadelphia City Paper'' was an alternative weekly newspaper in Philadelphia, Pennsylvania. The independently owned paper was free and published every Thursday in print and daily online at citypaper.net. Staff reporters focused on labor issues, ...
'', 16 February 2011. Retrieved 10 March 2013.
Director Michael P. Heneghan said that "Submitting to film festivals was far, far more expensive than making the film", but "Surprisingly, a pop-fantasy animated feature film festooned with cartoon ding-dongs and nudey parts featuring a cast of difficult-to-love monsters working out their baggage over the course of a million subversive plot points didn’t really strike a chord with most film festival curators. Our first rejection letter came from a festival that I really wanted to be a part of and thus we started our film festival application process with a small chip on the shoulder and a little bit of a wounded heart. So it goes."


References

When All the Gods Are Dead, Who Will Sit Upon Their Empty Thrones?
(archived), moviesonabigscreen.com, July 2010. (fro
michaelpheneghan.com


External links


theromanticmovie.com
archived copy of the original. Retrieved 21 March 2013.
The Romantic – Feature Film
archived copy of about the film at Heneghan's web page
The Romantic
about the film at Heneghan's web page * {{DEFAULTSORT:Romantic, The American independent films 2009 animated films 2009 films 2009 horror films 2000s romance films American action horror films 2000s adventure films American romantic fantasy films Creative Commons-licensed films American romantic horror films 2000s English-language films 2000s American films