The Prisoners (painting)
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''The Prisoners'' (
Polish Polish may refer to: * Anything from or related to Poland, a country in Europe * Polish language * Poles, people from Poland or of Polish descent * Polish chicken *Polish brothers (Mark Polish and Michael Polish, born 1970), American twin screenwr ...
: ''Aresztanci'', also known as ''Na etapie'') is an 1883
oil painting Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of ...
by Polish painter
Jacek Malczewski Jacek Malczewski (; 15 July 1854 – 8 October 1929) was a Polish symbolist painter who is one of the most revered painters of Poland, associated with the patriotic Young Poland movement following a century of Partitions. He is regarded as the f ...
. It depicts a group of Polish political prisoners exiled to Siberia for their participation in the national
January Uprising The January Uprising ( pl, powstanie styczniowe; lt, 1863 metų sukilimas; ua, Січневе повстання; russian: Польское восстание; ) was an insurrection principally in Russia's Kingdom of Poland that was aimed at ...
of 1863–1864 against
Tsarist Russia Tsarist Russia may refer to: * Grand Duchy of Moscow (1480–1547) *Tsardom of Russia (1547–1721) *Russian Empire The Russian Empire was an empire and the final period of the Russian monarchy from 1721 to 1917, ruling across large parts of ...
. It is now displayed at the
National Museum A national museum is a museum maintained and funded by a national government. In many countries it denotes a museum run by the central government, while other museums are run by regional or local governments. In other countries a much greater numb ...
in
Warsaw Warsaw ( pl, Warszawa, ), officially the Capital City of Warsaw,, abbreviation: ''m.st. Warszawa'' is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officia ...
.


Background

January Uprising began on 22 January 1863 and was aimed at the restoration of the
Polish–Lithuanian Commonwealth The Polish–Lithuanian Commonwealth, formally known as the Kingdom of Poland and the Grand Duchy of Lithuania, and, after 1791, as the Commonwealth of Poland, was a bi-confederal state, sometimes called a federation, of Crown of the Kingdom of ...
. The conflict was the longest lasting insurgency in post-partition Poland and engaged all levels of society. The uprising was suppressed in 1864 and among the many reprisals of the
Russian Empire The Russian Empire was an empire and the final period of the Russian monarchy from 1721 to 1917, ruling across large parts of Eurasia. It succeeded the Tsardom of Russia following the Treaty of Nystad, which ended the Great Northern War. ...
against the insurrectionists were forced deportations to
Siberia Siberia ( ; rus, Сибирь, r=Sibir', p=sʲɪˈbʲirʲ, a=Ru-Сибирь.ogg) is an extensive geographical region, constituting all of North Asia, from the Ural Mountains in the west to the Pacific Ocean in the east. It has been a part of ...
. Jacek Malczewski, similarly to fellow painter
Józef Chełmoński Józef Marian Chełmoński (November 7, 1849 – April 6, 1914) was a Polish painter of the realist school with roots in the historical and social context of the late Romantic period in partitioned Poland. He is famous for monumental paint ...
, witnessed the January Uprising as a child, which had exerted a lasting impact on the artist as an adult. He created many paintings forming a significant part of Poland's rich iconography portraying the country's fight for independence during the Age of Partitions and ''The Prisoners'' is one of the artist's works directly referring to the fate of Poles sentenced to resettlement in Siberia.


Description and analysis

The painting forms part of the ''Siberian Compositions'' series by Malczewski and shows a strong influence of
Artur Grottger Artur Grottger (11 November 1837 – 13 December 1867) was a Polish Romantic painter and graphic artist, one of the most prominent artists of the mid 19th century under the foreign partitions of Poland, despite a life cut short by incurable ill ...
in tackling the subject matter. It depicts a group of Polish captives, known as
sybirak A sybirak (, plural: ''sybiracy'') is a person resettled to Siberia. Like its Russian counterpart '' sibiryák'' the word can refer to any dweller of Siberia, but it more specifically refers to Poles imprisoned or exiled to Siberia or even to thos ...
s, taking a rest on their long and dangerous road to Siberia. They differ in age, social status as well as the way they individually experience their tragic circumstances. The foreground presents members of the
intelligentsia The intelligentsia is a status class composed of the university-educated people of a society who engage in the complex mental labours by which they critique, shape, and lead in the politics, policies, and culture of their society; as such, the in ...
and students with the figure of a despairing youth wearing a shackle on his ankle and sitting on a chair covering his face in his arms. An elderly man is leaning towards him trying to comfort the young man. In the background, there are figures of members belonging to the lower class and peasants, wearing shabby clothes and carrying their belongings. This realistic juxtaposition of well-educated, noble patriots with commoners, some of whom were petty criminals, leads to the demythologization of the popular image of sybiraks in
Polish culture The culture of Poland ( pl, Kultura Polski ) is the product of its geography and distinct historical evolution, which is closely connected to an intricate thousand-year history. Polish culture forms an important part of western civilization and ...
. A sense of isolation between the two groups depicted in the painting serves the purpose of demonstrating that the willingness to accept the sacrifice for the nation's independence was not shared by all members of the
Polish society The demographics of Poland constitute all demographic features of the population of Poland, including population density, ethnicity, education level, the health of the populace, economic status, religious affiliations, and other aspects of the po ...
. On the left, a Russian soldier holding a rifle is standing at the entrance to the barrack and guarding the seven men and boys inside. A wintry landscape is visible in the distance. The portrayal of the prisoners' misery and suffering was meant to arouse patriotic feelings and is seen as an analogy to the suffering of the entire nation under foreign rule. The domination of dark and grey colours reinforces the atmosphere of sadness. It contrasts with the artist's later works full of colours and hidden symbolic meanings.


See also

* List of Polish paiters


References

{{DEFAULTSORT:Prisoners (painting), The 1883 paintings Paintings by Jacek Malczewski Paintings in the collection of the National Museum, Warsaw