The Mighty Quinn (album)
   HOME

TheInfoList



OR:

''Mighty Garvey!'' is the fifth and final studio album by Manfred Mann, released on 28 June 1968 by
Fontana Records Fontana Records is a record label that was started in the 1950s as a subsidiary of the Dutch Philips Records. The independent label distributor Fontana Distribution takes its name from the label. History Fontana started in the 1950s as a subs ...
. It was the last recorded by the band (not including compilations) after the change of direction and personnel of their 1966 album '' As Is''. It continued a transition away from jazz and blues towards self-composed art-pop. Despite including two UK top 5 hit singles ( Bob Dylan's " Mighty Quinn" and Tony Hazzard's "Ha! Ha! Said the Clown"), the album did not chart and the band split up the year after. In the US and Canada, it was released as ''The Mighty Quinn'' by Mercury Records.


Overview

The group's continued pop success with material by established songwriters such as Dylan and Hazzard made its handlers averse to the risk of releasing self-written singles, a state of affairs that had prevailed ever since the success of " Do Wah Diddy Diddy", even though the group's first hits had been self-composed. At least one example of drummer Mike Hugg's new-found productivity had been seen as potentially chart-worthy and singer Mike d'Abo was able to provide other artists with hits such as "
Build Me Up Buttercup "Build Me Up Buttercup" is a song written by Mike d'Abo and Tony Macaulay, and released by the Foundations in 1968 with Colin Young singing lead vocals. Young had replaced Clem Curtis during 1968, and this was the first Foundations hit on which ...
" and " Handbags and Gladrags". The resultant pop image did not encourage album sales to "serious" listeners, particularly when trends were turning from
baroque pop Baroque pop (sometimes called baroque rock) is a fusion genre that combines rock music with particular elements of classical music. It emerged in the mid 1960s as artists pursued a majestic, orchestral sound and is identifiable for its appropria ...
to hard rock. So, like contemporary releases by The Kinks and The Zombies, ''Mighty Garvey!'' became a record esteemed more in retrospect than at the time. It was later re-issued in 2003, with bonus tracks. The group's commercial compromises also led to "self-knocking", and its recordings developed an ironic distance that on ''Mighty Garvey'' sometimes invites comparison with The Kinks, Dave Dee, Dozy, Beaky, Mick & Tich,
Frank Zappa Frank Vincent Zappa (December 21, 1940 – December 4, 1993) was an American musician, composer, and bandleader. His work is characterized by wikt:nonconformity, nonconformity, Free improvisation, free-form improvisation, sound experimen ...
or
The Bonzo Dog Band The Bonzo Dog Doo-Dah Band (also known as The Bonzo Dog Band or The Bonzos) was created by a group of British Art school, art-school students in the 1960s. Combining elements of music hall, trad jazz and psychedelic music, psychedelia with surre ...
. Even on Hugg's intricate and sentimental "Harry the One Man Band" the vocal track finally dissolves into schoolboy mirth and silly noises. The three different versions of d'Abo's song "Happy Families", credited as; (Track 1) Performed by Eddie 'Fingers' Garvey, (Track 6) Performed by Ed Garvey and The Trio and (Track 14) Performed by Edwin O'Garvey and His Showband, are outright parodies of "the pompous big rock band style, the sleazy lounge jazz style, and then the semi-drunk family entertainment "country-shape Christmas" style" that appropriate and poke fun at the ''
Sgt. Pepper's Lonely Hearts Club Band ''Sgt. Pepper's Lonely Hearts Club Band'' is the eighth studio album by the English rock band the Beatles. Released on 26May 1967, ''Sgt. Pepper'' is regarded by musicologists as an early concept album that advanced the roles of sound composi ...
'' concept ("Edwin Garvey" being an invented character introduced on the similarly flippant flip side of "Mighty Quinn"). These three parodies and two hit singles take up over a third of a relatively short L.P. and of the remainder, d'Abo's "Country Dancing" and "The Vicar's Daughter" are likewise somewhat arch, besides strengthening an impression of "chameleonism" and lack of sincere direction. "Big Betty" is also non-original, a treatment of Huddie Ledbetter's song " Black Betty" in a manner reminiscent of The Spencer Davis Group's hits, providing the only real point of contact with the band's rhythm and blues past. Yet this still leaves a core of worthwhile, intelligent and melodic songs, also by Hugg and d'Abo apart from "Cubist Town", written by guitarist Tom McGuinness in a one-off collaboration. The group made full use of the new possibilities of multi-tracking, overlaying complex and inventive textures of flutes, keyboards and vibraphones, while the group's backing vocals, originally limited to a tribal unison, began to take on an almost Pet Sounds complexity, even if they're not quite as in tune.


Track listing

Recording dates taken from Greg Russo's book ''Mannerisms: The Five Phases Of Manfred Mann.''


Original UK release


North American release


Personnel


Musicians

* Manfred Mann – keyboards, backing vocals * Tom McGuinness – guitar, backing vocals * Mike d'Abo – lead vocals * Mike Hugg – drums and percussion * Klaus Voormann – bass, woodwind, backing vocals * Colin Richardson - acoustic bass on "Happy Families" - The Eddie Garvey Trio. *
Derek Wadsworth Derek Wadsworth (5 February 1939 – 3 December 2008) was an English jazz musician, composer and arranger. Early life Wadsworth was born in Cleckheaton, Yorkshire on 5 February 1939. His first instrument was the cornet and he started playing the ...
trombone on "Each and Every Day"


Technical

* Manfred Mann – producer * Keith Altham – liner notes


References


External links

* {{Authority control 1968 albums Manfred Mann albums Fontana Records albums