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"The Manciple's Tale" is part of Geoffrey Chaucer's '' The Canterbury Tales''. It tends to appear near the end of most manuscripts of the poem, and the prologue to the final tale, "
The Parson's Tale "The Parson's Tale" seems, from the evidence of its prologue, to have been intended as the final tale of Geoffrey Chaucer's poetic cycle '' The Canterbury Tales''. The "tale", which is the longest of all the surviving contributions by Chaucer's ...
", makes it clear it was intended as the penultimate story in the collection. The
Manciple A manciple is a person in charge of the purchase and storage of food at an institution such as a college, monastery, or court of law. Manciples were sometimes also in charge of catering more generally, including food preparation. The title sti ...
, a purchasing agent for a law court, tells a
fable Fable is a literary genre: a succinct fictional story, in prose or verse (poetry), verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are Anthropomorphism, anthropomorphized, and that illustrat ...
about Phoebus
Apollo Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label= Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label ...
and his pet
crow A crow is a bird of the genus '' Corvus'', or more broadly a synonym for all of ''Corvus''. Crows are generally black in colour. The word "crow" is used as part of the common name of many species. The related term "raven" is not pinned scientifica ...
, which is both an etiological myth explaining the crow's black feathers, and a moralistic injunction against gossip.


Prologue

In the tale's prologue, the Host tries to rouse the drunken
Cook Cook or The Cook may refer to: Food preparation * Cooking, the preparation of food * Cook (domestic worker), a household staff member who prepares food * Cook (professional), an individual who prepares food for consumption in the food industry * ...
to tell a tale, but he is too intoxicated. The Manciple insults the Cook, who falls semi-conscious from his horse, but they are reconciled by the Host and the Manciple offers the Cook another drink to make up.


Plot

In the main plot of the tale, Phoebus has a crow, which is all white and can speak. Phoebus also has a wife, whom he treasures but keeps shut up in his house. He is very jealous of his wife: The Manciple digresses to say that one cannot tame a creature to remove its essential nature; no matter how well-fed a tame cat may be, it will still attack mice instinctively. Similarly, Phoebus's wife takes a lover of low estate; the crow reveals their secret, and Phoebus in rage kills his wife. In his grief afterwards, he regrets his act and blames the crow, cursing it with black feathers and an unmelodious voice. The Manciple ends by saying it is best to hold one's tongue, and not to say anything malicious even if it is true.


Source

The ultimate source for the tale is
Ovid Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...
's ''
Metamorphoses The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the ...
''; adaptations were popular in Chaucer's time, such as one in
John Gower John Gower (; c. 1330 – October 1408) was an English poet, a contemporary of William Langland and the Pearl Poet, and a personal friend of Geoffrey Chaucer. He is remembered primarily for three major works, the '' Mirour de l'Omme'', '' Vo ...
's ''Confessio Amantis''.


References


External links


Read "The Manciple's Prologue and Tale" with interlinear translationModern Translation of the ''Manciple's Tale'' and Other Resources at eChaucer
{{DEFAULTSORT:Manciple's Tale The Canterbury Tales Poetry based on Metamorphoses