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''The Long Day's Dying'' is a 1968 British
Techniscope Techniscope or 2-perf is a 35 mm motion picture camera film format introduced by Technicolor Italia in 1960. The Techniscope format uses a two film-perforation negative pulldown per frame, instead of the standard four-perforation frame usu ...
war film War film is a film genre concerned with warfare, typically about naval, air, or land battles, with combat scenes central to the drama. It has been strongly associated with the 20th century. The fateful nature of battle scenes means that war fi ...
directed by Peter Collinson, based on the 1962 novel of the same name by Alan White and starring
David Hemmings David Edward Leslie Hemmings (18 November 1941 – 3 December 2003) was an English actor and director. He is best remembered for his roles in British films and television programmes of the 1960s and 1970s, particularly the 1966 mystery film ' ...
. It was listed to compete at the
1968 Cannes Film Festival The 21st Cannes Film Festival was to have been held from 10 to 24 May 1968, before being curtailled due to the turmoil of May 1968 in France. Background This edition was marked by the previous controversy around the Langlois affair. On February ...
, but the festival was cancelled due to the events of
May 1968 in France Beginning in May 1968, a period of civil unrest occurred throughout France, lasting some seven weeks and punctuated by demonstrations, general strikes, as well as the occupation of universities and factories. At the height of events, which ha ...
. The film was then able to compete at the 1968
San Sebastián International Film Festival The San Sebastián International Film Festival ( SSIFF; es, Festival Internacional de San Sebastián, eu, Donostia Zinemaldia) is an annual FIAPF A category film festival held in the Spanish city of Donostia-San Sebastián in September, in th ...
, where it won its top prize, the
Golden Shell The Golden Shell ( es, Concha de Oro; eu, Urrezko Maskorra) is the highest prize given to a competing film at the San Sebastián Film Festival. It was introduced in 1957. In 1953 and 1954, the highest prize had been called the Gran Premio. In 19 ...
for Best Film.


Plot

Three British paratroopers are cut off from their unit and are lost behind enemy lines. Sheltering in a deserted farmhouse, they are awaiting the return of their Sergeant who has ventured out in an attempt to locate their unit. The three soldiers are Tom, a world-weary cynical veteran, John, a middle-class educated thinker who despises war and Cliff, an eager soldier who loves his work. All three are highly trained professional killers who, regardless of their own personal thoughts, do not hesitate to perform their duties. Two German soldiers approach the farmhouse and the paratroopers dispatch them both. The second of the enemy attackers is stalked by the paratroopers who virtually toy with their victim before John kills him, finishing the man off up close, although the experience renders him sick. As the three men eat a meal, they are surprised and captured by a third German named Helmut, a paratrooper like themselves. The British soon turn the tables and capture Helmut but the latter, who speaks English, manages to manipulate his captors into keeping him alive. The group leave the house in search of their Sergeant whom they eventually find dead in the woods, his throat cut. The men continue on, trying to find their way back to Allied lines. They come across a farmhouse, where a trio of Germans are sheltering. The paratroopers cautiously approach and shoot them, only to find that the Germans are already dead. After spending the night in the house, the group continues their walk back to the British lines, only to run into a German patrol. In the ensuing battle, all of the Germans are killed but Cliff is fatally wounded. John and Tom reach the frontline, taking their prisoner Helmut with them but nearby British troops mistake them all to be German and open fire, mortally wounding Tom. Both injured themselves, John and Helmut take cover in a muddy ditch. There, John decides to kill Helmut with a small skewer he has always carried with him. Delirious with exhaustion and trauma, John staggers into the open, yelling that he is a pacifist before the British troops open fire again, shooting him dead.


Cast

*
David Hemmings David Edward Leslie Hemmings (18 November 1941 – 3 December 2003) was an English actor and director. He is best remembered for his roles in British films and television programmes of the 1960s and 1970s, particularly the 1966 mystery film ' ...
as John *
Tony Beckley Derek Anthony Beckley (7 October 1927 – 19 April 1980) was an English actor. A graduate of the Royal Academy of Dramatic Art, Beckley went on to carve out a career on film and television throughout the 1960s and 1970s, often playing villainou ...
as Cliff * Tom Bell as Tom Cooper *
Alan Dobie Alan Russell Dobie (born 2 June 1932) is an English stage, television and film actor and a former member of the Royal Shakespeare Company. Early life and career Dobie was born in Wombwell, West Riding of Yorkshire, England, to George Russe ...
as Helmut


Production

According to
Michael Deeley Michael Deeley (born 6 August 1932) is an Academy Award-winning British film producer known for such motion pictures as ''The Italian Job'' (1969), ''The Deer Hunter'' (1978), and ''Blade Runner'' (1982). He is also a founding member and Honora ...
, he and
Peter Yates Peter James Yates (24 July 1929 – 9 January 2011) was an English film director and producer. Biography Early life Yates was born in Aldershot, Hampshire. The son of an army officer, he attended Charterhouse School as a boy, graduated from ...
worked on the first draft of the script but were denied credit. He claims he gave Collinson the job partly to see if he was up to the task of directing ''
The Italian Job ''The Italian Job'' is a 1969 British comedy caper film, written by Troy Kennedy Martin, produced by Michael Deeley, directed by Peter Collinson, and starring Michael Caine. The film's plot centres around Cockney criminal Charlie Croker, rece ...
'' (1969). Collinson, who had worked with him before in ''
The Penthouse Penthouse most often refers to: *Penthouse apartment, a special apartment on the top floor of a building *Penthouse (magazine), ''Penthouse'' (magazine), a British-founded men's magazine *Mechanical penthouse, a floor, typically located directly u ...
'' (1967), would work with
Tony Beckley Derek Anthony Beckley (7 October 1927 – 19 April 1980) was an English actor. A graduate of the Royal Academy of Dramatic Art, Beckley went on to carve out a career on film and television throughout the 1960s and 1970s, often playing villainou ...
a third and final time in ''
The Italian Job ''The Italian Job'' is a 1969 British comedy caper film, written by Troy Kennedy Martin, produced by Michael Deeley, directed by Peter Collinson, and starring Michael Caine. The film's plot centres around Cockney criminal Charlie Croker, rece ...
''.


Critical reception

Renata Adler Renata Adler (born October 19, 1938) is an American author, journalist, and film critic. Adler was a staff writer-reporter for ''The New Yorker'', and in 1968–69, she served as chief film critic for ''The New York Times''. She is also a write ...
, reviewing the film's release in ''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
'' in 1968, disliked it. "There are some excellent scenes....But the screenplay is unendurable. Smug, dimestore Existential....stale, self-important and tough...No characterization...One for the English antiwar cheapshot satire brigade". Mark Connelly wrote (in 2003) of ''The Long Day's Dying''. 'Critics hated the film, finding in it much the same faults as they identified in ''The Charge of the Light Brigade'''. (Charles Wood wrote the screenplay for both films) 'They were confused by the fact that it was an
anti-war film Anti-war films may criticize armed conflicts in a general sense to illustrate that war is futile and a loss for all sides involved, while others focus on acts within a specific war, such as poison gas use or genocidal killing of civilians. There a ...
that celebrated some of the values of war and army life. Wood was showing, as he did in ''The Charge'', that war has a complex hold over the minds and imaginations of humans. That although it is ultimately an awful, destructive, wasteful process, it has inspired men and motivated them intellectually and emotionally'.Connelly, Mark. ''The Charge of the Light Brigade: British Film Guide No 5'' I.B.Tauris & Co. Ltd, 2003. p-17


References


External links

* * * {{DEFAULTSORT:Long Days Dying, The 1968 films 1960s political films 1968 war films British World War II films Films based on British novels Films directed by Peter Collinson Paramount Pictures films Films scored by Malcolm Lockyer Films set in Germany Films set in the 1940s Anti-war films 1960s English-language films 1960s British films