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''The Greatest Thing in Life'' is a 1918 American silent
drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super ...
about
World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
, directed by D. W. Griffith and starring Lillian Gish,
Robert Harron Robert Emmett Harron (April 12, 1893 – September 5, 1920) was an American motion picture actor of the early silent film era. Although he acted in over 200 films, he is possibly best recalled for his roles in the D.W. Griffith directed film ...
, and David Butler. The film is now considered
lost Lost may refer to getting lost, or to: Geography *Lost, Aberdeenshire, a hamlet in Scotland * Lake Okeechobee Scenic Trail, or LOST, a hiking and cycling trail in Florida, US History *Abbreviation of lost work, any work which is known to have bee ...
as no prints are known to exist.The Library of Congress American Silent Feature Film Survival Catalog: ''The Greatest Thing in Life''
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Wayback Machine)
This film was released later in the same year as Griffith's more famous World War I film, ''
Hearts of the World ''Hearts of the World'' (also known as ''Love's Struggle'') is a 1918 American silent film, silent World War I propaganda film written, produced and directed by D. W. Griffith. In an effort to change the American public's neutral stance regardin ...
'', which also stars Lillian Gish and Robert Harron. ''The Greatest Thing in Life'' was renowned for two main aspects: the groundbreaking portrait photography style of Henrik Sartov,Merrit, Russel, quoted in ''The Griffith Project''. Usai, Paolo Cherchi, and Cynthia Rowell, eds. Vol. 9: Films Produced in 1916-8. London: British Film Institute, 2005. Pgs. 196-9. and a "new and daring" interracial kiss between a white officer and a black soldier (both male).Gish, Lillian, with Ann Pinchot. ''Lillian Gish: The Movies, Mr. Griffith, and Me'', Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1969. Pgs. 202.


Plot

As described in a
film magazine Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines whi ...
, Leo Peret (Lestina) has a small quiet tobacco shop in Greenwich Village. Edward Livingston (Harron), a wealthy young clubman and man-about-town, comes in frequently ostensibly to buy cigarettes but in reality to talk to the daughter Jeannette (Gish), and he is soon in love with the little shop girl. Leo is homesick for his native France, but lacks the funds to make the passage. Edward, learning of their plight, sends $1,000 with a note saying that the money is payment for a good deed. Leo accepts the money and he and Jeannette embark at once. In France Leo regains his health but suffers a broken leg. When Edward learns of this he goes to France and seeks out Jeannette to resume his lovemaking. He finds that he has a rival, however, in Mons Le Bebe, a grocer, and after forcefully embracing Jeannette one evening, she bids him to be gone forever. She is discouraged over Le Bebe's fondness for garlic and his refusal to accept the beauties of '' Chantecler''. But a chicken is just a chicken to Le Bebe. War with Germany is declared and Le Bebe marches off to battle with Jeannette's blessing. The French soldiers are driven from the town by the Germans and Jeannette, her father and aunt, and little Peaches (Jackson) seek safety in the cellar. Leo is trusted with the hiding place of a telephone and he volunteers to keep the French posted. In defense of the town Le Bebe is shot in the leg, and he drags himself to the cellar. Jeannette hides him under some sand and he escapes capture. Meanwhile, Edward has enlisted in the American army that comes to the aid of France, and although he despises his fellow soldiers, he is a brave man. In a charge two companies become mixed and he finds himself in a shell hole with a black soldier who is dying. Edward's manliness asserts itself and he accomplishes the soldier's final request. Leo is discovered listening to a German officer (Peil) discussing plans and is shot. He creeps back to the cellar and Jeannette relays the information by telephone to the French. Just as the Germans reach the cellar and force their way in, American troops enter the town. Le Bebe dies defending Jeannette, and she is saved from death by an American scouting party led by Edward. Later at the town's bakery shop, Jeannette hands out cakes and pies to the soldiers. Edward renews his lovemaking, and she is pleased with her American sweetheart.


Cast


Background

After attaining significant fame as a director of war pictures, D. W. Griffith was invited by the British government to film on actual
World War I World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
battlefields.Wakerman, John, ed. ''World Film Directors''. Vol I: 1890-1945. New York: The H. W. Wilson Company, 1987. Griffith had originally intended to make only a single picture with the material, but came back with over 86,000 feet and decided to turn it into three.Gish, Lillian, with Ann Pinchot. ''Lillian Gish: The Movies, Mr. Griffith, and Me'', Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1969. Pgs. 202-3. The chief production was ''
Hearts of the World ''Hearts of the World'' (also known as ''Love's Struggle'') is a 1918 American silent film, silent World War I propaganda film written, produced and directed by D. W. Griffith. In an effort to change the American public's neutral stance regardin ...
'', with '' The Great Love'' and ''The Greatest Thing in Life'' made with the leftover battlefield footage. Some of the footage was filmed on the
Marne River The Marne () is a river in France, an eastern tributary of the Seine in the area east and southeast of Paris. It is long. The river gave its name to the departments of Haute-Marne, Marne, Seine-et-Marne, and Val-de-Marne. The Marne starts in t ...
in Château-Thierry, France. There is some speculation, however, as to whether some of the shots originated in Salisbury Plain, in the
United Kingdom The United Kingdom of Great Britain and Northern Ireland, commonly known as the United Kingdom (UK) or Britain, is a country in Europe, off the north-western coast of the European mainland, continental mainland. It comprises England, Scotlan ...
, or was footage purchased by Griffith from Franz Kleinschmidt.Usai, Paolo Cherchi, and Cynthia Rowell, eds. ''The Griffith Project''. Vol. 9: Films Produced in 1916-8. London: British Film Institute, 2005. Pgs. 196-9.


Preservation status

The film is now considered to be a
lost film A lost film is a feature Feature may refer to: Computing * Feature (CAD), could be a hole, pocket, or notch * Feature (computer vision), could be an edge, corner or blob * Feature (software design) is an intentional distinguishing char ...
as no prints are known to exist. Previously, the Cohen Media Group listed this film as part of their holdings from
Raymond Rohauer Raymond Rohauer (1924, Buffalo, New York – November 10, 1987) was an American film collector and distributor. Early life and career Rohauer moved to California in 1942 and was educated at Los Angeles City College. Rohauer made a five-reel ...
collection, but this turned out to be an error.


See also

* List of lost films


References


External links

* * {{DEFAULTSORT:Greatest Thing in Life, The 1918 films 1918 drama films 1918 lost films Films directed by D. W. Griffith Silent American drama films American silent feature films American black-and-white films Famous Players-Lasky films Films with screenplays by Stanner E.V. Taylor Films with screenplays by D. W. Griffith Lost American films Paramount Pictures films American World War I films 1910s American films