The Crying Woman (1933 Film)
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''La Llorona'' () is a 1933 Mexican supernatural horror film directed by
Ramón Peón Ramón Peón (1887–1971) was a Cuban actor, screenwriter and film director. He also produced and edited some of his films.Hershfield & Maciel, p. 41 Selected filmography * '' El veneno de un beso'' (1929) * '' Road of Hell'' (1931) * ''Sanctua ...
and starring
Ramón Pereda Marcelo Ramón Pereda Saro (1897–1986) was a Spanish-Mexican actor, screenwriter, film producer and film director.Agrasánchez p.106 He was married to the actresses María Antonieta Pons and Adriana Lamar. He appeared in the 1930 Spanish-language ...
, Virginia Zurí,
Adriana Lamar Adriana Lamar (1909-1946) was a Mexican film actress.Jarvinen p.141 She appeared in thirty four films until her death at the age of thirty eight in 1946. She was married to the actor Ramón Pereda, with whom she co-starred in several films. Selec ...
and Carlos Orellana. It was the first Mexican horror film with sound.


Cast

Cast adapted from the liner notes of the Indicator home video release of ''La Llorona''.


Production

In the 1930s, a cycle of horror films began. In Mexico, the first sound film was released in 1932. ''La Llorona'' was one of the 21 sound films created in Mexico in 1933. The film's story is based on that of
La llorona ''La Llorona'' (; "The Weeping Woman" or "The Wailer") is a Hispanic-American mythical vengeful ghost who is said to roam near bodies of water mourning her children whom she drowned. Origins Early colonial times provided evidence that the lore ...
, a crying woman from Hispanic folklore who mourns her dead child. According to the newspaper '' El Universal'', the filmmakers found difficulty in finding a voice for the ghost that would be convincing and not encourage laughter from the audience. Journalists of the newspaper noted that great expense was made to recreate the sets in the film to represent
New Spain New Spain, officially the Viceroyalty of New Spain ( es, Virreinato de Nueva España, ), or Kingdom of New Spain, was an integral territorial entity of the Spanish Empire, established by Habsburg Spain during the Spanish colonization of the Am ...
.


Release and reception

Prior to the film's release, Emily Masincup of the Northwestern University stated that the film was highly anticipated due to the number of laudatory articles found and large banner ads found in Mexico prior to its release. ''La Llorona'' was released in Mexico on 25 May 1933. From contemporary reviews, the Mexican newspaper '' Excélsior'' who commented that both horror and mystery films were put out to great difficulty noting the special effects involved, but that ''La Llorona'' was more impressive as it had to do that and recreate the period film sets. The film was declared the most serious work put out by Mexico's film industry yet. The liner notes of Indicator's blu-ray release stated that the ''Excélsior'' review was a typical response to the film as Mexican press found the film technological achievements was met with a sense of national pride. Among the few desenting critics, Chano Urueta of ''Mundo cinematográfico'' found that the film trivialized Mexican history to create a Hollywood-like story. Harry T. Smith who reviewed the film in 1935 when it showed at Harlem's Teatro Compoamor, who found the film had "Excellent acting by all the principals" and that "some fine scenes of the Mexico of long ago all make the picture well worth seeing."


Legacy

Following the release of ''La Llorona'',
Guillermo Calles Guillermo Calles (25 June 1893 – 28 February 1958) was a Mexican film actor, film producer, producer and film director, director.Agrasánchez p.158 Selected filmography * ''Behind Two Guns'' (1924) * ''Dios y Ley'' (1929) * ''El vuelo de la mue ...
was selected to direct the short feature ''La Chillona'', a parody of ''La Llorona''. The Llorona figure has appeared in several films since the 1933 feature, including dramatic films such as ''
La herencia de la Llorona LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figur ...
'' (1947), the Western ''
The Living Coffin ''The Living Coffin'' ( Spanish: ''El grito de la muerte''/ ''Scream of Death'') is a 1959 Mexican Western horror film focusing on a ranch haunted by evil spirits. It incorporates the story of La Llorona (The Crying Woman). Plot Cast * Ga ...
'' (1958), the '' luchador'' film ''
La Venganza de La Llorana LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figur ...
'' (1974) as well as gothic horror films such as ''
La Llorona ''La Llorona'' (; "The Weeping Woman" or "The Wailer") is a Hispanic-American mythical vengeful ghost who is said to roam near bodies of water mourning her children whom she drowned. Origins Early colonial times provided evidence that the lore ...
'' (1960) and ''
The Curse of the Crying Woman ''The Curse of the Crying Woman'' (Spanish language, Spanish: '' La maldición de la llorona'') is a 1961 Mexican horror film (released in 1963), directed by Rafael Baledón. The film is about Amelia and Jaime, a married couple who travel to an old ...
'' (1961). The character vanished from Mexican cinema for decades only to be resurrected in the new millennium with '' Kilometer 31'' (2006), ''
J-ok'el ''J-ok'el'' is a 2007 Mexican supernatural horror film directed by Benjamin Williams. This film was Williams' debut. Plot An American man travels to a small town in Chiapas, Mexico called San Cristobal de las Casas, to help his mother when he k ...
'' (2007), and '' La leyenda de la Llorona'' (2011). ''La Llorona'' was believed to be lost for nearly half a century. It was uploaded to YouTube from what Emily Masincup of the Northwestern University described as a "poor quality television broadcast". While most films from the Calderón family studio survived from film negatives, ''La Llorona'' existed only as a 16 mm print. Peter Conheim of the Cinema Preservation Alliance stated this print was at least three generation removed from the primary source.


References


Citations


Sources

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External links

* 1933 films Mexican black-and-white films 1930s Spanish-language films 1933 horror films Mexican supernatural horror films Films directed by Ramón Peón 1930s ghost films Mexican ghost films La Llorona 1930s Mexican films {{1930s-horror-film-stub