Background
In 1992, Zhang Yan, who loves art, went to Tibet, China. During his five years living in Tibet, he had opportunities to deeply explore the snow-covered plateau, considered to be “The last pure land of the world”. In Tibet, he experienced the traditional culture of Tibet, and made an unprecedented exploration of nature, humanity and religion. He overcame the harsh environment physically and psychologically, and finally combined nature, humanity and religion, enabling him to create this extraordinary and shocking work “The Cradling Arm”.Description
Showered in the first rays of the morning sun, a Tibetan girl nestles herself in her mother's arm. The mother's arms superimpose a landscape of the ups and downs of the Gangdisi Mountains, as the brightly colored scarf tassels superimpose the breathtaking view of the first rays of the morning sun over the summit of the Mount Kailash, resembling the sacredness, greatness and power of the Mother Earth. Under the reflections of the bright scarf and sheepskin coat, the little girl's innocent look with her ‘plateau red’ cheeks and adorable eyes presents to viewers the unique qualities of innocence, sanctity and confidence of the Tibetan people.Interpretation
The artist adopted a combination of the traditional western oil painting and traditional Chinese fine-brush landscape painting techniques in this realistic oil painting of the ‘Tibetan Plateau showered under the rising sun, as Dolma, a young Tibetan girl nestles herself in her mother’s arms’. ''The Cradling Arm'' is collected by theReferences
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