The Clash At Bonds International Casino
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The Clash played a series of 17 concerts at Bonds International Casino in New York City in May and June 1981 in support of their album ''
Sandinista! ''Sandinista!'' is the fourth studio album by the English punk rock band the Clash. It was released on 12 December 1980 as a triple album containing 36 tracks, with 6 songs on each side. It crosses various genres including funk, reggae, jazz, g ...
''. Due to their wide publicity, the concerts became an important moment in the history of the band. Some of the nights were professionally recorded either for CBS records or for FM broadcast. The 9 June performance appears on countless
bootleg records Bootleg or bootlegging most often refers to: * Bootleg recording, an audio or video recording released unofficially * Rum-running, the illegal business of transporting and trading in alcoholic beverages, hence: ** Moonshine, or illicitly made an ...
and several songs have appeared on '' From Here to Eternity: Live'' or other official Clash releases. The site of the concerts was formerly Bonds department store which had been converted into a large second-floor hall. Promoters kept the name because there was a large Bonds sign on the outside of the building. As The Clash had not yet broken out into mass popularity, eight shows were originally scheduled: 28, 29, 30, 31 May and 1, 2, 3 and 5 June 1981. However, given the venue's legal capacity limit of 1750, the series was blatantly oversold (3500) right from the first night, leading the New York City Fire Department to cancel the Saturday, 30 May performance. In response, the band condemned the brazen greed of the promoters while demonstrating unprecedented integrity to each and every ticketholder by doubling the original booking with a total of 17 dates extending through June. Strict interpretation of the fire laws meant that audiences were relatively small, resulting in a sense of intimacy between the band and the audience. Audience members clambered onto the stage to join in singalongs. New York musicians, including Pearl Harbor, assisted and overseen by Andy Dunkley, provided disc jockey services as the audience entered and gathered. The concert captures The Clash on the verge of their major American market breakthrough with the release of ''
Combat Rock ''Combat Rock'' is the fifth studio album by the English rock band the Clash. It was released on 14 May 1982 through CBS Records. In the United Kingdom, the album charted at number 2, spending 23 weeks in the UK charts and peaked at number 7 in ...
'' a year later. The concert also displayed the band on the cusp between being a cult band and their major market penetration. As always with The Clash, ticket and merchandise prices were set relatively low. Prices were $10 per ticket and $5 per ticket for matinee shows. The band had a new opening act every night, including The Fall, Grandmaster Flash and the Furious Five, Dead Kennedys, Bad Brains, KRAUT, Lee "Scratch" Perry and many more. Many of the hip-hop groups that opened were either picketed or booed off the stage, which prompted Joe to chide the audience as soon as The Clash came on stage afterwards. Melle Mel later said that when they tried to perform the section of "Beat Street" with the, "Say Ho!", the audience members would yell, "Fuck you!".


Setlist

#" London Calling" #"Safe European Home" #"The Leader" #"
Train in Vain "Train in Vain" is a song by the British punk rock band the Clash. It was released as the third and final single from their third studio album, ''London Calling'' (1979). The song was not originally listed on the album's track listing, appearing ...
" #"
(White Man) In Hammersmith Palais "(White Man) In Hammersmith Palais" is a song by the English punk rock band the Clash. It was originally released as a 7-inch single, with the b-side "The Prisoner", on 16 June 1978 through CBS Records. Produced by The Clash and engineered by ...
" #" This Is Radio Clash" #"Corner Soul" #"
Guns of Brixton A gun is a ranged weapon designed to use a shooting tube (gun barrel) to launch projectiles. The projectiles are typically solid, but can also be pressurized liquid (e.g. in water guns/cannons, spray guns for painting or pressure washing, ...
" #" The Call Up" #"
Bankrobber "Bankrobber" is a song by English punk rock band The Clash. The song was not released on any of their studio albums, instead appearing on their compilation ''Black Market Clash''. Upon its 1980 release as a single (initially available in the UK ...
" #"
Complete Control "Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album. Background The song is often cited as one of punk's greatest singles and is a fiery polemic on record companies, manager ...
" #"Lightning Strikes (Not Once But Twice)" #"Ivan Meets GI Joe" #"Charlie Don't Surf" #" The Magnificent Seven" #"Broadway" #"Somebody Got Murdered" #"
Police & Thieves "Police and Thieves" ( "Police and Thief") is a reggae song first recorded by the falsetto singer Junior Murvin in 1976. It was covered by the punk band The Clash and included on their self-titled debut album released in 1977. Junior Murvin ve ...
" #"
Clampdown "Clampdown" is a song by the English rock band the Clash from their 1979 album ''London Calling''. The song began as an instrumental track called "Working and Waiting". It is sometimes called "Working for the Clampdown" which is the main lyric ...
" #"One More Time" #" Brand New Cadillac" #"The Street Parade" #"
Janie Jones Marion Mitchell (born 1941 in Seaham, County Durham), better known by her stage name Janie Jones, is a former English singer. She became renowned for holding sex parties at her home during the 1970s, and was jailed for her involvement in 'contro ...
" #" Washington Bullets"


References

{{DEFAULTSORT:Clash At Bond's International Casino, The The Clash live albums Bootleg recordings 1981 live albums