''The Black Room'' (released in Great Britain as ''The Black Room Mystery''Stephen Jacobs, ''Boris Karloff: More Than a Monster'', Tomahawk Press 2011 p 182) is a 1935 American

horror film Horror is a film genre that seeks to elicit fear or disgust in its audience for entertainment purposes. Horror films often explore dark subject matter and may deal with transgressive topics or themes. Broad elements include monsters, apoca ...

directed by Roy William Neill (as R. William Neill) and starring

Boris Karloff William Henry Pratt (23 November 1887 – 2 February 1969), better known by his stage name Boris Karloff (), was an English actor. His portrayal of Frankenstein's monster in the horror film ''Frankenstein'' (1931) (his 82nd film) established h ...

. Cinematography was done by Allen G. Siegler.

Plot

In a Tyrolean castle in the late 18th century, twin sons, Gregor and Anton, are born to the de Berghmann baronial family. The baron is concerned: an old prophecy in the family states that the younger brother shall kill the elder in the

Black Room __NOTOC__ A black room is part of a communication center (e.g. a post office) used by state officials to conduct clandestine interception and surveillance of communications. Typically, all letters or communications pass through the black room bef ...

of the castle. Some years later in 1834, it is revealed that the Baron Gregor (Boris Karloff) has become a depraved ruler who murders the wives of local peasants. His brother, Anton (also played by Karloff), who cannot use his right arm and has spent much of his life traveling Europe, returns to the castle for a visit, but refuses to believe the rumors he hears about Gregor. The kindly Anton becomes popular with the villagers and the castle staff, being the exact opposite of his brother. At the same time, Gregor's attempts to woo Thea (Marian Marsh), daughter of family advisor Colonel Hassell, fail noticeably before both her admiration for Anton and her true love for young Lieutenant Albert Lussan (Robert Allen). When the castle servant Mashka (Katherine DeMille) disappears after being seen with Gregor, the locals form a mob and enter the castle, confronting the baron. Gregor agrees to abdicate, and give power to his brother, who has become popular. After the papers are signed to relinquish his baronetcy to Anton, he lures his unsuspecting brother to the Black Room, kills him, and throws him into the pit where the dead bodies of Mashka and his other victims are kept. Gregor now assumes Anton's identity, and prepares to wed Thea, whose father supports their union. Lt. Lussan angrily and threateningly objects to the Colonel; Gregor kills the Colonel when a game of chess and his signing of a document reflected in a mirror both expose him, and then easily frames the Lieutenant, who is found guilty and sentenced to death. Following this, only Anton's

mastiff A mastiff is a large and powerful type of dog. Mastiffs are among the largest dogs, and typically have a short coat, a long low-set tail and large feet; the skull is large and bulky, the muzzle broad and short ( brachycephalic) and the ears dr ...

recognizes that the baron is not his master, and the dog pursues Gregor when he travels to town for his wedding. Meanwhile, Lussan escapes his cell and meets secretly with Thea, who urges him to flee. He refuses, however, and the wedding ceremony begins in the town cathedral. As the stately ceremony draws to a close, the priest asks for any who object to the union to "speak now or forever hold their peace", and the dog attacks "Anton", who defends himself with his supposedly paralyzed right arm. Standing thus revealed, Gregor flees. The townspeople gathered for the wedding form a mob in a matter of seconds. The dog, followed by the mob, which includes Lussan, pursues Gregor to the castle, where he attempts to hide in the Black Room. The mob discovers where he is and begins to batter open the secret door. Before they can gain passage, however, the dog squeezes through and throws himself on Gregor, who falls backward into the pit and onto the knife still held in his murdered brother's hand. Thus, the prophecy is fulfilled.

Cast

as Baron Gregor de Berghmann / Anton de Berghmann *

Marian Marsh Marian Marsh (born Violet Ethelred Krauth; October 17, 1913 – November 9, 2006) was a Trinidad-born American film actress and later an environmentalist. Early life Violet Ethelred Krauth was born on October 17, 1913, in Trinidad, British ...

as Thea Hassel * Robert Allen as Lt. Albert Lussan *

Thurston Hall Ernest Thurston Hall (May 10, 1882 – February 20, 1958) was an American film, stage and television actor.Aylesworth, Thomas G. and Bowman, John S. (1987). ''The World Almanac Who's Who of Film''. World Almanac. . Pp. 186-187. Career Stag ...

as Col. Paul Hassel *

Katherine DeMille Katherine Lester DeMille (born Katherine Paula Lester; June 29, 1911 – April 27, 1995) was a Canadian-born American actress who played 25 credited film roles from the mid-1930s to the late 1940s. The adopted daughter of director Cecil B. De ...

as Maska (as Katherine De Mille) * John Buckler as Buran *

Henry Kolker Joseph Henry Kolker (November 13, 1874 ome sources 1870– July 15, 1947) was an American stage and film actor and director. Early years Kolker was born in Quincy, Illinois. Career Kolker, like fellow actors Richard Bennett and Robert Wa ...

as Baron de Bergman *

Colin Tapley Colin Edward Livingstone Tapley (7 May 1909 – 1 December 1995) was a New Zealand actor in both American and British films. Born in New Zealand, he served in the Royal Air Force and an expedition to Antarctica before winning a Paramount Pictur ...

as Lt. Paul Hassel *

Torben Meyer Torben Emil Meyer (1 December 1884 – 22 May 1975) was a Danish-American character actor who appeared in more than 190 films in a 55-year career. He began his acting career in Europe before moving to the United States. Early life Meyer was ...

as Peter

Response

Writing for ''The Spectator'' in 1935,

Graham Greene Henry Graham Greene (2 October 1904 – 3 April 1991) was an English writer and journalist regarded by many as one of the leading English novelists of the 20th century. Combining literary acclaim with widespread popularity, Greene acquir ...

described the film as "absurd and exciting", and "wildly

artificial Artificiality (the state of being artificial or manmade) is the state of being the product of intentional human manufacture, rather than occurring naturally through processes not involving or requiring human activity. Connotations Artificiality ...

." Greene praised both the acting of Karloff and the direction of Neill, noting that Karloff had been given a long speaking part and "allowed to act at last", and that Neill had "caught the genuine

Gothic Gothic or Gothics may refer to: People and languages *Goths or Gothic people, the ethnonym of a group of East Germanic tribes **Gothic language, an extinct East Germanic language spoken by the Goths **Crimean Gothic, the Gothic language spoken b ...

note" in a manner that displayed more historical sense than any of

Alexander Korda Sir Alexander Korda (; born Sándor László Kellner; hu, Korda Sándor; 16 September 1893 – 23 January 1956)Leonard Maltin Leonard Michael Maltin (born December 18, 1950) is an American film critic and film historian, as well as an author of several mainstream books on cinema, focusing on nostalgic, celebratory narratives. He is perhaps best known for his book of fil ...

awarded the film three out of four stars, calling it " nExcellent, understated thriller". Maltin also praised Karloff's performance as one of the actor's best. From retrospective reviews, Tony Rayns reviewed the film in ''

Sight & Sound ''Sight and Sound'' (also spelled ''Sight & Sound'') is a British monthly film magazine published by the British Film Institute (BFI). It conducts the well-known, once-a-decade ''Sight and Sound'' Poll of the Greatest Films of All Time, ongoing ...

'', finding ''The Black Room'' as having "obvious aspirations to be a Paramount movie" noting its setting and "lavish deployment of crowds of extras". Rayns found that Karloff appeared to be relishing his dual role and that he "makes the most of some Hays Code defying hints of blasphemy."

References

Sources

External links

* * * *
Joe Dante on ''The Black Room''
at

Trailers from Hell ''Trailers from Hell'' (branded as ''Trailers from Hell!'') is a web series in which filmmakers discuss and promote individual movies through commenting on their trailers. While the series emphasizes horror, science fiction, fantasy, cult, and expl ...