The Angel With Golden Hair
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''The Angel with Golden Hair'' (russian: Ангел Златые власы, ''Angel Zlatye Vlasy'') is a tempera
icon An icon () is a religious work of art, most commonly a painting, in the cultures of the Eastern Orthodox, Oriental Orthodox, and Catholic churches. They are not simply artworks; "an icon is a sacred image used in religious devotion". The most ...
by an unknown Russian artist, painted in the second half of the 12th century. It is displayed in the
Russian Museum The State Russian Museum (russian: Государственный Русский музей), formerly the Russian Museum of His Imperial Majesty Alexander III (russian: Русский Музей Императора Александра III), on ...
in
Saint Petersburg Saint Petersburg ( rus, links=no, Санкт-Петербург, a=Ru-Sankt Peterburg Leningrad Petrograd Piter.ogg, r=Sankt-Peterburg, p=ˈsankt pʲɪtʲɪrˈburk), formerly known as Petrograd (1914–1924) and later Leningrad (1924–1991), i ...
. ''The Angel with Golden Hair'' is the oldest icon from the collection of the Russian Museum. Most experts attribute it to the 
Novgorod Veliky Novgorod ( rus, links=no, Великий Новгород, t=Great Newtown, p=vʲɪˈlʲikʲɪj ˈnovɡərət), also known as just Novgorod (), is the largest city and administrative centre of Novgorod Oblast, Russia. It is one of the ol ...
 school of icon painting. What characterizes this icon is the golden hair with added 
gold leaf Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 µm thick) by goldbeating and is often used for gilding. Gold leaf is available in a wide variety of karats and shades. The most commonly used gold is 22-kara ...
. For each hair of the angel a thin gold strip from a gold leaf was laid, which makes the hair shine with a celestial light, as the gold symbolizes the divine.


Description

The icon is one of
Russia Russia (, , ), or the Russian Federation, is a List of transcontinental countries, transcontinental country spanning Eastern Europe and North Asia, Northern Asia. It is the List of countries and dependencies by area, largest country in the ...
's oldest surviving icons, dating from the pre-
Mongol invasion The Mongol invasions and conquests took place during the 13th and 14th centuries, creating history's largest contiguous empire: the Mongol Empire ( 1206- 1368), which by 1300 covered large parts of Eurasia. Historians regard the Mongol devastati ...
period. It was hung at the Kremlin church in
Moscow Moscow ( , US chiefly ; rus, links=no, Москва, r=Moskva, p=mɐskˈva, a=Москва.ogg) is the capital and largest city of Russia. The city stands on the Moskva River in Central Russia, with a population estimated at 13.0 million ...
in the 16th century. The icon was possibly brought from Novgorod to the city of Moscow during the reign of
Ivan the Terrible Ivan IV Vasilyevich (russian: Ива́н Васи́льевич; 25 August 1530 – ), commonly known in English as Ivan the Terrible, was the grand prince of Moscow from 1533 to 1547 and the first Tsar of all Russia from 1547 to 1584. Ivan ...
, when he pillaged the city and moved its sacred objects to his capital. During the 12th century, the most prominent
tier Tier may refer to: Groupings *Organizational, a ranking relationship involving order in a collective and its subordinate components *Ranking, a relationship involving order between a set of observations or variables *Data center tiers, Telecommu ...
of the
iconostasis In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand t ...
, a screen of icons in front of the altar, was the '' Deesis'' (also known as "Supplication") tier—an image of
Christ Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other Names and titles of Jesus in the New Testament, names and titles), was ...
with his mother surrounded by angels and saints. It is thought that The Angel with Golden Hair'' was part of that. The huge cheeks and a wide almond-shaped eyes of this icon resemble the
fresco Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaste ...
es in the Chapel of the Theotokos on the
Patmos Patmos ( el, Πάτμος, ) is a Greek island in the Aegean Sea. It is famous as the location where John of Patmos received the visions found in the Book of Revelation of the New Testament, and where the book was written. One of the northernmos ...
island in Greece. Otherwise it is close to the style in the murals of the Saviour Church on Nereditsa Hill (1199) in Novgorod, where it is suggested that it was part of the ''Deesis'' tier. The artwork is the result of the
Byzantine art Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted ...
influence of the city of Novgorod between the late 12th and early 13th centuries, which spread to the city of Moscow around the year 1200.


History

The icon was discovered by the art historian Georgy Filimonov in 1864 while dismantling the "junk storeroom" in the "tent" (the attic) of the  Ivan the Great Bell Tower in
Moscow Kremlin The Kremlin ( rus, Московский Кремль, r=Moskovskiy Kreml', p=ˈmɐˈskofskʲɪj krʲemlʲ, t=Moscow Kremlin) is a fortified complex in the center of Moscow founded by the Rurik dynasty. It is the best known of the kremlins (R ...
, where "dilapidated and unusable" icons were laid, destined for destruction. The icon was moved to 
Rumyantsev Museum The Rumyantsev Museum evolved from the personal library and historical collection of Count Nikolay Rumyantsev (1754–1826). Its origin was in St. Petersburg in the Rumyantsev house or mansion, building number 44 on the English Embankment overlo ...
, where it was attributed to
Simon Ushakov Simon (Pimen) Fyodorovich Ushakov (Russian: Симон (Пимен) Федорович Ушаков) (1626 – 25 June 1686) was a leading Russian icon painter of the late 17th-century. Together with Fyodor Zubov and Fyodor Rozhnov, he is a ...
's circle. The conclusion was based on the last restoration of the icon, made in the 17th century. After the dissolution of the Rumyantsev Museum in 1925, the icon as part of the collection of Christian antiquities was transferred to the  State Historical Museum, where the restorer E. I. Bryagin cleaned it. Due to the poor preservation of the painting, the restorer was forced to preserve significant remains of the 17th-century additions to the icon, such as the green background, clothes, writing on the hair, and gold. In 1926 it was first exhibited at an exhibition of the monuments of ancient Russian icon paintings in the State Historical Museum. In 1930 the collection of Christian antiquities was moved to the Tretyakov Gallery. Then in 1934 the icon was moved to the collection of Russian Museum. According to 
Viktor Lazarev Viktor Nikitich Lazarev (russian: Ви́ктор Ники́тич Ла́зарев; 3 September (22 August O.S.) 1897 – 1 February 1976) was a Russian art critic and historian who specialized in medieval Byzantine, Russian, and Armenian rel ...
: you have to connect this icon to
Byzantine The Byzantine Empire, also referred to as the Eastern Roman Empire or Byzantium, was the continuation of the Roman Empire primarily in its eastern provinces during Late Antiquity and the Middle Ages, when its capital city was Constantinopl ...
influence exerted on the art of Novgorod in the 12th century. It could be a work of the workshop of  The icon is similar to the ''Holy Face of Novgorod'' painted on the back of the ''Adoration of the Cross'' but which is attributed to "an unknown author" by the Tretyakov Museum.


See also

*
List of oldest Russian icons This is the complete list of extant icons created in Russia before and during the reign of Alexander Nevsky (1220–63). 1000–1130 1130–1200 1200–1250 See also * Russian icons Sources * В. Д. Сарабьянов, Э. ...


References


Bibliography

* *


External links


Archangel Gabriel (Angel Golden Hair). Icon. XII century - Virtual Russian Museum
{{DEFAULTSORT:Angel With Golden Hair, The 12th-century paintings Russian paintings Collections of the Russian Museum Paintings depicting Gabriel