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Teatro Sociale is a theatre in
Como Como (, ; lmo, Còmm, label= Comasco , or ; lat, Novum Comum; rm, Com; french: Côme) is a city and ''comune'' in Lombardy, Italy. It is the administrative capital of the Province of Como. Its proximity to Lake Como and to the Alps h ...
, designed by architect
Giuseppe Cusi Giuseppe is the Italian form of the given name Joseph, from Latin Josephus, Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name ...
following a decision by the local nobility that a new one was needed to replace the existing 1764/65 building which was regarded as outdated.Lynn, pp. 11-13 The site of the ruined medieval castle, Torre Rotonda, was the chosen location and the Società dei Palchettisti was created by membership subscriptions to fund its creation. With its planned neo-classic façade, construction started in early 1812 and, in spite of agreement for it to be finished that same year, construction problems ensued, largely the result of a bad winter. The following Spring brought additional problems and added work so that the theatre was not finished until its August 1813 inauguration with a performance of Marco Portogallo's opera, ''
Adriano in Siria ''Adriano in Siria'' (''Hadrian in Syria'') is a libretto by Italian poet Metastasio first performed, with music by Antonio Caldara, in Vienna in 1732, and turned into an opera by at least 60 other composers during the next century. Metastasio ...
''. By 1854 it had become apparent that the theatre was too small, and additional work was done to create thirty-eight new boxes for a total of 98. The house was re-opened in December 1855. Among the performers who appeared during the 19th and early 20th century were Paganini,
Giuditta Pasta Giuditta Angiola Maria Costanza Pasta (née Negri; 26 October 1797 – 1 April 1865) was an Italian soprano opera singer. She has been compared to the 20th-century soprano Maria Callas. Career Early career Pasta was born Giuditta Angiola Maria Co ...
, and
Francesco Tamagno Francesco Tamagno (28 December 1850 – 31 August 1905) was an Italian operatic tenor who sang with enormous success throughout Europe and America.Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, On 5 February ...
. By the early 20th century, the theatre was again determined to be too small to accommodate all who wished to attend and various proposals were put forward, culminating in the decision to retain the Sociale as it was and build a new house, which was inaugurated in September 1910. The 1930s brought economic problems, causing the theatre to be turned into a cinema for a while. However, in 1944 it became the alternative opera house for Milan's La Scala when it was damaged during the war. The postwar period saw difficulties and its closing for a time in the 1960s. However, it closed down again in May 1984 when the Società dei Palchettisti had decided "to close the theatre for an undetermined time because of the instability of the structure". After delays and indecisions, a major remodeling took place, creating a 900-seat house with five tiers and "a massive, six-Corinthian-column
pronaos A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cult ...
(which) anchors the monumental neo-classical facade of the structure.


References

;Notes ;Sources Lynn, Karyl Charna, ''Italian Opera Houses & Festivals'', Lanham, MD: Scarecrow Press, 2005


External links


Teatro Sociale's official website
{{authority control Opera houses in Italy Theatres in Lombardy Teatro Sociale Teatro Sociale Theatres completed in 1813 Theatres completed in 1910 Music venues completed in 1813 Music venues completed in 1910