Teatro De Arena
   HOME

TheInfoList



OR:

Teatro de Arena was a theatre in
São Paulo São Paulo (, ; Portuguese for 'Saint Paul') is the most populous city in Brazil, and is the capital of the state of São Paulo, the most populous and wealthiest Brazilian state, located in the country's Southeast Region. Listed by the GaWC a ...
,
Brazil Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area ...
. /sup> Established in 1953, it was one of the most important Brazilian theatre groups in the 1950s and 1960s. Its importance stemmed from the rising of Brazilian nationalism promoted by the Vargas era. It performed works by the likes of Renato José Pécora,
Augusto Boal Augusto Boal (16 March 1931 – 2 May 2009) was a Brazilian theatre practitioner, drama theorist, and political activist. He was the founder of Theatre of the Oppressed, a theatrical form originally used in radical left popular education movemen ...
and
Gianfrancesco Guarnieri Gianfrancesco Sigfrido Benedetto Marinenghi de Guarnieri (August 6, 1934 – July 22, 2006) was an Italian–Brazilian actor, lyricist, poet and playwright. He was a key participant in the Arena Theater of São Paulo, his most important work was ...
, before closing in 1972.


History

The Teatro de Arena was founded in Sāo Paulo in 1953 by It was an alternative form of theater production from the current expensive state of Brazilian theater. Jose Renato was a prominent actor, director and one of the founders whose vision was for the theater and production was to make it more accessible than those productions being put on by the Brazilian Theater Comedy. The first professional casting the theater company put on was ''Tonight is Ours'' in 1953 in MAM Halls,
Museum of Modern Art The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one of ...
. This early company consisted of José Renato,
Sérgio Britto Sérgio Britto (, born Sérgio de Britto Álvares Affonso(September 18, 1959) is a Brazilian musician, best known as a member of the rock band Titãs, for which he contributes with lead vocals, keyboards and, more recently, the bass guitar. He ha ...
, Henrique Becker, Geraldo Mateus, Renata Blaunstein and Monah Delacy. After two years of performing in makeshift areas, the company finally inaugurates the room of Rua Theodoro Biama in 1955 which is in a renovated garage in front of the Church of the consolation which is in the middle of São Paulo. The saving of the theater due to economic reasons was credited to
Gianfrancesco Guarnieri Gianfrancesco Sigfrido Benedetto Marinenghi de Guarnieri (August 6, 1934 – July 22, 2006) was an Italian–Brazilian actor, lyricist, poet and playwright. He was a key participant in the Arena Theater of São Paulo, his most important work was ...
. He was a young actor and playwright who graduated from the Teatro Paulista do Estudante. Even though Guarnieri is Italian, he was extremely passionate about the path that Brazilian theater was going on. In 1958, ''
They Don't Wear Black-Tie ''Eles Não Usam Black-tie'' (internationally released as ''They Don't Wear Black Tie'') is a 1981 Brazilian drama film directed by Leon Hirszman, based on Gianfrancesco Guarnieri's play of the same name. Plot The film revolves around a workin ...
'', written by Guarneri was a massive success. The success of the production allowed for the space for the beginning of the Seminars of Dramaturgy movement that was to bring new Brazilian authors to the light. Out of this movement,
Oduvaldo Vianna Filho Oduvaldo Vianna Filho, known as Vianinha (4 June 1936 – 16 July 1974), was a Brazilian playwright. Vianinha was born in São Paulo. He started in theater as an actor, in 1955, with the Teatro Paulista do Estudante (São Paulo Students Theatre) ...
and
Flávio Migliaccio Flávio Migliaccio (26 August 1934 – 4 May 2020) was a Brazilian actor, film director and screenwriter. He appeared in more than 90 films and television shows between 1958 and 2019. His 1962 film ''The Beggars'' was entered into the 3rd M ...
emerged.


Productions


Process of Closing

The theater had an odd process of falling apart. During the Rio tour of ''They Don't Wear Black-Tie,'' Oduvaldo Vianna Filho and Milton Gonçalves left the company and founded the 1961 movement of Popular Centers of Culture (CPCs), by the National Union of Students - UNE. The next person to leave the theater was José Renato. He moved to Rio in 1962 to be head of direction of the National Theater of Comedy - (TNC). In 1968 and 1969, Guarnieri left the theater, leaving the work to Boal. These were busy years considering there was an international tour through the United States (New York, Berkeley, San Francisco, Kent, Cleveland, Kansas City, Buffalo, Chapaqua), Peru (Lima), and Mexico (Pueblas, Guanaguato, Guadalajara, Monte Rei, Leon, Porto Si, and Morela) with the ''Arena tells of Zumbi'' from Guarnieri and Boal, and ''Arena tells of Bolivar'' from Boal. In 1971, when Boal was putting together the script for ''Arena Conta Bolivar,'' which did end up banned in Brazil, Boal was arrested and soon after goes into exile. The last production the theater put on was carried out by Núcleo 2 do Arena from 1969. This is when Teatro de Arena passes the reins to the actor Luis Carlos Arutin. The last two shoes from the theater were Bertolt Brecht's ''Night Drums'' and Carlos Queiroz Telles ''These Intrepid Guys and Their Wonderful Week of Modern Art'', however it was presented by Núcleo 2 do Arena. These shows were shown at the São Pedro theater and directed by Fernando Peixoto. Arena closes its doors completely in 1972 and is bought by the no longer running National Service of Theater - SNT in 1977. As of 1990, the rooms are no longer used to teach theatrical language research processes that add to the cultural life of the region.


References


Additional Sources

* ''Panorama of the Brazilian Theater,'' by Sábato Magaldi - Global Editora * ''Small History of the Theater in Brazil (''four centuries of theater in Brazil), by Mario Cacciaglia - EDUSP * ''Le Théâtre Arena (São Paulo 1953-1977) -'' Richard du Roux, Aix-en-Provence, Université de Provence, 1991,2 vol., 758 p.- Du "théâtre en rond" au "théâtre populaire" * «''Le théâtre brésilien''». In : CORVIN, Michel, ''Dictionnaire encyclopédique du théâtre, Paris, Bordas, 1st ed., 1991; 2e ed. 1995 (entrées corrigées); Paris, Larousse, 3e ed. .: 1998 (entées corrigés et augmentés); Paris Hachette, 4e ed.: 2007 (entrées augmentés).'' Theatres in São Paulo 1953 establishments in Brazil 1972 disestablishments in Brazil {{Brazil-theat-struct-stub