Artwork
Lewis currently works with soft materials such as fabric scraps. She uses recycling because it is circular and has roots in her ancestry. In Lewis's most recent work “The T.A.U.B.I.S.” she uses a range of materials from recycled and hand dyed fabrics, recycled leather, cotton batting, beads, acrylic paint, PVA, glue, metal hoop skirt, and pipes, to sea shells. In Lewis's twelve-foot-long quilt (the sighting of the last shadow dweller (original sea kin)) the quilt is stitched together using materials such as leather and reclaimed fabric to evoke aquatic systems. The various materials used are stitched together irregularly with no uniform shape or pattern reminiscent of the flowing of water. When examined up close elements of the body emerge from the quilt the fragments of the body act as elements of DNA in the work. Lewis's use of reclaimed scraps and materials connects with histories of resourcefulness and is environmentally conscious. Lewis's earlier work used materials such as “wood, scrap metal, cement, wire, plaster, stones, paint cans, chains and rebar, her latest work relaxes further into fabric.” Using the globally sourced materials she creates a sense of community and ancestry in the work. In 2018, Lewis was awarded the Frieze Frame Stand Prize for her solo presentation with Cooper Cole Gallery at FriezeExhibitions
In 2018, Lewis had her first institutional solo exhibition in Canada in the Agnes Etherington Art Centre. In 2021 Lewis' sculpture "Symphony" was exhibited in the Rotunda of the National Gallery of Canada in Ottawa as part of its ''Contemporary Projects'' series.References
External links
* {{DEFAULTSORT:Lewis, Tau 1993 births Living people Artists from Toronto Canadian women sculptors Feminist artists Canadian contemporary artists Contemporary sculptors Canadian queer artists Queer feminists Canadian people of Jamaican descent Canadian LGBT artists Black Canadian women Black Canadian LGBT people Black Canadian artists 21st-century Canadian women artists 21st-century Canadian LGBT people