''Thanjavur Quartet'' were four brothers, Chinnayya, Ponnayya, Sivanandam and Vadivelu, who lived during the early 19th century and contributed to the development of

Bharatanatyam Bharatanatyam () is a major form of Indian classical dance that originated in Tamil Nadu. It is one of the eight widely recognized Indian classical dance forms, and expresses South Indian religious themes and spiritual ideas, particularly of S ...

and

Carnatic music Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, an ...

. They excelled in the art of Bharatanatyam.The brothers were employed in the courts of the

Maratha The Marathi people (Marathi: मराठी लोक) or Marathis are an Indo-Aryan ethnolinguistic group who are indigenous to Maharashtra in western India. They natively speak Marathi, an Indo-Aryan language. Maharashtra was formed as a M ...

King

Serfoji II Serfoji II Bhonsle ( ta, இரண்டாம் சரபோஜி ராஜா போன்ஸ்லே, mr, शरभोजी राजे भोसले (द्वितीय)) (24 September 1777 – 7 March 1832) also spelt as Sarabho ...

Thanjavur Thanjavur (), also Tanjore, Pletcher 2010, p. 195 is a city in the Indian state of Tamil Nadu. Thanjavur is the 11th biggest city in Tamil Nadu. Thanjavur is an important center of South Indian religion, art, and architecture. Most of the Gr ...

initially, and then moved to Travancore to the Court of Swati Tirunal.They lived in the courts of Tulajaji and Sarabhoji kings. The Tanjore brothers gave the actual form of the recent day repertoire of Bharatanatyam - The Margam.

Musical training

At the encouragement of the King they learnt the nuances of Carnatic music from a number of exponents of their time including

Muthuswami Dikshitar Muthuswami Dikshitar (Mudduswamy Dikshitar)(, 24 March 1776 – 21 October 1835), mononymously Dikshitar, was a South Indian poet, singer and veena player, and a legendary composer of Indian classical music, who is considered one of the musical ...

. Dikshitar appreciated Vadivelu Pillai as an ''ekasandhagrahi'', one who had the ability to repeat a song heard only once. The quartet wrote a set of nine songs called ''navaratna mela'' in tribute of their teacher. After a stint at the courts of Serfoji, the brothers moved to

Travancore The Kingdom of Travancore ( /ˈtrævənkɔːr/), also known as the Kingdom of Thiruvithamkoor, was an Indian kingdom from c. 1729 until 1949. It was ruled by the Travancore Royal Family from Padmanabhapuram, and later Thiruvananthapuram. At ...

and were patronised by

Swati Tirunal ( ml, സ്വാതി തിരുനാള്‍ രാമവർമ്മ) (16 April 1813 – 26 December 1846) was the Maharaja of the Kingdom of Travancore. He is also considered as a brilliant music composer and is credited with over 40 ...

. The king appointed Vadivelu Pillai as the court musician. Vadivelu Pillai also learnt to play the violin gained expertise and demonstrated that not only Kalpita sangeetam but Manodharma sangeetam could also be easily and deftly played on the instrument. Vadivelu was the first to introduce Violin instrument to Carnatic music.

Compositions

The four brothers composed numerous

varnams Varṇam is a type of composition in the Carnatic music system consisting of short metric pieces which encapsulate the main features (patterns of notes) of a ''raga''. Varnams capture the ''raga bhavam'', ''ranjaka prayogas'' ''visesha sancha ...

and ''kritis''. Some of these are ''Amba Souramba'' and ''Amba Neelamba'', ''Ambaneelambari'' (''Neelambari''), ''Satileni'' (''Poorvikalyani''), apart from the ''navaratna mala''.These brothers composed number of Varnas and Kritis.They were the first to formalise the performance pattern of bharatanatyam, and codify lessons called ''adavus'' (basic steps and the different categories of rhythm patterns) required for the same. They were the ones to plan and set the order of the different items of the repertoire in performance. The order they set was as follows. Melaprapti, Alarippu, Jatiswaram, Sabdam, swarajati, Chauka Varnam, Ragamalika, Padam, Javali, and Tillana. They also composed several pieces for each category set to different ragas and talas (rhythm structure). The compositions were in

Telugu Telugu may refer to: * Telugu language, a major Dravidian language of India *Telugu people, an ethno-linguistic group of India * Telugu script, used to write the Telugu language ** Telugu (Unicode block), a block of Telugu characters in Unicode S ...

, their mother tongue, and they addressed their family deities, Sri Brihadisvara and Brihannayaki, as well as the kings and ministers who patronised them and also the different deities whom they worshipped during their travels.

References

Carnatica.net

Tanjore Quartet Compositions

Carnatic composers Thanjavur People from Thanjavur district {{Carnatic-music-stub

Musical training

Compositions

See also

References