Tanburi Cemil Bey (1873, Istanbul – July 28, 1916, Istanbul) was an
Ottoman tanbur
The term ''Tanbur'' ( fa, تنبور, ) can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the ''New Grove Dictionary of Music and Musicians'', "terminology presents a compli ...
,
Turkish tambur
The ''tambur'' (spelled in keeping with TDK conventions) is a fretted string instrument of Turkey and the former lands of the Ottoman Empire. Like the ney, the armudi (lit. pear-shaped) kemençe and the kudüm, it constitutes one of the four in ...
,
yaylı tambur,
kemençe
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black ...
, and
lavta
The lavta is a plucked string music instrument from Istanbul.
Description
The Lavta has a small body made of many ribs made using carvel bending technique. Its appearance is somewhat like a small (Turkish) oud - the strings are made from gut l ...
virtuoso and composer, who has greatly contributed to the ''taksim'' (improvisation on a makam/maqam) genre in
Ottoman classical music
Ottoman music ( tr, Osmanlı müziği) or Turkish classical music ( tr, Türk sanat müziği) is the tradition of classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally ...
. His son,
Mesut Cemil
Mesut Cemil (; b. 1902 – d. October 31, 1963) was a Turkish composer, and a notable ''tanbur'' lute and cello player. His father was Tanburi Cemil Bey.
He participated in the 1932 Cairo Congress of Arab Music.
Cemil took cello and violin les ...
Bey, was an equally renowned
Turkish
Turkish may refer to:
*a Turkic language spoken by the Turks
* of or about Turkey
** Turkish language
*** Turkish alphabet
** Turkish people, a Turkic ethnic group and nation
*** Turkish citizen, a citizen of Turkey
*** Turkish communities and mi ...
tambur virtuoso.
Biography
Cemil Bey was born in
Istanbul
Istanbul ( , ; tr, İstanbul ), formerly known as Constantinople ( grc-gre, Κωνσταντινούπολις; la, Constantinopolis), is the List of largest cities and towns in Turkey, largest city in Turkey, serving as the country's economic, ...
,
Ottoman Empire
The Ottoman Empire, * ; is an archaic version. The definite article forms and were synonymous * and el, Оθωμανική Αυτοκρατορία, Othōmanikē Avtokratoria, label=none * info page on book at Martin Luther University) ...
, in 1871 or 1873; his birth date is uncertain. He took his first lessons in music from Kanuni Ahmet Bey and the violin player Kemani Aleksan, his first instruments thus being the
violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
and the
kanun. After completing middle school, he continued in a school for civil servants (''Mülkiye''), but then devoted himself to music and abandoned his education. He began to play the
tanbur
The term ''Tanbur'' ( fa, تنبور, ) can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the ''New Grove Dictionary of Music and Musicians'', "terminology presents a compli ...
quite early in his youth and by the age of 20, his renown had already spread among the tamburis of
Istanbul
Istanbul ( , ; tr, İstanbul ), formerly known as Constantinople ( grc-gre, Κωνσταντινούπολις; la, Constantinopolis), is the List of largest cities and towns in Turkey, largest city in Turkey, serving as the country's economic, ...
. Reforming the traditional playing technique of the tambur, he developed an energetic technique based on a rich and agile picking style, lightening to a great extent the sonority of this instrument. Later on, he set about playing the
Turkish classical kemençe and attained an astonishingly high level of technique, so much so that the virtuosity level of the Ottoman
kemençe
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black ...
vi of Greek origin Vasilaki (1845–1907), considered as then as "the reference", came to be thought of by certain amateurs to be outmatched. He was also the inventor of the
Yaylı tambur.
Cemil Bey was able to play any instrument he picked up: he played
lavta
The lavta is a plucked string music instrument from Istanbul.
Description
The Lavta has a small body made of many ribs made using carvel bending technique. Its appearance is somewhat like a small (Turkish) oud - the strings are made from gut l ...
,
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
,
yaylı tambur,
zurna
The zurna (Armenian language, Armenian: զուռնա zuṙna; Classical Armenian, Old Armenian: սուռնայ suṙnay; Albanian language, Albanian: surle/surla; Persian language, Persian: karna/Kornay/surnay; Macedonian language, Macedonian: з ...
and several other instruments with equal virtuosity. His
taksims and instrumental works he recorded on
78rpms with tanbur,
kemençe
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black ...
,
lavta
The lavta is a plucked string music instrument from Istanbul.
Description
The Lavta has a small body made of many ribs made using carvel bending technique. Its appearance is somewhat like a small (Turkish) oud - the strings are made from gut l ...
,
cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), t ...
and
yaylı tambur had considerable impact on generations of musicians following him. The
peşrev
''Peşrev'' (pronounced in Turkish), ''Pişrev'' (), ''peshrev,'' or ''pishrev;'' called ''bashraf'' بشرف in Arabic; is an instrumental form in Turkish classical music. It is the name of the first piece of music played during a group performa ...
s and
sazsemai
The ''saz semai'' (also spelled in Turkish as ''saz sema'i'', ''saz sema-i'', ''saz sema i'', ''saz semaī'', ''saz semâ'î'', ''sazsemai'', ''saz semaisi'', or ''sazsemaisi'' and in the Arab world as ''samâi'') is an instrumental form in Ot ...
s he composed are pieces of great taste, requiring a developed performance technique.
According to close friend Mahmut Demirhan:
He was a very sensitive and nervous person, who eventually suffered from alcoholism. Most of his compositions have
been preserved in his recordings, but some of his works were incomplete when he died.
Compositions
* Bestenigâr Saz Semâî (Aksak semâî)
* Ferahfezâ Saz Semâî (Aksak semâî)
* Ferahfezâ Peşrev (Muhammes)
* Hicâzkâr Peşrev (Muhammes)
* Hicâzkâr Saz Semâî (Aksak semâî)
* Isfahân Saz Semâî (Aksak semâî)
* Isfahân Peşrev (Devr-i kebîr)
* Kürdîlihicâzkâr Peşrev (Muhammes)
* Mâhûr Peşrev (Muhammes)
* Mâhûr Peşrev (Muhammes)
* Muhayyer Saz Semâî (Aksak semâî)
* Muhayyer Peşrev (Devr-i kebîr)
* Nevâ Peşrev (Devr-i kebîr)
* Şedarabân Saz Semâî (Aksak semâî)
* Şedarabân Peşrev (Fahte)
* Sûz-i Dilarâ Saz Semâî (Aksak semâî)
* Nikrîz Zeybek (Aksak)
* Nikrîz Longa (Nîm sofyân)
* Kürdîlihicâzkâr Şarkı (Aksak) - Def-i Nalis Eylerim Hep Seyri Ruhsarınla Ben
* Hüseynî Şarkı (Devr-i hindî) - Gormek Ister Gozlerim
* Şehnâz Şarkı (Sengîn semâî) - Feryad Ki Feryadım
* Nihâvend Şarkı (
Yürük semâî
Yurukikos or Yurukiko () is a Greek instrumental dance from Agiasos, Lesbos, Greece, with a nine beat rhythm. The dance has many similarities with antikristos dance. The tune take its name from the Yörüks, the Turkish nomadic tribe.
The dance c ...
) - Sevdim Seni Ey İşvebaz
* Mâhûr Şarkı (Ağır Aksak semâî) - Var İken Zâtında Böyle Hüsn-ü An
Notes
References
* Who is who database
''Biography of Tanburi Cemil Bey''
* Turkmusikisi.com
{{DEFAULTSORT:Bey, Cemil
1873 births
1916 deaths
Musicians from Istanbul
Composers from the Ottoman Empire
Turkish tambur players
Turkish classical kemençe players
Composers of Ottoman classical music
Composers of Turkish makam music
Musicians of Ottoman classical music
Musicians of Turkish makam music