T'aint Nobody's Bizness If I Do
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"Ain't Nobody's Business" (originally "Tain't Nobody's Biz-ness if I Do") is a 1920s
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...
song that became one of the first blues standards. It was published in 1922 by Porter Grainger and
Everett Robbins Everett "Happy" Robbins was a Chicago-based pianist,Fran ...
. The song features a lyrical theme of freedom of choice and a
vaudeville jazz Jazz is a music genre that originated in the African Americans, African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recog ...
–style musical arrangement. It was first recorded, as "'Tain't Nobody's Biz-ness if I Do", in 1922 by Anna Meyers, backed by the
Original Memphis Five The Original Memphis Five was an early jazz quintet founded in 1917 by trumpeter Phil Napoleon and pianist Frank Signorelli. Jimmy Lytell was a member from 1922 to 1925. The group made many recordings between 1921 and 1931, sometimes under dif ...
. Recordings by other classic female blues singers, including Sara Martin,
Alberta Hunter Alberta Hunter (April 1, 1895 – October 17, 1984) was an American jazz and blues singer and songwriter from the early 1920s to the late 1950s. After twenty years of working as a nurse, Hunter resumed her singing career in 1977. Early life Hu ...
, and Bessie Smith soon followed. In 1947, the song was revived by the
jump blues Jump blues is an up-tempo style of blues, usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as ...
singer Jimmy Witherspoon as "Ain't Nobody's Business". It was the best-selling race record of 1949 and inspired numerous adaptations of the song. In 2011, Witherspoon's rendition was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording".


Composition and lyrics

The early versions of "Ain't Nobody's Business" feature vocals with piano and sometimes horn accompaniment. They are performed as moderate-tempo blues and have an extended sixteen-bar introduction: The remaining verses are eight bars in length, with the first four describing a situation, such as "If I go to church on Sunday, then cabaret on Monday", and the last four concluding with the refrain "Tain't nobody's biz-ness if I do". The song's eight-bar chord scheme was a model for subsequent "bluesy" Tin Pan Alley songs and R&B ballads in an AABA form. The music and lyrics are usually credited to two pianists – Porter Grainger, who had been Bessie Smith's accompanist from 1924 to 1928, and Everett Robbins, who had his own bands and worked briefly with Mamie Smith. Clarence Williams, who played the piano on Bessie Smith's recording, is sometimes listed as a co-author of the song. BMI, the performing rights organization, lists Grainger, Williams, Witherspoon, and Graham Prince. The original lyrics were copyrighted in 1922 and are now in the public domain.


Recordings and releases

Anna Meyers recorded "'Tain't Nobody's Biz-ness if I Do" on October 19, 1922, in New York City, backed by the
Original Memphis Five The Original Memphis Five was an early jazz quintet founded in 1917 by trumpeter Phil Napoleon and pianist Frank Signorelli. Jimmy Lytell was a member from 1922 to 1925. The group made many recordings between 1921 and 1931, sometimes under dif ...
. The song was released as a ten-inch 78-R.P.M. single on Pathé Actuelle for the US market by the French-based Pathé Records. Other early recordings include those by Billie Holiday, Sara Martin (with
Fats Waller Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz pi ...
on piano),
Alberta Hunter Alberta Hunter (April 1, 1895 – October 17, 1984) was an American jazz and blues singer and songwriter from the early 1920s to the late 1950s. After twenty years of working as a nurse, Hunter resumed her singing career in 1977. Early life Hu ...
, and Bessie Smith. The lyrics mention an abusive partner: In 1928, a country blues rendition was recorded by Memphis, Tennessee, singer-guitarist Frank Stokes. His finger-style acoustic guitar version uses a simple I-IV-V chord progression and different lyrics, including the refrain "It ain't nobody's business but mine". In the post–World War II blues era, the jump blues singer Jimmy Witherspoon revived the song as "Ain't Nobody's Business". He performed it in the
West Coast blues West Coast blues is a type of blues music influenced by jazz and jump blues, with strong piano-dominated sounds and jazzy guitar solos, which originated from Texas blues players who relocated to California in the 1940s. West Coast blues also ...
style with understated backing by piano, guitar, bass, drums, and a three-piece horn section. The song was recorded in Los Angeles on November 15, 1947, and released by Supreme Records in September 1948. It entered the record chart on March 5, 1949, and reached number one. Witherspoon's song was the best-selling R&B record of 1949.


Recognition and influence

In 2011, Witherspoon's "Ain't Nobody's Business" was inducted into the Blues Foundation Hall of Fame. According to the Foundation, "its message continued to resonate, as borne out by the remarkable success of Witherspoon's two-part rendition, which remained on the Billboard 'race records' charts for 34 weeks. It was rated No. 3 in all-time chart longevity in
Joel Whitburn Joel Carver Whitburn (November 29, 1939 – June 14, 2022) was an American author and music historian, responsible for setting up the Record Research, Inc. series of books on record chart placings. Early life Joel Carver Whitburn was born in Wau ...
's ''Top R&B Singles 1942–1988''." Witherspoon's rendition also inspired numerous artists to record adaptations of the song. Hank Williams Jr. recorded a version for his ''Lone Wolf'' album. Released as a single in 1990, it peaked at number 15 on the ''
Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertise ...
''
Hot Country Singles & Tracks Hot Country Songs is a chart published weekly by ''Billboard'' magazine in the United States. This 50-position chart lists the most popular country music songs, calculated weekly by collecting airplay data from Nielsen BDS along with digital sal ...
chart. In 1996, a version by H2O featuring Billie reached number 19 on the UK Singles Chart.


References


External links

*Song lyrics at Wikisource:Ain't Nobody's Business {{authority control 1922 songs 1949 singles 1990 singles Billie Holiday songs Dinah Washington songs Freddie King songs Bessie Smith songs Hank Williams Jr. songs Blues songs Warner Records singles Curb Records singles Okeh Records singles