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Blues is a
music genre A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from '' musical form'' and musical style, although in practice these terms are som ...
and
musical form In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such ...
which originated in the
Deep South The Deep South or the Lower South is a cultural and geographic subregion in the Southern United States. The term was first used to describe the states most dependent on plantations and slavery prior to the American Civil War. Following the wa ...
of the United States around the 1860s. Blues incorporated
spirituals Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the ex ...
,
work song A work song is a piece of music closely connected to a form of work, either sung while conducting a task (usually to coordinate timing) or a song linked to a task which might be a connected narrative, description, or protest song. Definitions and ...
s,
field holler The field holler or field call is mostly a historical type of vocal work song sung by field slaves in the United States (and later by African American forced laborers accused of violating vagrancy laws) to accompany their tasked work, to commun ...
s, shouts,
chant A chant (from French ', from Latin ', "to sing") is the iterative speaking or singing of words or sounds, often primarily on one or two main pitches called reciting tones. Chants may range from a simple melody involving a limited set of n ...
s, and rhymed simple narrative
ballads A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or '' ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...
from the
African-American culture African-American culture refers to the contributions of African Americans to the culture of the United States, either as part of or distinct from mainstream American culture. The culture is both distinct and enormously influential on Ameri ...
. The blues form is ubiquitous in
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
,
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
, and
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm ...
, and is characterized by the
call-and-response Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of ...
pattern (the
blues scale Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African- ...
and specific
chord progression In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice ...
s) of which the
twelve-bar blues The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based ...
is the most common.
Blue note In jazz and blues, a blue note is a note that—for expressive purposes—is sung or played at a slightly different pitch from standard. Typically the alteration is between a quartertone and a semitone, but this varies depending on the musical c ...
s (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues
shuffles Shuffling is a procedure used to randomize a deck of playing cards to provide an element of chance in card games. Shuffling is often followed by a cut, to help ensure that the shuffler has not manipulated the outcome. __TOC__ Techniques Overh ...
or
walking bass Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, or classical music for the low-pitched instrumental part or line played (in jazz and some ...
reinforce the trance-like rhythm and form a repetitive effect known as the
groove Groove or Grooves may refer to: Music * Groove (music) * Groove (drumming) * The Groove (band), an Australian rock/pop band of the 1960s * The Groove (Sirius XM), a US radio station * Groove 101.7FM, a former Perth, Australia, radio station ...
. Blues as a genre is also characterized by its
lyrics Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a " libretto" and their writer, ...
, bass lines, and
instrumentation Instrumentation a collective term for measuring instruments that are used for indicating, measuring and recording physical quantities. The term has its origins in the art and science of scientific instrument-making. Instrumentation can refer to ...
. Early
traditional blues verse In the folk tradition, there are many traditional blues verses that have been sung over and over by many artists. Blues singers, who include many country and folk artists as well as those commonly identified with blues singers, use these tradit ...
s consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the
racial discrimination Racial discrimination is any discrimination against any individual on the basis of their skin color, race or ethnic origin.Individuals can discriminate by refusing to do business with, socialize with, or share resources with people of a certain g ...
and other challenges experienced by African-Americans. Many elements, such as the
call-and-response Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of ...
format and the use of blue notes, can be traced back to the
music of Africa Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and othe ...
. The origins of the blues are also closely related to the religious music of the Afro-American community, the
spirituals Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the ex ...
. The first appearance of the blues is often dated to after the ending of slavery and, later, the development of
juke joint Juke joint (also jukejoint, jook house, jook, or juke) is the vernacular term for an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by African Americans in the southeastern United States. A juke joint ...
s. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues
subgenres Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other fo ...
include
country blues Country blues (also folk blues, rural blues, backwoods blues, or downhome blues) is one of the earliest forms of blues music. The mainly solo vocal with acoustic fingerstyle guitar accompaniment developed in the rural Southern United States in t ...
, such as
Delta blues Delta blues is one of the earliest-known styles of blues. It originated in the Mississippi Delta, and is regarded as a regional variant of country blues. Guitar and harmonica are its dominant instruments; slide guitar is a hallmark of th ...
and
Piedmont blues Piedmont blues (also known as East Coast, or Southeastern blues) refers primarily to a guitar style, which is characterized by a fingerpicking approach in which a regular, alternating thumb bass string rhythmic pattern supports a syncopated melod ...
, as well as urban blues styles such as
Chicago blues Chicago blues is a form of blues music developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. It developed alongside the Great Migration of the first half of the twentieth cent ...
and
West Coast blues West Coast blues is a type of blues music influenced by jazz and jump blues, with strong piano-dominated sounds and jazzy guitar solos, which originated from Texas blues players who relocated to California in the 1940s. West Coast blues also ...
.
World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the World War II by country, vast majority of the world's countries—including all of the great power ...
marked the transition from acoustic to
electric blues Electric blues refers to any type of blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930 ...
and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called
blues rock Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes w ...
developed, which blended blues styles with
rock music Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States a ...
.


Etymology

The term ''Blues'' may have come from "blue devils", meaning melancholy and sadness; an early use of the term in this sense is in George Colman's one-act farce ''Blue Devils'' (1798). The phrase ''blue devils'' may also have been derived from a British usage of the 1600s referring to the "intense visual hallucinations that can accompany severe alcohol withdrawal".Devi, Debra (2013). "Why Is the Blues Called the 'Blues'?" ''Huffington Post'', 4 January 2013
Retrieved November 15, 2015.
As time went on, the phrase lost the reference to devils, and it came to mean a state of agitation or depression. By the 1800s in the United States, the term ''blues'' was associated with drinking alcohol, a meaning which survives in the phrase ''
blue law Blue laws, also known as Sunday laws, Sunday trade laws and Sunday closing laws, are laws restricting or banning certain activities on specified days, usually Sundays in the western world. The laws were adopted originally for religious reasons ...
'', which prohibits the sale of alcohol on Sunday. Though the use of the phrase in
African-American music African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slaver ...
may be older, it has been attested to in print since 1912, when Hart Wand's " Dallas Blues" became the first copyrighted blues composition. In lyrics the phrase is often used to describe a
depressed mood Depression is a mental state of low mood and aversion to activity, which affects more than 280 million people of all ages (about 3.5% of the global population). Classified medically as a mental and behavioral disorder, the experience o ...
. In 1827, it was in the sense of a sad state of mind that
John James Audubon John James Audubon (born Jean-Jacques Rabin; April 26, 1785 – January 27, 1851) was an American self-trained artist, naturalist, and ornithologist. His combined interests in art and ornithology turned into a plan to make a complete pictori ...
wrote to his wife that he "had the blues". The phrase "the blues" was written by Charlotte Forten, then aged 25, in her diary on December 14, 1862. She was a free-born black woman from Pennsylvania who was working as a schoolteacher in South Carolina, instructing both slaves and freedmen, and wrote that she "came home with the blues" because she felt lonesome and pitied herself. She overcame her depression and later noted a number of songs, such as "Poor Rosy", that were popular among the slaves. Although she admitted being unable to describe the manner of singing she heard, Forten wrote that the songs "can't be sung without a full heart and a troubled spirit", conditions that have inspired countless blues songs.


Lyrics

The lyrics of early
traditional blues verse In the folk tradition, there are many traditional blues verses that have been sung over and over by many artists. Blues singers, who include many country and folk artists as well as those commonly identified with blues singers, use these tradit ...
s often consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the so-called "AAB" pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Two of the first published blues songs, " Dallas Blues" (1912) and " Saint Louis Blues" (1914), were 12-bar blues with the AAB lyric structure.
W.C. Handy William Christopher Handy (November 16, 1873 – March 28, 1958) was an American composer and musician who referred to himself as the Father of the Blues. Handy was one of the most influential songwriters in the United States. One of many musici ...
wrote that he adopted this convention to avoid the monotony of lines repeated three times. The lines are often sung following a pattern closer to rhythmic talk than to a melody. Early blues frequently took the form of a loose narrative. African-American singers voiced their "personal woes in a world of harsh reality: a lost love, the cruelty of police officers, oppression at the hands of white folk, ndhard times". This melancholy has led to the suggestion of an Igbo origin for blues because of the reputation the Igbo had throughout plantations in the Americas for their melancholic music and outlook on life when they were enslaved. The lyrics often relate troubles experienced within African American society. For instance
Blind Lemon Jefferson Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929)Some sources indicate Jefferson was born on October 26, 1894. was an American blues and gospel singer-songwriter and musician. He was one of the most popular blues sing ...
's "Rising High Water Blues" (1927) tells of the
Great Mississippi Flood of 1927 The Great Mississippi Flood of 1927 was the most destructive river flood in the history of the United States, with inundated in depths of up to over the course of several months in early 1927. The uninflated cost of the damage has been estimat ...
: Although the blues gained an association with misery and oppression, the lyrics could also be humorous and raunchy:
Hokum Hokum is a particular song type of American blues music—a humorous song which uses extended analogies or euphemistic terms to make sexual innuendos. This trope goes back to early blues recordings and is used from time to time in modern Ameri ...
blues celebrated both comedic lyrical content and a boisterous, farcical performance style.
Tampa Red Hudson Whittaker (born Hudson Woodbridge; January 8, 1903March 19, 1981), known as Tampa Red, was a Chicago blues musician. His distinctive single-string slide guitar style, songwriting and bottleneck technique influenced other Chicago blues gu ...
and
Georgia Tom Thomas Andrew Dorsey (July 1, 1899 – January 23, 1993) was an American musician, composer, and Christian evangelist influential in the development of early blues and 20th-century gospel music. He penned 3,000 songs, a third of them gospel, inc ...
's "
It's Tight Like That "It's Tight Like That" is a hokum or dirty blues song, initially recorded by Tampa Red and Georgia Tom on October 24, 1928. The 10" shellac disc single was released by Vocalion Records in December 1928. A successful recording, it eventually so ...
" (1928) is a sly wordplay with the double meaning of being "
tight Tight may refer to: Clothing * Skin-tight garment, a garment that is held to the skin by elastic tension * Tights, a type of leg coverings fabric extending from the waist to feet * Tightlacing, the practice of wearing a tightly-laced corset ...
" with someone, coupled with a more salacious physical familiarity. Blues songs with sexually explicit lyrics were known as
dirty blues Dirty blues encompasses forms of blues music that deal with socially taboo and obscene subjects, often referring to sexual acts and drug use. Due to the sometimes graphic subject matter, such music was often banned from radio and only available on ...
. The lyrical content became slightly simpler in postwar blues, which tended to focus on relationship woes or sexual worries. Lyrical themes that frequently appeared in prewar blues, such as economic depression, farming, devils, gambling, magic, floods and drought, were less common in postwar blues. The writer Ed Morales claimed that
Yoruba mythology The Yoruba people (, , ) are a West African ethnic group that mainly inhabit parts of Nigeria, Benin, and Togo. The areas of these countries primarily inhabited by Yoruba are often collectively referred to as Yorubaland. The Yoruba constitu ...
played a part in early blues, citing
Robert Johnson Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generati ...
's "
Cross Road Blues "Cross Road Blues" (also known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song ...
" as a "thinly veiled reference to
Eleggua Elegua ( Yoruba: Èṣù-Ẹlẹ́gbára, also spelled Eleggua; known as Eleguá in Latin America and Spanish-speaking Caribbean islands) is an Orisha, a deity of roads in the religions of Santería, Winti, Umbanda, Quimbanda, Holy Infant of At ...
, the
orisha Orishas (singular: orisha) are spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé. ...
in charge of the crossroads".Morales, p. 277. However, the Christian influence was far more obvious. The repertoires of many seminal blues artists, such as
Charley Patton Charley Patton (April 1891 (probable) – April 28, 1934), also known as Charlie Patton, was an American Delta blues musician and songwriter. Considered by many to be the "Father of the Delta Blues", he created an enduring body of American musi ...
and
Skip James Nehemiah Curtis "Skip" James (June 9, 1902October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "This emotional, lyrical performer was a talented blues guitarist and arranger with an impressiv ...
, included religious songs or spirituals. Reverend Gary Davis and
Blind Willie Johnson Blind Willie Johnson (January 25, 1897 – September 18, 1945) was an American gospel blues singer, guitarist and evangelist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "ch ...
are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals.


Form

The blues form is a cyclic musical form in which a repeating progression of chords mirrors the
call and response Call and response is a form of interaction between a speaker and an audience in which the speaker's statements ("calls") are punctuated by responses from the listeners. This form is also used in music, where it falls under the general category of ...
scheme commonly found in African and African-American music. During the first decades of the 20th century blues music was not clearly defined in terms of a particular chord progression. With the popularity of early performers, such as
Bessie Smith Bessie Smith (April 15, 1894 – September 26, 1937) was an American blues singer widely renowned during the Jazz Age. Nicknamed the " Empress of the Blues", she was the most popular female blues singer of the 1930s. Inducted into the Rock an ...
, use of the
twelve-bar blues The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based ...
spread across the music industry during the 1920s and 30s. Other chord progressions, such as 8-bar forms, are still considered blues; examples include " How Long Blues", " Trouble in Mind", and
Big Bill Broonzy Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s ...
's "
Key to the Highway "Key to the Highway" is a blues standard that has been performed and recorded by several blues and other artists. Blues pianist Charlie Segar first recorded the song in 1940. Jazz Gillum and Big Bill Broonzy followed with recordings in 1940 an ...
". There are also
16-bar blues The sixteen-bar blues can be a variation on the standard twelve-bar blues or on the less common eight-bar blues. Sixteen-bar blues is also used commonly in ragtime music. Adaptation from twelve-bar progression Most sixteen bar blues are adapt ...
, such as
Ray Charles Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Ge ...
's instrumental "Sweet 16 Bars" and
Herbie Hancock Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd's group. He shortly thereafter joined the Miles Davis Quintet, where he hel ...
's " Watermelon Man". Idiosyncratic numbers of bars are occasionally used, such as the 9-bar progression in "
Sitting on Top of the World "Sitting on Top of the World" (also "Sittin' on Top of the World") is a country blues song written by Walter Vinson and Lonnie Chatmon. They were core members of the Mississippi Sheiks, who first recorded it in 1930. Vinson claimed to have c ...
", by
Walter Vinson Walter Vinson (February 2, 1901 – April 22, 1975) was an American Memphis blues guitarist, singer and songwriter. He was a member of the Mississippi Sheiks, worked with Bo Chatmon and his brothers, and co-wrote the blues standard "Sitting o ...
. The basic 12-bar lyric framework of a blues composition is reflected by a standard harmonic progression of 12 bars in a 4/4 time signature. The blues
chords Chord may refer to: * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord a chord played on a guitar, which has a particular tuning * Chord (geometry), a line segment joining two points on a curve * Chord ( ...
associated to a
twelve-bar blues The 12-bar blues (or blues changes) is one of the most prominent chord progressions in popular music. The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration. In its basic form, it is predominantly based ...
are typically a set of three different chords played over a 12-bar scheme. They are labeled by Roman numbers referring to the degrees of the progression. For instance, for a blues in the key of C, C is the
tonic chord Tonic may refer to: * Tonic water, a drink traditionally containing quinine * Soft drink, a carbonated beverage *Tonic (physiology), the response of a muscle fiber or nerve ending typified by slow, continuous action * Tonic syllable, the stressed ...
(I) and F is the
subdominant In music, the subdominant is the fourth tonal degree () of the diatonic scale. It is so called because it is the same distance ''below'' the tonic as the dominant is ''above'' the tonicin other words, the tonic is the dominant of the subdomina ...
(IV). The last chord is the dominant (V) turnaround, marking the transition to the beginning of the next progression. The lyrics generally end on the last beat of the tenth bar or the first beat of the 11th bar, and the final two bars are given to the instrumentalist as a break; the harmony of this two-bar break, the turnaround, can be extremely complex, sometimes consisting of single notes that defy analysis in terms of chords. Much of the time, some or all of these chords are played in the
harmonic seventh The harmonic seventh interval, also known as the septimal minor seventh, or subminor seventh, is one with an exact 7:4 ratio (about 969 cents). This is somewhat narrower than and is, "particularly sweet", "sweeter in quality" than an "ordinar ...
(7th) form. The use of the harmonic seventh interval is characteristic of blues and is popularly called the "blues seven". Blues seven chords add to the harmonic chord a note with a frequency in a 7:4 ratio to the fundamental note. At a 7:4 ratio, it is not close to any interval on the conventional Western
diatonic scale In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole st ...
. For convenience or by necessity it is often approximated by a
minor seventh In music theory, a minor seventh is one of two musical intervals that span seven staff positions. It is ''minor'' because it is the smaller of the two sevenths, spanning ten semitones. The major seventh spans eleven. For example, the interval fr ...
interval or a
dominant seventh chord In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord, usually built on the fifth degree of the major scale, and composed of a root, major third, perfect fifth, and minor seventh. Thus it is a major tri ...
. In
melody A melody (from Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combina ...
, blues is distinguished by the use of the flattened
third Third or 3rd may refer to: Numbers * 3rd, the ordinal form of the cardinal number 3 * , a fraction of one third * 1⁄60 of a ''second'', or 1⁄3600 of a ''minute'' Places * 3rd Street (disambiguation) * Third Avenue (disambiguation) * Hi ...
, fifth and seventh of the associated
major scale The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at doub ...
. Blues
shuffles Shuffling is a procedure used to randomize a deck of playing cards to provide an element of chance in card games. Shuffling is often followed by a cut, to help ensure that the shuffler has not manipulated the outcome. __TOC__ Techniques Overh ...
or
walking bass Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, or classical music for the low-pitched instrumental part or line played (in jazz and some ...
reinforce the trance-like rhythm and call-and-response, and they form a repetitive effect called a
groove Groove or Grooves may refer to: Music * Groove (music) * Groove (drumming) * The Groove (band), an Australian rock/pop band of the 1960s * The Groove (Sirius XM), a US radio station * Groove 101.7FM, a former Perth, Australia, radio station ...
. Characteristic of the blues since its Afro-American origins, the shuffles played a central role in
swing music Swing music is a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. The name derived from its emphasis on the off-beat, or nominally weaker beat. Swing bands ...
. The simplest shuffles, which were the clearest signature of the R&B wave that started in the mid-1940s, were a three-note
riff A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or acc ...
on the bass strings of the guitar. When this riff was played over the bass and the drums, the
groove Groove or Grooves may refer to: Music * Groove (music) * Groove (drumming) * The Groove (band), an Australian rock/pop band of the 1960s * The Groove (Sirius XM), a US radio station * Groove 101.7FM, a former Perth, Australia, radio station ...
"feel" was created. Shuffle rhythm is often vocalized as "''dow'', da ''dow'', da ''dow'', da" or "''dump'', da ''dump'', da ''dump'', da": it consists of uneven, or "swung", eighth notes. On a guitar this may be played as a simple steady bass or it may add to that stepwise quarter note motion from the fifth to the sixth of the chord and back.


History


Origins

The first publication of blues sheet music may have been "I Got the Blues", published by New Orleans musician Antonio Maggio in 1908 and described as "the earliest published composition known to link the condition of having the blues to the musical form that would become popularly known as 'the blues.'" Hart Wand's " Dallas Blues" was published in 1912;
W.C. Handy William Christopher Handy (November 16, 1873 – March 28, 1958) was an American composer and musician who referred to himself as the Father of the Blues. Handy was one of the most influential songwriters in the United States. One of many musici ...
's "
The Memphis Blues "The Memphis Blues" is a song described by its composer, W. C. Handy, as a "southern rag". It was self-published by Handy in September 1912 and has been recorded by many artists over the years. "Mr. Crump" Subtitled "Mr. Crump", "The Memphis Blu ...
" followed in the same year. The first recording by an African American singer was
Mamie Smith Mamie Smith (née Robinson; May 26, 1891 – September 16, 1946) was an American vaudeville singer, dancer, pianist, and actress. As a vaudeville singer she performed in multiple styles, including jazz and blues. In 1920, she entered blues histor ...
's 1920 rendition of
Perry Bradford Perry Bradford (February 14, 1893, Montgomery, Alabama – April 20, 1970, New York City) was an American composer, songwriter, and vaudeville performer. His most notable songs included "Crazy Blues," "That Thing Called Love," and "You Can't Kee ...
's "
Crazy Blues "Crazy Blues" is a song, renamed from the originally titled "Harlem Blues" song of 1918, written by Perry Bradford. Mamie Smith and Her Jazz Hounds recorded it on August 10, 1920, which was released that year by Okeh Records (4169-A). The stri ...
". But the origins of the blues were some decades earlier, probably around 1890. This music is poorly documented, partly because of racial discrimination in U.S. society, including academic circles,Kunzler, p. 130. and partly because of the low rate of literacy among rural African Americans at the time. Reports of blues music in
southern Texas South Texas is a region of the U.S. state of Texas that lies roughly south of—and includes—San Antonio. The southern and western boundary is the Rio Grande, and to the east it is the Gulf of Mexico. The population of this region is about 4.96 ...
and the
Deep South The Deep South or the Lower South is a cultural and geographic subregion in the Southern United States. The term was first used to describe the states most dependent on plantations and slavery prior to the American Civil War. Following the wa ...
were written at the dawn of the 20th century. Charles Peabody mentioned the appearance of blues music at
Clarksdale, Mississippi Clarksdale is a city in and the county seat of Coahoma County, Mississippi, United States. It is located along the Sunflower River. Clarksdale is named after John Clark, a settler who founded the city in the mid-19th century when he establishe ...
, and Gate Thomas reported similar songs in southern Texas around 1901–1902. These observations coincide more or less with the recollections of
Jelly Roll Morton Ferdinand Joseph LaMothe (later Morton; c. September 20, 1890 – July 10, 1941), known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer. Morton was jazz's first arranger, proving that a gen ...
, who said he first heard blues music in
New Orleans New Orleans ( , ,New Orleans
in 1902;
Ma Rainey Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of s ...
, who remembered first hearing the blues in the same year in
Missouri Missouri is a state in the Midwestern region of the United States. Ranking 21st in land area, it is bordered by eight states (tied for the most with Tennessee): Iowa to the north, Illinois, Kentucky and Tennessee to the east, Arkansas t ...
; and
W.C. Handy William Christopher Handy (November 16, 1873 – March 28, 1958) was an American composer and musician who referred to himself as the Father of the Blues. Handy was one of the most influential songwriters in the United States. One of many musici ...
, who first heard the blues in
Tutwiler, Mississippi Tutwiler is a town in Tallahatchie County, Mississippi, United States. The population at the 2010 census was 3,550. History In 1899, Tom Tutwiler, a civil engineer for a local railroad, made his headquarters seven miles northwest of Sumner. Th ...
, in 1903. The first extensive research in the field was performed by Howard W. Odum, who published an
anthology In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs or excerpts by different authors. In genre fiction, the term ''anthology'' typically cate ...
of folk songs from
Lafayette County, Mississippi Lafayette County is a county in the U.S. state of Mississippi. At the 2010 census, the population was 47,351. Its county seat is Oxford. The local pronunciation of the name is "la-FAY-et." The county's name honors Marquis de Lafayette, a French ...
, and
Newton County, Georgia Newton County is a county located in the north central portion of the U.S. state of Georgia. As of the 2020 census, the population was 112,483. The county seat is Covington. Newton County is included in the ''Atlanta-Sandy Springs-Roswell, ...
, between 1905 and 1908. The first noncommercial recordings of blues music, termed ''proto-blues'' by Paul Oliver, were made by Odum for research purposes at the very beginning of the 20th century. They are now lost. Other recordings that are still available were made in 1924 by
Lawrence Gellert Lawrence Gellert (1898-1979?), was a music collector, who in the 1920s and 1930s amassed a significant collection of field-recorded African-American blues and spirituals and also claimed to have documented black protest traditions in the South of th ...
. Later, several recordings were made by Robert W. Gordon, who became head of the Archive of American Folk Songs of the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The libra ...
. Gordon's successor at the library was
John Lomax John Avery Lomax (September 23, 1867 – January 26, 1948) was an American teacher, a pioneering musicologist, and a folklorist who did much for the preservation of American folk music. He was the father of Alan Lomax, John Lomax Jr. and Bess Lo ...
. In the 1930s, Lomax and his son
Alan Alan may refer to: People *Alan (surname), an English and Turkish surname * Alan (given name), an English given name **List of people with given name Alan ''Following are people commonly referred to solely by "Alan" or by a homonymous name.'' * ...
made a large number of non-commercial blues recordings that testify to the huge variety of proto-blues styles, such as
field holler The field holler or field call is mostly a historical type of vocal work song sung by field slaves in the United States (and later by African American forced laborers accused of violating vagrancy laws) to accompany their tasked work, to commun ...
s and
ring shout A shout or ring shout is an ecstatic, transcendent religious ritual, first practiced by African slaves in the West Indies and the United States, in which worshipers move in a circle while shuffling and stomping their feet and clapping their hands. ...
s. A record of blues music as it existed before 1920 can also be found in the recordings of artists such as
Lead Belly Huddie William Ledbetter (; January 20, 1888 – December 6, 1949), better known by the stage name Lead Belly, was an American folk and blues singer notable for his strong vocals, virtuosity on the twelve-string guitar, and the folk sta ...
and
Henry Thomas Henry Jackson Thomas Jr. (born September 9, 1971) is an American actor. He began his career as a child actor and had a lead role in the film ''E.T. the Extra-Terrestrial'' (1982), for which he won a Young Artist Award and received Golden Globe ...
. All these sources show the existence of many different structures distinct from twelve-, eight-, or sixteen-bar. The social and economic reasons for the appearance of the blues are not fully known. The first appearance of the blues is usually dated after the Emancipation Act of 1863, between 1860s and 1890s, a period that coincides with post-
emancipation Emancipation generally means to free a person from a previous restraint or legal disability. More broadly, it is also used for efforts to procure economic and social rights, political rights or equality, often for a specifically disenfranch ...
and later, the establishment of
juke joint Juke joint (also jukejoint, jook house, jook, or juke) is the vernacular term for an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by African Americans in the southeastern United States. A juke joint ...
s as places where African-Americans went to listen to music, dance, or gamble after a hard day's work. This period corresponds to the transition from slavery to sharecropping, small-scale agricultural production, and the expansion of railroads in the southern United States. Several scholars characterize the development of blues music in the early 1900s as a move from group performance to individualized performance. They argue that the development of the blues is associated with the newly acquired freedom of the enslaved people.Levine, Lawrence W. (1977). ''Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom''.
Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print book ...
. p. 223. .
According to Lawrence Levine, "there was a direct relationship between the national ideological emphasis upon the individual, the popularity of Booker T. Washington's teachings, and the rise of the blues." Levine stated that "psychologically, socially, and economically, African-Americans were being acculturated in a way that would have been impossible during slavery, and it is hardly surprising that their secular music reflected this as much as their religious music did." There are few characteristics common to all blues music, because the genre took its shape from the idiosyncrasies of individual performers. However, there are some characteristics that were present long before the creation of the modern blues. Call-and-response shouts were an early form of blues-like music; they were a "functional expression ... style without accompaniment or harmony and unbounded by the formality of any particular musical structure". A form of this pre-blues was heard in slave
ring shout A shout or ring shout is an ecstatic, transcendent religious ritual, first practiced by African slaves in the West Indies and the United States, in which worshipers move in a circle while shuffling and stomping their feet and clapping their hands. ...
s and
field holler The field holler or field call is mostly a historical type of vocal work song sung by field slaves in the United States (and later by African American forced laborers accused of violating vagrancy laws) to accompany their tasked work, to commun ...
s, expanded into "simple solo songs laden with emotional content". Blues has evolved from the unaccompanied vocal music and oral traditions of slaves imported from West Africa and rural blacks into a wide variety of styles and subgenres, with regional variations across the United States. Although blues (as it is now known) can be seen as a musical style based on both European harmonic structure and the African call-and-response tradition that transformed into an interplay of voice and guitar, the blues form itself bears no resemblance to the melodic styles of the West African
griot A griot (; ; Manding: jali or jeli (in N'Ko: , ''djeli'' or ''djéli'' in French spelling); Serer: kevel or kewel / okawul; Wolof: gewel) is a West African historian, storyteller, praise singer, poet, and/or musician. The griot is a repos ...
s. Additionally, there are theories that the four-beats-per-measure structure of the blues might have its origins in the Native American tradition of
pow wow A powwow (also pow wow or pow-wow) is a gathering with dances held by many Native American and First Nations communities. Powwows today allow Indigenous people to socialize, dance, sing, and honor their cultures. Powwows may be private or p ...
drumming. Some scholars identify strong influences on the blues from the melodic structures of certain West African musical styles of the savanna and sahel. Lucy Durran finds similarities with the melodies of the
Bambara people The Bambara ( bm, ߓߡߊߣߊ߲, italics=no, ''Bamana'' or ''Banmana'') are a Mandé ethnic group native to much of West Africa, primarily southern Mali, Guinea, Burkina Faso and Senegal. They have been associated with the historic Bambara Empi ...
, and to a lesser degree, the
Soninke people The Soninke people are a West African Mande-speaking ethnic group found in Mali, Fouta Djallon, southern Mauritania, eastern Senegal, Guinea and The Gambia. They speak the Soninke language, also called the Serakhulle or Azer language, which ...
and
Wolof people The Wolof people () are a West African ethnic group found in northwestern Senegal, the Gambia, and southwestern coastal Mauritania. In Senegal, the Wolof are the largest ethnic group (~43.3%), while elsewhere they are a minority. They refer to ...
, but not as much of the
Mandinka people The Mandinka or Malinke are a West African ethnic group primarily found in southern Mali, the Gambia and eastern Guinea. Numbering about 11 million, they are the largest subgroup of the Mandé peoples and one of the largest ethnic-linguistic g ...
.
Gerard Kubik Gerard is a masculine forename of Proto-Germanic origin, variations of which exist in many Germanic and Romance languages. Like many other early Germanic names, it is dithematic, consisting of two meaningful constituents put together. In this ...
finds similarities to the melodic styles of both the west African savanna and central Africa, both of which were sources of slaves. No specific African musical form can be identified as the single direct ancestor of the blues. However the call-and-response format can be traced back to the
music of Africa Given the vastness of the African continent, its music is diverse, with regions and nations having many distinct musical traditions. African music includes the genres amapiano, Jùjú, Fuji, Afrobeat, Highlife, Makossa, Kizomba, and othe ...
. That blue notes predate their use in blues and have an African origin is attested to by "A Negro Love Song", by the English composer
Samuel Coleridge-Taylor Samuel Coleridge-Taylor (15 August 18751 September 1912) was a British composer and conductor. Of mixed-race birth, Coleridge-Taylor achieved such success that he was referred to by white New York musicians as the "African Mahler" when ...
, from his ''African Suite for Piano'', written in 1898, which contains blue third and seventh notes. The
Diddley bow The diddley bow is a single-stringed American instrument which influenced the development of the blues sound. It consists of a single string of baling wire tensioned between two nails on a board over a glass bottle, which is used both as a brid ...
(a homemade one-stringed instrument found in parts of the
American South The Southern United States (sometimes Dixie, also referred to as the Southern States, the American South, the Southland, or simply the South) is a geographic and cultural region of the United States of America. It is between the Atlantic Ocean ...
sometimes referred to as a ''jitterbug'' or a ''one-string'' in the early twentieth century) and the
banjo The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashi ...
are African-derived instruments that may have helped in the transfer of African performance techniques into the early blues instrumental vocabulary. The banjo seems to be directly imported from West African music. It is similar to the musical instrument that griots and other Africans such as the Igbo played (called halam or
akonting The ''akonting'' (, or ''ekonting'' in French transliteration) is the folk lute of the Jola people, found in Senegal, Gambia, and Guinea-Bissau in West Africa. It is a banjo-like instrument with a skin-headed gourd body, two long melody strings ...
by African peoples such as the Wolof,
Fula Fula may refer to: *Fula people (or Fulani, Fulɓe) *Fula language (or Pulaar, Fulfulde, Fulani) **The Fula variety known as the Pulaar language **The Fula variety known as the Pular language **The Fula variety known as Maasina Fulfulde *Al-Fula ...
and
Mandinka Mandinka, Mandika, Mandinkha, Mandinko, or Mandingo may refer to: Media * ''Mandingo'' (novel), a bestselling novel published in 1957 * ''Mandingo'' (film), a 1975 film based on the eponymous 1957 novel * ''Mandingo (play)'', a play by Jack Kir ...
). However, in the 1920s, when country blues began to be recorded, the use of the banjo in blues music was quite marginal and limited to individuals such as Papa Charlie Jackson and later
Gus Cannon Gustavus "Gus" Cannon (September 12, 1883 or 1884 – October 15, 1979) was an American blues musician who helped to popularize jug bands (such as his own Cannon's Jug Stompers) in the 1920s and 1930s. There is uncertainty about his birth year; ...
. Blues music also adopted elements from the "Ethiopian airs",
minstrel show The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people spec ...
s and
Negro spiritual Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the ex ...
s, including instrumental and harmonic accompaniment. The style also was closely related to
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott J ...
, which developed at about the same time, though the blues better preserved "the original melodic patterns of African music". The musical forms and styles that are now considered the blues as well as modern
country music Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, ...
arose in the same regions of the southern United States during the 19th century. Recorded blues and country music can be found as far back as the 1920s, when the record industry created the marketing categories "
race music African-American music is an umbrella term covering a diverse range of music and musical genres largely developed by African Americans and their culture. Their origins are in musical forms that first came to be due to the condition of slavery ...
" and "
hillbilly music Hillbilly is a term (often derogatory) for people who dwell in rural, mountainous areas in the United States, primarily in southern Appalachia and the Ozarks. The term was later used to refer to people from other rural and mountainous areas we ...
" to sell music by blacks for blacks and by whites for whites, respectively. At the time, there was no clear musical division between "blues" and "country", except for the ethnicity of the performer, and even that was sometimes documented incorrectly by record companies. Though musicologists can now attempt to define the blues narrowly in terms of certain chord structures and lyric forms thought to have originated in West Africa, audiences originally heard the music in a far more general way: it was simply the music of the rural south, notably the
Mississippi Delta The Mississippi Delta, also known as the Yazoo–Mississippi Delta, or simply the Delta, is the distinctive northwest section of the U.S. state of Mississippi (and portions of Arkansas and Louisiana) that lies between the Mississippi and Yaz ...
. Black and white musicians shared the same repertoire and thought of themselves as "
songsters A "songster" is a wandering musician, usually but not always African-American, of the type which first appeared in the late 19th century in the southern United States. Songsters in American culture The songster tradition both pre-dated and co-ex ...
" rather than blues musicians. The notion of blues as a separate genre arose during the black migration from the countryside to urban areas in the 1920s and the simultaneous development of the recording industry. ''Blues'' became a code word for a record designed to sell to black listeners. The origins of the blues are closely related to the religious music of Afro-American community, the
spirituals Spirituals (also known as Negro spirituals, African American spirituals, Black spirituals, or spiritual music) is a genre of Christian music that is associated with Black Americans, which merged sub-Saharan African cultural heritage with the ex ...
. The origins of spirituals go back much further than the blues, usually dating back to the middle of the 18th century, when the slaves were Christianized and began to sing and play Christian
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn ...
s, in particular those of
Isaac Watts Isaac Watts (17 July 1674 – 25 November 1748) was an English Congregational minister, hymn writer, theologian, and logician. He was a prolific and popular hymn writer and is credited with some 750 hymns. His works include "When I Survey the ...
, which were very popular. Before the blues gained its formal definition in terms of chord progressions, it was defined as the secular counterpart of spirituals. It was the low-down music played by rural blacks.Humphrey, Mark A. In ''Nothing but the Blues''. pp. 107–149. Depending on the religious community a musician belonged to, it was more or less considered a sin to play this low-down music: blues was the devil's music. Musicians were therefore segregated into two categories: gospel singers and blues singers, guitar preachers and songsters. However, when rural black music began to be recorded in the 1920s, both categories of musicians used similar techniques: call-and-response patterns, blue notes, and slide guitars. Gospel music was nevertheless using musical forms that were compatible with Christian hymns and therefore less marked by the blues form than its secular counterpart.


Pre-war blues

The American
sheet music Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed books or pamphlets in English, ...
publishing industry produced a great deal of
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that flourished from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott J ...
music. By 1912, the sheet music industry had published three popular blues-like compositions, precipitating the
Tin Pan Alley Tin Pan Alley was a collection of History of music publishing, music publishers and songwriters in New York City that dominated the American popular music, popular music of the United States in the late 19th and early 20th centuries. It origin ...
adoption of blues elements: "Baby Seals' Blues", by "Baby" Franklin Seals (arranged by
Artie Matthews Artie Matthews (November 15, 1888 – October 25, 1958) was an American songwriter, pianist, and ragtime composer. Artie Matthews was born in Braidwood, Illinois; his family moved to Springfield, Illinois in his youth. He learned to play p ...
); "Dallas Blues", by Hart Wand; and "
The Memphis Blues "The Memphis Blues" is a song described by its composer, W. C. Handy, as a "southern rag". It was self-published by Handy in September 1912 and has been recorded by many artists over the years. "Mr. Crump" Subtitled "Mr. Crump", "The Memphis Blu ...
", by
W.C. Handy William Christopher Handy (November 16, 1873 – March 28, 1958) was an American composer and musician who referred to himself as the Father of the Blues. Handy was one of the most influential songwriters in the United States. One of many musici ...
. Handy was a formally trained musician, composer and arranger who helped to popularize the blues by transcribing and orchestrating blues in an almost symphonic style, with bands and singers. He became a popular and prolific composer, and billed himself as the "Father of the Blues"; however, his compositions can be described as a fusion of blues with ragtime and jazz, a merger facilitated using the Cuban habanera rhythm that had long been a part of ragtime;Garofalo, p. 27. Handy's signature work was the " Saint Louis Blues". In the 1920s, the blues became a major element of African American and American popular music, also reaching white audiences via Handy's arrangements and the classic female blues performers. These female performers became perhaps the first African American "superstars", and their recording sales demonstrated "a huge appetite for records made by and for black people." The blues evolved from informal performances in bars to entertainment in theaters. Blues performances were organized by the Theater Owners Bookers Association in
nightclub A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs gen ...
s such as the
Cotton Club The Cotton Club was a New York City nightclub from 1923 to 1940. It was located on 142nd Street and Lenox Avenue (1923–1936), then briefly in the midtown Theater District (1936–1940).Elizabeth Winter"Cotton Club of Harlem (1923- )" Blac ...
and
juke joint Juke joint (also jukejoint, jook house, jook, or juke) is the vernacular term for an informal establishment featuring music, dancing, gambling, and drinking, primarily operated by African Americans in the southeastern United States. A juke joint ...
s such as the bars along
Beale Street Beale Street is a street in Downtown Memphis, Tennessee, which runs from the Mississippi River to East Street, a distance of approximately . It is a significant location in the city's history, as well as in the history of blues music. Today, t ...
in Memphis. Several record companies, such as the
American Record Corporation American Record Corporation (ARC), also referred to as American Record Company, American Recording Corporation, or ARC Records, was an American record company. Overview ARC was created in January 1929 by Louis G. Sylvester, president of Scra ...
,
Okeh Records Okeh Records () is an American record label founded by the Otto Heinemann Phonograph Corporation, a phonograph supplier established in 1916, which branched out into phonograph records in 1918. The name was spelled "OkeH" from the initials of Ott ...
, and
Paramount Records Paramount Records was an American record label known for its recordings of jazz and blues in the 1920s and early 1930s, including such artists as Ma Rainey, Tommy Johnson and Blind Lemon Jefferson. Early years Paramount Records was formed in 1 ...
, began to record African-American music. As the recording industry grew,
country blues Country blues (also folk blues, rural blues, backwoods blues, or downhome blues) is one of the earliest forms of blues music. The mainly solo vocal with acoustic fingerstyle guitar accompaniment developed in the rural Southern United States in t ...
performers like
Bo Carter Armenter (or Armentia) Chatmon (March 21, 1893 or January 1894 – September 21, 1964), known as Bo Carter, was an early American blues musician. He was a member of the Mississippi Sheiks in concerts and on a few of their recordings. He also m ...
, Jimmie Rodgers,
Blind Lemon Jefferson Lemon Henry "Blind Lemon" Jefferson (September 24, 1893 – December 19, 1929)Some sources indicate Jefferson was born on October 26, 1894. was an American blues and gospel singer-songwriter and musician. He was one of the most popular blues sing ...
, Lonnie Johnson,
Tampa Red Hudson Whittaker (born Hudson Woodbridge; January 8, 1903March 19, 1981), known as Tampa Red, was a Chicago blues musician. His distinctive single-string slide guitar style, songwriting and bottleneck technique influenced other Chicago blues gu ...
and
Blind Blake Arthur Blake (1896 – December 1, 1934), known as Blind Blake, was an American blues and ragtime singer and guitarist. He is known for recordings he made for Paramount Records between 1926 and 1932. Early life Little is known of Blake's life. ...
became more popular in the African American community. Kentucky-born Sylvester Weaver was in 1923 the first to record the
slide guitar Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos t ...
style, in which a guitar is fretted with a knife blade or the sawed-off neck of a bottle. The slide guitar became an important part of the
Delta blues Delta blues is one of the earliest-known styles of blues. It originated in the Mississippi Delta, and is regarded as a regional variant of country blues. Guitar and harmonica are its dominant instruments; slide guitar is a hallmark of th ...
.Clarke, p. 138. The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Country blues performers often improvised, either without accompaniment or with only a banjo or guitar. Regional styles of country blues varied widely in the early 20th century. The (Mississippi) Delta blues was a rootsy sparse style with passionate vocals accompanied by slide guitar. The little-recorded
Robert Johnson Robert Leroy Johnson (May 8, 1911August 16, 1938) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generati ...
combined elements of urban and rural blues. In addition to Robert Johnson, influential performers of this style included his predecessors
Charley Patton Charley Patton (April 1891 (probable) – April 28, 1934), also known as Charlie Patton, was an American Delta blues musician and songwriter. Considered by many to be the "Father of the Delta Blues", he created an enduring body of American musi ...
and
Son House Edward James "Son" House Jr. (March 21, 1902His date of birth is a matter of some debate. House alleged that he was middle-aged during World War I and that he was 79 in 1965, which would make his date of birth around 1886. However, all legal re ...
. Singers such as
Blind Willie McTell Blind Willie McTell (born William Samuel McTier; May 5, 1898 – August 19, 1959) was a Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont bl ...
and
Blind Boy Fuller Blind Boy Fuller (born Fulton Allen, July 10, 1904February 13, 1941) was an American blues guitarist and singer. Fuller was one of the most popular of the recorded Piedmont blues artists, rural African Americans, along with Blind Blake, Josh Whi ...
performed in the southeastern "delicate and lyrical"
Piedmont blues Piedmont blues (also known as East Coast, or Southeastern blues) refers primarily to a guitar style, which is characterized by a fingerpicking approach in which a regular, alternating thumb bass string rhythmic pattern supports a syncopated melod ...
tradition, which used an elaborate ragtime-based
fingerpicking Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectr ...
guitar technique. Georgia also had an early slide tradition, with
Curley Weaver Curley James Weaver (March 25, 1906 – September 20, 1962) was an American blues musician, also known as Slim Gordon. Biography Early years Weaver was born in Covington, Georgia, and raised on a farm near Porterdale. His mother, Savannah "Dip" ...
,
Tampa Red Hudson Whittaker (born Hudson Woodbridge; January 8, 1903March 19, 1981), known as Tampa Red, was a Chicago blues musician. His distinctive single-string slide guitar style, songwriting and bottleneck technique influenced other Chicago blues gu ...
, "Barbecue Bob" Hicks and James "Kokomo" Arnold as representatives of this style. The lively
Memphis blues The Memphis blues is a style of blues music created from the 1910s to the 1930s by musicians in the Memphis area, such as Frank Stokes, Sleepy John Estes, Furry Lewis and Memphis Minnie. The style was popular in vaudeville and medicine shows a ...
style, which developed in the 1920s and 1930s near
Memphis, Tennessee Memphis is a city in the U.S. state of Tennessee. It is the seat of Shelby County in the southwest part of the state; it is situated along the Mississippi River. With a population of 633,104 at the 2020 U.S. census, Memphis is the second-mo ...
, was influenced by
jug band A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepi ...
s such as the Memphis Jug Band or the Gus Cannon's Jug Stompers. Performers such as Frank Stokes,
Sleepy John Estes John Adam Estes (January 25, 1899 or 1900June 5, 1977),
known as Sleepy John Estes, was an Am ...
,
Robert Wilkins Robert Timothy Wilkins (January 16, 1896 – May 26, 1987) was an American country blues guitarist and vocalist, of African-American and Cherokee descent. His distinction was his versatility: he could play ragtime, blues, minstrel songs, and g ...
, Joe McCoy,
Casey Bill Weldon William "Casey Bill" Weldon (February 2, 1901 or December 10, 1909 – September 28, 1972) was an American country blues musician. Some details of Weldon's life are unconfirmed. According to some sources, he was born in Pine Bluff, Arkansas, an ...
and
Memphis Minnie Lizzie Douglas (June 3, 1897 – August 6, 1973), better known as Memphis Minnie, was a blues guitarist, vocalist, and songwriter whose recording career lasted for over three decades. She recorded around 200 songs, some of the best known being "Wh ...
used a variety of unusual instruments such as washboard,
fiddle A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the ...
,
kazoo The kazoo is an American musical instrument that adds a "buzzing" timbral quality to a player's voice when the player vocalizes into it. It is a type of '' mirliton'' (which itself is a membranophone), one of a class of instruments which modifie ...
or
mandolin A mandolin ( it, mandolino ; literally "small mandola") is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of ...
. Memphis Minnie was famous for her
virtuoso A virtuoso (from Italian ''virtuoso'' or , "virtuous", Late Latin ''virtuosus'', Latin ''virtus'', "virtue", "excellence" or "skill") is an individual who possesses outstanding talent and technical ability in a particular art or field such a ...
guitar style. Pianist Memphis Slim began his career in Memphis, but his distinct style was smoother and had some swing elements. Many blues musicians based in Memphis moved to Chicago in the late 1930s or early 1940s and became part of the urban blues movement.


Urban blues

City or urban blues styles were more codified and elaborate, as a performer was no longer within their local, immediate community, and had to adapt to a larger, more varied audience's aesthetic.Garofalo, p. 47. Classic female urban and
vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment born in France at the end of the 19th century. A vaudeville was originally a comedy without psychological or moral intentions, based on a comical situation: a dramatic composition ...
blues singers were popular in the 1920s, among them "the big three"— Gertrude "Ma" Rainey,
Bessie Smith Bessie Smith (April 15, 1894 – September 26, 1937) was an American blues singer widely renowned during the Jazz Age. Nicknamed the " Empress of the Blues", she was the most popular female blues singer of the 1930s. Inducted into the Rock an ...
, and
Lucille Bogan Lucille Bogan (born Lucile Anderson; April 1, 1897August 10, 1948) was an American classic female blues singer and songwriter, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson. Music critic Ernest Borneman not ...
.
Mamie Smith Mamie Smith (née Robinson; May 26, 1891 – September 16, 1946) was an American vaudeville singer, dancer, pianist, and actress. As a vaudeville singer she performed in multiple styles, including jazz and blues. In 1920, she entered blues histor ...
, more a vaudeville performer than a blues artist, was the first African American to record a blues song in 1920; her second record, "Crazy Blues", sold 75,000 copies in its first month.
Ma Rainey Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early blues recording artist. Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of s ...
, the "Mother of Blues", and Bessie Smith each " angaround center tones, perhaps in order to project her voice more easily to the back of a room". Smith would "sing a song in an unusual key, and her artistry in bending and stretching notes with her beautiful, powerful contralto to accommodate her own interpretation was unsurpassed". In 1920 the vaudeville singer Lucille Hegamin became the second black woman to record blues when she recorded "The Jazz Me Blues", and Victoria Spivey, sometimes called Queen Victoria or Za Zu Girl, had a recording career that began in 1926 and spanned forty years. These recordings were typically labeled "
race records Race records were 78-rpm phonograph records marketed to African Americans between the 1920s and 1940s.Oliver, Paul. "Race record." Grove Music Online. Oxford Music Online. 13 Feb. 2015. They primarily contained race music, comprising various Afri ...
" to distinguish them from records sold to white audiences. Nonetheless, the recordings of some of the classic female blues singers were purchased by white buyers as well. These blueswomen's contributions to the genre included "increased improvisation on melodic lines, unusual phrasing which altered the emphasis and impact of the lyrics, and vocal dramatics using shouts, groans, moans, and wails. The blues women thus effected changes in other types of popular singing that had spin-offs in jazz,
Broadway musical Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Th ...
s,
torch song A torch song is a sentimental love song, typically one in which the singer laments an unrequited or lost love, either where one party is oblivious to the existence of the other, where one party has moved on, or where a romantic affair has affect ...
s of the 1930s and 1940s,
gospel Gospel originally meant the Christian message (" the gospel"), but in the 2nd century it came to be used also for the books in which the message was set out. In this sense a gospel can be defined as a loose-knit, episodic narrative of the words a ...
,
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
, and eventually
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm ...
." Urban male performers included popular black musicians of the era, such as
Tampa Red Hudson Whittaker (born Hudson Woodbridge; January 8, 1903March 19, 1981), known as Tampa Red, was a Chicago blues musician. His distinctive single-string slide guitar style, songwriting and bottleneck technique influenced other Chicago blues gu ...
,
Big Bill Broonzy Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s ...
and
Leroy Carr Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Mus ...
. An important label of this era was the Chicago-based
Bluebird Records Bluebird Records is a record label best known for its low-cost releases, primarily of kids' music, blues and jazz in the 1930s and 1940s. It was founded in 1932 as a lower-priced RCA Victor subsidiary label of RCA Victor. Bluebird became known ...
. Before World War II, Tampa Red was sometimes referred to as "the Guitar Wizard". Carr accompanied himself on the piano with
Scrapper Blackwell Francis Hillman "Scrapper" Blackwell (February 21, 1903 – October 7, 1962) was an American blues guitarist and singer, best known as half of the guitar-piano duo he formed with Leroy Carr in the late 1920s and early 1930s. He was an acoustic s ...
on guitar, a format that continued well into the 1950s with artists such as Charles Brown and even
Nat "King" Cole Nathaniel Adams Coles (March 17, 1919 – February 15, 1965), known professionally as Nat King Cole, was an American singer, jazz pianist, and actor. Cole's music career began after he dropped out of school at the age of 15, and continued f ...
.
Boogie-woogie Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since 1870s.Paul, Elliot, ''That Crazy American Music'' (1957), Chapter 10, p. 229. It was eventually extended from pi ...
was another important style of 1930s and early 1940s urban blues. While the style is often associated with solo piano, boogie-woogie was also used to accompany singers and, as a solo part, in bands and small combos. Boogie-Woogie style was characterized by a regular bass figure, an
ostinato In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include ...
or
riff A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or acc ...
and shifts of level in the left hand, elaborating each chord and trills and decorations in the right hand. Boogie-woogie was pioneered by the Chicago-based
Jimmy Yancey James Edwards Yancey (February 20, c. 1895 – September 17, 1951) was an American boogie-woogie pianist, composer, and lyricist. One reviewer described him as "one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style". Bio ...
and the Boogie-Woogie Trio (
Albert Ammons Albert Clifton Ammons (March 1, 1907 – December 2, 1949) was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s. Life and career Ammons was born in Chicago, Illinois. His parents were pi ...
, Pete Johnson and Meade Lux Lewis). Chicago boogie-woogie performers included Clarence "Pine Top" Smith and
Earl Hines Earl Kenneth Hines, also known as Earl "Fatha" Hines (December 28, 1903 – April 22, 1983), was an American jazz pianist and bandleader. He was one of the most influential figures in the development of jazz piano and, according to one source, " ...
, who "linked the propulsive left-hand rhythms of the ragtime pianists with melodic figures similar to those of Armstrong's trumpet in the right hand". The smooth Louisiana style of Professor Longhair and, more recently,
Dr. John Malcolm John Rebennack Jr. (November 20, 1941 – June 6, 2019), better known by his stage name Dr. John, was an American singer and songwriter. His music encompassed New Orleans blues, jazz, funk, and R&B. Active as a session musician from ...
blends classic rhythm and blues with blues styles. Another development in this period was
big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s ...
blues. The "
territory band Territory bands were dance bands that crisscrossed specific regions of the United States from the 1920s through the 1960s. Beginning in the 1920s, the bands typically had 8 to 12 musicians. These bands typically played one-nighters, six or seven n ...
s" operating out of
Kansas City The Kansas City metropolitan area is a bi-state metropolitan area anchored by Kansas City, Missouri. Its 14 counties straddle the border between the U.S. states of Missouri (9 counties) and Kansas (5 counties). With and a population of more th ...
, the
Bennie Moten Benjamin Moten (November 13, 1893 – April 2, 1935) was an American jazz pianist and band leader born and raised in Kansas City, Missouri, United States. He led his Kansas City Orchestra, the most important of the regional, blues-based orchest ...
orchestra,
Jay McShann James Columbus "Jay" McShann (January 12, 1916 – December 7, 2006) was an American jazz pianist, vocalist, composer, and bandleader. He led bands in Kansas City, Missouri, that included Charlie Parker, Bernard Anderson, Walter Brown, and B ...
, and the
Count Basie Orchestra The Count Basie Orchestra is a 16 to 18 piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 19 ...
were also concentrating on the blues, with 12-bar blues instrumentals such as Basie's "
One O'Clock Jump "One O'Clock Jump" is a jazz standard, a 12-bar blues instrumental, written by Count Basie in 1937. Background The melody derived from band members' riffs—Basie rarely wrote down musical ideas, so Eddie Durham and Buster Smith helped him cry ...
" and "
Jumpin' at the Woodside "Jumpin' at the Woodside" is a song first recorded in 1938 by the Count Basie Orchestra, and considered one of the band's signature tunes. When first released it reached number 11 on the ''Billboard'' charts and remained on them for four weeks. ...
" and boisterous " blues shouting" by
Jimmy Rushing James Andrew Rushing (August 26, 1901 – June 8, 1972) was an American singer and pianist from Oklahoma City, Oklahoma, U.S., best known as the featured vocalist of Count Basie's Orchestra from 1935 to 1948. Rushing was known as " Mr. Five by ...
on songs such as "Going to Chicago" and "
Sent for You Yesterday ''Sent for You Yesterday'' is a novel by the American writer John Edgar Wideman, first published in 1983 (in New York by Avon Books, and subsequently in London by Allison and Busby, 1984), set in Pittsburgh, Pennsylvania, during the 1970s. Th ...
". A well-known big band blues tune is
Glenn Miller Alton Glen Miller (March 1, 1904 – December 15, 1944) was an American big band founder, owner, conductor, composer, arranger, trombone player and recording artist before and during World War II, when he was an officer in the US Army Air Forc ...
's "
In the Mood "In the Mood" is a popular big band-era jazz standard recorded by American bandleader Glenn Miller. "In the Mood" is based on the composition " Tar Paper Stomp" by Wingy Manone. The first recording under the name "In the Mood" was released by ...
". In the 1940s, the
jump blues Jump blues is an up-tempo style of blues, usually played by small groups and featuring horn instruments. It was popular in the 1940s and was a precursor of rhythm and blues and rock and roll. Appreciation of jump blues was renewed in the 1990s as ...
style developed. Jump blues grew up from the boogie woogie wave and was strongly influenced by
big band A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s ...
music. It uses
saxophone The saxophone (often referred to colloquially as the sax) is a type of Single-reed instrument, single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed (mouthpi ...
or other
brass instrument A brass instrument is a musical instrument that produces sound by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. Brass instruments are also called labrosones or labrophones, from Latin a ...
s and the guitar in the rhythm section to create a jazzy, up-tempo sound with declamatory vocals. Jump blues tunes by
Louis Jordan Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as " the King of the Jukebox", he earned his high ...
and
Big Joe Turner Joseph Vernon "Big Joe" Turner Jr. (May 18, 1911 – November 24, 1985) was an American singer from Kansas City, Missouri. According to songwriter Doc Pomus, "Rock and roll would have never happened without him." His greatest fame was due to ...
, based in
Kansas City, Missouri Kansas City (abbreviated KC or KCMO) is the largest city in Missouri by population and area. As of the 2020 United States census, 2020 census, the city had a population of 508,090 in 2020, making it the List of United States cities by populat ...
, influenced the development of later styles such as
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm ...
and
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
. Dallas-born
T-Bone Walker Aaron Thibeaux "T-Bone" Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 ''R ...
, who is often associated with the California blues style, performed a successful transition from the early urban blues à la Lonnie Johnson and
Leroy Carr Leroy Carr (March 27, 1904 or 1905 – April 29, 1935) was an American blues singer, songwriter and pianist who developed a laid-back, crooning technique and whose popularity and style influenced such artists as Nat King Cole and Ray Charles. Mus ...
to the jump blues style and dominated the blues-jazz scene at
Los Angeles Los Angeles ( ; es, Los Ángeles, link=no , ), often referred to by its initials L.A., is the largest city in the state of California and the second most populous city in the United States after New York City, as well as one of the world ...
during the 1940s.


1950s

The transition from country blues to urban blues that began in the 1920s was driven by the successive waves of economic crisis and booms that led many rural blacks to move to urban areas, in a movement known as the Great Migration. The long boom following World War II induced another massive migration of the African-American population, the Second Great Migration, which was accompanied by a significant increase of the real income of the urban blacks. The new migrants constituted a new market for the music industry. The term ''
race record Race records were 78-rpm phonograph records marketed to African Americans between the 1920s and 1940s.Oliver, Paul. "Race record." Grove Music Online. Oxford Music Online. 13 Feb. 2015. They primarily contained race music, comprising various ...
'', initially used by the
music industry The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, ...
for
African-American African Americans (also referred to as Black Americans and Afro-Americans) are an ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American" generally denotes descendants of ensl ...
music, was replaced by the term ''
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
''. This rapidly evolving market was mirrored by ''
Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large adverti ...
'' magazine's Rhythm & Blues chart. This marketing strategy reinforced trends in urban blues music such as the use of electric instruments and amplification and the generalization of the blues beat, the
blues shuffle In music, the term ''swing'' has two main uses. Colloquially, it is used to describe the propulsive quality or "feel" of a rhythm, especially when the music prompts a visceral response such as foot-tapping or head-nodding (see pulse). This sen ...
, which became ubiquitous in rhythm and blues (R&B). This commercial stream had important consequences for blues music, which, together with
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
and
gospel music Gospel music is a traditional genre of Christian music, and a cornerstone of Christian media. The creation, performance, significance, and even the definition of gospel music varies according to culture and social context. Gospel music is co ...
, became a component of R&B. After World War II, new styles of
electric blues Electric blues refers to any type of blues music distinguished by the use of electric amplification for musical instruments. The guitar was the first instrument to be popularly amplified and used by early pioneers T-Bone Walker in the late 1930 ...
became popular in cities such as
Chicago (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = List of sovereign states, Count ...
,
Memphis Memphis most commonly refers to: * Memphis, Egypt, a former capital of ancient Egypt * Memphis, Tennessee, a major American city Memphis may also refer to: Places United States * Memphis, Alabama * Memphis, Florida * Memphis, Indiana * Memp ...
,
Detroit Detroit ( , ; , ) is the largest city in the U.S. state of Michigan. It is also the largest U.S. city on the United States–Canada border, and the seat of government of Wayne County. The City of Detroit had a population of 639,111 at t ...
Herzhaft, p. 53. and
St. Louis St. Louis () is the second-largest city in Missouri, United States. It sits near the confluence of the Mississippi and the Missouri Rivers. In 2020, the city proper had a population of 301,578, while the bi-state metropolitan area, which e ...
. Electric blues used
electric guitar An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic gu ...
s,
double bass The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox addit ...
(gradually replaced by
bass guitar The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and ...
),
drums A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks ...
, and
harmonica The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica in ...
(or "blues harp") played through a microphone and a
PA system A public address system (or PA system) is an electronic system comprising microphones, amplifiers, loudspeakers, and related equipment. It increases the apparent volume (loudness) of a human voice, musical instrument, or other acoustic sound sou ...
or an overdriven
guitar amplifier A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which ar ...
. Chicago became a center for electric blues from 1948 on, when
Muddy Waters McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post- war blues scene, and is often cited as the "father of modern Chicag ...
recorded his first success, "I Can't Be Satisfied".
Chicago blues Chicago blues is a form of blues music developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. It developed alongside the Great Migration of the first half of the twentieth cent ...
is influenced to a large extent by
Delta blues Delta blues is one of the earliest-known styles of blues. It originated in the Mississippi Delta, and is regarded as a regional variant of country blues. Guitar and harmonica are its dominant instruments; slide guitar is a hallmark of th ...
, because many performers had migrated from the
Mississippi Mississippi () is a state in the Southeastern region of the United States, bordered to the north by Tennessee; to the east by Alabama; to the south by the Gulf of Mexico; to the southwest by Louisiana; and to the northwest by Arkansas. Miss ...
region.
Howlin' Wolf Chester Arthur Burnett (June 10, 1910January 10, 1976), better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He is regarded as one of the most influential blues musicians of all time. Over a four-decade care ...
, Muddy Waters,
Willie Dixon William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he ...
and
Jimmy Reed Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), " ...
were all born in Mississippi and moved to Chicago during the Great Migration. Their style is characterized by the use of electric guitar, sometimes slide guitar, harmonica, and a rhythm section of bass and drums. The saxophonist J. T. Brown played in bands led by
Elmore James Elmore James ( Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame ...
and by
J. B. Lenoir J. B. Lenoir ( '; March 5, 1929 – April 29, 1967) was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s. Life and career Lenoir was born in Monticello, Mississippi. His full given ...
, but the
saxophone The saxophone (often referred to colloquially as the sax) is a type of Single-reed instrument, single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed (mouthpi ...
was used as a backing instrument for rhythmic support more than as a lead instrument.
Little Walter Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him ...
, Sonny Boy Williamson (Rice Miller) and
Sonny Terry Saunders Terrell (October 24, 1911 – March 11, 1986), known as Sonny Terry, was an American Piedmont blues and folk musician, who was known for his energetic blues harmonica style, which frequently included vocal whoops and hollers and oc ...
are well known harmonica (called "
harp The harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard; the strings are plucked with the fingers. Harps can be made and played in various ways, standing or sitting, and in orc ...
" by blues musicians) players of the early Chicago blues scene. Other harp players such as
Big Walter Horton Walter Horton (April 6, 1921 – December 8, 1981), known as Big Walter (Horton) or Walter 'Shakey' Horton, was an American blues harmonica player. A quiet, unassuming, shy man, he is remembered as one of the premier harmonica players in the hi ...
were also influential. Muddy Waters and Elmore James were known for their innovative use of slide electric guitar. Howlin' Wolf and Muddy Waters were known for their deep, "gravelly" voices. The bassist and prolific songwriter and composer
Willie Dixon William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he ...
played a major role on the Chicago blues scene. He composed and wrote many standard blues songs of the period, such as "
Hoochie Coochie Man "Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song makes reference to hoodoo folk magic elements and makes novel use of a sto ...
", " I Just Want to Make Love to You" (both penned for Muddy Waters) and, "
Wang Dang Doodle "Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat. It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1 ...
" and " Back Door Man" for Howlin' Wolf. Most artists of the Chicago blues style recorded for the Chicago-based
Chess Records Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock a ...
and
Checker Records Checker Records is an inactive record label that was started in 1952 as a subsidiary of Chess Records in Chicago, Illinois. The label was founded by the Chess brothers, Leonard and Phil, who ran the label until they sold it to General Record ...
labels. Smaller blues labels of this era included
Vee-Jay Records Vee-Jay Records is an American record label founded in the 1950s, located in Chicago and specializing in blues, jazz, rhythm and blues and rock and roll. The label was founded in Gary, Indiana in 1953 by Vivian Carter and James C. Bracken, a ...
and
J.O.B. Records J.O.B. Records was an American, Chicago based independent record label, founded by businessman Joe Brown and bluesman St. Louis Jimmy Oden in 1949. It specialized in Southern blues and city based R&B. In 1952, the label's recording of " Five ...
. During the early 1950s, the dominating Chicago labels were challenged by
Sam Phillips Samuel Cornelius Phillips (January 5, 1923 – July 30, 2003) was an American record producer. He was the founder of Sun Records and Sun Studio in Memphis, Tennessee, where he produced recordings by Elvis Presley, Roy Orbison, Jerry Lee Lewis, ...
'
Sun Records Sun Records is an American independent record label founded by producer Sam Phillips in Memphis, Tennessee in February 1952. Sun was the first label to record Elvis Presley, Charlie Rich, Roy Orbison, Jerry Lee Lewis, Carl Perkins, and Johnny ...
company in Memphis, which recorded
B. B. King Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B.B. King, was an American blues singer-songwriter, guitarist, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shim ...
and Howlin' Wolf before he moved to Chicago in 1960. After Phillips discovered
Elvis Presley Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the " King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. His ener ...
in 1954, the Sun label turned to the rapidly expanding white audience and started recording mostly
rock 'n' roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm an ...
. In the 1950s, blues had a huge influence on mainstream American
popular music Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training.Popular Music. (2015). ''Fu ...
. While popular musicians like
Bo Diddley Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, inc ...
and
Chuck Berry Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017) was an American singer, songwriter and guitarist who pioneered rock and roll. Nicknamed the " Father of Rock and Roll", he refined and developed rhythm and blues into th ...
, both recording for Chess, were influenced by the Chicago blues, their enthusiastic playing styles departed from the melancholy aspects of blues. Chicago blues also influenced
Louisiana Louisiana , group=pronunciation (French: ''La Louisiane'') is a state in the Deep South and South Central regions of the United States. It is the 20th-smallest by area and the 25th most populous of the 50 U.S. states. Louisiana is bord ...
's
zydeco Zydeco ( or , french: Zarico) is a music genre that evolved in southwest Louisiana by French Creole speakers which blends blues, rhythm and blues, and music indigenous to the Louisiana Creoles and the Native American people of Louisiana. Al ...
music, with Clifton Chenier using blues accents. Zydeco musicians used electric solo guitar and
cajun The Cajuns (; French: ''les Cadjins'' or ''les Cadiens'' ), also known as Louisiana ''Acadians'' (French: ''les Acadiens''), are a Louisiana French ethnicity mainly found in the U.S. state of Louisiana. While Cajuns are usually described as ...
arrangements of blues standards. In England, electric blues took root there during a much acclaimed Muddy Waters tour in 1958. Waters, unsuspecting of his audience's tendency towards
skiffle Skiffle is a genre of folk music with influences from American folk music, blues, country, bluegrass, and jazz, generally performed with a mixture of manufactured and homemade or improvised instruments. Originating as a form in the United Stat ...
, an acoustic, softer brand of blues, turned up his amp and started to play his Chicago brand of electric blues. Although the audience was largely jolted by the performance, the performance influenced local musicians such as
Alexis Korner Alexis Andrew Nicholas Koerner (19 April 1928 – 1 January 1984), known professionally as Alexis Korner, was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues". A major in ...
and
Cyril Davies Cyril Davies (23 January 1932 – 7 January 1964) was an English blues musician, and one of the first blues harmonica players in England. Biography Born at St Mildred's, 15 Hawthorn Drive, Willowbank, Denham, Buckinghamshire, he was the so ...
to emulate this louder style, inspiring the
British Invasion The British Invasion was a cultural phenomenon of the mid-1960s, when rock and pop music acts from the United Kingdom and other aspects of British culture became popular in the United States and significant to the rising "counterculture" o ...
of the
Rolling Stones The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically d ...
and the Yardbirds. In the late 1950s, a new blues style emerged on Chicago's West Side pioneered by
Magic Sam Magic or Magick most commonly refers to: * Magic (supernatural), beliefs and actions employed to influence supernatural beings and forces * Ceremonial magic, encompasses a wide variety of rituals of magic * Magical thinking, the belief that unrela ...
,
Buddy Guy George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues who has influenced generations of guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaugh ...
and
Otis Rush Otis Rush Jr. (April 29, 1934 – September 29, 2018) was an American blues guitarist and singer-songwriter. His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of other 1950s art ...
on
Cobra Records Cobra Records (together with its Artistic subsidiary) was an independent record label that operated from 1956–1959. The label launched the careers of Chicago blues artists Otis Rush, Magic Sam, and Buddy Guy and "signaled the arrival of a new ...
. The "West Side sound" had strong rhythmic support from a rhythm guitar, bass guitar and drums and as perfected by Guy,
Freddie King Freddie King (September 3, 1934December 28, 1976) was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and B.B. King, none of whom were blood related). Most ...
,
Magic Slim Morris Holt (August 7, 1937 – February 21, 2013), known as Magic Slim, was an American blues singer and guitarist. Born at Torrance, near Grenada, Mississippi, the son of sharecroppers, he followed blues greats such as Muddy Waters and How ...
and
Luther Allison Luther Allison (August 17, 1939 – August 12, 1997) was an American blues singer-songwriter and guitarist. He was born in Widener, Arkansas, although some accounts suggest his actual place of birth was Mayflower, Arkansas. Allison was intereste ...
was dominated by amplified electric lead guitar. Expressive
guitar solo A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written (or improvised) to be played on a classical guitar, electric guitar or an acoustic guitar. In 20th and 21st century traditional music and popular ...
s were a key feature of this music. Other blues artists, such as
John Lee Hooker John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often in ...
had influences not directly related to the Chicago style. John Lee Hooker's blues is more "personal", based on Hooker's deep rough voice accompanied by a single electric guitar. Though not directly influenced by boogie woogie, his "groovy" style is sometimes called "guitar boogie". His first hit, "Boogie Chillen", reached number 1 on the R&B charts in 1949. By the late 1950s, the swamp blues genre developed near Baton Rouge, with performers such as Lightnin' Slim, Slim Harpo, Sam Myers and Jerry McCain around the producer J. D. "Jay" Miller and the Excello Records, Excello label. Strongly influenced by
Jimmy Reed Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with blues as well as non-blues audiences. Reed's songs such as "Honest I Do" (1957), " ...
, swamp blues has a slower pace and a simpler use of the harmonica than the Chicago blues style performers such as Little Walter or Muddy Waters. Songs from this genre include "Scratch my Back", "She's Tough" and "I'm a King Bee". Alan Lomax's recordings of Mississippi Fred McDowell would eventually bring him wider attention on both the blues and Folk music, folk circuit, with McDowell's droning style influencing North Mississippi hill country blues musicians.


1960s and 1970s

By the beginning of the 1960s, genres influenced by African American music such as
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm ...
and soul music, soul were part of mainstream popular music. White performers such as the Rolling Stones and the Beatles had brought African-American music to new audiences, both within the U.S. and abroad. However, the blues wave that brought artists such as Muddy Waters to the foreground had stopped. Bluesmen such as
Big Bill Broonzy Big Bill Broonzy (born Lee Conley Bradley; June 26, 1903 – August 14, 1958) was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African American audiences. In the 1930s ...
and
Willie Dixon William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he ...
started looking for new markets in Europe. Dick Waterman and the blues festivals he organized in Europe played a major role in propagating blues music abroad. In the UK, bands emulated U.S. blues legends, and UK blues rock-based bands had an influential role throughout the 1960s. Blues performers such as
John Lee Hooker John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often in ...
and
Muddy Waters McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post- war blues scene, and is often cited as the "father of modern Chicag ...
continued to perform to enthusiastic audiences, inspiring new artists steeped in traditional blues, such as New York–born Taj Mahal (musician), Taj Mahal.
John Lee Hooker John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often in ...
blended his blues style with rock elements and playing with younger white musicians, creating a musical style that can be heard on the 1971 album ''Endless Boogie''.
B. B. King Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B.B. King, was an American blues singer-songwriter, guitarist, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shim ...
's singing and virtuoso guitar technique earned him the eponymous title "king of the blues". King introduced a sophisticated style of
guitar solo A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written (or improvised) to be played on a classical guitar, electric guitar or an acoustic guitar. In 20th and 21st century traditional music and popular ...
ing based on fluid string bending and shimmering vibrato that influenced many later electric blues guitarists. In contrast to the Chicago style, King's band used strong brass support from a saxophone, trumpet, and trombone, instead of using slide guitar or harp. Tennessee-born Bobby Bland, Bobby "Blue" Bland, like B. B. King, also straddled the blues and R&B genres. During this period,
Freddie King Freddie King (September 3, 1934December 28, 1976) was an American blues guitarist, singer and songwriter. He is considered one of the "Three Kings of the Blues Guitar" (along with Albert King and B.B. King, none of whom were blood related). Most ...
and Albert King often played with rock and Soul music, soul musicians (Eric Clapton and Booker T & the MGs) and had a major influence on those styles of music. The music of the civil rights movementKomara, p. 122. and Free Speech Movement in the U.S. prompted a American folk music revival, resurgence of interest in American roots music and early African American music. As well festivals such as the Newport Folk Festival brought traditional blues to a new audience, which helped to revive interest in prewar acoustic blues and performers such as
Son House Edward James "Son" House Jr. (March 21, 1902His date of birth is a matter of some debate. House alleged that he was middle-aged during World War I and that he was 79 in 1965, which would make his date of birth around 1886. However, all legal re ...
, Mississippi John Hurt,
Skip James Nehemiah Curtis "Skip" James (June 9, 1902October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "This emotional, lyrical performer was a talented blues guitarist and arranger with an impressiv ...
, and Reverend Gary Davis. Many compilations of classic prewar blues were republished by the Yazoo Records.
J. B. Lenoir J. B. Lenoir ( '; March 5, 1929 – April 29, 1967) was an American blues guitarist and singer-songwriter, active in the Chicago blues scene in the 1950s and 1960s. Life and career Lenoir was born in Monticello, Mississippi. His full given ...
from the Chicago blues movement in the 1950s recorded several LPs using acoustic guitar, sometimes accompanied by
Willie Dixon William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he ...
on the acoustic bass or drums. His songs, originally distributed only in Europe, commented on political issues such as racism or Vietnam War issues, which was unusual for this period. His album ''Alabama Blues'' contained a song with the following lyric: White audiences' interest in the blues during the 1960s increased due to the Chicago-based Paul Butterfield, Paul Butterfield Blues Band featuring guitarist Mike Bloomfield, Michael Bloomfield and singer/songwriter Nick Gravenites, and the British blues movement. The style of British blues developed in the UK, when musicians such as
Cyril Davies Cyril Davies (23 January 1932 – 7 January 1964) was an English blues musician, and one of the first blues harmonica players in England. Biography Born at St Mildred's, 15 Hawthorn Drive, Willowbank, Denham, Buckinghamshire, he was the so ...
,
Alexis Korner Alexis Andrew Nicholas Koerner (19 April 1928 – 1 January 1984), known professionally as Alexis Korner, was a British blues musician and radio broadcaster, who has sometimes been referred to as "a founding father of British blues". A major in ...
's Blues Incorporated, Fleetwood Mac, John Mayall & the Bluesbreakers, the The Rolling Stones, Rolling Stones, The Animals, Animals, the The Yardbirds, Yardbirds, Aynsley Dunbar Retaliation, Chicken Shack, early Jethro Tull (band), Jethro Tull, Cream (band), Cream and the Irish musician Rory Gallagher performed classic blues songs from the Delta blues, Delta or
Chicago blues Chicago blues is a form of blues music developed in Chicago, Illinois. It is based on earlier blues idioms, such as Delta blues, but performed in an urban style. It developed alongside the Great Migration of the first half of the twentieth cent ...
traditions. In 1963, LeRoi Jones, later known as Amiri Baraka, was the first to write a book on the social history of the blues in ''Blues People: The Negro Music in White America''. The British and blues musicians of the early 1960s inspired a number of American
blues rock Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes w ...
performers, including Canned Heat, Janis Joplin, Johnny Winter, The J. Geils Band, Ry Cooder, and the Allman Brothers Band. One blues rock performer, Jimi Hendrix, was a rarity in his field at the time: a black man who played psychedelic rock. Hendrix was a skilled guitarist, and a pioneer in the innovative use of distortion and audio feedback in his music. Through these artists and others, blues music influenced the development of
rock music Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States a ...
. Later in the 1960s, British singer Jo Ann Kelly started her recording career. In the US, from the 1970s, female singers Bonnie Raitt and Phoebe Snow performed blues. In the early 1970s, the Texas blues, Texas rock-blues style emerged, which used guitars in both solo and rhythm roles. In contrast with the West Side blues, the Texas style is strongly influenced by the British rock-blues movement. Major artists of the Texas style are Johnny Winter, Stevie Ray Vaughan, the The Fabulous Thunderbirds, Fabulous Thunderbirds (led by
harmonica The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica in ...
player and singer-songwriter Kim Wilson), and ZZ Top. These artists all began their musical careers in the 1970s but they did not achieve international success until the next decade.


1980s to the present

Since the 1980s there has been a resurgence of interest in the blues among a certain part of the African-American population, particularly around Jackson, Mississippi and other deep South regions. Often termed "soul blues" or "Southern soul", the music at the heart of this movement was given new life by the unexpected success of two particular recordings on the Jackson-based Malaco Records, Malaco label: Z. Z. Hill's ''Down Home Blues'' (1982) and Little Milton's ''The Blues is Alright'' (1984). Contemporary African-American performers who work in this style of the blues include Bobby Rush (musician), Bobby Rush, Denise LaSalle, Sir Charles Jones, Bettye LaVette, Marvin Sease, Peggy Scott-Adams, Mel Waiters, Clarence Carter, Dr. "Feelgood" Potts, O.B. Buchana, Ms. Jody, Shirley Brown, and dozens of others. During the 1980s blues also continued in both traditional and new forms. In 1986 the album ''Strong Persuader'' announced Robert Cray as a major blues artist. The first Stevie Ray Vaughan recording ''Texas Flood'' was released in 1983, and the Texas-based guitarist exploded onto the international stage.
John Lee Hooker John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often in ...
's popularity was revived with the album ''The Healer (album), The Healer'' in 1989. Eric Clapton, known for his performances with John Mayall & the Bluesbreakers, the Blues Breakers and Cream (band), Cream, made a comeback in the 1990s with his album ''Unplugged (Eric Clapton album), Unplugged'', in which he played some standard blues numbers on acoustic guitar. However, beginning in the 1990s, digital recording, digital multitrack recording and other technological advances and new marketing strategies including video clip production increased costs, challenging the spontaneity and improvisation that are an important component of blues music. In the 1980s and 1990s, blues publications such as ''Living Blues'' and ''Blues Revue'' were launched, major cities began forming blues societies, outdoor blues festivals became more common, and more
nightclub A nightclub (music club, discothèque, disco club, or simply club) is an entertainment venue during nighttime comprising a dance floor, lightshow, and a stage for live music or a disc jockey (DJ) who plays recorded music. Nightclubs gen ...
s and venues for blues emerged. Tedeschi Trucks band and Gov't Mule released blues rock albums. Female blues singers such as Bonnie Raitt, Susan Tedeschi,Sue Foley and Shannon Curfman recorded blues also. In the 1990s, the largely ignored hill country blues gained minor recognition in both blues and alternative rock music circles with northern Mississippi artists R. L. Burnside and Junior Kimbrough. Blues performers explored a range of musical genres, as can be seen, for example, from the broad array of nominees of the yearly Blues Music Awards, previously named W.C. Handy Awards or of the Grammy Award for Best Contemporary Blues Album, Grammy Awards for Best Contemporary and Grammy Award for Best Traditional Blues Album, Traditional Blues Album. The Billboard Blues Album chart provides an overview of current blues hits. Contemporary blues music is nurtured by several blues labels such as: Alligator Records, Ruf Records, Severn Records,
Chess Records Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock a ...
(Music Corporation of America, MCA), Delmark Records, NorthernBlues Music, Fat Possum Records and Vanguard Records (Artemis Records). Some labels are famous for rediscovering and remastering blues rarities, including Arhoolie Records, Smithsonian Folkways Recordings (heir of Folkways Records), and Yazoo Records (Shanachie Records).


Musical impact

Blues musical styles, forms (12-bar blues), melodies, and the blues scale have influenced many other genres of music, such as rock and roll, jazz, and popular music. Prominent jazz, folk or rock performers, such as Louis Armstrong, Duke Ellington, Miles Davis, and Bob Dylan have performed significant blues recordings. The blues scale is often used in popular songs like Harold Arlen's "Blues in the Night", blues ballads like "Since I Fell for You" and "Please Send Me Someone to Love", and even in orchestral works such as George Gershwin's "Rhapsody in Blue" and "Concerto in F". Gershwin's second "Prelude" for solo piano is an interesting example of a classical blues, maintaining the form with academic strictness. The blues scale is ubiquitous in modern popular music and informs many modal frames, especially the ladder of thirds used in rock music (for example, in "A Hard Day's Night (song), A Hard Day's Night"). Blues forms are used in the theme to the televised ''Batman (TV series), Batman'', teen idol Fabian Forte's hit, "Turn Me Loose",
country music Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, ...
star Jimmie Rodgers' music, and guitarist/vocalist Tracy Chapman's hit "Give Me One Reason". Early country bluesmen such as
Skip James Nehemiah Curtis "Skip" James (June 9, 1902October 3, 1969) was an American Delta blues singer, guitarist, pianist and songwriter. AllMusic stated: "This emotional, lyrical performer was a talented blues guitarist and arranger with an impressiv ...
,
Charley Patton Charley Patton (April 1891 (probable) – April 28, 1934), also known as Charlie Patton, was an American Delta blues musician and songwriter. Considered by many to be the "Father of the Delta Blues", he created an enduring body of American musi ...
, Georgia Tom Dorsey played country and urban blues and had influences from spiritual singing. Dorsey helped to popularize Gospel music. Gospel music developed in the 1930s, with the Golden Gate Quartet. In the 1950s, soul music by Sam Cooke,
Ray Charles Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Ge ...
and James Brown used gospel and blues music elements. In the 1960s and 1970s, gospel and blues were merged in soul blues music. Funk music of the 1970s was influenced by soul; funk can be seen as an antecedent of hip-hop and contemporary R&B. R&B music can be traced back to Spiritual (music), spirituals and blues. Musically, spirituals were a descendant of New England choral traditions, and in particular of
Isaac Watts Isaac Watts (17 July 1674 – 25 November 1748) was an English Congregational minister, hymn writer, theologian, and logician. He was a prolific and popular hymn writer and is credited with some 750 hymns. His works include "When I Survey the ...
's
hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn ...
s, mixed with African rhythms and call-and-response forms. Spirituals or religious chants in the African-American community are much better documented than the "low-down" blues. Spiritual singing developed because African-American communities could gather for mass or worship gatherings, which were called camp meetings. Edward P. Comentale has noted how the blues was often used as a medium for art or self-expression, stating: "As heard from Delta shacks to Chicago tenements to Harlem cabarets, the blues proved—despite its pained origins—a remarkably flexible medium and a new arena for the shaping of identity and community." Before
World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the World War II by country, vast majority of the world's countries—including all of the great power ...
, the boundaries between blues and
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
were less clear. Usually, jazz had harmonic structures stemming from brass bands, whereas blues had blues forms such as the 12-bar blues. However, the jump blues of the 1940s mixed both styles. After WWII, blues had a substantial influence on jazz. Bebop classics, such as Charlie Parker's "Now's the Time", used the blues form with the pentatonic scale and blue notes. Bebop marked a major shift in the role of jazz, from a popular style of music for dancing to a "high-art", less-accessible, cerebral "musician's music". The audience for both blues and jazz split, and the border between blues and jazz became more defined. The blues' 12-bar structure and the blues scale was a major influence on
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm ...
music. Rock and roll has been called "blues with a Backbeat (music), backbeat"; Carl Perkins called rockabilly "blues with a country music, country beat". Rockabillies were also said to be 12-bar blues played with a bluegrass music, bluegrass beat. "Hound Dog (song), Hound Dog", with its unmodified 12-bar structure (in both harmony and lyrics) and a melody centered on flatted third of the tonic (and flatted seventh of the subdominant), is a blues song transformed into a rock and roll song. Jerry Lee Lewis's style of rock and roll was heavily influenced by the blues and its derivative boogie-woogie. His style of music was not exactly rockabilly but it has been often called real rock and roll (this is a label he shares with several African American rock and roll performers). Many early rock and roll songs are based on blues: "That's All Right Mama", "Johnny B. Goode", "Blue Suede Shoes", "Whole Lotta Shakin' Goin On", "Shake, Rattle, and Roll", and "Long Tall Sally". The early African American rock musicians retained the sexual themes and innuendos of blues music: "Got a gal named Sue, knows just what to do" ("Tutti Frutti (song), Tutti Frutti", Little Richard) or "See the girl with the red dress on, She can do the Birdland all night long" ("What'd I Say (song), What'd I Say",
Ray Charles Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Ge ...
). The 12-bar blues structure can be found even in novelty pop songs, such as Bob Dylan's "Obviously Five Believers" and Esther and Abi Ofarim's "Cinderella Rockefella". Early
country music Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, ...
was infused with the blues. Jimmie Rodgers, Moon Mullican, Bob Wills, Bill Monroe and Hank Williams have all described themselves as blues singers and their music has a blues feel that is different, at first glance at least, from the later country-pop of artists like Eddy Arnold. Yet, if one looks back further, Arnold also started out singing bluesy songs like 'I'll Hold You in My Heart'. A lot of the 1970s-era "outlaw" country music by Willie Nelson and Waylon Jennings also borrowed from the blues. When Jerry Lee Lewis returned to country music after the decline of 1950s style rock and roll, he sang with a blues feel and often included blues standards on his albums.


In popular culture

Like
jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a m ...
,
rock and roll Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a genre of popular music that evolved in the United States during the late 1940s and early 1950s. It originated from African-American music such as jazz, rhythm ...
, heavy metal music, hip hop music, reggae,
country music Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, ...
, Latin music, funk, and pop music, blues has been accused of being the "Satan, devil's music" and of inciting violence and other poor behavior. In the early 20th century, the blues was considered disreputable, especially as white audiences began listening to the blues during the 1920s. In the early twentieth century,
W.C. Handy William Christopher Handy (November 16, 1873 – March 28, 1958) was an American composer and musician who referred to himself as the Father of the Blues. Handy was one of the most influential songwriters in the United States. One of many musici ...
was the first to popularize blues-influenced music among non-black Americans. During the blues revival of the 1960s and 1970s, acoustic blues artist Taj Mahal (musician), Taj Mahal and Texas bluesman Lightnin' Hopkins wrote and performed music that figured prominently in the critically acclaimed film ''Sounder (film), Sounder'' (1972). The film earned Mahal a Grammy Award, Grammy nomination for Best Original Score Written for a Motion Picture and a BAFTA nomination. Almost 30 years later, Mahal wrote blues for, and performed a banjo composition, claw-hammer style, in the 2001 movie release ''Songcatcher'', which focused on the story of the preservation of the Appalachian music, roots music of Appalachia. Perhaps the most visible example of the blues style of music in the late 20th century came in 1980, when Dan Aykroyd and John Belushi released the film ''The Blues Brothers (film), The Blues Brothers''. The film drew many of the biggest living influencers of the
rhythm and blues Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly ...
genre together, such as
Ray Charles Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter, and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Ge ...
, James Brown, Cab Calloway, Aretha Franklin, and
John Lee Hooker John Lee Hooker (August 22, 1912 or 1917 – June 21, 2001) was an American blues singer, songwriter, and guitarist. The son of a sharecropper, he rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often in ...
. The band formed also began a successful tour under the The Blues Brothers, Blues Brothers marquee. 1998 brought a sequel, ''Blues Brothers 2000'' that, while not holding as great a critical and financial success, featured a much larger number of blues artists, such as B.B. King,
Bo Diddley Ellas McDaniel (born Ellas Otha Bates; December 30, 1928 – June 2, 2008), known professionally as Bo Diddley, was an American guitarist who played a key role in the transition from the blues to rock and roll. He influenced many artists, inc ...
, Erykah Badu, Eric Clapton, Steve Winwood, Charlie Musselwhite, Blues Traveler, Jimmie Vaughan, and Jeff Baxter. In 2003, Martin Scorsese made significant efforts to promote the blues to a larger audience. He asked several famous directors such as Clint Eastwood and Wim Wenders to participate in a series of documentary films for Public Broadcasting Service, PBS called ''The Blues (film), The Blues''. He also participated in the rendition of compilations of major blues artists in a series of high-quality CDs. Blues guitarist and vocalist Keb' Mo' performed his blues rendition of "America, the Beautiful" in 2006 to close out the final season of the television series ''The West Wing''. The blues was highlighted in season 2012, episode 1 of ''In Performance at the White House'', entitled "Red, White and Blues". Hosted by Barack and Michelle Obama, the show featured performances by B.B. King,
Buddy Guy George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues who has influenced generations of guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaugh ...
, Gary Clark Jr., Jeff Beck, Derek Trucks, Keb Mo, and others.


See also

* List of blues festivals * List of blues musicians * List of blues standards


References


Bibliography

* * Bransford, Steve (2004)
"Blues in the Lower Chattahoochee Valley"
''Southern Spaces''. * * * * * * * * * * * * * * *


Further reading

* Abbott, Lynn and Doug Seroff. ''The Original Blues: The Emergence of the Blues in African-American Vaudeville, 1889–1926.'' Jackson, MS: University Press of Mississippi, 2019. * Brown, Luther
"Inside Poor Monkey's"
''Southern Spaces'', June 22, 2006. * Dixon, Robert M.W.; Godrich, John (1970). ''Recording the Blues''. London: Studio Vista. 85 pp. SBN 289-79829-9. * * * * * * * Welding, Peter; Brown, Toby, eds. (1991). ''Bluesland: Portraits of Twelve Major American Blues Masters''. New York: Penguin Group. 253 + [2] pp. .


External links

*
The American Folklife Center's Online Collections and Presentations

The Blue Shoe Project – Nationwide (U.S.) Blues Education Programming

"The Blues"
documentary series by Martin Scorsese, aired on Public Broadcasting Service, PBS
The Blues Foundation

The Delta Blues Museum


nbsp;– Smithsonian Institution lesson plan on the blues, for teachers
American Music
Archive of artist and record label discographies {{Authority control Blues, African-American music Radio formats Jazz terminology African-American cultural history American styles of music 19th-century music genres 20th-century music genres Musical improvisation Popular music