A Singspiel (; plural: ; ) is a form of German-language music drama, now regarded as a genre of

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...

. It is characterized by spoken

dialogue Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is c ...

, which is alternated with ensembles,

song A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetitio ...

ballad A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ...

s, and

aria In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...

s which were often

strophic Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, ...

, or folk-like. Singspiel plots are generally comic or romantic in nature, and frequently include elements of

magic Magic or Magick most commonly refers to: * Magic (supernatural), beliefs and actions employed to influence supernatural beings and forces * Ceremonial magic, encompasses a wide variety of rituals of magic * Magical thinking, the belief that unrela ...

, fantastical creatures, and comically exaggerated characterizations of good and evil. __TOC__

History

Some of the first Singspiele were

miracle play Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the represen ...

s in Germany, where dialogue was interspersed with singing. By the early 17th century, miracle plays had grown profane, the word "Singspiel" is found in print, and secular Singspiele were also being performed, both in translated borrowings or imitations from English and Italian songs and plays, and in original German creations. In the 18th century, some Singspiele were translations of English

ballad opera The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its dist ...

s. In 1736, the

Prussia Prussia, , Old Prussian: ''Prūsa'' or ''Prūsija'' was a German state on the southeast coast of the Baltic Sea. It formed the German Empire under Prussian rule when it united the German states in 1871. It was ''de facto'' dissolved by an em ...

n ambassador to England commissioned a translation of the ballad opera ''The Devil to Pay''. This was successfully performed in the 1740s in Hamburg and Leipzig. A further version of this was made by

Johann Adam Hiller Johann Adam Hiller (25 December 1728, in Wendisch-Ossig, Saxony – 16 June 1804, in Leipzig) was a German composer, conductor and writer on music, regarded as the creator of the Singspiel, an early form of German opera. In many of these operas ...

and C. F. Weiße in 1766 ('' Der Teufel ist los oder Die verwandelten Weiber''), the first of a string of such collaborations which led to Hiller and Weisse being called "the fathers of the German Singspiel."''

Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theo ...

'' (1980 edition), "Ballad opera." French operas with spoken dialogue ('' opéras comiques'') were frequently transcribed into the German and became very successful in Vienna in the late 1770s and early 1780s. By contrast, German translations of contemporary Italian ''

opere buffe ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...

'', which were quite successful in England and France at the time, were significantly less frequent. Singspiele were considered middle-to-lower class

entertainment Entertainment is a form of activity that holds the attention and interest of an audience or gives pleasure and delight. It can be an idea or a task, but is more likely to be one of the activities or events that have developed over thousa ...

– as opposed to the predominantly aristocratic genres of opera, ballet and stage play – and were usually performed by traveling

troupe Troupe may refer to: General * Comedy troupe, a group of comedians *Dance troupe, a group of dancers ** Fire troupe, a group of fire dancers * Troupe system, a method of playing role-playing games * Theatrical troupe, a group of theatrical perform ...

s (such as the Koch, Döbbelin and Koberwein companies), rather than by established companies within metropolitan centers.

Mozart Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...

wrote several Singspiele: ''

Bastien und Bastienne ' (''Bastien and Bastienne''), K. 50 (revised in 1964 to K. 46b) is a one-act singspiel, a comic opera, by Wolfgang Amadeus Mozart. ' was one of Mozart's earliest operas, written in 1768 when he was only twelve years old. It was allegedly commi ...

'' (1768), ''

Zaide ''Zaide'' (originally, ''Das Serail'') is an unfinished German-language opera, K. 344, written by Wolfgang Amadeus Mozart in 1780. Emperor Joseph II, in 1778, was in the process of setting up an opera company for the purpose of performing ...

'' (1780), ''

Die Entführung aus dem Serail ' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Di ...

'' (1782), ''

Der Schauspieldirektor ' (''The Impresario''), K. 486, is a comic ''singspiel'' by Wolfgang Amadeus Mozart, set to a German libretto by Gottlieb Stephanie, an Austrian ''Schauspieldirektor''. Originally, it was written because of "the imperial command" of the Holy Rom ...

'' (1786), and finally ''

Die Zauberflöte ''The Magic Flute'' (German: , ), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a ''Singspiel'', a popular form during the time it was written that includ ...

'' (1791). E. T. A. Hoffmann, who admired him, composed Singspiele, such as ''

Liebe und Eifersucht ''Liebe und Eifersucht'' (''Love and Jealousy'') is a ''Singspiel'', an opera with spoken dialogue, in three acts by the German composer and author E. T. A. Hoffmann, composed in 1807 on his own libretto based on the translation by August Wilhelm ...

'' in 1807. In 1927,

Kurt Weill Kurt Julian Weill (March 2, 1900April 3, 1950) was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fru ...

created a new word, "Songspiel", to describe his work ''

Mahagonny-Songspiel ''Mahagonny, ein Songspiel'', or ''Mahagonny, a song-play'', was written by composer Kurt Weill and dramatist Bertolt Brecht and first performed with that title and description in 1927. Elisabeth Hauptmann contributed the words to two of its song ...

''.

References

Notes Sources *

Barbara Russano Hanning Barbara Russano Hanning (born 1940) is an American musicologist who specializes in 16th- and 17th-century Italian music. She has also written works on the music of 18th-century France and on musical iconography. Education and career She earned ...

Donald Jay Grout Donald Jay Grout (September 28, 1902 – March 9, 1987) was an American musicologist. He is best known as the author of ''A Short History of Opera,'' first published in 1947. The fourth edition was published by Columbia University Press in 2003. ...

: ''Concise History of Western Music'', W. W. Norton & Company, 1998. *''

'', "Singspiel."

External links

* {{Authority control Opera genres Opera terminology German music history German literature