Semiotics
Semiotics (also called semiotic studies) is the systematic study of sign processes (semiosis) and meaning making. Semiosis is any activity, conduct, or process that involves signs, where a sign is defined as anything that communicates something, ...
is the study of
meaning-making on the basis of signs. Semiotics of photography is the observation of
symbolism
Symbolism or symbolist may refer to:
Arts
* Symbolism (arts), a 19th-century movement rejecting Realism
** Symbolist movement in Romania, symbolist literature and visual arts in Romania during the late 19th and early 20th centuries
** Russian sy ...
used within
photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed i ...
or "reading" the picture. This article refers to realistic, unedited photographs not those that have been manipulated in any way.
Roland Barthes
Roland Gérard Barthes (; ; 12 November 1915 – 26 March 1980) was a French literary theorist, essayist, philosopher, critic, and semiotician. His work engaged in the analysis of a variety of sign systems, mainly derived from Western popula ...
was one of the first people to study the semiotics of images. He developed a way to understand the meaning of images. Most of Barthes' studies related to advertising, but his concepts can apply to photography as well.
Denotation
Denotation
In linguistics and philosophy, the denotation of an expression is its literal meaning. For instance, the English word "warm" denotes the property of being warm. Denotation is contrasted with other aspects of meaning including connotation. For inst ...
refers to the meaning hidden in symbols or images. A denotation is "what we see" in the picture or what is "there" in the picture.
According to author
Clive Scott, this is another way of saying that a photograph has both a signified and a referent, is both coded and encoded. This is to re-emphasize the co-existence of the iconic and idexical.
In photography the photo itself is the signifier, the signified is what the image is or represents.
The literal meaning of the image.
Connotation
Connotation (Semiotics) is arbitrary in that the meanings brought to the image are based on rules or conventions that the reader has learnt. Connotation attaches additional meaning to the first signifier, which is why the first signifier is often described in multiple words that include things like camera angle, color, lighting, etc.
It is the immediate cultural meaning from what is seen in the picture, but not what is actually there.
Connotation is what is implied by the image.
Coded iconic
According to Roland Barthes the coded iconic message is the story that the image portrays. This message is easily understood and the images represent a clear relationship.
The "reader" of the image applies their knowledge to the encoding of the photo. An image of a bowl of fruit for example might imply still life, freshness or market stalls.
Noncoded iconic
Noncoded iconic is another part of Barthes' theory of understanding images. Noncoded has nothing to do with the emotions from the image as a whole. It is the "literal" denotation, the recognition of identifiable object in the photograph, irrespective of the larger societal code.
Using the bowl of fruit example, this photograph is just that, a bowl of fruit. A non-coded iconic has no deeper meaning, the image is exactly what it shows.
See also
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Advertising
Advertising is the practice and techniques employed to bring attention to a product or service. Advertising aims to put a product or service in the spotlight in hopes of drawing it attention from consumers. It is typically used to promote a ...
*
Art history
Art history is the study of aesthetic objects and visual expression in historical and stylistic context. Traditionally, the discipline of art history emphasized painting, drawing, sculpture, architecture, ceramics and decorative arts; yet today, ...
*
Visual communication
References
Further reading
Burgin, V. Thinking PhotographyChandler, D. Semiotics: The BasicsInnis, Robert E., Semiotics: An Introductory AnthologySemiotics of Photography
{{Roland Barthes
Photography
Semiotics