Sean Kenny (theatre Designer)

Sean Kenny (23 December 1929 – 11 June 1973) was an Irish theatre and film scenic designer, costume designer, lighting designer and director.

Kenny was the set designer for the musicals of Lionel Bart including ''Oliver!'', '' Lock Up Your Daughters'' and ''Blitz!''.

Life

Kenny was born in Portroe, County Tipperary, Ireland in 1929. While he was an architecture student, aged 20, Kenny and three others sailed from Ireland to New York in a 36-foot sailboat, the ''Ituna'', in 1950.

Kenny was a contributor to The Establishment, a standup satire and jazz club in London founded by Peter Cook and Nicholas Luard. In the 1960s, after the workday, Kenny and his staff often made the short trip of a few steps across Manette Street from his design studio into the back door of The Pillars of Hercules.

In 1966, Kenny married model Judy Huxtable. She later described him as "regularly unfaithful", and left him to marry Peter Cook.

Following his divorce, Kenny lived with the actress Judy Geeson until his sudden death from a heart attack and brain haemorrhage at the age of 43. In ''Stoned'' by Andrew Loog Oldham, Oldham pays tribute to Kenny as one of the brilliant and original minds working in London theatre in the 1960s, particularly for his work on Lionel Bart's musicals ''Oliver!'' and '' Lock Up Your Daughters''.

In ''Stoned'', Kenny's partner Judy Geeson pays this tribute to him: "Sean had an unusual combination of abilities: he had the creativity to dream up a design. But he also had a brilliant engineer's brain so he didn't only dream it, he knew how to make it."

Design style

Kenny collaborated with the author and director to make the scenery contribute so significantly to the production that the scenery became a character in the play. Theatre impresario Cameron Mackintosh wrote about Kenny's designs for ''Oliver!'': "A lot of the original 1960 production had been written during rehearsal to accompany the working of Sean Kenny's set, as ''Oliver!'' has an episodic story that requires quick and varied changes of locale."

Peter Roberts wrote in ''Plays and Players'' about Kenny's design for the inaugural production of ''Hamlet'' for the National Theatre at The Old Vic theatre in 1963: "The scenic shorthand of Sean Kenny's revolving set has all the vigour and unfussy force of O'Toole's performance in the title role...From a practical point of view it enables the director to deploy his cast three-dimensionally, in height as well as across the stage and enables scene changes to be effected rapidly and practically." December 1963.

For each production, Kenny invented what he called a "frame", as in framework or scaffold or skeleton. For productions with small budgets, the frame would be stationary and for productions with large budgets the frame would be dynamic, moving. In ''Oliver!'' the frame consisted of multi-level scaffolding built on a rotating turntable and two rotating side wagons, properly called ring fragments, that followed the curve of the turntable. In ''Pickwick'', the frame was four multi-level scaffolds on wagons that could move in any direction, like four rolling houses. For ''Blitz!'' the frame was four multi-level scaffolds on rolling wagons and two towers that rolled up and down stage, connected by a bridge that raised and lowered while the towers were moving. In each production this frame provided the different spaces, entrances, levels and playing areas needed by the script and by the action.

"... his influence on British stage design is incalculable. His imagination in the high tech use of modern theatrical technology, paved the way for all the British musical extravaganza which followed."

Projects

Incomplete list:
* 1957 ''The Shadow of a Gunman'' (revival)
* 1958 '' The Hostage'' (première Joan Littlewood's Theatre Workshop at Theatre Royal Stratford East)
* 1959 ''Cock-a-Doodle Dandy'' (Royal Court Theatre)
* 1959 Mermaid Theatre (Art Director)
* 1959 '' Lock Up Your Daughters'' (Mermaid Theatre)
* 1960 ''The Lily-White Boys''
* 1960 ''Oliver!'' (scenic design, costume design)
* 1960 ''Riders to the Sea'' (BBC film)
* 1960 ''Chin-Chin'' (Wyndham's Theatre, London)
* 1961 ''Romeo and Juliet'' (Royal Shakespeare Company, Royal Shakespeare Theatre – Stratford-upon-Avon, Sir Peter Hall (director))
* 1961 '' The Devils'' (première, Royal Shakespeare Company, Aldwych Theatre, London)
* 1961 ''Altona'' (Jean-Paul Sartre) (Royal Court Theatre)
* 1961 ''The Miracle Worker'' (London)
* 1962 ''Stop the World – I Want to Get Off'' (Broadway)
* 1962 ''I Thank a Fool''
* 1962 ''King Priam'' (scenic and costume design, Covent Garden Opera Company, Royal Opera, London)
* 1962 ''Blitz!''
* 1962 ''Uncle Vanya'' (Chichester Festival Theatre with Michael Redgrave and Laurence Olivier)
* 1962 ''I Thank a Fool'' (film)
* 1963 ''The Beggar's Opera'' (Royal Shakespeare Company, Aldwych Theatre, London)
* 1963 '' Pickwick''
* 1963 ''Uncle Vanya'' (film with Michael Redgrave and Laurence Olivier)
* 1963 The Old Vic renovations for the Royal National Theatre
* 1963 ''Hamlet'' (at the Old Vic for the Royal National Theatre)
* 1965 ''Maggie May''
* 1965 ''The Roar of the Greasepaint – The Smell of the Crowd''
* 1965–1966 Casino de Paris, (Dunes, Las Vegas, Nevada)
* 1966 ''Stop the World – I Want to Get Off'' (film)
* 1966 ''Der fliegende Holländer'' (scenic and costume design, Covent Garden Opera Company, Royal Opera, London)
* 1967 Historical Section of the British Pavilion, Expo 67, Montreal, Canada
* 1967 The Gyrotron (1967–1981 La Ronde, Expo 67, Montreal, Canada)
* 1967 '' The Four Musketeers'', (Theatre Royal, Drury Lane)
* 1968 ''Gulliver's Travels'' (Mermaid Theatre, author, producer, scenic design, director)
* 1969 ''Les Noces'' (Royal Swedish Ballet for Jerome Robbins)
* 196
Gardner Arts Centre archive at the University of Sussex
* 1970 ''Peer Gynt'' (Chichester Festival Theatre)
* 1970 ''Here are Ladies'' (Siobhán McKenna's one-woman show)
* 1972 ''Clownaround'' (scenic, costume and lighting design for Gene Kelly)
* 1973 ''The King of Friday's Men'' (Abbey Theatre, Dublin)
* 1973 ''Juno and the Paycock'' (Mermaid Theatre) (scenic design, director)
* 1973 New London Theatre inspired by the Total Theater designed by architect Walter Gropius for director Erwin Piscator

Awards

* American Theatre Wing Tony Award
* The American Theatre Wing's Tony Awards 1963 Winner, Best Scenic Designer, ''Oliver!''
* The American Theatre Wing's Tony Awards 1965 Nomination, Best Scenic Designer, ''The Roar of the Greasepaint – The Smell of the Crowd''''The Roar of the Greasepaint – The Smell of the Crowd'' profile at IBDb
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References

External links

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Sean Kenny Archive 1959-1973
and other holdings of the National Art Library, Victoria and Albert Museum

1963 photograph of Kenny in his office on Manette Street in London
held at the National Portrait Gallery, London

MP3 audio file interviews with Sir Noël Coward, Albert Finney, Peter Hall, Sean Kenny, Siobhán McKenna, Harold Pinter, Dame Sybil Thorndike, Kenneth Tynan, Peter Ustinov. Argo, 1962

Stage set for the J.C. Williamson production of ''Oliver!'' overall view

Stage set for the J.C. Williamson production of ''Oliver!'', the undertaker scene

Sean Kenny holdings at the University of Bristol Theatre Collection

Getty Images 1964 photograph of Sean Kenny
talking with Alun Owen. In the cartoon on the wall Mr. Kenny satirised his own design for the mechanised stage at the Dunes Hotel in Las Vegas, which was nicknamed "The Octopus."

{{DEFAULTSORT:Kenny, Sean
1929 births
1973 deaths
Irish scenic designers
Opera designers
Tony Award winners